The Lord God Bird (Runner Up – PS Fiction Contest)

Eli steps out of his truck, slipping the revolver into the rear waistband of his jeans, pulling his red flannel over it. Belle loved this shirt. Said the pattern reminded her of that Italian restaurant he took her to on her seventh birthday. He inhales deeply then glides his hand over his chest, over the fabric, as if to assure himself, this is what he wants to do.

It is.

He grabs the green backpack, slinging it over his shoulder. His Razorbacks hat barely mops up the sweat already dripping from his brow, the eastern Arkansas humidity and heat mixing together like a wet slap to the face. Over the phone yesterday the guide told him to wear long pants, despite the heat. The ‘squitos are a real sumbitch in them woods. Eli tells himself he doesn’t mind the discomfort, his calves already encased in sweat. It won’t last for long.

He steps across the rough gravel parking lot, the stones crunching beneath his boots, crackling like Belle chewing cereal. Only one other vehicle is parked at the other end, a brown early 90s Chevy S-10 pickup. Beat to shit but somehow still appears well-taken care of. The trees overhead offer some respite from the beating July sun as Eli approaches the truck, but not much. He’s never been too lucky. The heat of the rocks beneath his feet burns. Like he’s walking on coals, waiting to be roasted.

“Make it all right?”

An old man slinks out of the S-10. Gray craggy beard, long-sleeved white shirt with SKOL printed on the front. He’s wiry, his brown cargo pants hanging for dear life on what little meat his hips have. Skin’s tan but red at the same time. He wears one of those hats like Gilligan.

“Yup,” Eli says, walking forward, hand already out for a shake. “Greg, I presume?”

“You presume correctly, good sir.” No last names, which was how he was told this would go. Greg’s got a cigarette in his right hand and slips it into his mouth before gripping Eli’s hand. Rough palms, strong squeeze. Working man’s palms. Eli knows Greg is feeling the same in return. Sizing one another up. When Eli lets go, Greg takes a long drag of his cigarette before pinching off the burning ember and setting the remaining heater in one of his pants pockets. “Find the place okay?”

Eli didn’t but nods yes anyway. After he left Brinkley, he followed a winding stretch of unpaved roads with little to no signage, crisscrossing what felt like private land he wasn’t supposed to be on. More than once he felt eyes on him and half expected a rifle round to careen through his windshield, ending everything before it even began. The Big Woods was near the Mississippi River Flyway, half a million acres of mostly pristine land, devoid of humanity. And where they were right now was a federal wildlife refuge within that. And what they were doing was very much illegal. Even getting this man on the phone had been quite the ordeal. A friend of a friend knew a guy who had heard of a dude who knew someone from the internet who met a man at a meeting. Secrecy abounded. He knows Greg here had probably looked him up, too. Made sure he wasn’t a cop. Or a fed. But he’s sure as hell Greg has no clue what Eli’s really here for.

Eli peers behind the man, looking at a trail created by decades of footsteps, leading down to the swampy water. A metal canoe rests where the trail ends. Eli wonders how the man carried it there himself, and before he can ask that question, Greg clears his throat.

“Gotta have the talk,” Greg says.

“The talk?”

Greg nods. “You a cop?”

Oh, that talk. “No sirree.”

“You sure? Not even a little?”

“Damn sure.”

Greg cups a hand around his right ear. “Just one more time for me, if you don’t mind.”

Eli smiles thinly. “I am not, nor have I ever been, an officer of the law.” It’s the truth and he says it as such.

Greg directs his piercing blue eyes at Eli, like he’s digging into his soul. Tension mounts inside Eli, his hands turning to fists, realizing the older man might want to pat him down. Might find the gun. All this planning wasted because of one overlooked thing.

“Alright,” Greg finally says. Eli feels his shoulders relax. “You got the money?”

Eli reaches into his right pocket and pulls out a wad of hundreds. “Half now, half later, like we said.”

Greg’s face grows taut. “Don’t reckon that’s what we said.”

It is what they said. “It’s what we’re going to do.”

Greg eyes Eli’s outstretched hand. Two grand right there. The old man sucks on the inside of his lip, shifts his weight onto another foot. Everything going to shit and they hadn’t even started.

“This right now,” Eli says, pushing the money toward the man, “and if I get what I came for? Double that when we get back.”

Greg’s eyes light up like birthday candles. “Double?”

“Six Gs total.”

“Just six?”

“That’s more than we agreed, ain’t nothing just about it.”

Greg whistles softly to himself. “You good for it?”

Eli pushes the cash into the man’s hand, making him take it. “I wouldn’t offer it if I wasn’t.”

Greg peers at the money in his hand, looking through the bills. Probably making sure they’re not sequential, like this is some sort of Hillbilly sting operation. Or just making sure the count is right. Eventually, Greg folds them up and slips them into a pocket of his cargo pants, pressing the Velcro down hard over it. Greg grins broadly, his eyes lighting up.

“Prepare to have your tits clean blown off, young man,” Greg says before gesturing toward the trail.

#

It wasn’t intentional, what would become his daughter’s lifelong obsession. It’s funny, Eli sometimes thinks, how an accident led to everything. Led to him following this stranger, Greg, down a trail into the vast unknown wilderness.

It was Belle’s third birthday. Eli was running late getting home from the chicken plant. Not his fault. Dale had kept them all 60 minutes over—unpaid, of course, because Dale was a mean S-O-B, a petty tyrant who liked to throw his weight around. Racing down the road, Eli stopped at the good Walmart on the way home. All he had was thirty bucks. That got him a coloring book, a new set of crayons, a pack of stickers, and a plush toy. Hadn’t even been thinking when he picked them up, really. It was only when he got into his truck and saw them laid out on the seat next to him he realized what he’d done.

The coloring book? Full of birds. The plushy? An eagle. The stickers? Yup. Birds.

And after he gave them to Belle—not even wrapped up, didn’t have time for it, which got him a hard stare from Krista, which he knew he’d get some shit for after—his baby girl was never the same. Birds were all she cared for. Birds were her life. All she ever wanted to do was go look at the damn things.

Remembering it now, Eli feels like it was divine intervention. But what he really thinks is no loving God could do what came next.

“You do much canoeing?” Greg asks, breaking Eli from the memory, as the older man gestures for him to get in the front of the watercraft.

“Haven’t really spent much time on the water, to tell you the truth,” Eli says as he unsteadily creeps into the canoe, letting himself sit down on the bench. It’s not the full truth, but it’s close enough. He holds the sides as Greg suddenly pushes the vessel into the water while also hopping in the back with an unexpected quickness for an old man. Then again, Eli doesn’t even know his age. Maybe he just looks rough. Everyone thought Eli was older than he was for a similar reason.

“Not too difficult,” Greg says, picking up a paddle, using it to point at one by Eli’s boots. “Just put that in the water and row. I’ll tell you what to do, where to go. Ain’t no rapids or anything like that to worry about. Barely much of a current.”

Eli does as he was told, feeling strange having the man out of his view, sitting behind him. “Shouldn’t you be in the front?”

“Nope,” the old man says. “I do the steering from back here. I know where we’re going. You don’t know shit. That’s why you hired me.”

In the middle of the canoe sat their supplies next to the green backpack he’d brought. A dozen water bottles and a few gas station sandwiches inside a red cooler half-filled with ice, next to two boxes of Cheez-Its, two pairs of binoculars (Greg told him over the phone to not bring his own), a first aid kit, and a length of rope and green tarp. Everything else made sense but the last items.

“What’s the rope and tarp for?” Eli asks.

“Just in case,” Greg says, turning the boat eastward.

A bird squawks overhead, and Eli looks, trying to follow it with his eyes. But the creature was hidden somewhere amid the giant trees that stick out of the water like fingers of God, aiming toward the heavens. It’s cooler closer to the water, but Eli already feels his armpits soaked with sweat. No turning back now. He was still doing this. A promise to keep.

“In case what?” Eli asks.

“Anything.”

After that, Greg tells him they would be paddling for at least the next two hours and to enjoy the view.

#

This wasn’t his first trip into these woods. Not even the second. Maybe his 12th. Perhaps lucky No. 13. Wouldn’t that just make sense. Never before had he hired a personal guide, instead going with tour groups in the areas you’re allowed to visit. Always coming home empty-handed. Looking for a sign this was what he was meant to do, and being told by God that no, not this time. Maybe not ever.

This is his last chance, he thinks as he paddles around a tree, there will be no more after this. No more money. No more willpower. Eli feels his gun tucked in at the small of his back, the metal somehow still cold against his skin as drops of sweat roll down his shoulder blades.

“Know much about it?”

Greg’s voice crackles from behind Eli, startling him. They’d been paddling about half an hour in silence.

“A bit. I’ve read the scientific papers. Where they found it.”

“That’s all bullshit.”

Eli turns and looks at Greg. A cigarette hangs on the man’s lip, unlit. Eli asks, “What do you mean?”

Greg waves his wrinkled hand in the air like he’s swatting away flies. “All bullshit. They ain’t seen dick. Or they’re just confused. Looking for the wrong reason.”

“What’s the right reason?”

Greg’s smile slowly crests his face. “Now that’s the question there, isn’t it. If you don’t come looking with pure intentions, it don’t show.”

A pain stirs inside Eli’s chest, a fire burning up into his throat. If his reason wasn’t a right reason, then no other could exist. He turns back toward the front, paddling silently, deciding whether or not he wants to say anything to this old man. To let it all out. To tell someone, anyone. But he’s told nobody. Not even the priest after the service.

There’s no way the old man could know, right? Unless he could read Eli’s mind.

“Unlike them, I’ve seen it a whole lot of times,” Greg says. “That’s why I know where to go.”

“You’re going for the right reason?” Eli asks.

“No, not at all,” Greg answers. “I’m going for money. Plain as day. I think it knows that. But you?”

The words hang in the air. Eli asks, “Me?”

“You’re here for something honorable. Something honest,” Greg says. “I can tell.”

Eli goes to speak but his voice catches in his throat. His nose burns, his eyes ache, but he pushes it down. No tears. Not now. He takes a few breaths, steadies himself, and whispers, “I hope so.”

#

Krista noticed Belle’s cough first. She wanted to take their seven-year-old daughter to the doctor right away. But with the chicken plant’s basically non-existent insurance, and with his hours already getting cut as is with talks of the company closing down the whole operation, money was tight. Shit, when the hell wasn’t it? The best they could afford was the free clinic in Pine Bluff. After waiting for five hours next to a still-drunk man with a broken arm while people in nearby seats coughed much louder and harder than his daughter, the overworked doc gave Belle some antibiotics—from a sample pack, Eli noted—and sent them on their way. Just a cold, nothing to worry about.

Eli didn’t even think much about it. Kids got sick. Then they bounce back. When Belle first started kindergarten, she was sick every other week. Her nose ran so much Eli used to joke someday it’d be able to run a marathon. But a few weeks after that doctor’s visit, Belle wasn’t any better. And after Krista begged him to do something, he finally ponied up and took his baby girl to a doctor. Sorry, but your insurance won’t cover this visit, the woman at the front desk said after they had already waited two hours to be seen. He gave the woman one of his credit cards he knew wasn’t maxed out and started making plans in his head on how to pay for it all.

The doctor seemed barely out of medical school. Skinny and blonde, Eli wasn’t sure the kid had even started shaving yet. After about five minutes, the young buck said there was nothing to be afraid of. Just a bad cold. A viral infection. Kids get sick. Then they bounce back. His own words coming back to him. What about her being tired all the time, doc? She doesn’t eat much. The doc repeated himself: Just a viral infection. They bounce back. Nothing to worry about. The sumbitch even patted Eli’s arm while he said this. Like he was talking to a child himself. Eli wanted to pop the guy in the jaw, teach him some manners. But then the doc gave Belle a grape lollipop and told her she’d be feeling better in no time. Eli got the bill at the front desk, his eyes wide at how such a short visit that didn’t do shit could cost so goddamn much.

Wasn’t until later he realized they’d charged him $10 for the lollipop.

Belle didn’t get better. But she didn’t get worse, neither. Krista thought maybe it was asthma. It ran on the side of her family. Said even she would get to hacking and coughing after her shifts at the Big Banjo Pizza Parlor. Doctor had ruled out asthma, he told her. Well, it’s just a cold, right? Eventually, they just forgot. Belle coughed. That’s just what she did sometimes. Nobody paid it too much mind. It didn’t seem to bother her none. And the thing that tugged on Eli’s heart the most, is he knew he should do more, watching his baby girl cough like that from time to time. But he didn’t do anything.

Until one day, about half a year later, while they were out in the woods, Belle in a light long sleeve shirt, peering through the binoculars she’d gotten after selling umpteen Girl Scout cookies, hoping to see a certain type of wren—he’d never been able to identify a damn thing—his baby girl pulled her head back and sneezed. He reminded her to cover her nose, and then she sneezed even harder into her elbow. And when she looked at it, the crook of her shirt was covered in deep crimson. Her upper lip and nose speckled with blood. Her eyes full of fear.

#

“So you’ve seen one,” Eli says to Greg in between soft strokes. It’d been about two hours since they last said much, other than Greg occasionally giving directions. The rowing had become meditative at times, Eli’s mind going blank to anything other than the sights and smells around him. The occasional scream of a bird. The stench of rotten eggs periodically floating into his nostrils. The cool wind, offering respite from the sun that sporadically beat down in-between the canopy.

He looks back at the older man, whose eyes are focused on the treetops, always scanning.

“A-yup,” Greg says, nodding slowly a few times, like he’s having to convince even himself. “Wouldn’t be taking you out here if I hadn’t.”

“How many times?”

“How many times what?”

“Have you seen it?”

His eyes dart to Eli. “Every time, brother. Every goddamn time.”

Eli scoffs at that. “Impossible.”

“That’s the thing,” Greg says, thinking through his next words, scratching at the gray stubble near his Adam’s apple. “You know, let’s move by that tree over there, next to that cropping of land. Rest us a spell. I’m getting a bit hungry. Bout lunch time anyway.”

“Are we close?”

“We’re not far.”

In the distance, Eli thinks he hears the sound of an outboard motor, a chugging drone of machinery, but that’s muffled by the sound of them maneuvering over to a giant cypress next to the shore. And then the sound’s gone, if it ever was there. Eli turns around in his seat, facing the old man. Greg pats the tree’s bark, gives it a grin like he’s seeing an old friend.

“These have been growing since before Columbus landed in the New World,” he says, taking a sandwich from his mini cooler, his eyes staring at the green backpack before offering the food to Eli. “You know that?”

