A Secret of Long Life

In exchange for books of thirsty grids stamped S&H,
a glossy toaster popped up in Momma’s kitchen,
a marvel unlike the one whose silver wings flapped
flat singeing fingers and scorching toast.
To Aunt Susannah’s brood in Kilcoo, Momma sent
our own outgrown clothes still whole, while
in exchange for bags and bags of rags she packed,
a carpet weaver conjured a field of acanthus leaves.
Toasty feet on bloodless Philly mornings. Anemic
tea leaves nourished pothos and gardenia. She spun
scraped bits of beef into gravy so bronze it made us
weep. She did not take more than she gave
and thus was given long life
and a fur-collared Persian lamb coat my sister and I bought her
with our first pay checks. Although we thought
we had outgrown such thrift, today my sister stocks up
on bargains. Neither she nor her hair will last long enough
for all those bottles of sale shampoo. And I have
begun to record purchase dates
on creams and lipsticks to tally how long they last.

A pushcart nominee in fiction, Liz Dolan has published memoirs, fiction and poetry in numerous journals. In May she was chosen as an associate artist to work with poet Sharon Olds at The Atlantic Center for the Arts in Florida.

Alstroemeria

Become your chosen blooms.
Seduced by an absence of scent
you buy bundles, all
for illustration, affectation,
color against light.

Still starving, drawing
up murky waters, these
petals hold their shape for weeks.
Delicate edges never drying,
never dropping, frozen in form
until your touch, and even
then they crumble so softly
without sound.

Erin Gautsche lives in West Philadelphia where she is completing her Masters degree in 20th Century Poetics, textuality, and fiction at the University of Pennsylvania. She is delighted to be the Program Coordinator at the Kelly Writers House.

How you’ll know me

[img_assist|nid=919|title=Synchronicity by Clifford Ward © 2006|desc=|link=node|align=right|width=150|height=137]A father’s poem

If you find a city of steel
mountains shading sleepy luncheonettes
Know that I walked here

If you find a night of neon
kisses, in a garden of saxophones
Know that I loved here

If you find a river of iron
legs, and a thousand wooden ladders
Know that I prayed here

And in that place
we all begin, under the Heartbeat-tree
Know that I too was held

And loved
And was given sleep.

Charles O’Hay is the recipient of a 1995 Pennsylvania Council on the Arts fellowship in poetry. His poems have appeared in over 100 publications, both in print and online, including Cortland Review, New YorkQuarterly , Gargoyle, and West Branch.

Where, but here?

It is this way sometimes on winter nights,
when ears expect the rhythmic crunch
of homebound walkers in the sugar-crust
of snow. You think you know the footfalls.

Those of your father as he once returned
nightly from work, with a soldier’s weariness,
his topcoat a flag of tobacco dreams. Is this
senility? When all time’s bridges are retreats.

The footfalls approach, pass, and fade. Someone
is going home to be kissed, to be fed, or to sit
in the company of family. It is not your business.These nights have their own wings, their own prayers.

A cigarette is your candle.
Sleep, your father…and your sons. Charles O’Hay is the recipient of a 1995 Pennsylvania Council on the Arts fellowship in poetry. His poems have appeared in over 100 publications, both in print and online, including Cortland Review, New YorkQuarterly , Gargoyle, and West Branch.

Housemates

He told me about his war wounds. I recounted my masturbation injuries. We bonded.

Then came winter.

“See here, Klugstein,” he said. “There’s no need to raise the thermostat above 45. If the pipes won’t freeze, then neither will you.”

Inspired, I replied, “Righty-O!” and reached for the Echinacea.

The New Year brought the worst ice storm on record. The roads were impassable. The supermarkets closed. He ate my cat.

“Sorry about little Priscilla, Klugstein,” he said when I objected, “but this is no time for sentimentality. There’s work to be done.” Undaunted by gale-force winds and temperatures below the freezing point of blood, he climbed onto the roof to remove a fallen tree. I boiled water for herbal tea. He returned shortly with his face encased in ice and poured the kettle over his head.

“Good show, Klugstein! Keep the home fires burning!” he exclaimed while disemboweling my puppy. He grinned sheepishly. “All apologies, old chap, but I’m a bit short of rope, and catgut simply will not do for this job.” He went out again with two hammers in one hand, a saw and a drill in the other, and Bowser’s intestines between his teeth. I boiled more water.

He came back an hour later with an armload of chopped wood, which he put in the fireplace. “Home is where the hearth is,” he chortled, and in one motion struck a match against his mustache and flicked it into the kindling, which ignited immediately. “Who needs natural gas?” he said. “The tree is gone, the roof is patched, and I save a trip to the lumber yard.” He went to the garage to do something complicated to his car.

The next day, while I tried to open a stapler, he used the remains of the fallen tree to build a deck, a dining room table set, and a life-sized replica of Tensing Norgay. He stepped back to admire his handiwork. “Sherpas are a stout-hearted and industrious people,” he said. “A model minority, if ever there were one. Our immigrants would do well to emulate them. Are you Jewish, Klugstein?”

I threw out the stapler and entertained myself with the puppets he had made for me from Priscilla and Bowser.

I knew little of his politics. He loathed all welfare handouts, including Halloween candy, and would toss fake chocolate bars made of scrap wood into Trick-or-Treaters’ bags. Around each splintery Hershey’s simulacrum he wrapped a brief lecture on self-reliance and dental health.

On Mischief Night our mailbox was firebombed.

The next year he placed a trap of his own design in the mailbox, and we awoke to the screams of a nine-year old boy whose arm had been caught and permanently mangled by the device. The parents sued, but expert testimony, that shifted blame to their child-rearing practices, made certain their defeat. In a counter suit he recovered all legal costs plus an undisclosed sum. The Judge sent the boy to a foster home in a remote part of the state.

