To The Sea

Armal, Asturias, Spain, 1898

There was no wedding. If I could’ve done anything differently, there would’ve been a wedding. A wedding with a gown, many guests, dancing, food and music. All my friends were as disappointed as I was. They’d been planning my wedding since before I had turned ten. The same with me for all of them.

No wedding. Instead, these documents.

I sign my name, and everyone bursts out in applause and singing. It is not much of a wedding ceremony, signing a piece of paper, but when José and I are an ocean apart, what can we do?

It is raining. Again. The muddy ground and chilly air gives me a headache. But there is something in my hand that separates this rainy day in Asturias from any other. To some people it may only look like a piece of paper, but to me it is my life.

A ship ticket.

“I wish you didn’t have to go, Eloisa,” my mother says, handing me my cloak. Poor Mamá. She had everything set on me marrying Luis, who is in Armal like us. Instead I go overseas, to Puerto Rico. “There’s still time…”

“No, Mamá.”

She sighs, and I tie the cloak around my neck. The journey across the sea will be long and tiresome in of itself, but today I leave my house, my siblings, and all my friends with their weddings and parties. Are there parties in Puerto Rico? Will I have friends? For as much as I’ve been longing to leave Spain, I feel a pang as I glance around my little house.

“Safe travels,” my sister Carmen says.

“Gracias.” I kiss her on the cheek, and she wraps her arms around me.

“How I will miss you,” she murmurs.

“And I you, Carmen.”

We break apart.

“They are improving the ships,” my father says. “Soon a voyage will not be long. We will come visit you, Eloisa. Do not doubt it.”

And with that, he turns the doorknob, and I leave the house.

San Juan, Puerto Rico, 1911

I cannot imagine my other life. I cannot imagine life without José, without the children, and I cannot imagine life away from Puerto Rico. Today is the anniversary of our “wedding.” With Mercedes in my arm, I open the door to my husband’s shop, which he shares with his brother Bernardo. The smell of foods imported from Spain mingle delightfully in the air.

“My husband has bought the smells of Spain to Puerto Rico on a warm summer’s day,” I announce, since he is not busy with a customer.

“Eloisa!” he says. “And Mercedes! Whatever are you doing here in the middle of the day?”

“But it is not just any day, José. It is our anniversary. Do you not remember?”

A smile creeps across his face.

“Of course I do,” he says.

“I thought you might be able to come off work a little early.” I smile at him teasingly. “For a little party, no?”
“One thing I’ve learned about you, Eloisa, is that nothing you say is ‘little,’ especially when it comes to parties.” But José is not exasperated; he is preoccupied. He sits down on a crate. “Eloisa, I must tell you something.”

The smile fades off my face, and his.

“What?” I ask, the word sounding as a breath rather than a word.

“Bernardo is leaving.”

 His words send my vase of a life in Puerto Rico into shatters. “Leaving? But why?”
 
“He wishes to return to Spain,” says José. I cannot say I blame him; I cannot remember the sight of my mother’s face.”

“We aren’t leaving.” It is a statement, not a question. “We can’t leave – you love it here! No?”

“I do love it here,” he says quietly. “I do.”

“Then?”

“We will not leave,” he says with a decidedness that helps me to let out my breath. “I am taking over the business; he has sold his share to me and it will continue to be profitable, I am sure. Do not worry, Eloisa. We will stay.”

The party lasts late into the night, but the children fall asleep early. Bernardo, José, and all our friends in Puerto Rico eat the foods I prepared; and our celebration sways between talking, eating, drinking, and dancing. At one time, José lifts me in the air, and we swing around and around.

Still Bernardo lingers in the backdrop, not physically, but in my mind. He and José have not been home for many years. I see the image of Mamá in my minds’ eye, and Carmen and all my friends in Armal, but my link to them lies in the letters they send me. Will I one day leave Puerto Rico, one day when the letters have yellowed and the faces blur?

Miramar, Puerto Rico, 1913

To see the sea! Now this is paradise. Holding Mercedes’ hand in mine, the other children behind us, I throw open the doors to the balcony. The sea, the glorious sea sparkles at us. Antonio, the oldest, grasps the railing.

“Imagine, the sea whenever we want it,” I whisper, almost to myself. “Miramar. To see the sea.”

José steps onto our balcony. “Beautiful, isn’t it?”

“Yes,” I say. “Thank you – “

He shakes his head. “You found this place all by yourself, Eloisa, and I am so glad you did.” He kisses me on the forehead.

“I want to see too!” Luisa says, jumping up and down. Rosario crouches down to peek between the bars.

“But you are looking at it, right now,” I say. “See, the sparkling blue out there? That is the sea.”

That is the sea, I write in a letter to Carmen. The blue expanse that looks like a precious jewel, it sparkles so brightly in the sun’s light. Back in Armal, we are enclosed by mountains.

The door opens and Antonio, Little José, Rosario, and Luisa burst wildly into the house. I smile at them. “How was school?”

“Good,” Antonio says. Little José nods.

“We learned a new letter!” Luisa pipes up.

“I can sing a song!” says Rosario.

When they leave, I turn back to my letter:

And we have schools here too, Carmen. The children go every day and learn new things.  José is well, and …
 
As if my words summoned him, José walks in the door. He has a strange look on his face, one I have not seen before. He sits across from the table where I have been writing, and looks me in the eye. “Eloisa, listen to me.”

And I listen.

It does not matter, I had told José. As long as we find time enough together over the next few years, I will be happy. It does not matter at all.

But of course it matters. It matters to learn that your husband is going to die.

