Master Class with Michael Martone: The Four C’s: Context, Cutting, Compression, and Collage

[img_assist|nid=9967|title=Michael Martone|desc=|link=node|align=left|width=100|height=67]This course will study the form of modern composition known as collage.  Beginning with its roots in the cut paper and paste works, the invention of montage and cutting in film, and the spread of syncopation and jazz, collage (as an organizing structure which resists and/or amplifies linear narration) became an energetic and fruitful form for poets and prose writers.  This class will seek to replicate some principles of collage construction, with readings and a variety of work produced in class.  The discussion will touch on such subjects as the hand-made and machine -made, counterfeiting, found work, gestalt theory, Ives and MTV, military camouflage and its connection to Cubism, the remote control, jazz quotation and hip-hop sampling, the card catalogue, encyclopedias, and indexing in general.

When: 11-4
Where:
Forum Classroom, Kaul Hall (Building #9 on campus map)
Cost:
$75 (includes lunch). Email christine@philadelphiastories.org to receive an application. Space is limited!

Philadelphia Stories Selects 2013 Winner of National Short Story Contest

[img_assist|nid=10792|title=Che|desc=|link=node|align=left|width=81|height=100]Philadelphia Stories, a non-profit literary magazine featuring the work of writers and artists from the Delaware Valley, has chosen Che Yeun, a graduate from the University of Pennsylvania and M.F.A. candidate at the University of New Orleans, as the winner for its fifth annual Marguerite McGlinn National Prize for Fiction.

Board members whittled more than 450 stories down to 10 finalists, which were reviewed by celebrated author and 2013 judge, Michael Martone. He chose Yeun’s “One in Ten Fish Are Afraid of Water,” praising the author for creating a story that “embodies, dramatizes, and transports osmosis and the permeable movement through boundaries and borders formally, in its content, and with its characters. The story is about betwixt and between, and its author handles all of the transgressions, transitions, and transmogrifications with grace and grit.”

First prize includes a $2,000 cash award, an invitation to an awards dinner, and publication in the Fall 2013 issue of Philadelphia Stories.

[img_assist|nid=10797|title=Annam|desc=|link=node|align=left|width=100|height=75]This year’s second place winner is Annam Manthiram,  author of the novel, After the Tsunami, which was a Finalist in the 2010 SFA Fiction Contest and in the 2012 New Mexico/Arizona Book Awards.

Martone says of Manthiram’s story, “The Rules of Mending”: “I like the ambition here, the sweep of time and place, all figuratively and literally stitched together by the rhetoric of advice and the X-Acto knife of collage.”

Yeun will be honored at an awards dinner to be held at Rosemont College on Friday, October 11, 2012, followed by Philadelphia Stories’ annual Push to Publish Conference on Saturday October 12, 2013. The conference will be held for the sixth year on the campus of Rosemont College, which offers an MFA in Creative Writing and an M.A. in Publishing, and has actively supported the writing community through events like Push to Publish.

ABOUT THE WINNING AUTHORS

Che Yeun earned her B.A. in History & Sociology of Science from the University of Pennsylvania, with a focus on biomedical ethics. She is currently an M.F.A. candidate at the University of New Orleans, and the Stanley Elkin Scholarship recipient for the 2013 Sewanee Writers’ Conference. Her short fiction received the 2012 Enizagam Literary Award and was nominated for a Pushcart Prize. Her work can be found in The Pinch, Enizagam and Kartika Review. She is working on a collection of short stories, and documents her travels (real and imaginary) on www.koriental.com.

Annam Manthiram is the author of the novel, After the Tsunami (Stephen F.  Austin State University Press, 2011), which was a Finalist in the 2010 SFA Fiction Contest and in the 2012 New Mexico/Arizona Book Awards, and a short story collection (Dysfunction: Stories, Aqueous Books, 2012), which was a Finalist in the 2010 Elixir Press Fiction Contest and in Leapfrog Press’ 2010 Fiction Contest. 

About Marguerite McGlinn
Marguerite McGlinn was the essay editor of Philadelphia Stories from 2004-2008. Her travel stories appeared in the New York Times, the Sun-Sentinel, the Philadelphia Inquirer and the Los Angeles Times. She edited The Trivium: The LiberalArts of Logic, Grammar and Rhetoric (Paul Dry Books, 2002). Three of her short stories won places in “Writing Aloud,” a program of dramatic readings that matches contemporary fiction with professional actors. She was an adjunct instructor at Saint Joseph University in Philadelphia, and her story “The Sphinx” appeared in the Fall 2007 issue of Philadelphia Stories and the second volume of the Best of Philadelphia Stories (2009).