Eli takes the sandwich from him and unwraps the plastic, pocketing the wrapper, ignoring the green backpack as much as he can. He shakes his head, unsure how to answer his navigator. He takes a bite and swallows quickly without really tasting anything. Greg grabs a bottle of water and unsnaps the lid before drinking half of it in one go. He wipes his beard and screws the lid back on.

“I was raised Baptist,” Greg says, “But I never cotton’d to the idea of a big man in the sky, knowing everything we were going to do, in control of it all. Never made much sense to me. You?”

“Catholic.”

Greg winces. “Damn, that’s the pits right there. All that kneeling and standing. All the life sucked out of the service. Them priests? Heebie jeebies, man. Sorry, rude to speak ill of another man’s faith.”

Eli shrugs. “Ain’t religious anymore.”

“No?”

Eli chews another bite. “If I ever meet God, I’m going to strangle the mother fucker.”

Greg’s eyes go huge. Eli thinks he’s said something wrong, maybe hurt the man’s feelings, but then the old codger laughs. It’s higher pitched than Eli expects and goes on long enough that even Eli manages to grin. Just a little.

“You got fight in you,” Greg says. “Commendable.”

“I’m not so sure of that.”

Greg grabs a sandwich for himself and delicately peels off the wrapping before taking a bite. He points it at Eli while he talks. “What I was getting at is I wasn’t raised to believe in miracles. But what we got here? What I’m taking you to? That’s what it is, man. It’s not supposed to be here.”

“You said you always see one.”

Greg pauses before taking another bite, nodding slowly. As he chews, he looks around, aiming his head toward the shore. “Back through there’s where I saw my first one. My grandaddy took me when I was knee high to a duck.”

Eli’s breath catches, his heart beating stronger. Beyond the shore, the trees are bunched together, so close that it’s impossible to see more than ten yards. “Is that where we’re going?”

“I don’t think so. Not today.”

Eli makes a face. “How can you be sure?”

“Only sure of three things in this life, Eli.” He holds out his hand, index finger out. “One, we’re all going to die. Two, the Dallas Cowboys ain’t ever going to win another Super Bowl. And three—”

The crack echoes around them as something whips past Eli’s head and slams into the tree next to Greg. The wood splinters, a small hole barely visible, inches to the right of Greg’s face.

It takes Eli too long to realize what it was. And that’s when the second gunshot hits Greg.

#

They called it pediatric non-small cell lung cancer. It was so rare that when Belle was finally diagnosed, the oncologist at the Arkansas Children’s Hospital said she was one of only a handful of cases in the entire state. Eli gripped the chair when the doc said this because the man seemed almost excited, like he was getting to play in a whole new sandbox. Krista immediately broke down, head almost in her lap, sobbing quietly. Belle was in a nearby playroom with some other kids. He wondered if all their parents were getting similar awful news.

“What are our options?” he asked, trying to remain as stoic as possible. Be the man. Be the hero. Be what was expected of him.

The doctor’s face turned grim. “Unfortunately, it’s metastasized.”

“What’s that mean?” Krista managed to ask between tears.

“It’s spread,” Eli said, fighting the urge to cry himself. “Right?”

The doctor nodded. He had gray hair, a brown goatee. Eli thought the man dyed it. It looked off. All he could focus on now was the man’s chin.

“I won’t sugar coat this,” the doctor said. “The outlook isn’t great. If only we had caught it earlier, even a few months—”

“You piece of shit.” Krista’s words cut into Eli like a dagger. He couldn’t turn to face her but felt her eyes drilling into him. Eli kept staring at the doctor’s goatee. “I told you something was wrong. But you didn’t take it seriously.”

His wife’s voice cracked into stronger sobs then, her head back in her palms as she heaved up and down. He reached to console her, but she shrugged away his hand, as if his fingers were fire. Eli leaned forward, running fingers through his hair. “What can we do?”

“There are some options,” the doctor said. “Surgery. Chemotherapy. Radiation. But I need to warn you, sometimes the cure’s worse than the disease.”

Eli imagined his daughter in the other room, unaware of everything going wrong inside her body. His seven-year-old daughter who loved birds. Who had just seen one called a gray catbird. Eli told her it didn’t look anything like a cat. Belle smacked him on the arm, told him to stop being silly. His baby girl looking up at him with all the love in the world. That he would protect her. That everything would be okay.

He finally broke, his own tears coming now, as he told the doctor, “You’re going to do whatever you can to save my daughter.”

“Sir, I need you to prepare for—”

Eli stood then, pointing at the man. “You’re going to do everything.

#

Greg falls backward, landing partially on the shore, rocking the canoe just enough that Eli loses his balance and also falls backward. A third bullet whizzes past his ear, so close he imagines it bristling his hair. Eli lands on his back, hard, the wind knocked out of him. He lays flat, the sides of the canoe tall enough to provide him just enough cover, his mind racing. From here he can see toward the shore, but not behind him where the gunfire came from.

Sounds of movement from the shore. Greg’s shirt is covered in blood as the old man scrambles to the other side of the giant cypress. They briefly make eye contact, exchanging fear.

“We told you Greg,” a man’s voice calls out, elongating tooooold you. A taunting tone, somewhat sing-song. Arkansas accent. He’s not close, but not far either. “We done told you. You wanna be in our swamp? You gotta pay. And you ain’t paid diddly shit.”

“You tell him Darryl,” a second, higher-pitched voice says. “You tell him good.”

“We gave you enough warnings,” says what Eli assumes is Darryl. “And you plum ignored that shit. Well, my daddy ain’t in charge no more. Whatever agreement you had? Done. Now, how about—”

“Fuck you Darryl.” Greg yells from behind the tree. His voice weaker than before, scratchy. From behind the tree, his hand sticks out, covered in blood, middle finger raised. “I ain’t payin’ you or your inbred brother a goddamn dime.”

Another gunshot just as Greg’s hand moves into cover. It misses.

“I ain’t inbred,” the second voice says. “That’s not nice, Greg!”

“Quiet, Alden,” Darryl says. “We’re trying to conduct a business transaction here.”

“Funny way you do business,” Greg shouts. “Shooting a man.”

The world is silent for a few seconds. Eli’s heart thuds loud in his ears, almost drowning out all other noise. He’s not sure how thick the canoe’s sides are. If they’d even stop a bullet. Fuck. The gun. He slowly and awkwardly reaches into the small of his back to retrieve the revolver.

It’s gone.

“Now, we got a proposition to make for the man in the boat,” Darryl says. “You listening?”

Eli’s hand feels around behind him. Nothing. After he pulls his hand back, he yells, “You tried to fucking shoot me.”

“Yeah, well, we didn’t, did we?” A pause. “Let’s keep this real simple, boatman. You give us whatever money you got. Keys. Wallet. That sort of deal. And we let you skedaddle on out of here.”

Eli thinks through it. “I don’t know where I even am.”

“Not our problem, honcho,” says Darryl. “That’s the deal.”

“How do I know you won’t just shoot me as soon as I look up?”

“You don’t,” Darryl says. “But we ain’t gunna. Unlike Greg, we abide by our deals.”

“What’s that supposed to mean?” Eli asks.

The two men laugh. Eli chances a quick glance over the canoe’s edge. A wooden boat, painted green, with an outboard motor. One tall skinny pale man with a thick beard holding a rifle pointed toward him. Another man, shorter, fatter, tanner, with a shaved head wearing a brightly colored Memphis Grizzlies jersey, a large revolver in his hand.

Eli ducks his head down, his heart jumping in his throat.

“Could’ve shot you right then and there, hoss,” Darryl says. “Had you dead to rights. But I didn’t. Ain’t gunna.”

“Answer his question, Darryl,” Alden says, prodding. “About Greg. He deserves to know.”

“He does indeed,” Darryl says. “That man you hired? He ain’t seen shit.”

“That’s a goddamn lie!” Greg shouts before starting a coughing fit.

“Oh he’ll take your money,” Darryl says. “Got himself a nice little trick. Tells you a big tale. Probably said he first saw one over in them trees with his grandaddy, right?” Darryl pauses. “Yeah, I thought so. He takes you out here, makes you believe in him so much, gets you good and riled up, then finally, he points, gets all excited, and you see something and your mind does the rest.”

“But you actually ain’t seen shit,” Alden says.

“You lie!” Greg yells. “That ain’t true!” But there was a hitch in his voice. Eli didn’t think the man fully believed himself.

“It’s a good scam, I’ll give you that, Greg,” Darryl says. “But you owe us our cut. Maybe next time you run this scam—if we let you out of here—you’ll know we mean business.”

Something glints near Eli’s foot. Something metal. He shifts in the boat, trying to get a better look. But the red cooler is blocking his view. So is the green backpack he brought. His chest tugs at seeing it.

“So, boatman, what’ll it be?” Darryl asks. “Now that you know that conman’s gotten you good. Gotten you all mixed up in this mess. You give us what you got, you head west, you’ll eventually find civilization. And you forget all about ol’ Greg here. And what you’re looking for.”

Eli’s breathing goes heavy, his body lethargic. Like he just had a giant meal.

He imagines Greg behind that tree, cowering and helpless. An image flutters in his mind of Belle, looking so scared.

And Eli knows that God takes us all eventually and so while we’re here, we should do the right thing. We should keep God at bay as long as fucking possible.

Eli knows what he has to do. His body tenses. His plan unfolding.

He never intended to leave these woods.

He doesn’t care what these men say.

He’s got a promise to keep.

#

They’d lost the house by the time Belle had finished the last round of radiation. He’d mortgaged everything he could, paying for her treatment. The plant fired him for missing too many shifts, after sitting with his baby girl during the chemo treatments that didn’t slow anything down. No, they just made her sicker, made her feel like garbage, but he kept telling her she’d get better. The next treatment would work. Now she wore a beanie with a blue bird on it, keeping her bald head warm in the frigid temperature of the children’s hospital, a giant book of illustrated birds on her chest as she flipped through the pages, her eyesight getting worse by the day. Her favorite bird changed nearly every week. Currently it was the barn owl. He wondered how many more favorites she’d have.

Krista hadn’t moved with him when he got an apartment. She’d stopped showing up at the hospital when he was there. Blaming him for Belle’s cancer, her slow death. And she was right, he thought. It was his fault. Eventually she’d been banned from the hospital when she showed up drunk or high or both and tried to fight an orderly. Her phone had been turned off. Last he heard, she’d moved in with a cousin down in El Dorado.

But Eli was here every day. The staff pitied him and her, letting him spend as much time as he could, damn the visiting hours. He’d gotten the hospital to get them a room with a view of a nearby copse of trees. When Belle felt good enough, he’d hold the binoculars to her face as she scanned the branches, calling out the birds she saw. Eli didn’t know if she ever actually saw any, but he kept dutiful tabs, filling out her birding journal. A ruby-throated hummingbird! A chimney swift! Daddy, I think I saw a blue jay!

            She flipped through the giant illustrated book now, one he’d gotten from the library, and her eyes turned into saucers on one page. A beautifully drawn bird, with red plumage behind its head, a white streak down its black wing feathers, a yellow beak. A woodpecker. Not just any: The caption called it an ivory-billed woodpecker.

“The Lord God Bird,” she said, pointing. “That’s what these are called.”

Eli repeated the name in his mind: The Lord God Bird. Huh.

“Fancy name for a bird. Why do they call it that?”

She shrugged her tiny shoulders up. “Daddy, did you know they thought these were extinct?”

“I did not, baby girl.”

“But they saw one in Arkansas. Lots of people have gone looking for it since.” She stared up at him, excitement in her eyes. “When I get out of here, can you take me to go find one?”

He looked out the window, unable to look at her, as he nodded his head. He did what parents have always done to their children. He lied to protect her.

“I promise,” he told her finally, running his hand along her cool face. “If it’s the last thing I do, I’ll take you to see this bird.”

She was dead the next morning. He had her cremated, unable to bear looking into a coffin and seeing her again. The funeral was sparsely attended, the priest going through the motions, unhappy he didn’t have a coffin but doing his job anyway. Afterward, Eli put her ashes in a jar, setting it in her green backpack she always wore whenever they went into the woods. Her birding bag, she called it.

And he promised her, in the house of the Lord, that he’d take her to see her bird. And then he’d join her.

#

Eli leans up in the canoe, hands raised as best he can. He expects a bullet to take him right then and there. But when it doesn’t, he turns toward the two men in the boat, their guns pointed at him.

“We got a deal,” Eli says, raising a single finger. “On one condition.”

Darryl snorts. “You ain’t exactly in what one would call a bargaining position of strength, boatman.”

Eli shakes his head. “I got four grand in my pocket. My truck’s probably worth about double that. Credit cards are maxed out, ain’t worth shit, but you can have ‘em. Only thing I want”—He points down toward the green backpack—“is that backpack. I can show you what’s inside, if you like.”

“What is it?” Darryl asks.

Eli sucks in his cheeks, holding in his emotions before letting out a stifled breath. “It’s my baby girl.”

“What?”

“Her ashes. Promised her I’d take her to see a Lord God Bird someday.” He pauses. “Then she died.”

Darryl pulls his face back from his rifle to look at him. “Jesus, man. Really?”

Eli feels the tears dripping down his cheeks as he nods vigorously. He can’t talk, the giant lump in his throat. The grief washes over him for the thousandth time. It doesn’t hurt any less.

“I’m going to reach down for the backpack now,” he finally says, gesturing. “Then I’ll show you her ashes. Then I’ll go.”

“Slowly,” Darryl says, his face back to his rifle scope. Alden points that giant revolver, single-handed, nervously looking at his brother.

Eli kneels and grabs the green backpack with his left hand. And at the same time, he grabs something else with his right, holding it behind the bag. Awkwardly, he unzips the backpack with his left hand, and in the other, gets a better grip. He turns the opening between the zippers toward the two men, just a little. They peer toward him.

“Can’t see anything,” Alden says.

Eli turns the bag toward them just a bit more and the two brothers lean forward and—

It happens in slow motion.

Darryl looks away from the rifle for a second, squinting. Alden moves his gun to the side to get a better look. Eli brings up the revolver he’s hidden behind the bag and at the same time pulls back the hammer. He aims and fires twice. The first round misses. The second doesn’t.

Alden grabs at the side of his neck, arterial red spraying immediately onto Darryl, who’s already moving his head back into position behind the rifle. Eli points and fires a third time. Miss. Aims for a fourth—

A force slams into his thigh and Eli screams, falling out of the boat onto the shore. He scrambles quickly, the pain intense, as he tussles behind the giant cypress. Greg’s leaning against the bark, his shirt covered in blood. Eli strips off his belt, using a nearby twig to make a tourniquet on his leg.

“You killed my fucking brother!”

Darryl shouts as Eli takes a staggered breath, trying to push away the pain. Trying to think.

“Is it true?” Eli grunts to Greg.

“Is what true?”