He was an excellent housekeeper, but not given to socializing, so I was rather surprised when I returned home one evening to discover much of the furniture occupied by cadavers, including two in my bed. “Have you taken up grave robbing?” I joked.

“No indeed, by the time they’re buried they’re no good to anyone.” He explained that he and several like-minded individuals in the medical and funereal professions would seize the deceased at opportune moments and donate them to Third World medical schools and to a few amusement parks in the less developed regions of Canada . “Waste not, want not, ay? Pardon my use of your boudoir, Klugstein, but if we leave them on the floor, they’ll likely be stepped on, and we can’t have that, can we? By-the-by, have you dusted in there recently?”

I tried to emulate him but lacked the will. Though he almost never criticized me, my self-esteem plummeted as I repeatedly failed to live up to his standards. Finally, after seeking solace in a solitary all-night Punch and Judy show that I put on with Bowser and Priscilla, I decided to quit my job and move in with my parents.

I dreaded telling him this, but when I did, all he said was, “Well, at least it’s not the public dole,” and returned to the task at hand, the smelting of three rusting vans from the next-door neighbor’s yard.

My last contact with him was a congratulatory email he sent to me when “The Bowser & Priscilla Show” went into national syndication on PBS, where it replaced “Barney.” I knew we would not cross paths again, for the tracks of our lives were not parallel, but skew.

He returned every cent of my security deposit, with interest.


Eric Thurschwell now lives in Wynnewood, PA, but he once shared a house in Langhorne with a handy person. No animals were harmed in the production of this story.

Lovesick

The summer she and I were twelve, Alexandra Metcalf became my best friend only hours after she moved onto our block. I was sitting on my front stoop, hugging my knees, listening to the bees’ late summer panic as my parents carted sod back and forth. They were planting the evergreen that would eventually tower over the house, and surrounding it with chrysanthemums. Alexandra’s blond head bobbed past our honeysuckle hedge and she stopped to wave at me as if she weren’t thinking twice about it.

We swam like minnows in the pool in Alexandra’s back yard every day that first week. On the first day, I learned to dive, crouching low, peering at my reflection peering back at me, then meeting the surface with a bruising splash. There was nothing dainty about my dives. Alexandra’s were practically swan-perfect, her rounder thighs catching the sunlight, shaming me in my own bony frame.

"Let’s play shark," she said one day, a hiss of authority behind her voice that upended my will, a will only practiced on my parents until then. Her china-blue eyes were round with eagerness, her teeth bared. "You be the lady swimming at the beach and I’ll slowly swim near you, kind of tap you like this.” She nudged my leg and I flinched as if a real shark had nosed me. "Then you scream, as loud as you can, and I’ll pop out of the water and catch you and drag you under. Okay?"

"What if you hold me there too long?" I glanced at Mr. and Mrs. Metcalf, poolside, both of them reading magazines. Alexandra’s sister, Michele, who was about to start her sophomore year of high school, was stretched out on a chaise, tanning. Her skin was already brown. I could see the faintest shocking white line gleaming at her hip.

"I wouldn’t dare!" Alexandra screeched, as if offended that I suspected her of this. "C’mon, Carrie, grab the side and just kick your feet a little." She paddled backwards to the middle, her eyes fixed on me, then took a deep, silent breath and went down.

I clung to the side, waiting. It was taking her longer than I expected. Michele turned onto her back. From just below the blue tile lip of the pool, I watched, mesmerized, as she slathered a dollop of sun block onto each of her long legs and began massaging it into one of them in long, deliberate strokes.

"Gotcha!" Alexandra yelled, surfacing next to me. "Didn’t you feel me touching your leg?"

My gut lurched.

“I guess not,” I said. “You really took your time."

“The element of surprise. Daddy says there’s an art to it. Isn’t that right, Daddy?”

"That’s right," Mr. Metcalf said, eyes closed, one arm slung across his forehead.

I played the game again, doing it the way Alexandra wanted to, waiting with my back turned and my attention riveted on her stealthy approach from behind. I was truly terrified, the delight of it squirreling up my chest and into my throat as I sensed her coming nearer. I turned in time to see her head charging forward, leaving a cleft in her wake that, for a split second, made me think she was a real shark. Before she could grab hold of my legs, I scrambled out of the pool. When she burst from the water, bewildered, and saw where I was, she let her arms splash back in and she arched into an effortless backward somersault.

"You’re hopeless," she laughed, coming up for air, spitting water in a neat fountain far ahead of her.

Michele didn’t like to swim. She lay still, glistening as Mrs. Metcalf read her magazine, nodding and clucking under a white straw hat.

“Watch this,” Alexandra whispered.

Like a rotor, she spun herself into a frenzied whirl, arms in the air until she lowered one into the pool and splashed a cascade of water directly on her sister.

Her sister screamed, livid, and grabbed the towel from her chaise.

“You little brat!” Michele shrieked, grabbing a towel and curling into a ball as if traumatized.

Ignoring her daughters, Mrs. Metcalf absently patted the few drops that had landed on her, but Mr. Metcalf strode over to the pool. Clad in a tight piece of spandex, he was a full, slender head taller than my stocky father and seemed to tower over us.

“You know better than that, Alexandra.” His voice was deep and full of quiet condemnation.

“It’s no big deal,” Alexandra said. “You’re in your swimsuits.”

“We don’t play those games in our family,” Mr. Metcalf said. “Do that again, and you’ll go straight to your room.”

When he turned his back on us, Alexandra looked at me. Her mouth was cockeyed, and her eyes rolled toward her father. I jumped back in, and we ducked our heads and blew bubbles to keep from laughing out loud.

When we came up for air, Michele and Mr. Metcalf were walking back into the house, and Mrs. Metcalf had risen from her chaise. She was a tall, broad-shouldered woman who, under her livid rouge and brown eye shadow, was paler than milk, even in the sun.

“Would you minnows like some dinner?” she asked.