For interviews, press photos, or more, contact christine@philadelphiastories.org

Push to Publish 2013 Bios

 * = will participate in speed date. Read bios carefully to find the best fit for your work!

AGENTS

* Jordy Albert is a Literary Agent and co-founder of The Booker Albert Literary Agency. She holds a B.A. in English from Pennsylvania State University, and a M.A. from Millersville University of Pennsylvania. She has worked with Marisa Corvisiero during her time at the L. Perkins Agency and the Corvisiero Literary Agency. Jordy also works as a freelance editor/PR Director. She enjoys studying languages (French/Japanese), spends time teaching herself how to knit, is a HUGE fan of Doctor Who, and loves dogs. She is looking for stories that capture her attention and keep her turning the page. She is looking for a strong voice, and stories that have the ability to surprise her. She loves intelligent characters with a great sense of humor. She would love to see fresh, well-developed plots featuring travel, competitions/tournaments, or time travel. Jordy is specifically looking for: Middle Grade: contemporary, fantasy, action/adventure, or historical; YA: sci-fi, dystopian/post-apocalyptic, contemporary, historical (though she is open to looking at other sub-genres, she’s looking for YA that has a very strong romantic element); NEW ADULT CONTEMPORARY ROMANCE; Romance (contemporary and historical).

*Sheree Bykofsky, AAR, represents over 100 book authors in all areas of adult non-fiction as well as literary and commercial fiction. Her nonfiction specialties include popular reference, business, health, psychology, poker, spirituality, self-help, humor, cookbooks, pop culture, biography, women’s issues, decorating & crafts, music, and
 much more. Among Sheree’s nonfiction clients are Jane Eldershaw, Bill Walsh, Margo Perin, Albert Ellis, John Carpenter (first millionaire on “Who Wants To Be A Millionaire?”), Bill Baker (President of Channel 13, PBS in NYC), Supermodel Roshumba, and Richard Roeper (of Ebert and Roeper). In the area of fiction, Sheree’s clients include Donna Anders and Leslie Rule. Sheree is an Adjunct Assistant Professor of Publishing at New York University and teaches at SEAK’s conferences for doctors and lawyers. Sheree is very proud to represent her latest author, Philadelphia Stories‘ essay editor Julia MacDonnell, author of MIMI MALLOY AT LAST (Picador), whom she met at Push to Publish!

*Jody Klein is an agent at Brandt and Hochman Literary Agency. She is actively acquiring literary and upmarket fiction—novels that lean a bit more literary, while still containing a strong commercial hook.  This also includes historical fiction, family saga, sophisticated crime/suspense, magical realism, graphic novels and memoirs, as well as narrative nonfiction (especially related to sports, pop culture, science or history).  Jody is drawn to page-turning, character-driven stories with real emotional pull. Jody is also the Administrative Secretary of the Association of Authors’ Representatives.

*Gina Panettieri is President of Talcott Notch Literary Services, a 5-member boutique agency representing a full range of fiction and nonfiction for adults and children. A 25-year veteran of the publishing industry, she’s placed hundreds of books with publishers such as Berkley, McGraw-Hill, Wiley, Macmillan, and Adams Media. Currently, she’s seeking edgy, darker Young Adult and adventurous or humorous Middle-Grade fiction, as well as all genres of adult fiction, and in nonfiction will consider business/career/investing, cookbooks, crafts, self-help, memoir, travel, popular science, history, true crime and gift books. She is also always on the hunt for projects for her agency colleagues, and has brought home a number of projects from conferences and contests that have been signed and sold that way.

*Kate Johnson is a literary agent and vice president of Georges Borchardt, Inc., where she has worked for eight years. She previously edited and reported at StoryQuarterly, Bookslut.com, New York magazine and elsewhere, and graduated from Northwestern University’s Medill School of Journalism. She loves working with journalists, but is also on the hunt for literary fiction, memoir and narrative nonfiction.

*Rita Rosenkranz founded Rita Rosenkranz Literary Agency in 1990 after a career as an editor with major New York houses.  She represents health, history, parenting, music, how-to, popular science, business, biography, sports, popular reference, cooking, writing, spirituality, and general interest titles. Rita works with major publishing houses, as well as regional publishers that handle niche markets. She looks for projects that present familiar subjects freshly or lesser-known subjects presented commercially.

*Eliza Rothstein is a literary agent at InkWell Management. Her interests include literary and commercial fiction, narrative non-fiction, memoir, popular science, and food writing. Eliza studied Comparative Literature and Art History at the University of Pennsylvania, and is a graduate of the Columbia Publishing Course. She previously worked at The Susan Golomb Literary Agency, and is also a founding member of City Readers, a nonprofit organization committed to providing books for public and charter schools in New York City.