“You fucking know what I’m asking.”

He stares at Greg, digging into the older man with his eyes. Greg’s skin is pale. The bullet hit him in the right shoulder, but the bleeding seems to have slowed, Greg holding a red stained handkerchief over the wound.

Greg closes his eyes. “I seen it. I really did. More than once.”

“But not every time.”

The man’s chin trembles as he shakes his head no, his eyes closed for a few seconds. Then he opens them. “I didn’t mean nothin’ by it. People thought they saw what they saw. Who says they didn’t?”

Screaming echoes through the trees as Darryl sobs for his brother. “Y’all are dead. You hear me, you fuckers?”

The words send a chill through Eli, trickling down his spine and arms. He stares at his gun. So does Greg.

“Heard three shots,” the man says. “So you got three more.”

“Gotta make ‘em count.”

Greg scans the nearby land. “He could just flank us, get into those trees there, take us out, one by one.”

“We need a distraction.”

“Ain’t gunna be me,” Greg says. “I can’t run for shit.”

Eli looks at the man. “How’s your aim?”

“My what?”

Eli holds out the revolver. “You do any shooting?”

Greg looks at him, realizes what he is saying. He takes the gun, spins the chamber, looks down the barrel’s sight, checks the weight in his hand, then nods. “State champion. High school.”

“No shit?”

“No shit.”

“Back in the stone age, I reckon.”

Greg smiles, his teeth gritted. “I keep up. I practice.”

“Even with that shoulder wound?”

Greg lifts the revolver with his left hand. “I’m a leftie. Always shot one handed anyway.”

“You better not miss,” Eli says, turning toward the other side of the tree.

“I ain’t.”

#

They always say having a child changes you, but Eli never believed it until Belle was born. It was like a transformation. He was just a married man one moment. And the next, he was forever a daddy. Belle was the most beautiful thing he’d ever seen, even still covered in goo while her mama held her to her chest. He was scared to hold her, thinking he’d do it wrong. But he did anyway, cradling her head, and she stared up at him. Those blue eyes, those clear blue eyes she got from Krista. He looked into them and right there, right then and there, he knew he would do anything for her. Give her anything. Cut off his own hand to feed her if it meant she’d survive another day. Every cell in his body had a new path, a new direction.

To give his baby girl everything she’d ever want.

#

Before he steps out from behind the tree, Eli closes his eyes and says a quick prayer. He asks for a miracle. For my baby girl, Lord. Let me survive this. For her. And when he opens his eyes, and whispers to Greg, one, two

He steps out with his good foot and turns sideways, making himself a smaller target. Waiting for the sting of a bullet.

But the other boat is empty.

He hears the cock of a gun, feels cold metal pushed into his head. Smells Darryl before he sees him. Tobacco spit and cigarettes and body sweat and Mitchum deodorant. The man’s eyes are wet, his lip quivering, his face stained with his brother’s blood.

“Only felt right to do you with Alden’s gun,” he says.

Where was Greg? his mind races. But then he realizes what must’ve happened. From this angle, he was blocking Greg’s shot. Sharpshooter or not.

“Hope you’re ready to meet the devil you sunuva—”

And then Darryl gasps. From this distance, Eli watches as the man’s eyes go up, looking at something in the sky, tracking its movement. Darryl’s jaw goes slack, his face filled with amazement.

“It’s . . . it can’t be,” Darryl says. The gun no longer pressed directly on Eli’s head. Just a few inches back. Just enough. Hopefully enough. “It’s so beautiful.”

Eli lets gravity drop his body to the ground. Two gunshots ring out. Eli curls into a ball, waiting for a third to come, wondering if his body’s gone into shock, if he’s already dead and his soul’s floating above himself, experiencing it all.

Darryl’s body falls with a dull thud, the gun landing a few yards away, the barrel smoking. A hole directly in the man’s forehead.

“Still got it,” Greg says, his left arm outstretched with the gun. “You good?”

Eli pats himself, expecting to find a spot gushing with blood other than his leg. But there’s nothing.

“You?” Eli asks the older man as he pushes himself to stand, holding his injured leg.

“Darryl’s close up game ain’t worth spit.” Greg lowers his arm. “But I think I’ll make it.”

Eli squints toward where Darryl was staring. “What was that? Why did he look away?”

Greg pauses, moves toward him, his voice shaky. “Wasn’t lying when I said I could tell your heart had pure intentions.” He hands Eli the gun, wipes his wetting eyes. “He saw one.”

“Saw what?” But deep down, Eli already knows the answer.

“Told you it was a miracle,” the old man says, kicking Darryl’s lifeless body with one foot. “Now, if we take their boat, it’ll take us half the time to get back. Might make it out of here alive at that pace.”

Eli hesitates, staring at the revolver. Two bullets left. He puts it in the front of his jeans then moves toward the canoe. He lifts the green backpack, taking out the jar and unscrewing the lid. While he does this, Greg wades through the water toward the other boat, pulling Alden’s body into the water before dragging the boat toward the shore.

Eli swallows then dumps his daughter’s ashes into the nearby clearing. Where Darryl was staring. Doing what he promised his baby girl.

Two bullets left, he thinks again. He takes the gun out, holding it in his hand. Remembers what he planned to do. Pulls back the hammer.

Something flutters overhead. A shadow, a black and white mist. A hint of red. There, and then it’s gone. If he even saw it at all.

A thought:

She’d want him to keep looking for more birds.

Eli releases the hammer. He drops the gun and heads toward the boat.


Andy Boyle is a Chicago-based writer whose work has been in Esquire, NPR, NBC News, the Chicago Tribune and more. A longtime journalist, his work was cited in the 2012 Pulitzer Prize for Breaking News. The author of two non-fiction books with Penguin Random House, his short fiction has appeared in Uncharted Magazine, MetaStellar, and Rock and a Hard Place Magazine. He is also the winner of the 2023 Mystery Writers of America Midwest’s Hugh Holton award.

 

Sweet Pentatonics (Runner Up – PS Fiction Contest)

It’s while prepping my folks’ home for sale that I come across the old instrument, its case tucked edgewise in a box of blue and white plates. The box is maybe one of fifty, the remnants of my mother’s career, which are balanced in no discernible order on the exposed joists of their attic. Having put them off till the end, I bag what I think is trash, leaving the rest for the appraiser who will make the final calls. I’m moving fast. The attic’s naked insulation cups the dry heat close around me. Mainly, I just want to be done.

But I stop when I find the case.

Because forget her collecting, the frakturs, the blue and white plates, the old board games she bought and sold, it was violins, although she would never call them that, fiddles, fiddlers, that my mother measured against. There was nothing casual about it. At concerts, ensembles, recitals and showcases all over the city, at the Settlement School and the Kimmel Center, she judged, as a singer might, whose playing lacked breath and who sighed over every note, fingering the rare ones who got it just right. People wanted her opinion. When her brother, then the concertmaster of the San Francisco Symphony, came to town, all stopped so she could attend every performance; more so, if he were soloing which he occasionally did. She listened rigid, one hand clamped over her mouth to catch an unwanted discharge, anything which might knock him off his game. Understandable, I guess. Right after the war, my mother and her brother had been what, close to child prodigies, performing together and apart. Yet, despite all this, I never once heard her play.

So damn if I’m going to miss my chance now. I stash the case in my car, then open it. Inside, nestled in what once had been reddish plush, the instrument is nothing but a small handful. One string still taut over the bridge, the other three sag off the pegs, their ends curl from where they had been wound, while the tiny ebony rest, its chin depression hardly the size of a quarter, hangs askew. The case breathes a blown-instrument smell, almost like a sax or clarinet, of sour spit, damp reed and fossilized rubber. I reach to remove the fiddle and then stop. I wonder if the smell itself might trigger something in my mother, so I shut the lid, planning to bring it on my next visit.

And when I close it, I remember something. Once, dismissed early from school, I had heard violin through a forgotten cracked window. The music was nothing I knew, a high looping rise and then a descent, in tune yes, but the lift shallow, the release empty, played just to get to the end. My gym class had been bench-pressing back then, and unable to both exercise and breathe, I would finish each set, light-headed and gasping, barely able to reset the bar. That’s how she sounded, a held breath and then a discharge of relief. Over and over again.

Just hearing it was enough. Not the music, but the sad arc of her joyless practice. I was glad then that whatever had gotten my mother had not gotten hold of me.

#

One’s elder parents, this odd reversal, comes in spurts. I get on with things, our current pleasure, my wife’s and mine, is nurturing a rescue dog with a happy tail, and of course my patients, but then something takes me over. At the moment, it’s their house, the realtor wants it on the market next month, and my brother isn’t much help. Of course, the fiddle is my home-grown distraction, I could’ve ignored it but am visiting earlier than usual because I want to see my mother’s reaction. And yes, I have this fantasy. Something, the fiddle, anything, will wake her, allow me to move her out of this locked place.

I watch her, eating at a round table with three other women. Ammonia scrubbed with just the undertow of urine, still smoky from cooking, the room hollows out in their silence, except for my mother’s fork clinking against her plate. Her hand trembles, no that is too polite, it shakes. They had ruled out Parkinson’s so nothing’s left except the draining of memory. It is getting more pronounced each time I visit, a rhythmic reminder of her decline. One of the staff flips on a CD, seventies hits, loud in this soundless room. A woman at my mother’s table starts to sing along. The Bee Gees, I think it is. Now a man from the next table joins in. They all seem to know it, maybe they sing it here together. I look at my mother, the one-time fiddler. What will she make of the Bee Gees? She raises her head, but then it’s over. Lunch is done.

In her room, she crouches, knees up, on the edge of her bed, breaking off pieces of the dark Hersey’s almond bar I always bring. Before the disease, her face had been sharp, overtly attuned, so when I was a kid trying out the cello, her perfect pitch would radar in and ping back from across the house. “You’re flat,” she’d yell, which was always. Give me a starting point, and I could whistle an accurate scale, but picking a note out of the air on an un-fretted string, only she could do that. I blamed her musical omniscience on some physical twist, a knotting she must feel deep in her ears of a tone so close. I can still remember the grimace.

Now I consider her face from above, down across her forehead, over her eyes, and then across the bridge of her nose, her cheeks. A new pull of skin from her bone, a slumping. Seen this way, her features have grown increasingly broad, maybe more Asiatic if I can call it that, but I believe I can because it is who she and I really are. With her face less affixed, loose on her cheek, I can see the mixed heritage of our family, old Jews somewhere out there. My grandfather, coming from one of those now deleted villages east of the Carpathians, had the same broad, flattened features when he was tired, and so, I guess, did I after working long nights.

I slide my two hands underneath to bestow the fiddle. She looks. At first, nothing. She mouths the last bit of almond chocolate, then licks her fingers. Finally, she takes it from me, turns it over and shakes. Still nothing. No reaction at all. With the case on her lap, she begins to pick off the orange flakes.

“Remember?” I ask.

Her picking slows. She stares, then reaches. The silver clasps are rusty, their mounts misshapen with age. I bend to help her, but she bats away my hand. She, not me, will spring the case. Somehow, something rote kicks in, and she no longer fumbles. Once the case is unlatched, she hesitates, and I wonder if it will end there. Her hand, which had not been steady enough to hold her fork, stills, hovering above. Then she opens the lid, setting off the wind-instrument cloud, which dissipates quickly and is replaced by the dryness of rosin, the pickle smell of old varnish which must have grown gummy in the attic. She reaches and then stops. She looks up at me.

“It’s yours.”

She nods, then tries to lift it out neck first, but the sticky varnish glues the fiddle in place before it suddenly pops free, surprising her. Despite the child’s size, she uses both hands to bring it close to her face. Somehow the one taut string still holds the bridge in place. She pushes the right side of the instrument against her ear and taps the body, then explains, “Sound post.”

I have only a faint idea about a sound post in a violin, let alone how to listen for it, but she’s in charge now and I just watch. She lays the instrument in her lap and then slowly winds the peg while plucking the one sagging string. Its pitch tightens, raises, reaches something unmarked, but she seems to know, and then she stops.

Laying the fiddle carefully on the bed, she reaches into the case and pulls out the bow. Holding it up from the bottom, the horsehair that has worked loose flowers her hand. She looks as though she doesn’t know what to do, then brushes it. Brittle with age, the strands break off with a crack, until the wood of the bow and only a few hairs remain. When she tightens the screw, they grow taut.

#

“Good dream last night.”  Mark, a former professor, historian, comes to me for what he calls this general retirement unease. A jean’s guy, short, but sturdy in the arms and chest, he sometimes reports a migraine aura and asks that I kill the glare from the overheads behind me. While he’s making the most of his retirement, writing a little, exercising, and learning blues guitar, he still complains of a queasiness he remembers from work, something like the migraine displacement, the blurring of a fast-turning background, and now he can’t accept that there is nothing more to do.

“A girl, junior high it could be,” he starts into his dream. “Nothing else I remember, except the pull. Didn’t get it exactly.”

From his gym-work I guess, he holds his back uncountably straight, more than I could ever do, as he perches forward on the sofa. “She sits in front of me wearing a sleeveless jersey tied up by a blue bow, I remember that distinctly because of how fragile it is, and I am looking.”  He stops for a moment, then starts again. “Yes, at her shoulder, where her sleeve would be. I know I shouldn’t. Even in the dream, I know that. Still. I want her to raise her hand. Then she does. I can see, picture really, the first swelling of her breast. That is just enough. So far beyond me then and yet . . .”

And yet. . .so sweet. You can only imagine and with that, the intensity of pleasure that comes over you, but gossamer too, so quickly gone. And strangely I connect it to the fiddle, what was it, just three days ago.

My mother, who had known so much, forgot the scale.

When she had screwed up the bow, I suddenly feared she might sound like that time before, the held breathe, the joyless music, the gasp released at the end. Fearing that, I almost took it from her. But. . .

Squinting in concentration, she raised the instrument and skittered out a note on the one remaining string, her bow bouncing as she drew. Thin okay, but at least not that remembered pant. She lowered the bow, inspected it carefully, then raised it again and played a second note. One step higher, maybe the beginning of a scale, with more authority here, her bowing steadier now. Then she stopped. Her fingers still on the neck, her bow poised, she looked at me.

“. . . and yet?” I force myself back to my patient.

“I imagined, yes. What I could not see. But also, it reminded me how fresh it seemed. Everything. When I started out.”

“And?”

“Well, I lost that,” and he falls back as he often does, his doubts about retiring, “I left work in a bad place,” then a beat, a resignation that I let him work through, “but nothing I can do about that now, right?” and it runs out. “But okay, I did okay.”  He’s still forward on the sofa. “Yup. I’m right here now.”