I throw open the balcony doors, and I breathe in the Puerto Rican smell I love so much, the smell we will leave behind when my husband wants to go back to Spain and see his family. I think of how selfish I am, and I cry.

I wish he wanted a funeral. A big funeral with lots of people, singing, talking and prayers. Instead, he wants a quiet service for just the family. And of course I do not argue with my husband over his wishes. It frightens me to have to discuss this with him.  

“Mamá?”

It is Luisa.

“Yes?” I worry my voice will crack with emotion.

“When are we leaving?”

“Leaving?”

“You know. For Papá. Spain.”

I sit on my bed. “Next week. We have the ship tickets, and we will be leaving early in the morning.”

Luisa sits down next to me.

“I don’t want to leave,” she says. “And I don’t want Papá to leave either.”

“Neither does anyone, Luisa,” I murmur. I want to say something more to comfort her, but instead of words, there are tears.

At the port a week later, I catch my last glimpse of the sparkling sea. I wonder if José sees it too. I do not ask. He has gone silent. Where once he was laughter and parties and the business, he is now a kind of statue. I want to say something, to wave a magic wand and cure him, but I am helpless.

We board the boat. When the children are eating, somewhat occupied, José waves me over.

“I’m sorry, Eloisa,” he says. “I know you don’t want to go back.” He takes a deep breath. “You and the children can leave after the service. But it’s important to me, to see my family one more time before… “

And then I am crying. “Don’t say it; it sounds like you’ve given up hope. I am selfish. I’m so sorry… ”

The boat rocks and jerks against the Atlantic Ocean.

Castropol, Asturias, Spain, 1913

I had never been to Castropol. I lived my whole life in Spain mostly in Armal, but José is from Castropol. And so now here we are, in Castropol by the sea, just as the winter weather sets in. It is damp, cold, rainy, just as I remembered Spain, and the wind makes a lonely, howling sound. But José is embracing his brother. “Bernardo! Oh, I missed you…”

His mother stands to the side, and when José lets go of Bernardo, they embrace.

“What do we do, Mamá?” Luisa whispers to me, her forehead creased. “We don’t know these people.”
 
“No, but they are family,” I remind her. “That is your grandmother.”

  “She is?” Luisa asks.

  I nod. “And you have more family, in Armal, where we will visit soon enough.”

  “Eloisa!” José’s mother calls out. “Oh, it is good to see you! And the children too – such, bright, happy faces…”

If anyone passed by, they would think it was a family reunion, but I glance over at José, and I remember the real reason we are here.

The winter holidays slip through my fingers like water through a sieve. All I can think about is José, and: is this his last holiday? The words make my stomach hurt. He travels Asturias like I don’t think he would have otherwise. We leave Castropol. We see Ovideo, Gijón, and Aviles. The children come with us, enthralled. Even the little ones seem to comprehend somewhat.

One day we stop by a mountain range.

“There,” José says.

“There what, Papá?” Antonio asks, which is what I was going to ask.

“This is where we come from,” José says. “This is what I wanted to see. This is Asturias. This is home.”

I remember how glad I was to leave Asturias. I never thought of it as “where I come from.” But it is true. My throat is tight with emotion.

 “I love it here,” Luisa says.

Everyone agrees.

Castropol, Asturias, Spain, 1917

There is no funeral. The way he wanted it. In the days following his death, it is the way I wanted it as well. I cannot think of the funeral like a party. I need to cry. I need to remember.

I do not notice the cold, the wind, or the rain. In general, I do not think about where I am, where I come from, and where I want to be.

The children cry. I think. I hardly notice. José’s mother takes care of them. I walk outside, a misty haze drifting through the tips of the mountains.

I complained. I wanted a big wedding. A big funeral. To stay in Puerto Rico. But I loved him. I loved him without a big wedding. I loved him without a big funeral. I loved him if we were in the mountains of Asturias or seeing the sea from our house in Miramar. And did I ever tell him that?

Hours pass. How many, I do not know. I wrap my quilt around me for warmth. And then the question comes to me, the question I do not want to answer.

Now where do we go?

Armal, Asturias, Spain, 1918
 
As the days passed, the option of leaving became clearer in its ridiculousness. The Great War had broken out soon after we arrived. All we could do was to hope that the war would not come to Spain, and it did not – Spain stayed neutral.

And now the war is over. Just as I can allow myself to see the sea again in my mind, this offer from Mamá.

“Stay in Spain with us, Eloisa. You and the children. Please… we missed you in Puerto Rico.”

I do not want to stay.

It is drizzling a little today, which is not a surprise. I take a picnic basket and call the children – who are now not so much children as they were when we arrived – to the mountain range José showed us in our travels.

“Your grandmother has offered – ” I begin.

“I heard,” Antonio said. “She told me as well.”

Silence.

“There is a better life for us in Puerto Rico,” I say. “An education for you children. Your father’s business, carried on. A view of the sea…” I try to smile.

“But Mamá, Abuela is not young,” Little José says, and the other children nod their agreement. “When she is… you know… will we have to come back?”

I take a breath. This is a possibility. “Maybe,” I admit.

“And then Abuelo? And your uncles, and aunts, and how will we ever see them again?”

Luisa’s voice brings back a memory, a memory of when Bernardo left. He had not seen his family in years, and he couldn’t stay in Puerto Rico, no matter how beautiful. For the first time, I feel a flicker of doubt. Is it wrong to leave my family for where I would be happier?

And then the answer comes to me.

“Maybe,” I say. “It is important to know who came before us. But it is also important to carve a path for those coming after us, and their future. And I believe that the path is in Puerto Rico.”

There is another silence.

Then – “Can we see the sea?” – from Mercedes, who had heard me talk of our home in Miramar.