EDITORS & PANELISTS

Rebecca Albani, Publisher Relations Manager at Bowker, has been working in the publishing industry for the past 8 years.  She has worked on both the book publishing side as well as the metadata side of publishing. She currently assists publishers, both large and small, with making their data more discoverable to customers and therefore helping them increase their sales.  Rebecca educates publishers on the types of metadata that should be supplied with their titles and the most effective method of submitting this data to improve search ability. On behalf of Bowker, she continues to speak on enhancing bibliographic data to both self-publishers as well as traditional publishers.

*Courtney K. Bambrick is the poetry editor at Philadelphia Stories. Her poetry has appeared or is forthcoming in such journals as Apiary, Certain Circuits, Dirty Napkin, Philadelphia Poets, and the Schuylkill Valley Journal. Courtney currently teaches writing and literature at Holy Family University, Philadelphia University, and Gwynedd-Mercy College. She recently coordinated the third annual Children’s Arts Program for kids at Old Academy Players in her neighborhood. She lives with poet Peter Baroth in East Falls. For speed date: poetry.

*Janet Benton is a highly experienced editor and teacher of
 writing who has worked closely with countless writers to improve their
 manuscripts and their craft. Her writing has appeared in Kiwi, Working Woman, Women’s Health for Dummies, and many other publications, and her editing clients have published 
hundreds of books. She serves as a mentor and teacher to writers 
throughout the region through The Word Studio in Chestnut Hill, Philadelphia. For speed date: nonfiction, fiction

Cordelia Frances Biddle is a critically acclaimed novelist with a passion for history. Her Martha Beale series is set in Philadelphia during the 1840s: Without Fear, Deception’s Daughter, The Conjurer. According to The Philadelphia Inquirer: “Biddle successfully uses 19th-century Philadelphia, mining the landscape for the kinds of jewels that illuminate a good mystery, and shaping characters that ring true to the elements of their creation.” The books were inspired by research into the lives of her Biddle and Drexel ancestors. Cordelia has recently completed another novel set in Victorian-era Philadelphia, and a biography of Saint Katharine Drexel. She teaches creative writing at Drexel University’s Honors College, and received the Outstanding Teaching Award in 2012.

*Rosemary Cappello edits and publishes Philadelphia Poets, which she founded in 1980, and in conjunction with that publication, organizes and presents poetry readings throughout each year and bestows two annual awards. Her poetry has appeared in a number of publications, including Anthology of Women Writing, Voices in Italian Americana, Poet Lore, Avanti Popolo, and Iconoclast. Her chapbooks include In the Gazebo, The Sid Poems, and San Paride. She is a published prose writer as well, mainly of essays and film reviews.  For speed date: poetry.

* Grant Clauser (Schuylkill Valley Journal) is the author of the book The Trouble with Rivers. Poems have appeared in The Literary Review, Painted Bride Quarterly, Cortland Review, Sow’s Ear Poetry Review, Philadelphia Stories and others. In 2010 he was Montgomery County Poet Laureate. His interviews with other poets have appeared in the Schuylkill Valley Journal and The American Poetry Review. He has been a submissions reader and editor at various journals including The Mid-American Review, Toad Highway Poetry Review and Janus. He conducts workshops at writing conferences and at Philadelphia’s Musehouse and runs the blog www.unIambic.com. For speed date: poetry.

* Kara Cochran is the poetry editor of the Rathalla Review.

*Cathy T. Colborn is the creator of Philly Flash Inferno, an online (and soon to be print) journal, featuring flash, poetry, interviews, and artwork with the ongoing theme of The Seven Deadly Sins. Visit her websites: Phillyflashinferno.com and http://cathytcolborn.blogspot.com. For speed date: flash fiction.

Eileen M. D’Angelo is the Editor of Mad Poets Review, two-time finalist of the Allen Ginsberg Awards given by the Paterson Literary Review, and President of Philadelphia Writers Conference Board of Directors. She was nominated for a Pennsylvania Governor’s Award in the Arts, judged open auditions in Philadelphia for the pilot program of HBO’s Def Poetry Jam, and has book reviews and poetry published in Rattle, Manhattan Poetry Review, Drexel Online Journal, Paterson Literary Review, Wild River Review, The Independent Review, Lilipoh, Philadelphia Poets, One Trick Pony, Odessa Poetry Review, The Aurealean, Bookends, HiNgE, Philadelphia Stories, and others. Director of the Mad Poets since 1987, she has coordinated over a thousand readings and special events, for poets and students, throughout the Delaware Valley.