He is here, yes, just where I want him to be, but it is now me who drifts. My mother played those two notes, then stopped. She dropped her hands but balanced that tiny fiddle under her chin. Nothing.

Maybe I should’ve let it go, but no. “A half step,” I prompt, pushing her further up the scale.

But, “half step,” the words, they meant nothing to her.

So, I picked up from the last note she played and whistled. A half step. She paused, looking up at me, then a sudden smile, her joy in rediscovering it.

“Your guitar’s still going, right?” I ask him, out of nowhere, aware that it is me who’s starting to drift.

“Doesn’t matter how good or bad,” he says. “Just the pleasure you get.”

“Right.” Our mantra. Pleasure without judgement.

Forgetting the scale, but not the tactile touch on the fingerboard, the drawing of the bow, my mother played and then stopped until I whistled the next note. A full step I whistled, then another full step. Note by note, her attack grew more confident. We came near the top, a half step, the queasy note, just worried enough that it pushes you over the octave, the turning, and then back down. And her face, concentrated, pulled tighter, that she could do this. I whistled. She played. A strange duet.

“A scale can be beautiful, right?” I ask him, the past now lapping the present.

“Yup. Try to make them sing.”

“How so?”

“You want them to kind of rise. Then crest.”

Yes, yes, that’s what my mother had done. Pulled tight that scale, stretched out so it almost wouldn’t make it, then come full force as it turned over the top.

To illustrate, he hums, a few notes in sequence, not so on pitch, a flimsy scale, one of gaps. “Sweet pentatonics,” he sings.

Pentatonics. No. That’s not right. They are reduced scales, five notes instead of seven. Somehow that mattered. “Pentatonics? They’re thin right? They skip notes.”

“From what?”

My mother made it up and back over eight notes. No gaps. For some reason, that seems important. His scales are less notes, easier to play. “From the whole scale. The real scale.”

“Do, re, mi.”

“Yeah. Eight notes. The whole thing.”

“A name I call myself’?”

“Stop,” and then hear myself, the unexpected edge to my voice, “Your pentatonics. They’re cheating.”

For a moment I think he might stand, and he would be right to do so, but instead he smiles, then relaxes in a way I had not seen before. Letting go his straight back, he splays, loosely cocked, his shoulder slung over the sofa’s arm. He’s having fun. “That’s a strange comment. Especially from you who says just enjoy it, never think of good or bad.”

“I don’t mean that,” I fumble.

“You called it a cheat.”

“Hollow,” it just comes out. “You can fall through it.”

“What?”

“The gaps.”  I had tried jazz sax once, another musical failure, played those five note scales. I can’t describe it, but they made me anxious. Holes where notes should be, a kind of emptiness. No knots to be untied. “Shapeless,” I say. “Can be played with anything.”

“Almost. That’s the fun.”

“But so baggy, loose, not perfect” and here I am, I had come full circle.

“Perfect,” he echoes. “Ah.”

Don’t expect perfection was what I had told him, just the pleasure you get. Right? Easy for me to say.

We are both silent.

I move in my chair, cross my legs. He does not.

I am usually so good at it, the waiting, letting my patient choose her moment. But now, agitated I lean forward. Wanting him to say something.

But he won’t. Instead, he just watches me.

The reversal feels new at first, then I remember it has happened before. Something takes me over, a sudden intensity, a need to assert, so strong that I break therapy. No that’s not all of it. My patient catches me up, calls me on it, or so I feel, no, am dead certain about. And then I stop, but too late. Years ago, maybe two or three other times, or four maybe, and I was sure I had grown out of it.

But that’s not the worst. After that, I can’t go back. I can’t forgive it. I never saw those patients again. My choice? Their choice? I don’t know. “It seemed so important. My mother played. . .”  I stumble. “Eight notes.”

“Your mother?”

“I had never heard her play. And together. We did this scale. I. . .”

“Okay, okay,” he says. “The gaps. You might fall through. Now I see you a bit.” He is up, off the sofa. He is never the one who wants to leave. Grabbing his jacket. “Perfection.”

“Next week?” I yell, trying to catch him at the door.

#

I am good, I tell myself, no, more than that, I have helped many patients, this I know, but “perfect” is all I remember. Driving, I am further buzzed. I’m on my way to pick up my brother, Jonah, who begged a ride from the Manhattan train.

Jonah has lived for thirty years in the same rent-controlled studio apartment high on the west side near Columbia. He comes down infrequently and had been cool when I told him. It’s only a scale, he said, not a song. He knows nothing I tell him. But here he is, I hadn’t expected he would show up.

My mother hugs him but does not call him by name. Me either.

“Came down just to hear you play,” he tells her. Jonah is thin, almost undernourished, long hair over his eyes, unshaven, not stylishly so, wears creased cotton pants and a flannel shirt. Yet he is hearty in a way I am not, patting her back, elbowing over the encased fiddle so he can sit close to her, plopping half her Hersey’s into his mouth. He has always staged scenes like this, just for me. Seven years separate us, forty-nine to my fifty-six, and even in high school, he celebrated a comfort I never knew, friends always over, tucking their sneaks up on my mother’s collectable chairs which I thought would drive her crazy, but she loved it and knew them all by name. She’d chat, sports especially; after the fiddle, she had become a cheerleader. Jonah triggered a giddiness in her I never knew she had.

Despite his urging, my mother doesn’t reach for the case, but instead turns to me and says, “Lots of notes, I counted them. Thirty, forty thousand I think.”  Her voice is different, girlish; not looking back, she is back, a teenager. “And I only got one wrong.”

That has always been the story. Sixteen, dragged by her father to perform at some high school auditorium, she played the slow movement of the Mendelssohn violin concerto. The impresario, her dad had organized a sort of grand tour, churches, small auditoriums, synagogues, during which he remained backstage supervising. Alone this time, not with her brother, she had played well. Story: she forgot a note, she forgot where she was, she could’ve found her way back but did not. Terrified, she ran off the stage, not to her father in the wings, but out into the audience. That was it. The reason I’d never, or at least officially, heard her play.

“Nick just kept playing,” she says.

But Nick is her brother. The story had always been that it was her alone. “Nick?”

“It was the Bach double, silly. Two violins. Thousands of notes.”

Hearty or not, Jonah’s patience is not my own. He pushes the fiddle case closer. “Come on, Mom. I came down,” but she makes no move to open it.

“Two violins,” she says again.

So, this image. Foundational to being a kid. The low high school stage, the light on my mother, alone, playing without music, fully exposed. Not true.

“Nick, did not. . .” she trails off.

“What?” I ask.

“. . .stop.”

I try to reimagine it. In pictures, Nick had looked about ten, in a sailor’s suit, whites with a blue bandana around his neck, right after the war, victory in the Pacific and all that. But sailor’s suit or not, he was not the one who stopped. And her father looked on from the wings. Such a good boy, the darling. Holding her fiddle down by her leg, she must’ve hated him. And he kept playing.

Alone.

Bach’s perfect counterpoint, the two fiddles talking to one another, gone. There must’ve been holes in the music. I flash briefly on the pentatonic scale. You could fall through. “Just one violin?” I ask. “What would it sound like?”

“No,” she says. “He played both parts.”

So back and forth he must’ve played, raising questions with his part, answering with hers. He was good enough. He could do this.

Fiddle at her side, she watched. But why? She knew the music by heart. She had only missed a note. Why didn’t she come back in?

“Then,” she says.

And then what?

“I knew.”

Through all their years of practice, their trolley trips for lessons downtown, sometimes three times a week, had she sensed he was pulling away?

Or maybe not. Could she have actually been better? But in that case, why? What’s next, maybe she asked herself. How many women fiddlers were there, back then, right after the war? Could she have feared her virtuosity, what she would have to give up.

“I would never. . .”

So maybe she had done it on purpose. Without thinking, just waiting for an opportunity like this. Maybe she looked up and saw her father in the wings. He pointed at her, insisting that she come back in, and that was enough. Disrupting everything, she left loudly through the audience. And Nick never stopped playing.

“You miss one note and it was not the same?” My brother asks. “Do you know how many mistakes I’ve made?”

If you’re not perfect, you couldn’t play at all, doesn’t he understand? That was it. The end. One mistake. Then, you back away.  With all those patients, the mistakes I had made.

“Come on Mom,” Jonah says. “I want to hear you.”  My brother has come all this way. “Play,” he says. He reaches for the case, fumbles with and then unsnaps the latches. He opens it.

The case is empty. There is no fiddle inside. I stand and look.

“Where Mom?” I ask as gently as I can.

“I gave it to someone,” she says. “What would I do with it?”

#

A quick spin in the parking lot, then a push, is it playful, and my brother pins me against the car. Thin as he is, he has leverage and seven years on me. Up close, he smells like algae, as though he had been swimming in a still pond and forgot to wash, which he might have done because, somehow, he had just rented a bungalow an hour upstate of New York. Maybe he’s doing better than I thought. “You know nothing,” he says. “Big brother.”

Thrown by the empty fiddle case, I have no answer. The weight of his body against mine, his bent elbow sharp in my back, his fishy smell, they are my only certainty.

“She had grown past the violin.”  No “fiddle” for him. “You were at college. She got into collecting, antiques, selling, did pretty well at it.”

“It’s not something you grow past,” not willing to let it go. “Ever see her when her brother came to play?”

“She stopped going,” he says as he releases me. “At least not every time.”

And I consider the impossibility of this as I slide into the car.

Driving, I look over at him. Yeah, he’s a mess. And he stinks. But he won’t look back at me and for the first time I feel the absence of his acknowledgement.

“You shouldn’t have brought it,” he finally says, still looking out his window. “She wouldn’t remember.”

And maybe he is right. She has a choice of her memories; maybe without the fiddle, she is free. Or maybe it doesn’t matter you had missed a note . . .

#

I had spread out her collectables, the Pennsylvania Dutch frakturs, the heavy porcelain, the blue and white plates in the living room. Dusty, wrapped in newspaper, maybe the real relics of my mother’s life.

The rest of the house is empty. Tomorrow, it goes on the market.

Now the appraiser squats, picking through item by item. Unwrapping each, using the light on his phone to examine closer, he separates them into piles.

He comes from a good auction house, very selective in what they take. I wanted it to be the best because I had no idea. More than that, I really wanted to know. I realize I am holding my breath.

He examines a large serving plate with a magnifying glass. Blue and white, it is glazed with a hunting scene in the middle and decorative panels around the border. I didn’t know, but my brother had once explained. It’s called a charger. The appraiser unbends, shows me its edge.

“No chips,” he says. And he’s right. The glaze continues undamaged around the rim.

He hands it to me. I’m struck by how heavy it is. I remember holding the violin, how long ago was that, now the charger.

“Turn it over.”

There is nothing on the bottom. Is that a problem?

“Early Chinese export. No mark means it’s old. Later stuff, they were required to mark. Very high quality.”

I had seen that charger, the one I held, displayed on the mantle whenever I visited. Before this, I never knew. I’m surprised by what a relief it is.

“Yeah, really good.”  He picks up a bowl, turns it over, also no mark. “Ten years ago, it would’ve fetched a fortune.”

He stops.

“But the market has changed. It always changes. No one is buying this anymore.”

And he writes a figure on his pad. I put down the plate, the charger, to look. The number is low. Could I do better? Maybe. But I know nothing.

#

In the dining room, the clink of my mother’s fork has gotten louder. Her father, who had not talked to her for a year after she’d run off stage, later came to dinner every week, bringing fresh blue fish from the shore. Her brother died years ago. She is in a memory care unit, I brought her a fiddle, and it didn’t mean anything. Probably, it was a mistake. In my pocket, I have a check from the appraiser.

Again, someone puts on the CD. The same song, Bee Gees I’m certain about it now. Someone starts to sing. Someone else.

She raises her head, puts down the fork. Her voice is thin, tired, watery. But she is not humming. Not whistling. She knows the words. “We belong to you and me,” she sings. The music takes her over and she sways with the ballad. I would never have guessed. And, of course, unlike anyone else, she is spot on in tune.

#

My office is stilled, a muffled kind of quiet, dampened chair squeaks, papers shuffling, although maybe I am more aware of the silence this afternoon. I had left the time open. For two, three weeks. Finishing up my notes from the morning, I keep glancing over at the empty sofa. I had thought of calling him.

I think also of my brother. He was right about my mother, and he wasn’t. She became a collector, a dealer. Based on the appraiser, she had done all right with it, better than all right. Jonah saw it, it was me who did not.

Still, collect frakturs, chargers, old board games, all you want, but to never again play the fiddle, that was a lot to give up. Maybe pick it up once or twice. Just for fun. A few evenings after a martini. Some chamber music in the living room. But I’m not even asking for that much. Could she have played it for me? That would have meant something.

If it is not perfect, it is not worth doing. Maybe. But I bet she made some mistakes with that damn pottery, misread a glazer’s mark or two, dropped one of those chargers, got taken here or there.

And so had I. . .been tired a few times. . .off my game. . .been stupid. . .

The session time is up. No professor. It’s not going to happen. Next week, I’ll schedule his slot for someone else.

I turn from my desk. And as I do, I change my mind. This time it won’t be me who walks away. I want him to know. I want to know.

I dig out his number, get his machine. I start to leave a message, then change my mind.

Hanging up, I open my computer. Somewhere I have an app which gives me a musical note. An ‘A’, very simple, a starting point.

I call again. I don’t speak. I whistle into the phone.

A normal scale until I hit the first gap. The missing ‘D,’ a half step, where the first knot should be. Instead, I jump right over it, whistle the next note, an ‘E.’  Easier to hear, got to admit. That sweet pentatonic. Not perfect maybe, but. . .back to the regular scale for a note or two until the last gap. A big one. No ‘G’ sharp, the leading tone that my mother played, the worried note, the push forward. Gone. Nothing there. I could fall through, but I don’t. Instead, I hop right back to the beginning. Casual isn’t it, without those twists in the ear, those knots to be untied. Maybe, but also a lot of room. Play around, try a few things, whoops, that’s not what I’m after, screwed it up actually, but so what, get it next time. Five notes I whistle on the phone. That’s my message.

Then I close the phone and turn back to my empty office.


Jeff Rush recently retired as a Professor Emeritus from the Department of Film and Media Arts at Temple University where he taught Screenwriting and Directing.  

 

Saints and Shadows (1st Place – PS Fiction Contest)

Part beagle, part spaniel, part God knows what, the dog–bedraggled with a bit of mange, no microchip–wandered onto their driveway the same day they learned that Henry was sick. Through her office window, she noticed it sniffing at the edge of the work shed in the early afternoon, but figured, much as the occasional deer that stumbled into their suburban Philadelphia yard, that soon enough it would wander away on its own.