I nod. “We’ll buy a place near the sea again.” And with those words, I feel hope rising in me.

Author’s Note: ‘To See the Sea’ was based on the true experiences of my great-great-grandmother, Eloisa Castrillón Infanzón. Though I have fictionalized the story to make it richer, I believe I have not changed the basic facts.  Soon after the family returned to Puerto Rico, Eloisa died at age forty-eight, in 1926. I am the great-granddaughter of her youngest child, Mercedes.

Lena is a fourteen-year-old Philadelphia homeschooler who loves writing, reading, spelling competitions, and pretty much anything that has to do with language and literature. I have really enjoyed participating in the “Teen Lit Magazine” workshop at the Musehouse Literary Arts Center in Germantown and am excited to be published in Philadelphia Stories Jr.!

My Cat

I am
Black Gray and
White
I am indoor cat
I meow and purr
I like treats and cat food
I am fat
I like to watch squirrels
When I look at a squirrel
I HISS!
I am Riley the cat


Matthew McHugh is from Medford Lakes, NJ, and he likes playing soccer. His school is Neeta School and he is 8 years old.

African Weave

“Hurry, Tibira! I want to get there quickly!” Niki’s voice echoed through the serene white noise of the forest.

“Niki, you want to get everywhere quickly!” I replied, quickening my pace to catch up with her.  “Maybe, but this is different! We are going to Ife! We are going to the place where the world began, and we are going to learn how to weave! How can you stand to move so slowly?” she said, stopping as I caught up with her.

    I paused a moment to look at her. She had stopped directly in one of the scarce patches of sunlight that penetrated the trees. It was highlighting her perfectly; her dark skin, her faded blue work wrapper slightly askew from running, and her wide, cocked grin that seemed permanently etched on her round face. Suddenly I couldn’t help but smile. “I am taking time to appreciate the forest! It is so beautiful here, it will be good to enjoy the peace before we must face the business of Ife,” I said, chuckling.

“Oh, I give in. You are right. Ife isn’t going anywhere,” she sighed. “But if we are appreciating the forest, let us appreciate Iya Mapo, Mother Earth, as well.”  Without another word, we both began to sing together: “Iya Mapo, Iya Mapo,” our song a sacrifice to the divinity as we walked through the forest.     Eventually, the forest began to thin, giving way to farms, and we stopped singing. We began to see more and more people, some carrying goods, some going to tend their farms, and the occasional person traveling, just as we were. Then suddenly, our path ended, and we stopped. It was then that we saw it. The gate to the Holy City of Ife.  When we approached the gate, we were confronted by the guards. We gave them some of the cowry shells we had brought, paying our tax to the Oba, and stated our reason for being there: to ask Niki’s grandmother, Tanti, to teach us to weave. They let us through.  I wondered how they knew who to let past, but decided that there would be time later to ask someone about it.  As soon as we walked in, we almost immediately began to feel overwhelmed. The sun glared in our eyes, and the city was so hot, and it felt even hotter after having been in the cool forest. The sheer number of people there was dizzying. The streets were fairly packed, and, with so much to take in all at once, combined with the heat and the glare of the sun, we quickly began to feel tired. We only just barely noticed the scenery. The shrines, the compounds, the murals; they all went by in a blur. However, we managed to remain alert enough to find our way. The city was complex, but before we had left our small village, we had spent much time committing the route to Tanti’s compound to memory. Finally, after what seemed like forever, we reached our destination: the weaver’s compound. It was a large compound, and the outside was a white background, decorated with colorful lines, which represented different entities. We opened the gate, and walked into the courtyard, which was paved in an intricate pattern of spirals and waves. Neither of us was sure what this represented. There were a few goats and chickens roaming around, and there were many beautifully carved and painted posts that held up the roof. There was a shrine to a divinity in another room. Ahead, there was a second doorway leading to another courtyard.        As we walked into the second courtyard, we saw a young man who looked to be around fifteen. He was sitting in the middle of the courtyard. He looked up as soon as he heard us.

“Niki! Tibira! You are here. Grandmother has been expecting you,” he said.  I realized that this must be Eyodun, one of Grandmother Tanti’s son-in-laws. He walked out of the second courtyard and into a separate room. Sitting in front of a loom and weaving sat Tanti.

“Excuse me, Mother, Niki and Tibira are here,” Eyodun said respectfully, bowing. Tanti’s smiling face peered out from behind the loom, her dark eyes glittering with happiness.

“Niki! Tibira! It is good to see you again! It has been a long time since I have visited your village, but it seems that this time we meet in my home. Have you been enjoying your time in Ife so far?” she asked, maintaining her wide grin.

“Yes, Grandmother,” we both answered, bowing deeply.

“Good, good. But you must be tired from your journey! Eyodun, would you please show these two to their room? Then they can wash up, and we can show them around the compound,” Tanti said.

“Yes, Mother. Come with me, please,” he asked us, bowing once more to Grandmother before leaving the room. A long time later, after we had seen the compound, washed, eaten, and settled in, I sat on my mat, going over the day’s events. I could hardly believe we were really in Ife! And with my best friend! It was like a dream come true. Niki and I had always wanted to learn to weave, but we lived in a small village with no weavers and only obtained cloth through trade.  Becoming the talented weavers we wished to become was a very unlikely prospect.  Then, one day, a messenger had come from Ife, saying that two of Tanti’s apprentices had left the compound to move to another village, and we were invited to come to the weaver’s compound in Ife in two months time to learn to weave.  It was better than anything we could have hoped for. Tanti was one of Ife’s most talented weavers, and it was almost more than we could bear to wait the two months.