Alison DeLuca is the author of several steampunk and urban fantasy books.  She was born in Arizona and has also lived in Pennsylvania, Illinois, Mexico, Ireland, and Spain. Currently she wrestles words and laundry in New Jersey.



Adele Downs
writes contemporary romance novels inside the office of her rural Pennsylvania home. She is a former journalist and a multi-published, award-winning author who also writes fiction in another genre. Adele is an active member of Romance Writers of America and her local RWA chapter where she serves as immediate past-president. She has written several articles for RWR magazine (Romance Writers Report), the trade journal of Romance Writers of America, and has presented workshops for writers. Her Christmas firefighter novella SANTA TO THE RESCUE will release November 11, 2013 from Entangled Publishing. Visit Adele Downs at http://adeledowns.wordpress.com

* Anna M. Evans’ (Schuylkill Valley Journal) poems have appeared or are forthcoming in the Harvard Review, Atlanta Review, Rattle, American Arts Quarterly, and 32 Poems. She gained her MFA from Bennington College, and is the Editor of the Raintown Review. Recipient of Fellowships from the MacDowell Artists’ Colony and the Virginia Center for the Creative Arts, and winner of the 2012 Rattle Poetry Prize Readers’ Choice Award, she currently teaches at West Windsor Art Center and Richard Stockton College of NJ. Her fifth chapbook, Selected Poems of Marceline Desbordes-Valmore, is forthcoming from Barefoot Muse Press. Visit her online at www.annamevans.com. For speed date: poetry, nonfiction

Gregory Frost is the author of novels including the Shadowbridge series (Del Rey) and Fitcher’s Brides (Tor). He’s director of the fiction writing workshop at Swarthmore College. Moreover, fellow Philadelphian Michael Swanwick eloquently said of Gregory in 1994 “This is what you have to know in order to understand Gregory Frost…  That fire couldn’t stop him, or poverty, or neglect. That he did what it took to get where he wanted to go.  Now you know and now you understand. Gregory Frost has ambitions, and they are not modest ones.“

*Kathleen Volk Miller is co-editor of Painted Bride Quarterly, co-director of the Drexel Publishing Group, and an Associate Teaching Professor at Drexel University. She is a weekly blogger (Thursdays) for Philadelphia Magazine’s Philly Post. Volk Miller writes fiction and essays, with work in publications such as Salon.com, Opium, thesmartset.org, the New York Times Motherlode and with upcoming work in Drunken Boat. She is currently working on My Gratitude, a collection of essays. Recently, Kathleen Volk Miller was named a Creative Connector by Leadership Philadelphia. For speed date: fiction.

Lise Funderburg’s latest book, Pig Candy: Taking My Father South, Taking My Father Home, is a contemplation of life, death, and barbecue, and it was chosen by Drexel University for its 2012 Freshman Summer Read. Lise’s articles, essays, and reviews have been published in The New York Times, TIME, The Philadelphia Inquirer, The Nation, MORE, Chattahoochee Review, the Oprah Magazine, and Prevention. She teaches creative nonfiction at The University of Pennsylvania, Rutgers, and the Paris American Academy.

Thomas V Hartman is a writer, photographer/videographer and new media producer. His publishing experience spans 15 years and includes senior editorial roles with Elsevier and John Wiley and Sons. In addition, Hartmann has developed Websites and other digital content for clients such as Harcourt College Publishers, Pearson/Prentice Hall, and Rutgers University; Hartmann is a former columnist for Pif magazine and a Senior Editor/Web Editor at Painted Bride Quarterly. He has contributed to the Philadelphia Inquirer, The Photo Review, and other publications. His photography has appeared recently in Stated magazine, where he is a contributing editor, and in N + 1. Hartmann is a graduate of the University of Pennsylvania and Columbia University, and he is a former Writing Center Associates Fellow at Georgetown University.