But at twilight, pushing the trash cans to the curb, she almost stumbled over the animal spread across her path; for a second she believed it had died. She left the containers and knelt to the asphalt, setting her hand against the dog’s flank, relieved to sense a faint rise and fall. And that might have been it, had Henry, who insisted on teaching his Wednesday night class despite the news, not suddenly swung his headlights to where the dog lay and she had jumped up, waving both arms to alert him that the creature lay inches from his tires.

Henry credited her with saving the animal, but if he had not arrived at that moment, she wasn’t certain about her next move. It was possible that she may have left the dog in place, expecting that it would eventually rouse itself and leave.  After all, various creatures roamed these once wide-open spaces, not only dogs and deer but feral cats, owls, small red foxes.  Once, a neighbor posted a picture of a bedraggled cattle dog that turned out to be a dehydrated coyote.

The only pets in their house had belonged to Henry’s son from his first marriage. The boy spent two weeks with them every summer. At four, he won two guppies from a hospital fair that he named Jack and Jill. After a week swimming in an unfiltered bowl murky from overfeeding, she came downstairs at breakfast to find both fish belly up.  Quick, before the boy appeared, she scooped the two from the bowl with a spaghetti spoon and flushed them down the drain. When the boy awoke, she told him they had left early for day care and would return by afternoon.

At the time she worried the boy might realize the differences–the new fish she bought at the pet store to dump into fresh water looked smaller and healthier–but if so, he never let on.  Four times during that visit she or Henry replaced the damned fish until at last, fed up, she washed the bowl and set it on the highest kitchen shelf. Out of sight, out of mind, she hoped. The funny thing was the son never mentioned the missing fish or asked where they had gone. Maybe he had never been that attached.

Of course, a parent wasn’t a goldfish.

The night of the dog, Henry parked on the street and together they carried the animal through the garage into the house. It was not that it weighed nothing; it had a certain heft, but when they took it to the vet the next morning, the woman shook her head, mentioning malnourishment, mites, maybe heartworm or worse. They put the dog into the animal hospital, where the doctors reset a poorly healed broken bone, siphoned his eyes, and after two weeks of rest sent a bill for $5000 and asked if they wanted to take the animal home, or put him into a shelter.

By that time, Henry’s biopsy had been reaffirmed, and the plan was set–chemo, followed by radiation with no promises. Surgery not a possibility. Did the dog sense that Henry was sick? The next-door neighbor, a young woman with pink hair who agreed to walk the dog twice a day when they had chemo, insisted that animals knew. When they arrived home after treatment, Henry spent and wanting only sleep, the dog often curled on the floor beside him, snout on Henry’s slipper, refusing to leave his side. Exhausted, worried, she wanted to tell the neighbor girl that animals responded to food – Henry smelled of the feeding tube. And more than once, she had witnessed Henry sharing little bits of pancakes she had made for him while he could still swallow. But the neighbor girl shook her head.

“They know when things aren’t right,” she said.

Dogs eat their own poop, the wife wanted to tell her. Dogs lick their own butts. But it was no time to argue. Or maybe it was. She didn’t know. It was ridiculous to argue about the dog; the dog was the least of everything.  But even so, listening to the neighbor girl’s ridiculous claims, she wanted to fight, to flail, to strike the walls, the furniture, even the floors but she held back because Henry needed her whole.

“It doesn’t matter,” she lied.

*

Three weeks later, and Henry slept nine, ten, twelve hours a day. The chemo was now five brutal days a week. He could no longer swallow, and he slept on the way to the hospital and on the way home. One afternoon they entered the house to find the neighbor girl curled up on Henry’s special recliner, the dog sprawled across her lap, their limbs entwined like lovers. She tossed a look at Henry, but he stared at them as if they were Madonna and child, and rather than let her wake them, he went to a less comfortable wing chair and sat down.

“Let me,” she said.

“No, it’s fine,” he told her, as the girl blinked awake, the dog stretching in her lap. Seeing them home, she flushed a shade that matched her hair.

“I..” she began.

“Such… beauty,” Henry said. He waved one of his wasted hands.

Standing by Henry, she watched the dog jump from the girl’s lap and wander into the kitchen to sniff for food. Before she said something she might regret, she went to the bathroom and shut the door. Fingers shaking, she ran the faucet  until clouds of steam concealed the mirror, her image vanishing as she pumped liquid soap onto her hands  building clouds of bubbles, then moving the frisson of foam from left to right, and right to left again, willing her anger to dissolve into the suds, concentrating until she floated above her body, looking down at the ridiculous sight of a grown woman jealous of what? A pink-haired girl and a stray dog? A man with stage four cancer taking pleasure in the graceful sight of two creatures entwined on a ragged La-Z-Boy. Ridiculous and yet, something did bother her, maybe the way the dog and the girl completed their family as if she, the person he had left his wife and son for, had not. As if the animal and girl filled things up for him in a way Henry had never mentioned but always craved.

*

Two and a half months and the house had changed. The living room, once a repository for photographs and philosophy journals, was now lined with Styrofoam-packed chemo supplies and cardboard cans of liquid nourishment. Cocktail tables held cleaning brushes, sterilizers, stool softeners, and Tums; the colors in the rooms had turned from turquoise to filtered grays. Time tipped over. Everything happened slowly and all at once. Henry held on as long as he could, making his way up the steps at twilight to ease into their bed until one day he could no longer climb the stairs, and had to spend the nights propped up in the old La-Z-Boy chair. When the chair began to hurt his back, the social worker suggested moving to the sofa and propping himself on pillows. He didn’t want a hospital bed. Or at least, not yet.

Once or twice, driving home from chemo on I-76, she considered taking a sharp right turn over the barrier into the opposite lane, but what if, instead of ending a story that already was headed to a certain end, she made things worse. What if, instead of dying, they were simply thrown from the car with smashed limbs. Or they survived while a bus on the other side, packed with schoolchildren, rose into flames. Or if Henry survived without her–who would watch out for him then?

*

No one wanted the son to visit that summer, but he wanted to come. In August, she waited for him to ask questions about what was going to happen. If Henry might die. But to her surprise and relief, no questions arrived. At 17, on his way to college in the fall, he appeared oblivious to everything in the house, concentrating on having a normal visit, whatever the hell normal was. He helped–emptying the dishwasher, doing his own laundry, filling out forms he needed for school. He played with the dog, hiding treats in his pockets, letting the dog run over him, sniffing out bits of chicken and cheese. A picky eater as a child, the boy now ate everything and anything–delicatessen meats the pink-haired girl brought from the corner mini-mart, the occasional casserole dropped by a worried neighbor–Mexican, Italian, Chinese. Ice cream from a passing truck. In the two weeks he stayed, his face took on a roundness. For the first time, he developed a little extra chin that made him resemble his mother. Sometimes, when Henry’s fever subsided, she left him in the living room watching the Phillies on TV and knocked on the guest bedroom where the son lay reading The Invisible Man, a book assigned for all incoming freshmen that year.

“Do you remember the goldfish?” she once asked.

On the bed, he didn’t move. She knew it was an absurd question. It was so long ago. Two weeks out of a childhood mostly spent far from his father. And he was no longer four. His legs and chest sprouted hair. Rough patches of stubble clustered along his jaw. In the bed, he lowered the book.

“You mean the ones that died?”

“You knew?”

He nodded and smiled. “Of course,” he said.

*

In September, five months after they got the bad news, Henry began to rouse. The oncologists had predicted this, not a remission but a time when he would feel better, a time of false hope. Despite their warnings, she could not help but feel renewed. Everything about Henry looked better–his color, his breathing, his sleep. For at least three weeks, she could help him again climb the stairs, where, winded but steadier than he had been in months, he insisted on washing his face and brushing his teeth on his own. Once he even shaved, leaving his cheek tattooed with tiny shreds of toilet paper seeping blood. And yet she knew to praise it as a sort of victory.

Released from the disease, freed from the horrific feeding tube and chemo, they talked of travelling, maybe to Greece. Or Portugal. They decided on Porto, a city that sat along the Douro River, where they could eat ceviche and drink green wine.

The doctors neither dissuaded nor persuaded; they watched, nodding, listening to their words with or without furrowed brows. When they shared that they had decided to visit Porto, the oldest doctor nodded.

“Don’t forget travel insurance,” he said.

*

“Isn’t this remission?” Henry’s mother asked over the phone. She had a friend in Tallahassee where she lived who worked in pediatric oncology – she had learned the terms.

“No,” she told his mother. “It’s something that can happen if the immunotherapy works, but it doesn’t last. Everything is coming back.”

The mother was silent on the other end of the phone. Her friend had told her that she–the wife–was too pessimistic, that to win the battle against cancer you had to fight.

“It’s a war,” her friend said.

The dog lay on the floor in a sunbeam, panting as if it had come from a run. She had noticed that lately, it seemed out of breath for no reason, but there was no way she was taking the dog to the vet. If it got sick in a way they could see, then, yes. But panting was not enough.

“You do you,” she told the mother and, though she knew she would hear about it later, clicked off the phone.

*

On the flight home from Europe Henry started to cough up blood. By the time they reached the airport in Philadelphia, the crew had alerted ground, the rest of the passengers told to wait while they wheeled Henry off the plane to a waiting ambulance. In the back of the van, they stabilized him, asking Henry if he knew the date, the time, the country where he had landed; she tried to see it as a victory when he scored one hundred percent. In her head, she ran down the list of people who needed to be notified: his mother, his doctors, his son. The girl who lived next door, who had taken the dog while they were away. Clutching Henry’s hand, she saw his face contort with pain when they inserted a needle into his arm.

“Can we take him home?” she asked, although she knew the answer. Henry turned to her; his sickly pale face unmarked by the Portuguese sun. She leaned close to him, only to hear him ask, “Who will take the dog?”

Later, she believed he might have been hallucinating. He had a fever of 105 and though they tried everything, it took two days to get it down. By then his mother had arrived. When she rose to greet her, the mother took her folding chair, the one closest to Henry’s bed.

“Don’t you give up,” she told Henry.

Standing beside the old woman, the wife wanted to slap her out of the way. Couldn’t she see that Henry was tired, that he was burning up, that the last thing he wanted was to fight? But instead, she stood, arms crossed on her chest, watching his chest rise and fall, thinking of how she had found the dog, how she had rested her hand on his chest, how the dog had not moved, how if Henry had not appeared she might have pushed herself from the asphalt and let him go.

At three o’ clock, two doctors entered the room and asked if she might follow them into the hall. The mother made to stand, but she told her to stay put.  In the beige-on-beige hallway the doctors, one Indian, one Asian, bent their heads as if in prayer. Before they spoke, she knew.

When they left, she dialed the next-door neighbor girl.

 

“I’m at the vet’s,” the girl said, before she could say hello and fill her in. “The dog started throwing up at midnight,” she said. “I thought you would be home, so I waited but he didn’t stop so I drove him to the emergency.”

“What?”

“The dog. Couldn’t breathe.”

“No,” she said. Why had she called the girl? She couldn’t remember.

“The dog,” the girl said. “The dog.” She pressed the phone tight to her ear.

 *

In Henry’s room, someone had come in and pulled a curtain around his bed and wheeled out the other bed beside his to change the room into a private one. A sign stuck to the door frame outside warned visitors to stay out: Hospice care, it read. Someone had put a catheter bag by the side of the bed; fresh specks of blood had been wiped from Henry’s lips. The mother told her she would call Henry’s son.

On the folding chair, the wife thought about how Henry and she had walked along the Douro River an hour each day. How he had tripped twice on the cobblestones but refused to go home early.

“We’ll keep that between us,” he said of his falls.  How she had loved his confiding voice; how there were secrets between them that no one knew. Replacing the goldfish. Betraying and caring for his son. Pretending that he was theirs.

Out in the hallway she heard Henry’s mother talking to the son, letting him know where his father was. Henry was headed to a better place, she told him, a place of saints and shadows. Nothing she would have said, but how kind of the mother to take that burden. She reached for Henry’s hand, mostly bones now, and watched his chest rise and fall, her eyelids fluttering with exhaustion, letting the edges of things dissolve and meld. Sitting there, she remembered something she had blocked, how, when the boy had been 10 or so, his mother, Henry’s ex, had sent the boy and the grandmother by train to spend Christmas in Philadelphia so she and her new husband could holiday in Acapulco.

It was the first time the boy visited in winter; he had never seen snow before. He arrived at 30th Street Station holding a cage that contained a lizard that belonged to the boy’s fifth grade class. It had been his turn to take care of it over winter holidays and though the mother and new husband told him to leave it home, he had insisted it was his turn.

“A promise is a promise,” he said.

In the car, the grandmother removed her winter coat to shelter the lizard, and when they reached home, set it by the kitchen stove. But in the middle of the night the lizard passed–maybe the rocky train ride all the way from Florida, maybe the sudden rush of cold, maybe the stress of being in a new place–they didn’t know.  Unlike the goldfish, there was no chance of replacing the lizard–the next morning was Christmas Day.

In bed, before the boy woke, Henry and she concocted a plan. After he opened his presents, they would tell him that during the night the lizard had somehow escaped and wandered off into the snow. That way, it might return.

But the grandmother reached him first.

“Um-Gog,” she told the boy. That was the name the class had given the lizard. “Um-Gog died. In the night.”

 

How she hated her for that truth. Wasn’t it enough that the boy had been uprooted from his home at Christmas time? Uprooted to spend the holidays with a father who–let’s face facts–had pretty much abandoned him save for two lousy weeks of the year? What would a white lie have cost?

But now, as Henry’s breath slowed into a ragged wheeze, she couldn’t recall why she had been so mad. To protect the son, sure. But no matter what they said or thought, it was true: the lizard was gone.

The grandmother drifted back into the hospital room. Before she might offer her seat to the older woman, the grandmother set her hand to the wife’s shoulder, pressing her into the chair.  I didn’t know what to do, she wanted to tell the grandmother. I didn’t understand. But neither of them spoke. Instead, the two women sat, waiting, until dusky shadows outside the drawn blinds announced the birth of yet another day.


Ilene Raymond Rush has published fiction in a wide variety of publications, including The Threepenny Review, Lilith, The Saturday Evening Post, and Longform. Her work has won an O. Henry Short Story Prize and a James Michener Copernicus Award and has been featured in a number of anthologies. Her essays and health journalism have appeared in The Philadelphia Inquirer, Next Avenue, The Washington Post and many other venues. Mother of two married children, she lives in Chestnut Hill with her husband, Jeff, and their senior pup, Augie the Doggy. 

 

ONLINE Bonus – Broken

That summer, August 1969, fourteen-years-old, I rode the trolley to the Army/Navy store and bought hip-hugger bellbottoms. I embedded little metallic silver stars down the outside seam and sewed a Siegfried peace patch on the rear pocket. Shoulder-length hair, I sometimes wore my sister’s skin-tight, American flag shirt.