But now we were here, and we were settled, we were ready, and tomorrow, we were going to start to learn how to weave. I lay down on my mat, smiling. It really had been an eventful day.     The next morning, I woke up to the shrill voice of Niki’s seven-year-old cousin, Duni, ringing in my ears.

“Elders! Niki! Tibira! Wake up! Grandmother wants to see you!” she yelled as she ran back and forth, alternately shaking us. Grunting sleepily, I opened my eyes and groggily rolled over to see her shaking Niki, who was covering her head and whining in irritation at the rude awakening. Duni turned to face me, leaving Niki to continue to hide from the bright sun streaming through the windows.     “Ah! Elder! You are awake,” Duni said, as though it were a surprise. I stared dumbly at her for a moment, collecting my thoughts. She was big for a girl of seven, almost the size of a ten year old, and very smart as well. Her blue work wrapper hung loosely around her small form, thin but strong. Her unusual, bright, copper-colored eyes stared at me eagerly as she tilted her head, waiting for a response.      She will make someone a good wife someday… I thought, my mind wandering.

“Yes, Duni. I am awake,” I said after a long pause.

“Grandmother wants to see you and Niki,” she said in her bouncy, cheery way.

“Alright. Niki, wake up!” I called over at her sleeping form.

“Please, just five more minutes…” she groaned.

“No, Elder! Grandmother must see you now!” Duni retaliated.

“Yes,” I joked. “You must do what Oba Duni says!”   That woke Niki up.

“Tibira! Do not joke like that, it is disrespectful!” she cried.

“You are right, I am sorry,” I responded.  A few minutes later, Niki and I had gotten up and washed, and were standing outside Grandmother’s room.

“Grandmother? You wanted to see us?” Niki called in.

“Yes, yes. Please, take a seat,” came Tanti’s voice from inside.  We walked in, bowed, and sat down.

“What did you want to talk to us about, Grandmother?” I asked.

“Well, you see. I have been thinking about your weaving. You both look very talented, and I think you would make excellent weavers, but…” I held my breath.     “…I think we should speak with the Babalawo first, to see if this is the right path for you two.”  I inwardly sighed in relief.     “That is a good idea, Grandmother,” Niki said quietly.

“Thank you. So then, you two get ready, and we will head off as soon as you are done,” Tanti said.  After some light preparations, we were once again walking through the streets of Ife, but this time our destination was the Diviner’s compound.  I felt so worried, and even in the warm morning sun, I was shivering. It was just a yes or no question, a simple toss of the Diviner’s kola nuts, but what if they landed dark side up? What if the answer was no? We would be crushed. Niki and I had wanted to learn to weave since we were both very small, and now we had come so close. But what if it was all in vain? I did not know. The fear of the worst happening wrapped itself around my heart like a cold hand.

We were finally there. We walked inside, and sat down on the floor. The Diviner sat in front of us, on a brightly colored mat. He was wearing all white, symbolizing the bloodless sacrifice.  I threw a brief glance at Niki, and, judging by the look on her face, she was feeling as tense as I was about our fate. I only saw Grandmother give the Babalawo the cowries, and I watched her lips move as she explained our situation, but I heard nothing. I just kept repeating a little prayer over and over in my head, “Please let the answer be yes, please let the answer be yes.”  I shut my eyes tight as the Diviner began the brief ceremony, as if my not seeing it would prevent the bad result I feared was coming.  My hands were balled against my knees, and I shut my eyes tighter and tighter, scared of what the answer would be, until suddenly…

“Yes.”

I opened my eyes.

“The answer is yes. This is the correct path for you,” the Diviner said solemnly.  I could have jumped up right there and hugged Niki, but I managed to contain myself, silently thanking every divinity I could think of for their kindness. Grandmother Tanti nodded.

“This is good news for you girls,” she said, smiling. After we had left the Diviner’s hut, and were walking back through Ife, Niki and I were doing our best to act composed, but we would give each other overjoyed looks as soon as Grandmother Tanti wasn’t looking. Suddenly, Tanti stopped.

 “Congratulations, girls. It will be hard work, but I will teach you all I know, to the best of my ability. When we get back to the compound, we will begin your lessons on how to weave,” she said.   Niki and I grinned at each other again. It was the start of a good day, and an even better career.

Aislind Waters is 12, in sixth grade, and loves to write descriptive stories, poetry, and song lyrics. She also loves reading and drawing, and lives with her mother, younger brother, and her two cats. She had read many book series, including The Hunger Games, A Series of Unfortunate Events, Harry Potter, Tunnels, and all 21 Redwall books. 

Prodigy

Falling. Falling into darkness. It won’t end. There is no end. I keep going. The wind makes my spine crawl. I feel my heart beating. It’s in my throat. I clench my fists. Force a smile on my face. When the bottom comes I want to be…

            I jolt. This room, its full of light. I’m back. It was just a dream. But it felt so real. I could feel myself plummeting down.

Why is it so silent? Not a whisper being spoken nor a footstep placed. Mom should be home, its Sunday. Dad doesn’t go to work on Sundays until late. There will probably be a note on the kitchen counter written on thin paper with sharpie so it bled through onto the white granite. Mom always does that.

My room is hot, uncomfortably hot. The heat can’t be on, it’s August. I push open the glass window to let the fresh, windy breeze in. But there is none. Just heat.

On the counter, there’s no note. But there is a piece of paper. Scrawled across the paper are notes. Music notes. They aren’t in any pattern though. They just seem to stretch across the page, blown around and left there. As scattered as possible and still on the staff lines.

In the middle of the page there are five words written, barely legible. I know nobody with that handwriting. It reads: Someday soon you’ll understand.