Alexandra nodded and looked to me to see if I’d stay.

“I guess I should call home first,” I said.

“Then call,” Alexandra said.

“And just so you know, Carrie, you’re always welcome in our home.”

“Thank you, Mrs. Metcalf,” I said.

Shivering, I got out of the pool and picked up the cordless phone, my movements jerky from the cold stiffening my bones. As I called home, I watched Alexandra doing dolphin dives in the water and knew then, not just from watching her move but from a growing intimate knowledge of my own uncooperative body, that I was Alexandra’s complete physical opposite: my straight brown hair hung just above my shoulders, my teeth jutted from my face. Thankfully, we were both flat-chested.

**

When swimming got old, we did gymnastics on my back lawn. I admired Alexandra’s perfect cartwheels and long-held handstands even as I thudded onto my back, sending the wind gusting up and out of my chest. My mother flitted near the kitchen window, applauding us both, but Alexandra was too busy spinning and springing along the grass to notice.

She’d never taken lessons.

She was a self-taught acrobat, fearless and airborne.

And when she watched me walk, Alexandra couldn’t help but offer instruction.

“You always look like you’re about to bend, Carrie,” she said one afternoon as I sauntered over to a silver maple to investigate a fallen bird’s nest. “My mother says you should straighten up or you’ll get a hunchback by the time you’re thirty.”

“She said that about me?”

“Not you. People.”

Alexandra stood by my side and told me to look straight ahead. I did as she said, and my eyes started aching.

“Good,” she said. “Now tuck in your butt, bring your shoulders back, and push your chest out a little.”

I obeyed, and it felt good for about ten seconds.

“Don’t worry,” Alexandra said as my shoulders started to fall. “You’ll get used to it.”

When she wasn’t looking, I preferred the comfort of slouching.

**

At home, Alexandra was all I could talk about. My new friend had a collection of China dolls, I told my mother as she chopped vegetables in the kitchen. And each doll had a different dress, and each dress was a different color. The dresses were made of real silk, I added when my mother remained unimpressed, and in addition to the China dolls, Alexandra also had a collection of crystal animals from Prague .

“You have your own collection,” my mother said.

“Spoons,” I said. “Stupid spoons.”

“They’re not stupid,” my mother said. “And you’ll appreciate them when you’re older.”

The collection had been mine for as long as I could remember, and for as long as I could remember, my mother had been telling me that I’d appreciate my blossoming set of sterling silver flatware when I was older. At the time, however, I couldn’t imagine sharing my plain yet elegant spoons with Alexandra. Her love for showy things kept me from pulling the heavy wooden case from my mother’s closet and explaining the history behind each piece of sterling it contained. Born out of thin air with a history that had surely started and ended with her parents, Alexandra could only be bored to tears by stories of my grandmother and my Polish great-aunt and great-uncle—now long dead, all contributors to this collection in honor of my birth.

“I want something I can show off now,” I muttered, scorning a legacy I knew was precious. “I’m going to Alexandra’s.”

“No you’re not,” my mother said. She’d finished with the vegetables and had begun splitting chicken legs from thighs. “I need you to help with dinner.”

“Mom.”

The sickening sound of moist bones breaking was enough to make me wish I were a vegetarian just like Alexandra and her big sister, Michele.

“Good God, Carrie, you practically live there,” my mother said. “Why don’t you spend some time with your own family for a change?”

“I wish I had a sister,” I mumbled, though I wanted much more than that.

I wanted to be someone else.

“You can see Alexandra after dinner,” my mother said, turning to face me, one hand on her hip. “Besides, if she really wanted to see you, she’d call or come knocking once in a while, don’t you think?”

I hadn’t thought of that. I took for granted, as I should have, that Alexandra would be around forever.

**

The first time I ate dinner at the Metcalfs’ house I was dazzled and sickened all at once. They drank buttermilk out of wineglasses. I hated milk and one look at the thick yellowish liquid clinging to the inside of the glass closed my gullet. But I always said yes when it was offered because it seemed so elegant and strange. At my house, I avoided milk and drank juice from jelly glasses my mother picked up at yard sales.

It was clear to both of us that we preferred her house with the pool and fewer rules. There was also the occasional chance to spy on Michele who looked at her body in the tall oval-shaped swivel mirror, cupping and holding the plum-like roundness of her breasts. Through the keyhole, we took turns peering in as she scowled at her reflection, reaching languidly for her robe, covering herself. I couldn’t think why she looked so angry, and wished my body would open up like hers, my sharp edges soften into curves. I still marvel that she had no idea her keyhole afforded such a perfect view.

Whenever she came across us while we played dress-up with Wally, their fat orange cat, I stared at her polished toes, afraid I might fasten my gaze on her nipples because they always seemed to poke out past her bra like tiny, fat buttons.

“If that cat has any brains, he’ll run far away from here one day,” Michele said one afternoon. She had come downstairs to flip on the T.V. “The way you dress him up like that, it’s a disgrace to cats everywhere.”

“He’s my cat, so I can do what I want,” Alexandra said. “Right, Carrie?”

I looked up at Michele, and she smirked at the two of us as if she knew something we could never understand. Then she turned off the television, wheeled around and delicately climbed the stairs without waiting for me to prove my loyalty to her sister.

“She’s mental,” Alexandra said, glowering, when Michele was gone. “She dresses Wally up, too, when she’s not busy looking at herself.”

I didn’t know whether or not to believe this, the improbability of a girl like Michele playing dress-up with anything at all except herself. Part of my fascination with Alexandra and her family was with their glamorous boredom. They never seemed to need to be busy; their languor was an activity. The effortless way they moved through their house and around each other, their striking looks, distracted me from Alexandra’s bull’s eye accuracy of reducing me to the smallest version of myself simply by being who she was, someone I loved instantly without wanting to admit soon after that I sometimes hated her.