From Philadelphia, we drove the backs roads to the Jersey shore. As we got closer, the pungent scent of marsh meadows and estuaries filled my nostrils. My head out the backseat window, I was free and flying among the brackish tidal creeks and salt hay, the twisting Tuckahoe River signaling we were almost there.

 

My second-floor bedroom had a paneled ceiling and faded white walls. A window faced the alley and several another cedar-shingled cottages. It was a hot room if there was no wind, or if the wind blew from a direction other than the window. The brown bureau wobbled whenever I opened the drawers, the brass handles tapping, the attached mirror rattling.

Another family across the alley was unpacking their car. Looking closer, through the slit of curtain, I saw a red-headed girl about my age coming and going—her silver braces faintly reflecting in the bright sunlight. I couldn’t keep from watching her.

Downstairs, helping my father finish unpacking our Ford station wagon, I said, “Hey dad, they have a Rambler.” He nodded as he looked at the car—the message of his body language needed no words. Ramblers were different, and different sorts of people drove them. That’s the way things were in our family—them, us. It didn’t matter what. The girl and I kept noticing each other, our eyes holding from time to time.

Moments later, crawling out from the back of the station wagon, I saw her flowered shorts, heard her gentle voice. “What’s your name?”

Standing up, I said, “Mike. I’m Mike.”

“I’m April,” she said. “We’re moving in next door, for the week. How about you?”

“We’re here all week too.” Her parents paused from unpacking, watching us for a minute. Sandaled, they were both thin, wore gray sweatshirts with State College written across the chest.

Her mother called out, her voice equally soft, “April, April.”

“Gotta go now. I’ll stop by after supper. We’ll go down to the water and walk.”

Interested, confused, I said, “Okay.”

A little after 7, at the top step, there was a gentle knock at the screen door, a faint whisper drifting into the kitchen, “Mike, Mike…”

“Popular already?” my mother stated, giving me a blank stare that bordered on smiling. She enjoyed immensely going to the beach—would put on her fluffy bathing cap, wade in the ocean, and with great vigor splash her arms and neck with seawater. It was her time to relax, sit in the evening on the front porch, let the world go by. One night, I thought I saw her smoking a cigarette.

I was happy my father was upstairs hooking up the window fan in their bedroom, bring the cool air though the cottage. A salesman, he still carried a work-tense demeanor, as if still on the job. But after a few days of swimming, walking the beach, he was another person—sunburnt smile emerging over his face, steps light and energetic, calm. He and my mother would have afternoon beer with lunch, dinners by candlelight, mix their cocktails, stay up late.

“Hi April,” I said, looking back as I rinsed off my plate in the sink.

“Guess you were still eating?” she asked.

“All done now.”

“Good,” she said. I could feel something in her eyes as she looked at me, as she stopped me at the screen door, pressed her hand against my chest. “Let’s go before it gets too dark.”

Barefoot, we took off down the alley, jumped over the wooden bulkhead onto the beach. We ran in the surf, among the receding waves, digging our toes in the hard sand, laughing, pulling each other by the hand. Darting along, we played tag, her supple movements too quick for me.

Slowing to a walk, I asked her, “Are you guys from Philly?”

“No, near Williamsport.”

“Didn’t think you were from the city.”

“How so?”

“No accent.”

She said I would love the mountains where she lived because it was another world just like the beach. Different but the same, she tried explaining. All you had to do was use your imagination. Then you could see clearly. Everything could transform. The forest like ocean; the sand like fields; the sky the same airy openness.

When it got dark, she slid her arm through mine, pulled me to her side, said. “I’m cold.” We walked down the alley, over two blocks to the pizza parlor.

We sat in the back booth and drank sodas with straws. She wanted to get married and have children, a house and barn, lots of dogs. She asked if I wanted to get married and without thinking I said yes. We never brought up money, it just seemed like something that was always there, like getting married and having babies. It was just that simple for some.

Later, among the dim glow of houses and blanket of stars, we walked along the alley, back to the beach. Nearby was a lifeguard stand, the wavering, black slate of ocean beyond. We laid between sand dunes. Low in the sky, April pointed out the cup of the Big Dipper, above to Polaris—the North Star: the last star in the handle of the Little Dipper.

“What are your parent like?” I asked April.

“Nice. I love them so much.” She looked at me, her face close to mine. “Do you love your parents?”

“I don’t know. It’s weird sometimes with them.”

“Yeah… I know.”

Fireflies drifted over patches of dune grass, their fading yellow lights blinking, wavering on the slight breeze, their upward flashing colliding with the silver-violet twinkling of stars. Canvas tents, not far from the lifeguard stand, stored rental rafts, chairs, umbrellas for beach goers.

“I want to go under that one,” she said, pointing to the big blue tent.

“There?” I questioned, studying its triangular shape. “Can we fit?”

“It’ll be fun.” She leapt up. “I’m going to crawl underneath, see what’s it’s like.”

Following her, the instep of my foot hit something sharp. “Ouch!”

“You alright?”

“Stepped on a clamshell. Not too bad though.”

“Hurry up,” she whispered. “Before anybody sees us.” She dropped to her knees, dug a small hole at the side of the tent, scooted under.

I scanned around, didn’t see anyone in the darkness, only the distant silhouette of alley and variety store at the corner.

I heard her faint voice from under the tent. “There’s room. Come on.”

I wiggled under, felt sand stick to my cheek and lips—teeth crunching the course, pasty grains.

Inside the tent was lightless; there wasn’t the faintest outline of April, the smell of damp rubber rafts nearly overpowering. I heard her stacking rafts, clearing a space, the sand cold on my feet. In the tight confines, as my eyes adjusted to the darkness, I could see the faint shape of April, the golden specks of whiteness in her eyes.

“Lay down.” Her hands guided me with a firm, but gentle force. Pushing my shoulders flat against the spongy raft, she got on top of me. Trying to get the last few grains of sand out of my mouth, she pressed her lips on mine, her tongue shooting inside my mouth, sneaking around like a well-trained animal.

Breathing deeply, suddenly warm, I smelled her sweet skin, heard the distant ocean. Without realizing as much, like the meeting of tides, my tongue slipped inside her mouth, moved around with hers. Rising from me, there was the rustling sound of her shirt coming off.

Instantly twisting out of my T-shirt, her pulling it over my head, a feeling overcame me as her warm breasts pressed into my naked chest. Laying flat on me, rising up, moving slowing back and forth, her lips came to mine, my lower lip snagging on her braces.

 

Limping, pausing on the back step, my foot hurt from the shell cut. I rubbed the dried blood and sand away. Going in the kitchen, quietly shutting the screen door, I noticed a large stain on my blue jeans shining in the overhead light. Washing it out with the sponge I grabbed from the back of the sink, it spread larger against the fabric.

Worse, I could hear Hank and Doris—my parents loud cocktail friends from back home. Depressed at the thought of them coordinating vacations, I hoped they weren’t staying somewhere nearby for the week.

The only way I could get upstairs to my bedroom, out of my clothes, was to cross the living room. Watching them, I wondered if they had hit that level where everyone talks, and nobody listens: when the scotch and martinis seem to have taken control of their mouths?

My father and Hank were proud World War II combatants. Sometimes their boisterous conversations made me think I was watching a John Wayne movie. They smoked Chesterfields and Lucky Strike cigarettes. Doris always had a Salem 100 going, a big glass ashtray nearby. I still wasn’t sure if my mother smoked. But I could envision her holding a cigarette up like a movie star, intricately blowing smoke out of her mouth, like what I had thought I had seen her doing.

Inching from the kitchen, I figured the cocktails were doing their job. I could tell Doris was on her way to the moon—her black, dyed hair all done up in a beehive was coming loose, her thick perfume and non-stop squeaky voice filling the room.

My only plan: act as if I wasn’t there—invisibly keep going for the steps, hope for the best. Perhaps I should crawl? But I wouldn’t be rude or sneaky, just avoid any conversation: that’s what I had always tried—the option of stopping a known death sentence. Besides, parents could smell deceit in their children like a forest ranger sniffs out smoke.

Gliding to the steps, my cut foot still stinging, I thought I was home free—but a floorboard creaked, gave me up, and Doris spotted me.

“Mikey! Mikey… I see you trying to get away. Come over here and say hello to your girl. I want to know what you’ve been up to here at the beach?”

My heart sank as they faced me with a questioning stare. But they were all going to the moon, so I didn’t think they really knew what was going on. I pushed the paranoid thoughts from my mind. As Doris extended both arms for me, I innocently dropped my hands, covered my stained pants.

“Come here sweetie and give me a big kiss,” Before I could move, she was kissing my lips. “Well… how have you been?”

Reeling back, I said, “Oh, just fine.” But she wouldn’t fully let go, the tacky taste of her red lipstick on my tongue. Her swollen brown eyes gazed deeply into mine, as if searching for something lost, or wanting to say something more.

“Honey, what happened to your lip? It’s swollen—and you’ve got a cut.”

“Oh… nothing. Was body surfing and a big wave pushed me into the sand.”

“Have you been up to no good?”

“Of course not.”

“And you weren’t even going to say hello to me?”

“Well, Mrs. McKay…”

Escape imminent, I managed to break her grip on me. But Hank’s voice boomed: “Hey Mike—get the hell over here!”

“Mr. McKay…” I shuffled over to Hank, glancing towards the stairs, to the refuge of my bedroom.

“Life treating you good old buddy?”

“Pretty good I guess.”

“What… don’t you know?”

“Things are great?” I said. “Sure they are. We’re at the beach, aren’t we?”

“Limping, huh?”

“Stepped on a clamshell.”

“A seashell can do that?”

“Seems so.”

“Still got that longhair, huh?”

“Yep.”

His creeping stare turned into a wide mayhem of nicotine-stained teeth. “Keeping your nose clean, are you?”

“Trying to,” I said, straight-faced, worried he might’ve known what I had been doing with April.

“Did you hear that, Bud? Just a chip off the old block.”

Lighting another cigarette for Doris, my father didn’t look at me. My mother, bleary-eyed, sat on the large vinyl sofa, the dim haze of table lamp and drifting cigarette smoke fanning across the ceiling, her shadowy outline frozen in the dark glare of picture window.

“How ‘bout a shake?” Hank said, jabbing his bear-like hand at me, his barrel-hard stomach fixed like a rock over his belt. His sagging blue eyes carried a sallow film; his cheeks flush from scotch; his grin sinister. I could tell old man moon was shining down on him, howling, pulling him to the stars, just as he had done so many times before.

Each and every time I saw Hank he wanted to shake. He’d go at me fast, his pale, dead lips tight as he’d work my smaller palm deep into his big mitt—my knuckles rolling on top of each other, cracking, burning. Fighting back, I’d sometimes get him gritting his teeth, as if I might win. Maddened, he would merely tighten his vise-like hold, his reddened face boiling.

He’d out squeeze me in the end: even if I managed to step in close, act crazy like him, snatch his hand, push hard into his grip. It wasn’t long before he’d whittle me down, have me begging for mercy. Dropping to my knees, pushing, pulling, I’d never shake free.

Only then would he let me go—my hand swollen, reshaped before my eyes.

My father, watching, remained silent. A testament to my manhood.

“Maybe next time?” Hank said, reaching for his drink, his eyes tingling, bright, oddly youthful. But he would be short of breath, his exuberance fading. And there was always the saddened expression of Doris and my mother as they sat wordless, witnessing the mismatch.

Then Hank seemed to rise from the ashes. “How ‘bout the left hand?”

“Not tonight sir. As usual, you’re too much for me. I’ll get you someday though,” I said, grateful it was over, hoping it would never happen again, and ran to the steps.

“But Mikey…” Doris called out. “Come back here.”

 

April would come by early in the morning and we’d have cereal with bananas or peaches. I’d watch her lean down, the tangled ends of her hair sometimes dipping into the milk, and she’d raise her hand nonchalantly, hold her hair back behind her head, continue without looking up, the sound of spoon gently tapping the side of bowl.

We would swim and take long walks and fall asleep on the hot sand, our towels spread next to each other. The sky was so clear it seemed another world—and in a way it was—then a single white cloud would go by, momentarily block the sun, and you’d realize how wonderful it was that you were at the beach.

There was an enclosed outdoor shower and a small room around the back of our cottage, a white but rusting machine and dryer. On the last day, April and I covered the window and louvered glass door with our towels, turned the warm water on us, stayed together until the water went cold.

 

That evening, at April’s house, we sat at the dining room table and ate our supper, drank lemonade, passed bowls of food around. There was no cocktail hour, no cigarette smoke, no loud voices—only the silent comfort of each other.

I told April’s parents I was going to visit, and they smiled at the notion of us eventually getting married, having children, lots of dogs, a big barn.

But I wouldn’t tell my parents about anything like that. When the day came, I would just go. I would have the ring—snitch one that wouldn’t be missed from my mother’s jewelry box, clothes hidden and ready, and I would just go.

The next morning, when we were packing up to leave, my father went on about the lawn needing to be cut; my mother talked about me getting ready to go back to school. I told my parents how much I liked April. My mother didn’t think it a very good idea for a boy my age to be thinking about girls so much. My father nodded, went on about the garage needing to be cleaned out.

All I had to do was go. Just go. Not think about it. Talk myself out of it. Go. And as soon as you go, change occurs. It’s not fair how we can know this or come to understand how change happens. When and why? But wisdom comes early to a few, late to others, never to many. And if you’re lucky, well then, you just are.


Mark Aufiery was born and raised in Philadelphia 67 years ago. He has lived in Maine for the past 15 years.

 

ONLINE Bonus – Book Review: House Parties by Lynn Levin

House Parties by Lynn Levin

Review by Regina Guarino

 

House Parties is the debut short story collection of Lynn Levin, an established poet and English faculty member at Drexel University. In this 443-page collection, each of the 20 stories tell of the ordinary lives of ordinary people in search of connection. In her poetic use of language and her tender execution of character, Levin shines with her appreciation of our common humanity.

Her use of beautiful syntax, images, and metaphors elevates the tone of these masterful glimpses into character’s lives. Poetry shines through the stories, in lines that live in the imagination and beyond the page. Descriptions delight the senses and convey the beauty of humanity through the beauty of language.

In Little Secrets an English instructor yearns to reconnect with her former poet/professor lover, describing their relationship “as split and withered as a dead squash vine, and he would come to trample on its remains.” With stunning irony, the story ends, that connection dead despite her best attempts, but with another blooming.