I take it to the piano. Now that I look at it, it’s pretty simple. Only three notes. B, E, and G. Odd combination though. B, E, G. G, B, E. they slowly get softer. Since I started playing, I’ve known of that soft touch. My teacher told me about that talent when I was three. He called me a prodigy. At the time, I had no idea what he meant. A prodigy. It was an interesting word. I just loved to sit down and play. Just let out myself into the keys. That was about the time I refused to talk.

Now they are too soft. I’m not playing it that way. I pound it. nothing. I glide my finger over the key. Nothing. What is happening. The birds stop singing. I need to hear the music. I need it. It’s my air. It’s what I need to breathe. Is it the piano, or is it me. I’m still playing: Painted Glass, the first song I composed. I was four. Instead of getting that rush, feeling the connection, being one with the piano, I feel nothing.

My sight goes blurry. I’m sobbing. I scream. I need to hear something. Anything. My feet lift me. The faucet in the bathroom is on, but I hear no water. Nothing. I can’t hear the creak of the floorboard, I can’t hear the piano. I can’t hear. Looking up, I see a monster. Red face, blue eyes popping out of a head. Wet streaks down cheeks. Crooked teeth.

The piano calls me back. I pound. No song, just notes. Anything. I try the new piece again. B, E, G. B, E, G. Nothing. I hear nothing.

Music is how I speak. Now, I can’t hear what I say.

B, E, G. Someday soon, you’ll understand. B, E, G. Someday soon, you’ll understand.

I need to beg. That means I need to talk. I can’t beg if I don’t talk. But how will I know what to say? How will I know if I sound right? I need to beg to hear.

Who in their twisted mind would do this to me? Who gave me that music? I’m sobbing so hard I feel my body shake.

Wait. I run through the living room into the kitchen, rip all of the papers out of the drawers. I need that prescription, the one Doctor Clay gave me. This is his handwriting on the music. Its undeniable.

He found something. That test he did. He knew something was wrong, but he wouldn’t tell me. How could he? How could he not tell his own patient that she would lose her hearing? How could he do this to me? Is this really Dr. Clay’s way of getting me to talk? Anything else but this. Take away anything, but you take away my music, my hearing then you may as well take away my life.

Maria Dulin is a student at Villa Maria Academy and one of the winners of the first “Teens Take the Park” writing contest.

Oakey

I wrote my first story sitting under the oak tree as tall as the Empire State Building.

            I might have been ten years old, but it’s hard to remember now, three years later. My memory is so fogged, I can’t even remember what the story was about. I have lost so many notebooks over the years, including the one that story was written in. I think it had a kitten on it like most of the school supplies my mom purchased. My handwriting probably was scrawled across the page, erratic. That’s how I was then. Jumping around, running, and playing.

But all that’s beside the point. The point is the oak tree.

            For the past three years, I’ve been going to that oak tree almost every day. I discovered her by happenstance once while my family and I were taking a walk after dinner. At that first walk, maybe a few months before I started dropping by, I hated the oak tree. She was in a little clearing where the sun poked at her body, but even that didn’t enhance her figure. I had to squint to look at her, and that didn’t help either. She was too tall and too wide, too shady and too cool, and far, far, far too ugly and too plain. She needed some care, or a good pruning. If only some cared enough.

            Some kind soul did care enough. One day in March when the weather began to turn lamb-like, we drove past the oak tree. Most of the dead limbs that had blackened with age and disease were gone, lying in a tied bundle beside the curb. Now the oak tree looked polished. I knew she had been there for years, but now she had a certain charm. Before, she was just scraggly. Now she was almost antique. A vintage tree. What a strange, novel idea.

I made it a point to make the walk up to the oak tree sometime that week. The time didn’t come until the weekend, though, and even then it had to be in the evening because of lack of time. The clouds were the color of orange sherbet and the consistency of cotton that day. They looked almost good enough to eat and shaded the meadow, making it just the right amount of cool. Breeze rippled the tall grass and the flaxen heads of wheat bent to reveal golden undersides. The way the blades moved in unison looked like a wave.

My legs ached climbing up the big hill to the tree. I had to see her, I had to. I wanted to try to wrap my arms around her solid trunk and itch my belly against the patterned circumference. I wanted to drink in the sweet, dull smell of buds burgeoning on the thick branches. I wanted to lose myself in the tree’s essence. Somehow the oak tree seemed much more appealing up close. She seemed like the only unique tree in the small, lime green, sunlit meadow because of her enormousness, hardiness, and branches that tended towards the ground. They looked like dozens of human arms with dark, peeling skin.

            I was armed with a pen tucked in my hair like I’d seen journalists do and a notebook only. I planned to draw something, a landscape. Under a tree in a meadow would be the easiest place, I figured. It was submerged in nature and no one would be around. I could be alone.

            At first, the tree loomed high above me like a skyscraper and I was afraid somewhere deep in my heart. When the fear passed, the tree looked like something more. She was not a skyscraper. She looked almost inviting, comfortable. I stayed under her canopy of skeletal branches for as long as I was allowed. I had to be home to do important things like homework, but I promised to visit old Oakey whenever I could. The moments of tranquility I’d experienced with her were an escape. I could go there and not be nagged or bothered by anyone or anything besides the repetitive songs of crickets. It felt good to get away for a little while in a place no one else knew about or could take. The tree was all mine.

            When it rained or was too cold to see the tree, I dreamt about her and wrote about her. I dreamt that someday I would climb high into her branches like a sparrow and sit there feeding off of the tree’s energy and spirit. All trees have a spirit, but the oak tree’s was special in some way. She was content to be alive, thriving, and growing. The oak tree was a kindred spirit.