**

One Sunday afternoon, the last before we returned to school, I was alone at Alexandra’s. She had to leave for a piano lesson and, though I wasn’t asked along when the time arrived for her to go, I was invited to stay in the house.

“You can lie on my bed if you want or read something. I have the whole Bobsy Twins, series,” Alexandra said. “But just be really careful about the shelves,” she warned.

At first, I lay down on her bed, and the whisper of her pink cotton coverlet sent up a perfume I couldn’t place, except that all of her clothes smelled like this bedspread. Mine smelled bleachy and over clean. The door to her room was closed and the house was quiet as I looked around, my head perfectly still on the pink and white gingham sham, its plumpness keeping it that way.

Alexandra’s China dolls filled one tall pink wicker bookshelf, and the tiny crystal animal figurines filled another one. Everything on those shelves was sacred. Even Alexandra refused to touch her treasures. She’d already lost one in a pillow fight, and she was so terrified that another one, which had been knocked askew in the same fight, would fall as well, and she wouldn’t even let her mother right it in case it toppled. So there it stood, teetering on the verge of certain doom.

Alexandra and her mother were taking a long time. I had fallen asleep and, jerking awake ten minutes later as the clock radio blinked the lost minutes back at me, I wondered if they’d forgotten I was still there, waiting. Not that I minded too much. It was enough to lie there and pretend it all belonged to me.

I rolled off the bed and padded over on bare feet to peer at the row of crystal animals lined up at eye level, each one different. A giraffe standing next to a lion that was curled up beside an elephant. All the rest behind them were dogs and cats. The sunlight streaming in through Alexandra’s bedroom window bounced off the giraffe and onto the floor in a colorful pool of light. Slowly, my hand steadier than I knew it could be, I took the luminous giraffe and gingerly held it, arcing it through the shaft of light and down, bewitched by the rainbow spilling across the pine planks under my feet.

Just as I finished counting the colors, I started again, sure there were more than my eye could see, but I’d barely begun my second count when I heard crying. Creeping to the door, I opened it slightly until I realized that the crying was coming from the next room.

“You know better than that, Michele,” a man’s voice said, deep and even. “We don’t cry in this house.”

And then Mr. Metcalf was standing in the hallway, in front of me. His frown reversed almost too fast for me to have seen it and he smiled.

“I had no idea you were here, Carrie. Where’s Alexandra? Did she go off and leave you here to fend for yourself?”

I nodded, mute, my palm suddenly empty. We both looked down and saw the giraffe at my feet, snapped cleanly in two.

“Mrs. Metcalf said I could stay if I wanted,” I managed to say.

“Fair enough. Why don’t you join me downstairs for some milk and cookies?”

“What about Michele?” I asked. “Will she be coming, too?”

His smile vanished. He looked at me as if I’d insulted him.

“No,” he muttered. “She’s not feeling well.”

When he turned to go downstairs, I pocketed the two pieces, then followed.

“Have a seat, m’lady,” he said, gesturing with a flourish to a dining room chair. Then he went into the kitchen and came out with a goblet of buttermilk, which he placed before me, and a plate of cookies that wasn’t sweet enough to smother the taste of the milk that Mr. Metcalf seemed intent to have me drink, one agonizing sip at a time.

He said nothing as he watched me choke it down. With Wally purring on his lap, he began to ask me meaningless questions.

“Carrie, are you happy to be returning to school? It’s not long now.”

I shook my head, my lips pasted together.

“I’ve heard the school here is very big. Very good, but very big. Do you think you and Alexandra will have any classes together?”

“I don’t know,” I mumbled, tonguing the cookie into my cheek.

At that moment, Alexandra and her mother breezed in the door, Mrs. Metcalf chirping, “Darlings, we’re home!”

As if wound from behind, I took my empty plate and unfinished milk to the sink and scurried off with Alexandra, the giraffe’s head and body in my shorts pocket.

**

That afternoon, back at my own house helping my mother prepare dinner, I knew I had to tell Alexandra what I’d done. Her father had seen the murdered giraffe.

Gathering my nerve, I went back to their house, the pink and purple creeping into the sky before sunset almost displacing the terror I felt from my scalp down to my feet.

When I knocked on the door, Michele answered.

“How’re you feeling?” I asked, nudging one sandaled foot against the other.

She eyed me for a heartbeat. “Fine,” she said. Her voice fell flat between us. “Why wouldn’t I be?”

I didn’t have an answer.

“I guess you’re looking for Alex,” she said, opening the door wide. “She’s downstairs torturing Wally.”

The one time I’d tried to suggest that Wally might not be having such a great time, Alexandra had said that I was being ridiculous. Cats had no idea whether they were having a good time or not. Besides, Wally was her cat, and I could go home if I didn’t like dressing him up.

Stung by her words but unwilling to be chased away, I stayed on and helped her lace the dresses over his fat, furry stomach and truss the tops of his paws into the tiny booties. This time, however, Alexandra looked up at me, and I thought she understood why I’d come.

I knelt next to her and picked up a piece of doll’s clothing, tracing the eyelet at the hem, embroidered with green petals. Alexandra had a dress just like it in her own size.

“Wally looks nice,” I said. “Like he’s going to a party or something.”

Alexandra was silent.

“Is he?” I said. “Going to a party?”

“Wally doesn’t like parties. We both hate crowds.”

“Then maybe for a walk? Maybe we can take him in the stroller. It’s pretty outside, with the sun about to set.”

I hated how Wally looked, but for the first time, I didn’t want to be in the house any longer than I had to be.

Still not looking at me, Alexandra gathered Wally into her arms and placed him in the stroller, his hind legs poking up, his front paws bound too tightly in ruffled sleeves and slippers for him to fight even if he wanted to.

Once outside, we walked together back toward my house and past it into the park that led toward the school. I started to worry about whether I should bother with any of this—with a confession, with a decision. And I worried, too, that if there was any decision to be made, no matter what I would say, it might not belong to me, that it might be out of my hands altogether.