Baby and Gorilla presents the story of a former addict with a criminal record, working in a gorilla costume, meeting a teen mom “bug-eyed, jumpier than a grasshopper, high as the moon.” Her voice is “hot with menace. Her gaze is like the muzzle of a gun.” Yet, in another ironic ending, this encounter becomes the one in which the gorilla-costumed man finds connection.

The Dirty Martini is a memorable story of a middle-aged man who seeks respite from the boredom and resentment he feels in career and marriage. Following the lead of a roguish colleague, the man makes one bad decision after another and runs into predictable trouble after predictable trouble. Because of Levin’s nimbleness in drawing motivation of the man, his wife, and his friend, we feel sympathy for him, as he seeks to fulfill his need for humanity in a self-defeating manner.

The lonely rabbinical student in Frieda and Her Golem seeks connection even as she guards her solitude. She learns how to imbue a substance like river clay or ground meat with life and creates a helpmeet to fulfill her need for a partner. Ironically, the Golem develops more and more the ability to relate to people out in the world, something Frieda herself cannot manage.  Finally, when the Golem takes on a mind of her own, Frieda must take drastic action.

Evermay Blair tells the story a teacher, so wrecked with guilt that he becomes ill and changes his lifestyle. He says, “A storm of blackbirds banged inside my head.” Yet the connection he needs, with his conscience, with another human being eludes him. Levin’s skillful narration evokes tenderness in our hearts for him.

Each story in this collection makes a fascinating read. The characters make decisions they know to be not quite right, yet they are compelled to do so anyway. In the end there comes no happy ending for them. But there is a gentle landing.  And, by the end of the collection, for the reader a profound appreciation of human nature.


Lynn Levin is a poet and writer. She is the author of nine books, most recently, her debut collection of short stories House Parties (2023). Widely published as a poet, Levin’s five poetry collections include The Minor Virtues (2020); Miss Plastique (2013), a Next Generation Indie Book Awards finalist in poetry; Fair Creatures of an Hour (2009), a Next Generation Indie Book Awards finalist in poetry; Imaginarium (2005), a finalist for Foreword INDIES Book of the Year Award; and A Few Questions about Paradise (2000). She is co-author, with Valerie Fox, of Poems for the Writing: Prompts for Poets (2019, 2013), a Next Generation Indie Book Awards finalist in writing/publishing. She is the translator, from the Spanish, of Birds on the Kiswar Tree (2014), poems by the Peruvian Andean poet Odi Gonzales. Levin is also the producer/director of the 2017 video documentary Life on the Napo River: A Glimpse of the Ecuadoran Amazon, Its People, and Their Traditions.

 

Regina Guarino (left) is a writer with an MFA from Drexel University. She formerly studied linguistics and instructed learners of English as a second language. She lives in Delaware with her cute dog, Chipita. Her interests include languages and cultures, gardening, and herbal remedies.

 

ONLINE Bonus – Book Review: One Day I Am A Field by Amy Small-McKinney

One Day I Am A Field by Amy Small-McKinney

Review By Margaret R. Sáraco

 

Author Amy Small-McKinney wastes no time inviting us to enter a world of grief as she accompanies her husband on a journey who has been living with dementia. The poet is a consummate storyteller. Most of the poems are set in and around their home and medical facilities and the timeframe is during the pandemic in 2020. Therefore, their ability to move about is limited, which affects their lives greatly because of the anxiety of living in uncertain times, in addition to her husband’s illness. She dedicates One Day I Am A Field to Russ’ memory, who sadly dies of Covid. While Small-McKinney is losing her husband, the reader becomes an observer. Their story unfolds in ordinary places where extraordinary things are occurring in a sensitive landscape. Throughout the collection, she remembers for herself first and then for her husband.

In her opening poem, “The Doctor Said We Need to Return In Two Months After Further Testing Including Bloodwork,” she writes, “How do I mourn a husband who sits beside me?/Who cannot remember.” Feelings range from love and care to fear, frustration, and despair. It is in this space the poet finds grief, patience and sometimes encounters regret.  In “During The Pandemic You Are Dying At Home,” her use of repetition emphasizes what the illness means for both, their isolation littered throughout the book. We venture with husband and wife down an unflinching road.

This is not the life I planned.

Now the sky closes its doors and trees shrink

into fetal positions. Your body shrinks.

You forget where you are where

you are going. Your hospital bed tries to explain:
You don’t belong anymore.

 

This is not the life we planned.

We are breezeless our window won’t open.

She moves from “This is not the life I planned” to “This is not the life we planned” recognizing the I and we in their relationship moving the reader along towards their final goodbyes.

Many of her images and metaphors are startling and beautiful. In “Clematis Vitalba,” a reference to the familiar climbing flowery vine, known as “old man’s beard” or as Small-McKinney references, “Traveller’s Joy” ushers in much more than flowery thoughts.

I want to bury myself inside the dark. Stand aside

invented light. While the world falls apart,

my husband’s brain swells with lakes.

 

Small-McKinney’s artistic prowess is apparent throughout her book. Not only does she express her day-to-day struggles, and her husband’s, but does so while wielding and winding language to fit her experiences and then in her work embodies the love and care of someone who is slowly fading away.  “My husband’s brain swells with lakes” is a remarkable line that lingers even as you move to the next page, the next poem and long after the book is read. And, yes, to articulate one’s deepest emotions is what poets do, but it is not a simple task. One could hope for the author it might be healing, and helpful to those who will or have walked similar paths. The poet uses her words like a fluid conduit of thought and sentiment which might makes the reader imagine these poems may have written themselves. For instance, in “Noir” McKinney makes a leap from memories of her mother who confesses, “I didn’t hold you enough, uncomfortable with touch” to the writer’s desires concerning her daughter:

When my daughter was born, I held her

as a cloud holds on to rain as long as it can

Later in the same poem, she brings us into a reflection with her husband, sounding a seed of regret and connecting the dots between the generations. There is never enough time, and her realization is poignant with the line, “I don’t hold him enough.”

And since skin on skin breaks open all sorrow—

no—a turning away or fear of becoming

him, I don’t hold him enough.

The poet’s transition moving away from him as he grows more ill, is heart wrenching and honest. In “Devotion” she tells the reader of how life used to be. These thoughts and ideas are relatable to those who have experienced grief. Her careful spacing leaves emptiness where something existed before.

Our daughter was born just before my body closed. Her father wore face paint—

characters in plays they acted out together. Danced in the living room to Springsteen,

feet on feet.                             How it was.

 

Last night I moved into          became a guest in my own life.

A stranger, no longer my home.

About a third of the way into her book, Small-McKinney includes seven poems with similar titles. Five are called “Grief,” another “A Woman Named Grief” but it is her poem, “Grief: Two Parts” in which the poet comes to terms with her husband who is almost gone and then gone within the confines of the poem. And there are additional spaces for grief in much of her work. In the title poem of the collection, “One Day I Am A Field.” She writes,

What is remembered when blinded?

Try to wake to the sun’s flash of denial.

The problem: I am grief’s land.

One Day I Am A Field is a book where heart and poet meet with profound insight on what is it like to be a caregiver to someone you love, losing them one poem at a time. The love she expresses makes the going that much harder, but the reader will feel richer from having shared Small-McKinney’s experience.


Amy Small-McKinney is the author of two full-length books and three chapbooks. Her newest chapbook, One Day I Am A Field, was published by Glass Lyre Press (April,2022). Her second full-length book of poems, Walking Toward Cranes, won the Kithara Book Prize (Glass Lyre Press, 2016). Small-McKinney’s poems also appear in several anthologies, for example, Rumors, Secrets, & Lies: Poems about Pregnancy, Abortion, & Choice (Anhinga Press, 2023). In 2019, her poem “Birthplace” received Special Merits recognition by The Comstock Review for their Muriel Craft Bailey Poetry Contest, judged by poet, David Kirby, and again, in 2021 for her poem, “Bench, Ducks, & Inn,” judged by poet, Juan Felipe Herrera. On 10/2/23, her poem “Love/Furious” appeared in Verse Daily. Her poems have also been translated into Korean and Romanian. Her book reviews have appeared in journals, such as Prairie Schooner, Philadelphia Stories, and Matter. Small-McKinney has a degree in Clinical Neuropsychology from Drexel University and an MFA in Poetry from Drew University. She resides in Philadelphia, where she has taught community poetry workshops, both privately and as part of conferences, as well as independent students.

 

Margaret R. Sáraco (left) writes about love, family, politics, and nature. A poet, short story, and memoir writer, she grew up in New York and lives in New Jersey. Margaret began her professional writing career as a magazine columnist writing about feminism, music, health, and contemporary events. Her writing has appeared in many anthologies and journals. Margaret’s poetry was nominated for a Pushcart Prize and twice received Honorable Mentions in the Allen Ginsberg Poetry Awards. Her debut poetry collection, If There Is No Wind (Human Error Publishing, 2022) is available where books are sold. Even the Dog Was Quiet will be published in the Fall 2023.

 

 

ONLINE Bonus – Book Review: Dwell Here and Prosper by Chris Eagle

Dwell Here and Prosper by Chris Eagle

Review by Samantha Neugebauer

 

At eighteen, while a first-year student at Villanova, Chris Eagle became the primary caregiver for his father, Dick Eagle, after he suffered a stroke in his Delco home. Permanently disabled, Dick tried a “ludicrous version of independent living” before accepting that he needed to enter an assisted living facility. Last spring – nearly twenty years later – Tortoise Books published Dwell Here and Prosper, Chris’s debut novel inspired by the many diaries his late father kept during that multi-year period.

In terms of point of view, Dwell Here and Prosper diverge in two important ways from recent autofiction titles. First, the author himself is not the novel’s main character or narrator; it’s Chris writing in Dick’s voice. Secondly, as Chris explains it in the novel’s introduction, narrator, Dick, is not exactly his father:

“My narrator Dick is not Dick Eagle in any simplistic or straightforward sense. Pieces of Dick’s backstory come from other residents. Dad crossed with three or four or five guys I met walking the halls of his building, sitting outside in the yard with him. Dick is a common type of man you meet in assisted livings…”

Still, the novel begins with both the aforementioned introduction (by Chris) and a preface (by Dick), situating the story in a sort of memoiristic haze. Nevertheless, once chapter one gets rolling, the most absorbing features of social realistic fiction are in full swing. Dick is wiry and honest, with a dark sense of humor about the absurdities and negligence that goes on in the various dysfunctional facilities he stays at. He’s also extremely observant making his world and its characters come to life through the tiniest bodily details and habitual mannerisms: nurses with “their purses swinging from their chubby elbows,” a flight of pigeons who “divebomb straight to any spot where the sense food’s been dropped,” and a night nurse “whose complexion is seal-gray and strangely moist as if he rubs petroleum jelly on his face when no one’s looking.” At times, Dick can be comical and hopeful about his condition. The novel begins by Dick telling us that he is working toward getting out of the assisted living, and yet, poignantly, he also admits later:

“In lieu of sheep, lately, I’ve gotten in this unwise habit of counting all the two-handed activities I’ll likely never do again: tie my shoelaces, putt, butter bread, drive a car, cut a steak, fondle two tits at the same time. The stroke struck two years ago last Friday. Arm’s a worse conundrum than the leg. I’ve tried a thousand times, but I can’t figure out how I could manage on my own with only the one functioning hand.”

 

Throughout the book, readers may wonder why Dick’s fellow residents stay at these facilities, especially those who are on the younger side and seem healthy enough. Dick wonders this too, and his curiosity leads him to many discoveries about the complexities of human nature and mental illness. In one case, after a period of quasi-investigative journalism, Dick befriends “The Thinker,” a forty-two-year-old former professor and Penn graduate who stands out from the other residents because he always has his nose in a book. The Thinker’s room is full of stacks of books and also, oddly, a one-armed mannequin from Wannamaker’s dumpster.

The Thinker also keeps notebooks with extensive (“walls of tiny words”)  – “Amphitryon: harassing both sides (Greek)…Umbrageous: offering shade, easily offended…,” which Dick tries to make sense of. Finally, Dick asks The Thinker why he stays, and The Thinker explains that the situation “buys him twenty-thirty years…of reading. Writing.” On the one hand, it’s a fascinating assertion because the professor is right: assisted living is a situation that gives him nearly infinite time to do what he loves most.

Like other institution-based stories, such as One Flew Over the Cuckoo’s Nest and Girl, InterruptedDwell Here and Prosper has plenty of quotidian descriptions of the nuts and bolts of assisted living life from the cuisine to medicine distribution to the ways in which residents barter and bride for extra cigarettes. Cigarettes are a ubiquitous feature of Eagle’s novel, in ways comparable to how the cigarette was its own kind of character and cultural signifier in Mad Men. In the preface, Dick mentions that he and his son had considered naming the book Butt. In truth, the power and presence of the cigarette in the novel says as much about the residents of the facility as it does about the novel’s mid-nineties setting. While there are many other markers of the time period, such as certain expressions and ways of talking and the triumphs and losses of local Philly sports teams, the omnipresence of the cigarette adds authentic sensory fabric to Dick’s accounts of the last century. The cigarette was already on its way out and becoming less socially acceptable by the mid-nineties, yet it wasn’t completely gone from mainstream society either. Nevertheless, smoking was– and still is–most prevalent among those on society’s margins, like the misfits, outcasts, poor, and ill who populate Dwell Here and Prosper. Some residents smoke through their weekly cigarette allotment right away, while others, like The Thinker, show “discipline” by allowing himself only three cigarettes a day. In depicting each resident’s personal relationship with the cigarette, we learn something about each resident’s relationship with time itself, too.

Reading this book, I was reminded of essayist Freddie deBoer’s observation that “we’ve built a society where there are more ways to be a loser than a winner.” ‘Loser’ is a harsh word but a fitting one to describe the way most of society views the residents of Dick’s assisted living facility. Although Dick makes the most of his situation, in no way is the assisted living facility existence one to envy. In fact, Dick’s mind is saved partially because he finds a purpose in writing and recording the details of his experience. While this is admirable, it also speaks to  deBoer’s point because part of his argument is that “the arts” are one of the other ways not to be a “loser.” Everyone in the facility can’t be like Dick, or even if they could, they might not have the talent or temperament for it.

An assisted living facility is a specific kind of purgatory; by definition, it’s a place for people who require full-time help but not enough to be in a nursing home. In his novel, Chris Eagle is both honoring his father’s memory and throwing light on the state of these facilities, which share characteristics with our psychiatric hospitals, but are not exactly the same. Without being didactic, it’s clear the author believes that these residents deserve more options for happiness and inclusion in society. These days, Chris Eagle lives in Atlanta, where he is a professor of Health Humanities at Emory University. It’s easy to imagine how the experience with his father might have inspired his academic – as well as his creative – interests. Lucky for us, Eagle is also working on a collection of short stories set in Delco.