            Oakey grew more old and gnarled over the three years I visited her. She was starting to lean over like a giant sunflower and her trunk broke out in knobs. I tried to soothe her but I could tell she was aging with alarming alacrity and soon her spirit would be sapped away and carried along her roots. It worried me more than the math test tomorrow.

            Exactly three years to the day I started visiting Oakey, I woke up and felt her crying. It wasn’t the kind of awakening where you roll over and think, I can sleep in five more minutes, no. It was panic. I tore myself out of bed and didn’t bother to get dressed. My fingers fumbled to tie my sneakers in the laundry room. I knew they would get me there the fastest. Oakey’s cries grew louder and more frantic as I started running for her. I cried out and screamed, “Oakey! Hold on, I’m coming.” She didn’t hear me. She was too upset.

            I reached the fence that blocked off the clearing from the road and saw several faded orange trucks lined up on the street. A few men were leaning on an enormous machine that looked like a cement turner. They wore reflective neon lime vests, sunglasses, and hardhats. I clambered over the split rail fence and over the hill that was so steep you had to walk on your toes or else your calves would burn like fire. The grass was still slick from dew and I slipped a few times getting to Oakey, but I made it over the hill.

            A crew of workmen with chainsaw, pulleys, and masks were taking down my tree. They had already cut a sliver out of her left side to make it fall right. The sight churned a muddy panic in my stomach. I was rooted to the spot, much like a tree. I watched as Oakey was taken down, unable to do anything besides. Here was my only private spot that was all mine being robbed away by mean men in ugly vests. I wanted to scream and protest but my tongue was a worm on dry gravel. The chainsaws growled as the men started them and shrieked like firecrackers when they hit Oakey. I couldn’t hear her crying anymore. She was already dead, murdered. The men lassoed high onto her crown to pull her onto the ground and the last string holding her together snapped. 

            She fell like a great ship.

Celeste Flahaven is a student at Villa Maria Academy and one of the winners of the first “Teens Take the Park” writing contest.

Goodbye

“William, you’re running late!” his mother yelled up the stairs.

“I’ll be down in a minute,” Will said, opening his eyes and peeling himself off his bed. He still hadn’t packed; he’d just put off the inevitable.

He strode over to his closet and tried to calm his nerves. Will wrenched open the door, prepared for the usual mountain of junk that came flying out. He winced as his trombone smacked his shins. His mom would be in for a surprise when she came to clean out his stuff. Will pushed the thought aside as he dug through a pile of clothes. Eventually, he found what he was looking for.

He pulled his half-zipped suitcase out from under an old skateboard. God, what was that stench? Will began haphazardly stuffing clothes into his suitcase, not bothering to fold them. He’d lived in Westmouth, South Carolina his entire life. Never once had he left the small town. But now, he was leaving, once and for all. Will couldn’t necessarily say this was how he had expected to leave, and he hadn’t slept a wink the previous night, dreading his departure.

He’d gotten the phone call early one morning.  In fact, it had awakened him from a pleasant dream about an eagle in flight, swooping through the air before him.  At first, he’d had to pinch himself to be sure he wasn’t still dreaming.  The voice on the other end of the phone just didn’t seem real.  Will remembered sliding down onto the floor, his back against the wall, the phone clutched to his ear by his white-knuckled hand.  That was the phone call that had changed his life forever.

Will slammed his suitcase shut and surveyed his room one last time. The walls were painted black, and the ceiling was covered with glow-in-the-dark stars. A few beat-up paperbacks sat on his bookshelf. His Star Wars alarm clock barely illuminated the room with the faint glow it was emitting. At last, Will’s eyes rested on the only photograph in the room. It was a bit battered, but Will didn’t mind.  The picture displayed three grinning faces: his 5-year-old sister, Lily, his 17-year-old brother, Mark, and himself. It had been taken a few weeks ago, before Will knew he would be leaving.

Will gingerly picked up the photo, as if it was in danger of disintegrating in his hand, and pocketed it. His head snapped up when he heard the floor creak outside his door. Mark stood there, hands shoved in his pockets.

“Are you ready? Mom’s having a panic attack,” he said, surveying Will’s nearly empty room.

“As ready as I’ll ever be,” Will said, avoiding his brother’s gaze.

“Well, come on, then,” Mark muttered, crossing the room in three strides and grabbing Will’s suitcase.

“What do you have in here?” Mark demanded as the two brothers stomped down the stairs. “It feels like two dead bodies and a hand.”

Will felt a lump rising in his throat, prohibiting him from forming words. The lump seemed to double in size when he reached the kitchen, where his mother and Lily were sitting.  He fought to hold back the tears that threatened to spill over as his little sister streaked across the room into his arms. Almost immediately, he felt his shirt grow moist from Lily’s tears.

“Please don’t go, Will,” she pleaded, her red, puffy eyes meeting his.

“I’m sorry,” Will said, disentangling himself from her monkey-like grip and planting a kiss on the top of her head. Taking hold of his bag, Sergeant William Mercier, of the U.S. Air Force, walked through the door for the last time.

Olivia McCloskey is one of the winners of the first “Teens Take the Park” writing contest.

Richer Writing-Personification

We all know that animals can’t talk, right? Or can they? Have you ever found yourself having a conversation with your cat or dog, or another type of pet that you might own? In a way, your pet does talk to you, either through a look, a bark, a meow or whatever noise your particular pet may be able to make. I believe that  any people think their animals communicate with them without actually saying words. But what if animals could speak? What would they say? These are questions that have fired the imagination of writers for almost as long as there have been writers. Writer who have animals talk in their books and stories are using a literary technique called personification.