“So, what’d you do while I was out at piano?” Alexandra asked. “Did you get to read?”

“No,” I said, the fingernails of one hand clamped between my teeth. “I think I fell asleep.”

Alexandra laughed. It was an adult laugh, the kind I’d heard from my mother once or twice, and it made me wonder what kind of emotion could can produce such a mirthless sound.

“I wanted to ask you something,” I said before I really wanted to. I hadn’t planned to ask her anything. But the will I’d abandoned when Alexandra first bobbed into my life was beginning to right itself, stretching, as if roused from sleep.

She stopped the stroller and turned to face me.

I looked at the ground, knowing I had to go forward. “Do your parents—?”

“What? Love us?”

Alexandra spit out the word like a curse, and it dovetailed with all that I knew about her: that she would be a friend I could always count on to put me in a place that would suit our friendship best, even if it hurt her to have me there. It would be a place where I could not hope to be allowed to love my new friend in the way everyone should be loved.

“That’s not what I meant,” I said, ripping off my cuticles and staring back at her.

“Then what did you mean?”

“I don’t know,” I said.

But in a way that terrified me more than what I was sure of, I really did.

I knew exactly what I meant.

 Casey Krivy Hirsch is formerly of Toronto, and living in the Philadelphia suburbs since 1989. She has been a freelance writer for numerous regional newspapers and publications, including Main Line Today and City Paper. Mother of three, she is currently

Harrisburg

Say I’m easily lost. Say it’s mid-June, Harrisburg. The man will leave as he came, hazy spot on the proverbial horizon, speck on an otherwise relatively clean record. Why record this? And why love? Say the man is a shy songwriter gone addicted. Or, skip the introduction and cut to the chase. Say there are three men where there ought to be two. Say one is a kid on his way home to a backwoods father with liver disease. Say the kid leaves early one morning without leaving a note. Bless mid-June nonetheless. And bless Harrisburg . Why menthol cigarettes? Or Oldsmobile love-making? Call it indirect characterization. Call it plot development. Call it a crying shame. Bless the tremor in the left hand. Why Xanax kisses in the rainy Pennsylvanian moonlight? Why guitar picks floating in the toilet bowl? What, now, is left? The man getting ready to leave. And me, already forgetting the details, already ready to quit Harrisburg cold. One man where once there were two, three. And a tremor in the left hand, lost keys in the songwriter’s Oldsmobile. A spilt-open steamer trunk full of spiral-bound notebooks. And a highly-flawed narrative structure.

Paul-Victor Winters is a high school teacher and adjunct professor of writing living in Southern New Jersey; his poems have appeared in a number of literary journals.

Distilled Spirits

What we’ve become after
the sweet fruit lost first blush, left to

rot at the jar base (glass house, open
world) darkened and heady with invisible

gases, decomposition breathing hot.
Sour mash, newly mixed, strained twice,

thrice until all particles (reminders of
previous life) disappear. Now,

just a taste, thick and turned,
will remind us.

Erin Gautsche lives in West Philadelphia where she is completing her Masters degree in 20th Century Poetics, textuality, and fiction at the University of Pennsylvania. She is delighted to be the Program Coordinator at the Kelly Writers House.

Fortune

 [img_assist|nid=914|title=Untitled by Nicole Koenitzer © 2006|desc=|link=node|align=right|width=150|height=120]Boarding to Siyang is called. It’s early morning, and the bus station is filled. I have to push through the crowd to reach the doorway where my bus is waiting. Everyone is carrying red plastic bags filled with food to give— fruit, peanuts, seeds. I am carrying my own plastic bag containing ten oranges and ten bananas. A middle-aged Chinese woman stressed the importance of bringing ten of each kind of fruit. I left ten pears at home, but the bag is still heavy. I hear a few passengers say, laowai, foreigner, as I walk down the aisle to my seat.

Four hours later, we pull into the bus station at Siyang.. This place is much smaller than Zhenjiang , where I have been living — more north and colder. Through the bus window I see my student smiling at me, and I wave. It’s the Spring Festival Holiday, the celebration of the Chinese Lunar New Year, and he has invited me to visit him. He and his father have come to receive me. His father has a wide smile and a cowlick in the back of his hair. My student walks ahead purposefully when I mention I need to buy a return ticket at the station. We stand in line, and he takes out a pink 100 yuan bill.

"I can pay," I weakly insist.

"Ivy, I’ll pay. Let me show you around."

That’s my student, Changjiang. His name means " Long River ” and refers to the Yangtze, the longest river in China . Changjiang will be seventeen next month. He’s tall and thin. He has wispy, wavy hair that falls into his face and an easy laugh. When he looks at me, his eyebrows arch over his glasses, and he grins.

To go to their house, we ride in a “bread car,” a small van. There are other passengers in the bread car, and we fly along the road together. The driver stops every so often and calls out for more passengers. More people get on with their bags of fruit.

The lane to their house is muddy—the van cannot go on that. It’s made of dirt, and has brick houses on either side. As we walk, I see bales of hay, goats, some cows, chickens, and a donkey. The mud clings to my sneakers. Changjiang has my book-bag on his shoulders, and his father carries the fruit. When we arrive at his house, his mother and grandmother come to the doorway and together we go to the concrete courtyard. His grandmother is stooped over, wears a blue apron.
"She can’t understand putong hua (standard Mandarin) so maybe you can’t speak to her," Chanjiang says.

I can’t tell if his grandmother can really see me. During my visit, she wanders in and out of rooms, putting a handful of candies next to us on the sofa, leaning over the table and tapping her foot, or standing behind her grandsons examining them,

"My grandmother often does things with no result,” Changjiang says.