Chris Eagle is the author of Dwell Here and Prosper (Tortoise Books, 2023), a novel based on the diary his father kept while recovering from a stroke in a highly dysfunctional assisted living facility  in southeastern Pennsylvania. His short stories have also appeared in AGNI, Louisiana Literature, and Sortes. Originally from Delco PA, Chris has lived in Berkeley, Paris, Antwerp, Pasadena, Sydney, Berlin, Chicago, and Atlanta. He now lives back in Delco, where he is currently at work on a short story collection set in his hometown.Chris Eagle received his Ph.D. in English Literature from UC Berkeley in 2009. He taught at Caltech, Western Sydney University, DePaul University, Loyola Chicago, and Emory University before retiring from academia in 2024. He is a former Fulbright scholar, Chateaubriand scholar, and Mellon fellow. His areas of research include Health Humanities, Disability Studies, Bioethics, Trauma Studies, and the field of Dysfluency Studies which he helped to found with his monograph Dysfluencies and his edited collection Talking Normal.

 

Reviewer: Raised in Northeast Philadelphia, Samantha Neugebauer now lives in Washington, D.C., where she is a research assistant at Georgetown University and Georgetown University in Qatar. Previously, she taught at Johns Hopkins and NYU in Abu Dhabi. Learn more about Samantha at her website: samanthaneugebauer.com.

 

 

 

 

Book Review: Rainbow Tales by Kathleen Murphey

Rainbow Tales by Kathleen Murphey

Review by Rosalind Kaplan

 

This time there really is something new under the summer sun. Rainbow Tales by Kathleen Murphy is a collection of stories based on traditional fairy tales and folklore, but each with a refreshing and surprising twist. Rather than suffer derision and isolation for their diversity, gender roles, gender identity, and sexual orientation, characters of old folk tales are flipped on their heads and rewarded for authenticity, happiness, community, and family.

The book begins with a story entitled ‘Beau and the Beast’.  A prince, very handsome but lacking kindness and humility, is transformed into a hideous beast by a fairy queen. He is saved by the compassion of an old woman. In his beastly form, he can experience her inner beauty, and it assuages his loneliness.  He then befriends the hag’s(the old woman’s) grandson, Beau, and the friendship deepens into romantic love and sexual attraction as the grandson, in turn, is able to see the beast’s inner beauty.  Beau’s love restores the prince to his human form but with new compassion.  The couple is accepted by the older woman, the king, and the ‘queen’ and live happily ever after.

Throughout this, and other stories in Rainbow Tales, we encounter well-rendered, complex characters, including a transgender prince in love with a frog, a non-binary P. Pan, whose quest is to help marginalized, neglected, and abused children, and a Snow White who falls in love with Sleeping Beauty when the latter’s family offers her shelter as she flees execution by a jealous queen.

The overall effect of the collection of stories is refreshing and hopeful, as the stories upend not only the obvious sexist, racist, and homophobic tropes of standard fairy tales but also call attention to the more subtle disparities these old tales espouse.  In Murphey’s long-ago-far-away world, stepmothers are often kind.  A prince or princess might choose to assist the servants in the kitchen.  Magic mirrors are used to help those in need, fairies have private lives, and royalty has a broad range of skin tones.

These newly crafted fairy and folk tales open up the genre at a crucial time in history, a time when we can no longer overlook the harmful stereotypes and biases of many classic tales. These revised versions bring new relevance to old lore while continuing to capture the charm and magic of the fairy world.

Rainbow Tales is not a collection aimed at children, however. Known as a sex-positive author, Murphey includes descriptions of sexual encounters and sex acts in her narratives, rendering Rainbow Tales a book for mature audiences. While the explicit nature of these passages is not necessary to the storylines themselves, the depiction of inclusive, physical intimacy may be psychologically helpful and even life-saving for some readers. The transformation of classic fairy tales and folklore to reflect modern values is not a new concept in itself.  In fact, many stories have evolved throughout the centuries; intercultural elements have been added, and feminist perspectives have emerged (think of the powerful female protagonist Elsa in Frozen). With thousands of traditional international fold tales out there, this collection is a welcome addition, set apart by the breadth of diversity depicted as well as its sex-positivity.


Kathleen Murphey teaches composition and literature courses in the English and Humanities Departments at Community College of Philadelphia.  She has a Ph.D. in American Civilization from the University of Pennsylvania.  She has presented conference papers on the masculinization of female sexuality in popular culture.  Examples include “The Porning of High Medieval Fantasy:  George R.R. Martin’s A Song of Ice and Fire Series” and “Fifty Shades of Creep:  Yet Another Masculinization of Female Sexuality.”  Recently, she has started creating fiction (poetry and fiction) trying to give voice to more empowered visions of female and diverse sexualities.  Some of her poems have been published through The Voices Project and Writing in a Woman’s Voice.  She has three collections of alternative fairy tales, Other Tales and Rainbow Tales (published by JMS Books).  Beyond the Witch is an evolving collection of unpublished fairy tales. She is married and has three lovely daughters who are becoming young women right before her eyes.

 

Rosalind Kaplan (left) has been published in several literary and medical journals, including Across the Margin, Brandeis Magazine, Eastern Iowa Review, El Portal, Galway Review, Green Hills Literary Lantern, Signal Mountain Review, The Smart Set, Stonecoast Review, Sweet Tree, and Vagabond City. Her memoir Still Healing: A Doctor’s Notes on the Magic and Misery of a Life in Medicine was selected as the winner of the Minerva Rising 2022 memoir contest and is forthcoming in the fall of 2024.

 

Book Review: Doctor Spight by L.M. Asta

Doctor Spight by L.M. Asta

Review By: Mary Evangelisto Miller

 

Dr. Drew Spight, an obstetrics and gynecology attending at St. Thomas Medical Center in Philadelphia, wanted to escape. He had had enough of St. Thomas; the OB (“Old Bastard,” aka Dr. Owen Bates), his supervisor; being his mother’s caregiver as her multiple sclerosis progressed; and, most of all, “the aura of failure that clung to him like tobacco smoke.” His traditional method of escape was something else he desperately wanted to leave behind, after it led to a severe traffic accident, substantial injuries, a hospital stay that revealed his ongoing problem through toxicology reports, and forced membership in the “Physician Wellness Committee,” along with mandated drug testing.

Repeated calls from a former colleague to join him out west provided just that means of escape. Trading one coast for another, moving from a busy inner-city hospital to a private surgicenter providing cosmetic procedures to women in Los Angeles, seemed to be just what the doctor ordered. As Dr. Eric Xavier told Drew: “You tighten this, you tighten that, and the best thing of all, it’s all self-pay.” Repeated reprimands of Dr. Xavier over the years for infractions ranging from negligence to incompetence to inappropriate behavior with female patients and staff, with resultant probation and threats of license revocation, gave Drew pause, but as the pressures in Philly mounted, the call of the west became insurmountable. Even the OB’s last-minute attempt to entice Drew to remain in Philly with the promise of promoting him to chair of the department could not keep Drew at St. Thomas.

Drew wanted to leave many aspects of his old life behind, particularly his long history of substance abuse. Was placing 2,700 miles between his old life and a new one the answer? Would he be satisfied with performing G-spot enhancement and mommy makeover procedures instead of complex, lifesaving obstetric and gynecologic surgery? Adding to the complexity of the situation, revelations about institutional and political irregularities at both Drew’s previous and new environments begin to emerge, leading to further entanglements. Drew’s reunion with his friend Dr. Lakshmi Rangwala at a convention in Los Angeles, as well as his new involvement with Edie Mitchell, a patient-cum-investigational journalist, lead to more questions—ones that only Drew and his coterie can unravel.

The story of Dr. Spight and his progression from resident to seasoned physician, and his struggles with substance abuse, institutional politics, and colleagues, make for a fascinating look behind the curtain in two settings: an urban hospital and a plastic surgery clinic, varying widely in the procedures they perform and the clientele they serve. Dr. Spight is a complex character with motivations and challenges to which we all can relate, leading him through physical and inner evolution and, ultimately, a satisfying resolution. Dr. Spight’s cross-country experiences, as well as an eclectic cast of characters and unexpected narrative twists, make for an exciting, interesting read.


L. M. Asta has published fiction in Zone 5, Inkwell, Philadelphia Stories, Battered Suitcase, and Schuylkill. Her essays have appeared in the Journal of the American Medical Association and Hippocrates. She trained in Philadelphia and writes and practices in Northern California.

 

Mary Evangelisto Miller (left) is a freelance writer and editor based in Bucks County. She has been self-employed as a medical editor for 22 years. Mary holds a bachelor’s degree in Mass Communications and English from Temple University and a master’s degree in English and Publishing from Rosemont College.

 

Book Review: More Strange Than True by C.J. Spataro

More Strange Than True by C.J Spataro

Review by Jennifer Rivera

C.J. Spataro’s More Strange Than True is a genre-blending novel of romance and fantasy set in modern-day Philadelphia. Spataro magically weaves together the story of a woman who makes a wish for true love in a moment of grief and transition.  Through this wish, she unknowingly invokes the help of the fairies from Shakespeare’s comedy A Midsummer Night’s Dream.  From that moment, Shakespeare’s famous words rang true, “Ay me! For aught that ever I could read, could ever hear by tale or history, the course of true love never did run smooth.”

The novel opens on the day of Jewell’s father’s memorial at a Center City restaurant called Puck’s Place.  While celebrating her father’s life with her childhood best friend Melody, and her restaurant owner boyfriend Bobby Fellowes, Jewell receives a text from her boyfriend Simon, in which he breaks up with her. While pondering her terrible taste in men, Jewell declares that men are worse than dogs, especially her dog, Oberon. Bobby sends her home with his newest dish, a magical mushroom pasta that has just been featured in The Philadelphia Inquirer.

After a quick trip to the dog park, she meets a lovely man named Steve. After being kindly rejected by Steve, Jewell and Oberon return to their apartment.  She digs into the deliciously magical pasta, sharing bites with the dog as they settle into their nightly routine. Jewell tells Oberon that he would make the perfect man for her. She reasons they share the same likes and dislikes and live together. Later in the evening, after thoroughly enjoying her meal, Jewell unknowingly calls out the faerie queen Titania three times, wishing for a man who will love her just as her dog does before drifting off to sleep.

In the faerie realm, Queen Titania searches for the sounds of the bells and crosses the veil from the faerie realm to Jewell’s apartment with her sisters, Ondine and Lolanthe. Although her sisters are more sympathetic to humankind, Titania reviles them, especially that fool Shakespeare, to whom she regrets showing herself.  But since she has come all this way, she decides to answer this human’s wish and turn her dog into a man. In a highly comical passage, the three fairies realize that the dog has been neutered and restore him to his original state before turning him into a man.

Once the dog has been transformed into a man, Titania demands to know his name. Oberon, he tells her, and the faerie queen is shocked, as this is the name of her long-lost husband.  Sensing the veil between their worlds is thinning, her sisters urge the queen to return home, but she is hesitant, feeling that fate brought her to the human world to meet her love again.

Jewell wakes up to the shock of her life: a strange nude man in her bed and her dog nowhere to be found. Oberon explains to Jewell that three women came and turned him from dog to man to fulfill her wish for true love. He proves it by recounting their trip to the dog park and meeting Steve. Although they are both still in disbelief, Jewell helps Oberon learn how to live as a human. Oberon contends with the loss of a simpler life as a dog.  As time progresses, Jewell and Oberon fall in love. Oberon begins working for Bobby, and their life together progresses.

Unbeknownst to the lovers, Titania has been watching them from her palace since Oberon’s transformation.  She returns to the mortal realm and confronts Bobby, uncovering his real identity as Robin Fellowes/Puck. Weaving the most crucial plot points from Shakespeare’s work, Titania seeks out other fae living among humans and attempts to put a spell on Oberon, so he falls in love with her.  She believes her spell to have brought forth the prophecy of the Elf King’s return. Similarly to A Midsummer Night’s Dream, the spells do not go as planned, and the humans become aware of fairies among them.

More Strange Than True masterfully intertwines Shakespeare’s magical world with the real world of a Philadelphia-based environment.  The novel explores similar themes of the intricacies of relationships, mental and physical transformation, and the havoc that magic can create no matter who you are.  Jewell and Oberon are forced to make heartbreaking choices, and it is in these choices that these characters discover who they truly are, and that love is rarely unconditional.


C.J. Spataro’s short fiction has been awarded a Pennsylvania Council on the Arts Fellowship for fiction and has been nominated for a Pushcart Prize. Her long short story, “The Twi-Lite” won the Iron Horse Literary Review Fiction Trifecta and was published as an e-single.She has been a finalist in many contests including the Larry Brown Short Story Award from Pithead Chapel, Sequestrum’s Reprint Award, The Switchgrass Review, Mason’s Road, The Philadelphia City Paper, and december magazine, where she was a finalist for the Curt Johnson Prose Awards for Fiction. In 2018 she was nominated for a “Best of the Net” award. Her work was featured three times in the InterAct Theatre Company’s “Writing Aloud” series (which was Philadelphia’s version of NPR’s “Selected Shorts”).As an editor, she has edited the fiction for three “Best of” Anthologies for Philadelphia Stories and edited the fiction and non-fiction for Forgotten Philadelphia and Extraordinary Gifts: Remarkable Women of the Delaware Valley.Her work has also been included in the anthologies, Healing Visions (Matter Press 2023), Taboos & Transgressions: Stories of Wrongdoings (Madville Publishing 2021), Extraordinary Gifts (PS Books 2014), Another Breath (PS Books/RC Press 2014), 50 Over 50 (PS Books 2016), and Forgotten Philadelphia, Art and Writing Inspired by Philadelphia Heritage Sites (PS Books 2012). Her stories have been published in a number of literary magazines including, Exacting Clam, Sequestrum, Phantom Drift, Italian Americana, december magazine, Permafrost, The Baltimore Review, Painted Bride Quarterly, and others. She’s had poetry published in Ovunque Siamo. She has a Bachelor of Applied Arts in Music from Central Michigan University, a Master of Music from Michigan State University, and an MFA in creative writing from Rosemont College. She has taught English composition, journalism, publishing, and creative writing courses at Rutgers, Rowan, Temple, and West Chester Universities, and at Rosemont College and the Community College of Philadelphia. C.J., or Carla as she is known by most, grew up in Michigan, which will always hold a special place in her heart. She has lived in Philadelphia for over 30 years, most of which with her partner, the artist and one-time standup comedian, Vincent Natale Martinez.

 

Jennifer Rivera (left) is a Latina writer and certified dog trainer. She received her MFA in Creative Writing from Monmouth University in May 2024. Her prose and poetry have been featured in The Monmouth Review.