When I think of talking animals, two particular works come to mind: The Redwall books by Brian Jaques and Martha Speaks by Susan Meddaugh. I find the Redwall books interesting because, not only do the animals speak, they also have human characteristics. Some are good, some are bad.

Some are nice and some are mean, just like people. In the Martha books, I especially love the idea that Martha gains the ability to speak by eating alphabet soup. Children’s literature is filled with books and stories which use personification as a literary technique. But what about adult literature?


Celia Varady, Age 7, Homeschool Student © 2012

One of my favorite examples of personification in adult literature is a book called La Jument Vert, or The Green Pony. It was written by Marcel Ayme, a humorous French writer. The entire book is told from the point of view of a painting of a green pony that hangs on the wall in the living room of a French farmhouse. The pony tells us all about the family who lives in the farmhouse. Most of it is pretty embarrassing because the family doesn’t know the pony is watching them, and many of their family secrets are revealed. This particular novel also goes to show you that when using the technique of personification, it is not only animals that can tell a story. A painting can be the protagonist (or main character) of the story and give the main point of view. A tree could tell a story, or a rock, or even a cloud. When I was a kid I once wrote a story told from the point of view of a pair of sneakers. They had gotten separated in the locker room after gym class, and, alas, they despaired of ever finding each other again! I think it all worked out in the end, but really, I wrote it so long ago I can’t actually remember.

How about you? Have you ever written a story using personification? If you haven’t, you might want to give it a try. It can be a wonderful way to make your writing richer. If your pet were to tell a story, what story would it tell? How about the computer in your house? If it could report on what it sees every day, what would that tory be? Give it a try. Until next time, I wish you richer writing.

Teresa Sari FitzPatrick is a writer and board member of Philadelphia Stories, Jr.

A Thin Sheet of Glass

Miriam Rose, Age 10, Wyncote Elementary © 2012

A bone-chilling gust of wind swept over my cheeks as the door to the store jingled. I looked up from the cash register as a short, thin, and rather ashen-looking woman stepped onto the threshold of the Wawa. She wore a long, dark, down winter jacket, with a purple little scarf fastened up to her nose. Her dirty blonde hair fell in waves over her shoulders. I placed a handful of change into the hands of a customer, closed the register with my hip and chimed, as was customary:

“Hello! Welcome to Wawa!” The lady looked up and noticed me. She smiled, or, more accurately, grimaced, a little distractedly. Outside, a Chevrolet Camaro hummed in the parking lot – smoke furling out of its exhaust pipes and emitting loud, earsplitting music whose bass made the floor tremor and the windows rattle. She walked over to the coffee and began pouring herself a regular. She cast an anxious look out the window, standing on her toes in an effort to see over the shelves. The coffee flowed over the brim of her cup, splashing onto the counter. She let out a bit of a yelp as the hot, brown liquid stained her fingers. She glanced over at me, but I pretended not to have noticed. She mopped it up with a handful of napkins. Then she added sugar – and lots of it. She tried on every lid until she found the right size. She then approached the cashier counter, teetering unstably on her heels. The unmistakable smell of smoke wafted from off her jacket
           
“Will this be all?” I asked as she placed her coffee on the counter and pulled out her credit card.
           
“Yes…yes this will be all, Miss,” She cast an anxious glance out the window again. The car window was now open, with a trail of smoke curling out of it. A hand appeared as the source was dropped, smoking, onto the pavement. The lady snapped her attention back to me and stammered:
           
“On second thought, some nicotine patches please,” she directed my attention to brand. I rung her up and handed her the bag.
           
“Have a nice day.”
           
“Th-thanks,” she stammered. As she shuffled to the door, the driver-side door of the Camaro popped open. A tall, stocky, and rather scruffy middle-aged man stepped out impatiently. As she walked out the door, the man approached her angrily. As the hydraulic door began to shut, only the first few of the man’s words managed to reach my ears;
           
“What the hell took you so long, woman? I have things to do and places to be!” The doors clicked shut, muting his lips – yet they continued to talk vehemently. Through the one-way glass of the windowpanes, I saw the woman cower, shaking like a leaf in a storm, anticipating the gust of wind that would separate her from her branch. It was the woman, now, who was talking. Based on her lips, I could tell she was talking, or, more likely stammering, very quickly. I stood still at the register – the store completely unoccupied. The manager had gone to the back room to take account of the stock, and the lanky deli boy had stepped out to take a quick, five-minute break.
  

Ani Varady, Age 9, Homeschool Student © 2012

         
I turned back toward the window, aware that they could not see me watching their quarrel. The lady reached into the little plastic bag, still trembling. She pulled out the nicotine patches, thrusted them at the man, and looked anxiously up into his eyes. In a flash of fury, the man knocked the box out of the woman’s hands. They landed in a puddle next to his car that still vibrated with loud music. She recoiled, anticipating an aftershock. It came fast and relentlessly to her cheek. I dug my nails into the counter, looking frantically around the store for anybody who could help. What could I do? I recalled Benjamin Franklin’s famous advice: “Those who in quarrels interpose, often must wipe a bloody nose.” I looked again at the people outside. The man’s face had turned beet-red, and the woman had begun to whimper and cry, her cheek stained pink. She turned and looked straight at me through the window. While she could not see me, she managed to find my eyes. My nails dug deeper into the counter. I knew what I should do, but I was also aware of what I could do. The man was still yelling mercilessly as I disappeared into the back room to get the manager.
           