We come to a room with a wooden table, a TV set, a DVD player and a sofa. Here we will spend most of our time. The ceiling is very high, and the walls have posters on them— famous Chinese TV and movie stars, blue and green tinted landscapes. There are two rooms off to either side, the room they all will sleep in, and the room I will sleep in, alone. It is cold outside, and the door to the courtyard remains open all day. We see our breath as we watch DVD’s putting our feet under a blanket as our toes slowly freeze.

We leave the room for meals. For dinner, we eat-corn porridge, bread and vegetables; for breakfast, dumplings and glutinous sweet dough balls in soup. We eat crabs, turtle, pork and vegetables for lunch. After meals we take in a mouthful of warm water from a shared cup, swish it around our mouths and spit it into the dirt off the courtyard.

If I rest for a few seconds between bites of food, his mother points to a bowl with her chopstick. "Ivy, chi, chi.”

"You can eat as you like," Changjiang says.

The first night, his mother introduces me to my room. There are two plastic basins on the floor filled with warm water and two towels. "This one is for washing your pigu (butt) and this one, your feet.” She leaves. I don’t touch the pigu basin, but I halfheartedly rub the other towel over my feet. She comes back, knows I haven’t washed properly. She kneels down, holds my feet, and washes them thoroughly rubbing between my toes.

The bed is covered with a thick blanket. When I wake up, I am warm. My head is entirely covered by the blanket and my coat, and a second blanket covers my feet. I don’t remember wrapping myself so warmly.

"Ivy?" It’s Changjiang, outside the door.

"Yes?" I say.

"Wake up,” he says.

It snows today. We pass the day watching TV or movies. Neighbors come by. The grandmother gives them handfuls of watermelon seeds. An old man in a Russian fur hat visits, sits on the narrow wooden bench by the doorway, and the grandmother sits next to him. The light falls on the creases in their faces. I want to take a picture of them, but I don’t. A young girl also visits. She leans against Changjiang, crowding him on a narrow bench. She brings a long, new firecracker into the house. He pulls it from her and throws it into the yard. The snow is coming down quickly. I laugh in surprise.

"Why did you do that?” I hit him lightly, and he laughs too. We light firecrackers on New Year’s Eve. We watch from the doorway as the father lights them in the yard and runs off. We watch them burn down and throw off light, banging the air, until one goes off improperly, and the sound is unbelievable. "Tai jinjang, too intense,” Changjiang says.

The next night, he borrows a pad and pen from his father. We talk about words in Chinese and English, draw crude pictures to show each other our meaning. Soon the page is covered with random drawings and words at all angles. "Art" his brother says His father tells a story, and Changjiang translates. "When I was young, the other children in my neighborhood wanted to steal some money. I just stood next to them and watched. I was afraid someone would say I was guilty too."

Changjiang looks at me and laughs. "Oh, that’s it." he says.

"I thought there was more."

Later I eat lunch with an all-male party—three young cousins, their father, Changjiang, his father and brother. They all have shots of baijiu, clear rice wine. I alone have grape wine. Everyone toasts each other. I am toasted several times and drink the weak wine. Changjiang sits beside me, worriedly telling me I only have to drink a little, only have to just touch my lips to the glass. He has had several shots of baijiu.. He is ripping small holes in the plastic table covering. After awhile he asks me if I’m full. I nod, and he tells me I can just have a seat on the sofa. The men stay at the table toasting each other, so I get a book to read. Later, he asks to see the book, holds it in his hands, and asks me what happens in the stories I read. He sits next to me on the couch and carefully reads each word aloud on the book jacket. Floating with the baijiu, he steadies himself by following the words with his finger. I get my camera and hold it up to the table scene. He takes it, frames his father in the camera screen and waits for him to laugh.

The day before I leave, I make a fortune-telling game out of a square piece of paper. I must think of several “fortunes” to hide under the folds. One that I write is, “You will marry someone ten years older or younger than yourself.” And I write nine more fortunes. When I am done, I tell Changjiang to pick a number. He chooses the marriage fortune. I wrote it as a silly joke, but when I read it out to him, we just look at each other. I am twenty-six years old. I put the paper down. Later, I see his grandmother crumple it in confusion and sweep it into the trash.

That night, Changjiang, his brother, and I watch "Total Recall". The room is dark, and their parents have gone to bed. When the movie is over, I go outside to brush my teeth and to use the outhouse. I am amazed at the stars, which are plentiful and twinkling. Changjiang and his brother come outside to look at them with me. We stand next to each other.

“I’ve never seen stars so clearly,” I say.

After I say that, Changjiang and I look at each other.
"Maybe you can take a picture,” his brother says. I get my camera, hold the screen up to the sky, but all I see is black. We also look at the airplanes. They are coming from different directions, their lights flashing.

"You can wave to me when I leave for America . Maybe you even saw me when I came to China ,” I say. I wonder if that could happen.

The next day, I walk with the brothers on the road to the main street. Their father stays behind but shouts several times with reminders. Tell Ivy to send a message when she returns, things like that. We walk awhile without speaking.

"Maybe we should talk," Changjiang says.

I tell him that sometimes "Silence is golden" like in a movie theater. He tells me this is also a saying in Chinese. When we get to the road, he tells his brother to go back home, and the two of us board a mini-bus. When we have to move over to make room for another man, my arm lands on Changjiang’s arm. For the rest of the ride, we don’t move, and we hardly talk. I experience something that I have experienced before, but rarely—I can actually feel heat along the entire right side of my body—from him. I don’t know if I’m imagining the heat.

“Are you okay?” he asks me.

The Siyang bus station has an extremely dirty bathroom. No one closes the doors to the toilets, and the toilets don’t flush. I squat down, face a child opposite me. Both of our doors are open. When I exit the bathroom, an attendant comes over, tells me the bus to Zhenjiang is boarding early. My student comes on the bus to wait with me. People rush to fill in the seats before the early departure. Chianjiang and I wait together in silence. Ivy Goldstein was born and raised in the Mount Airy section of Philadelphia. Three years ago she moved to China to teach, and is now living in Beijing, working and studying Chinese. She fondly misses her hometown.

Hoffman, the Spiritualist

[img_assist|nid=912|title=Freaky Deaky by Clifford Ward ©2006|desc=|link=node|align=right|width=150|height=225]Hoffman’s wife, Tookie, died last week. She used to collect loose hair from her brush and comb then burn them in a glass ashtray: this isn’t related to her death, Tookie just had a ritual. She kept the glass ashtray on the porcelain toilet tank under a small Monet.

The bathroom still has a burnt hair stink. Hoffman is touching the ashes; he rubs them between his thumb and forefinger. They feel talcumy.

He once asked his wife why she did it, why she burned her hair. Tookie said she didn’t want people to steal her soul. Indians burned their hair, she said. They didn’t like people snapping their pictures, either. He told her she wasn’t an Indian.

Hoffman is holding a cardboard box filled with Tookie’s things. Her silver brush and comb set. Her plastic shower cap. Her pills and face creams and makeup. It’s her bathroom box. Hoffman also has a bedroom box and a hall closet box.

He killed his wife a week ago Thursday, or it feels like he killed her. They were married only four months. What can you do? He drove his new Jaguar XK into the iron gate of their Bensalem home at 78 m.p.h. They had been drinking martinis with a lemon twist. Tookie broke her neck. Her head plunged forward then snapped backward. Hoffman got a cut on his forehead and a cracked windshield.

Tookie had real looks, black hair, huge brown eyes. A sweetheart, too. He should have seen it coming. She would have been thirty-nine next week, two years younger than him.

What if I make the same promise as Houdini? She had said. When I die, I’ll come back. But instead of Halloween, it’ll be my birthday. She promised this on their honeymoon.

Hoffman first met his bride the night she came to his home with the Vanderlings from Bucks County and the Averys from Connecticut. She was there as a client, one of the hungry babies. This is what Hoffman calls his clients, hungry babies. They have that hungry baby desperation. They salivate to his every word. They hunger for someone or something on the other side to show him-her-it-self.

Clarice Vanderling wanted to know if her departed mother was finally at peace. If so, would she reveal the hiding place of her gold broach with the diamonds? Randolph Vanderling wanted his dead father to give him the okay to buy a new stock. The Averys had similar questions. Estelle Avery’s dead brother hadn’t divulged his Grand Cayman account number. Her husband, Sonny, needed to remind his Aunt Jillian how excluding him from her will was un-Christian and hurtful.

Then Hoffman turned to Tookie. What about you? he said.

I don’t remember my family, Tookie said. I’m not sure who’s dead or alive. I just want to know if there are other things to do after this. It doesn’t have to get better, only different.

On the afternoon of her thirty-ninth birthday, Hoffman goes to his library. It’s mostly brown leather and wood. Books fill the wall shelves. They have a faint mildew odor. Books are also stacked on the oak floor and the coffee table. A dozen track lamps mark the edges of the room in warm yellow light.

Hoffman is now seated at a large round table off to the left, his fingers tapping its green felt top. He is tall and slim and wears a dark suit and tie. Hoffman has the look of a concerned mortician.

His clients are the hungry babies, not him, never him. But tonight he may join the multitude. This thought brings a flush to his neck and cheeks. Wife or no, is he really waiting for a dead person?

Tookie is gone. Tookie is sealed in an 18 gauge A-line steel casket with swing bar hardware and premium white crepe interior. Hoffman paid $1,500.00 extra to have a lighthouse and an ocean airbrushed on the glossy pearl sides and top. Goldstein’s Funeral glued Tookie’s eyes shut and powdered her dead gray skin. Nobody is home. Everything inside the 18 gauge A-line steel casket is going to rot, even her bones. Good-bye and so long, my Tookie. Houdini won’t be stopping in to say hello. Dear Tookie won’t be doing that, either.

This isn’t what the hungry babies want to hear. This isn’t what Hoffman says to them. He didn’t buy his 9,000 square foot home in Bensalem and his Jaguar XK based on the truth as he sees it. His hungry babies aren’t paying top dollar to take a grim peek at Life and Death 101. They want life to have a purpose and suffering to have an end and a reward. Hoffman will always listen to the client’s question to understand how the client wants that question answered.

Is Auntie Polly there with Uncle Joe?

His arm is around her shoulder, Hoffman says. Auntie Polly has her head resting on Joe’s chest. She’s smiling at you and waving, Hoffman says. Can you see her? Close your eyes and see her. They talk about you constantly, did you know that? True as I’m here, Hoffman says. They are impressed with your generosity, your kindness. They like to discuss the sensitive way you treated them during their last days. At the convalescent center. At the hospice. At your house.

What is it like on the other side? Are there trees? Birds? Flowers?

That and more, Hoffman says.

Do they have pets? Dogs? Cats? Fish?

You can bet on it, Hoffman says. Dogs with big watery eyes and cats that curl up on your lap and stay there.

Are there individual homes? Condos? Semi-detached?

More choices than you can imagine, Hoffman says. Something for everyone.

Is there a wooded area with a stream? Uncle Joe loved to fish, they say. Are there bass in the stream? Salmon? Cod? Perch?

Let’s hope you put a fishing rod in Uncle Joe’s casket, Hoffman says.

Everybody laughs. Some of his clients are so relieved they weep.

But what about social activities? Auntie Polly was always a very social person, they say. Are there discussion groups?

Hoffman shuts his eyes.

No groups. No.

They’re dead. Joe and Polly and Tookie, all of them are dead.

His poor Tookie. What is he, a drunken animal? Hoffman’s elbows rest on the large round table. His fingertips press against his forehead. He begins sobbing. Then he uses a white handkerchief to blot the tears from the green felt.