When I returned with him, the Camaro was gone, along with the man and the woman. The manager looked at me and shrugged. He returned back to the storage room. Yet I remained standing, motionless in the middle of a vacant Wawa, wondering why I hadn’t tried to do something sooner, why I had not stepped in, and how things might have been different, were it not for the thin sheet of glass that had separated me from the couple.

Madeline Bowne has won two C-Span awards for her documentary videos. In 2011, she won 3rd place for her Math Education in the Crossroads. In 2012, she won 2nd place for her documentary on the 19th Amendment. She also won 3rd place in the WHYY Youth Media Awards for her video Perfect Child. Her first poem, “Waiting for Autumn,” was published in the Philadelphia Inquirer when she was in 4th grade. She created her school newspaper for Clearview Middle School in Mullica Hill, and then moved to Cherry Hill and joined the newspaper staff. A pianist and clarinetist, she made All South Jersey band for 2012. An Honors student, she plans to attend Cherry Hill East in the fall.

Six-Word Memoirs

The following six-word memoirs were written by young people ages 6-15 during Tree House Books’ Tree Shade Summer Project, Conversations in the Garden: What’s Your Story. Campers wrote their own stories, expressed their story through different art projects, and interviewed longtime members of the North Central Philadelphia community. Tree House Books’ mission is to grow and sustain a community of readers, writers, and thinkers in North Central Philadelphia.”

Greg, age 10
That gold trophy will be mine.

Kurtis, age 15
In the footsteps of a leader.

Victoria, age 15
Tree House guides my future.

Nia, age 12
To me, it’s cheer or die.

Trinetta, age 10
I like Tree House Books projects.

Musadeq, age 14
I’m the next Tree House JSM.

Najwan, age 12
I am creative and love art.

Marisol, age 6:
I like doing better and better

Tatyana, age 9
My mom helps keep me safe.

Sameer, age 8
I would play in a tree.

Haley, age 9
Reading is a path to intelligence.

Hamzah, age 8
I love to tell people stories.

Meadow, age 8
I love Tree House Books.

Morgan, age 9
I love to ride my bike.

Kaseem, age 7
I like my scooter and water ice.

Laila, age 8
I love my brothers and sisters.

Nadira, age 9
I’m glad to be a sister.

Jamirah, age 7
Jumping on my street is fun.

Sinyae, age 8
I love to be a reader.

Milah, age 8
My mom is a vegetarian person.

Shaeef, age 8
Tree House Books helps me succeed.

Celina, age 14
I believe in making a difference.

The Old Man and the Fish

The old man sat at the table across from his wife, his head slowly drooping beneath his hunching shoulders. It was his birthday, and she’d decided to take him out to one of his favorite restaurants to celebrate. She’d scurried around all morning—confirming reservations, inviting friends, calling family and enforcing a dress code that “should have been taken care of by the restaurant anyway.” She wore the highest heels her old knees could bare, resurrected every corner of her makeup table, and sported a “sexy” black dress which, as the salesman had put it, made her look twenty years younger; a comment she so loved to regurgitate to the amusement of her family.

Smiles swelled around the old man- nearly too many to bear. He never did care for his wife’s side of the family; or his side for that matter. Noise swelled his ears as lively conversations unfolded in front of him. He let his head fall heavily into his outstretched hands- to rest for just a moment. But the restaurant skidded quickly as, in a flash, every head at the table turned and beamed toward a young waiter emerging, cake in hand, from the kitchen. The room grew quiet as every pair of eyes surfaced from conversation, intrigued by the glorious candles slowly swaying before the old man.


George Sloan, Age 10, Wyncote Elementary © 2012

He picked his up head from his feet, allowing his eyes to focus steadily through the window of his glasses. The pixels of surrounding faces slowly came into focus- his wife’s overwhelming lipstick; the waiter anxiously watching; the others diners looking on, as if granting approval for him to continue. And amidst all this roaring silence he found time to turn his head slowly toward the fish tank in the center of the room…

His heavy eyes pierced the thick glass, floated amidst the bubbles and grime of a thriving underwater city. Glorious colors of fish flew by in a highway current before disappearing into the blanket of blue. Crabs slowly groped the sandy bottom, carefully avoiding the silhouetted impressions of dozing starfish. And soon one particular fish caught his eye: one small speckled flesh floating anxiously amidst the hue of coral. Its fins danced in a slow quiver, as if struggling to remain in place, to resist the powerful tug of the tanks current. It seemed coldly alone, almost scared—eyes darting amidst the dark blue, prone for a sudden surge of movement.

And suddenly the old man was out of his chair and rapping at the glass. The fish’s eyes remained fixed toward the pulse of water amidst the thriving rush of bodies, and so the old man rapped harder, a slow rasp emerging from his throat to sooth this speck of life. Again the fish stared, retreating further into the safety of the coral.

And before the old man knew what was happening, the glass caved in- water rushed over the broken shards, tinged white by the crystal, and quickly flooded the restaurant floor. Diners screamed and jumped to avoid the monsoon of water, but the old man didn’t care- he quickly searched the flopping bodies, looking for a speckled fish.

And then he found it: a sodden lump of flesh, glistening like dew beneath the heat of the restaurant’s lights. He stooped to pick it up- felt the dwindling lump of life shudder in a futile struggle to breathe—to live. And he slowly brought the dying fish to his eyes and stared. Just…stared. And in those eyes the old man saw a cracking pair of spectacles; saw a drooping brow and withered frown; a wrinkled face, heavy with the weight of sorrow. And for just a moment, the old man saw what he had become. Saw himself, truly, for the first time in his life, as the fish’s tensed muscles relaxed, the face slowly fading in its glazing eyes.

Jacob Golden is 17 years old and goes to Jenkintown High School. He likes writing and playing football and soccer.