Hoffman should have seen it coming. He is supposed to have a sixth sense about these things. It’s what he does for a living.

Hoffman’s father is a retired orthodontist who lives in West Philadelphia. The grandfather was David Douglas Hoffman. David Douglas was born in Cardiff, Wales.

His parents shipped him off to the mother’s sister in Philadelphia at the age of nine. The mother said her boy’s cradle would rock by itself. She said when David Douglas was four; he accurately predicted the death of a cousin.

The retired orthodontist didn’t understand his father. He can’t understand his son. This doesn’t stop Hoffman from visiting him on Tookie’s birthday.

You’re too thin, the father says. His name is Marv. He is inspecting his son over the rims of his tortoise shell reading glasses. When you’re mother died, may God rest her, I ate like a horse, Marv says. Cherry cheesecake. I ate half a cherry cheesecake a day.

Too much sugar, says Hoffman and makes a face.

What can you do? says the father.

Marv Hoffman has that refugee look. His brown and white striped flannel bathrobe is open at the neck and stops at the knee. It shows a white bony chest and thin white legs. A few long and obstinate strands of graying hair are combed over his freckled head.

Before Hoffman entered the living room, his father was reading the leisure section of the Philadelphia Inquirer. The newspaper is now folded on his lap. Corked-tip cigarette butts fill the ashtray on the end table beside his chair. Along with stale cigarette smoke, the room has a bacon odor, maybe from breakfast, maybe a B.L.T. A brass floor lamp shines its light over the old man’s left shoulder.

I didn’t see it coming, Hoffman says. He slumps onto the beige feather-cushioned sofa across from his father. More stupid tears are coming, he can feel it. Hoffman says, we’d been drinking, Tookie and me. I was tipsy. I admit that, I take full blame. But we’d been tipsy before and nothing happened.

You had bad luck, says his father.

I want to hear her voice one more time, says Hoffman. I sound like my clients. But I want to know everything is all right.

She’s all right, says Marv. She’s dead. You and your grandfather, unbelievable.

What sort of business is dead people? It would be different if you buried them, that’s a nice dollar.

You don’t understand, Hoffman says. You never understood me. You don’t have a clue. For years I’ve wanted to tell my clients how it’s all crap. Everything. Heaven, hell, all of it.

[img_assist|nid=913|title=Yellow ‘Fro Dancer by Clifford Ward.|desc=|link=node|align=right|width=150|height=200]People want to feel someone powerful is watching out for their interest, his father says. They want protection. They’d also like to avoid the box.

That’s it, exactly, says Hoffman. But now I don’t know. I don’t want to think that way. About it being crap, I mean.

You don’t want Tookie to just rot in the box, the father says.

"I can’t bear the thought, Hoffman says. “ Especially today. It’s her birthday, for God-sake.

Marv is nodding and smiling and going uh-huh uh-huh under his breath. He drops the folded Inquirer on the pine wood floor. Marv re-crosses his thin white legs, tucking the hem of the brown and white striped bathrobe under his thigh. He lights himself a king-sized Kool. Smoke and the bacon odor mingle. His long fingers angle the cigarette pack and a yellow Bic lighter next to the ashtray.

You’re like me, says his father. He turns his head and exhales a line of smoke near his left shoulder. It becomes luminous gold under the glow of the floor lamp. His father says, The synagogue was for old farts and kids, that’s what I thought. You couldn’t pay me to go to synagogue. Marv stops and looks down at his cigarette. His fingers have a tremor. He says, Then my Ruthie passes. What can I do? I can’t shut her in a box and walk away. Who can do such a thing?

You got that right, says Hoffman.

His father taps the cigarette on the edge of the amber ashtray. I started going to Shul. Friday night services, his father tells Hoffman. I say a few prayers. I say, how you doing, Ruthie? How’s my sweet girl? I’m good. I hope you’re doing good. Marv’s voice becomes tight. He has to wait a second or two. Then he tells his son, I don’t say these things out loud, of course. I say them to myself. To her. Me and her, talking. Like it’s a phone conversation.

That’s a good idea, Hoffman says.

Not that good, his father says.

What can you do?

It’s late afternoon. Hoffman is on his way home. Even with the top down on the XK, he smells like cigarettes. Overhanging trees along the Schuylkill Expressway run shadows across the XK’s silver hood. The river is to his right, the sun low and reflecting an orange light on the water. A shell boat with a single oarsman keeps a smooth and even pace.

He will give Tookie’s clothes to the D.A.V., maybe the Salvation Army. Tookie has expensive taste. Had. She had expensive taste. Prada bags, some nice Versaces, a Rianne De Witte, nothing cheap. Somebody will be happy. Then Hoffman remembers the ashes from Tookie’s hair. The glass ashtray is still on the porcelain toilet tank. What’s he supposed to do? Does he flush her ashes down the toilet? Does he trap her soul if he stores the ashes in a baggie? He wishes he had Tookie’s advice.

He stops the XK for a red light. The car on his left is a maroon Dodge Caravan. The car to the right is a tan station wagon, maybe a Volvo, maybe a Mercury Sable. He isn’t that familiar with these types of cars. A phone has started ringing. Hoffman hears it but can’t grasp its exact direction. It’s a distant, muted ring. He glances at the woman in the Caravan. She’s thin with thick black glasses. She is staring straight ahead. An older man to his right has an unlighted cigar at the corner of his mouth. He is also watching the red light. Hoffman’s right hand sweeps the glove compartment then beneath his seat. What phone keeps ringing? An unexplainable panic is working him. Did he bring his cell phone? He must answer the phone now. Hoffman knows this better than he knows anything else. He must answer it this moment, or it will never ring again. Ron Savage lived in the Chestnut Hill area of Philly and went to Leeds Junior High and Germantown. He has worked for 27 years as a Senior Psychologist at Eastern State Hospital in Williamsburg, Virginia. His work has appeared in numerous journals.