*Alison Hicks’s books include Kiss, a collection of poems, Falling Dreams, a chapbook, Love: A Story of Images, a novella, and Prompted, an anthology. She received the 2011 Philadelphia City Paper Poetry Prize, and has twice received fellowships from the Pennsylvania Council on the Arts; her work has appeared in Blood Lotus, Eclipse, Gargoyle, The Louisville Review, Quiddity, Pearl, Permafrost, and Whiskey Island among other journals. She is founder of Greater Philadelphia Wordshop Studio, which offers community-based creative writing workshops and personal consultation.* For speed date: fiction, nonfiction, poetry

Beth Kephart teaches memoir at the University of Pennsylvania and is the author of sixteen books, including five memoirs. HANDLING THE TRUTH: ON THE WRITING OF MEMOIR (Gotham) has received starred reviews and was recently featured as a top five writing book in O Magazine. Kephart’s essays on memoir have appeared or will soon appear in Chicago Tribune, Huffington Post, Marion Roach Blog, Creative Nonfiction, Philadelphia Inquirer, Brevity Magazine, Pennsylvania Gazette, Speakeasy, and The Millions. She blogs daily at www.beth-kephart.blogspot.com

* Peter Krok is the editor of the Schuylkill Valley Journal and serves as the humanities/poetry director of the Manayunk Art Center where he has coordinated a literary series since 1990. Because of his 
identification with row house and red brick Philadelphia, he is often 
referred to as “the red brick poet.” His poems have appeared in the Yearbook of American Poetry, America, Mid-America Poetry Review, Midwest Quarterly, Poet Lore, Potomac Review, Blue Unicorn and numerous other print and online journals. In 2005, his poem “10 PM At a Philadelphia Recreation Center” was included in Common Wealth: Contemporary Poets on Pennsylvania (published by Penn State University). His book, Looking For An Eye, was published by Foothills Press in 2008. For speed date: poetry

Don Lafferty’s short fiction has appeared in NEEDLE MAGAZINE, CRIME FACTORY MAGAZINE, SHOTGUN HONEY and a number of other markets and anthologies. He’s written corporate communication, marketing and advertising copy, and feature magazine articles. Don is a regular contributor to the global conversation about marketing through the social media channel, and blogs at www.donaldlafferty.com. Don is a regular speaker, teacher and the Chief Marketing Officer of the digital marketing agency, Mingl Social. He’s a member of the Philly Liars Club, the social media director of the Wild River Review, and serves on the board of directors of the Philadelphia Writers’ Conference. Cick here to read our interview with Don.

Tracey M. Lewis-Giggetts is currently an adjunct professor in the graduate publishing program at Rosemont College, as well as, a writing instructor at Philadelphia University. Tracey is also the Managing Editor at CLC Publications, a 72-year old publisher of religious non-fiction based in Fort Washington, PA. As a writer, she is the author of six books including her latest novel, The Unlikely Remnant, and her nonfiction book, The Integrated Church: Strategies for Multicultural Ministry (Beacon Hill). Tracey’s writing has been published in local, regional, and national publications (online and print) such as Philadelphia Weekly and Heart and Soul Magazine.

* Nathan Alling Long is a member of the fiction board for Philadelphia Stories. His work appears in over fifty journals and anthologies, including Tin House, Glimmer Train, Story Quarterly, The Sun, Crab Orchard Review, Salt Hill, and Indiana Review. He has received a Truman Capote Fellowship, a Mellon Foundation Fellowship, and a Pushcart nomination and is a seven-time finalist for the Glimmer Train Very Short Story Award. He lives in Philadelphia and teaches at Richard Stockton College of NJ. For speed date: fiction

* John McGeary is the Managing Editor of Rosemont College’s litmag, the Rathalla Review. He’s a terminal writer and perpetual student and coping well.  His interests include philosophy and archetypes and the writings of C.S. Lewis and C.G. Jung.  He presented a paper on C.S. Lewis’s conception of archetypes at the C.S. Lewis and Inklings Society at Grove City College in 2008 and was awarded the Senior English Prize for research by Geneva College. For speed date: fiction

Jon McGoran is the author of Drift, an ecological thriller released in July 2013 from Tor/Forge Books. Writing as D. H. Dublin, he is the author of the forensic crime thrillers Freezer Burn, Blood Poison, and Body Trace, from Penguin Books. His short fiction, nonfiction and satire have appeared in a variety of publications and anthologies. He is a member of the Mystery Writers Association, the International Association of Crime Writers, and the International Thriller Writers, and a founding member of the Liars Club.  He is the editor in chief of Grid, a magazine covering issues of sustainability. For many years, he was Communications Director at Weavers Way Co-op, and editor and publisher of the monthly newspaper, The Shuttle.

* Diane O’Connell is the editorial director at Write to Sell Your Book, based in  New York City. A former Random House editor and author of five books, Diane specializes in helping first-time writers become published authors. Her clients have garnered six-figure advances, gone on to become bestselling authors, and been featured in major media markets, such as 20/20, Oprah, Psychology Today, PBS, and TED Talks. For speed date: fiction, non-fiction.

Kathye Fetsko Petrie is a freelance writer and the author of the children’s picture book, Flying Jack. Her non-fiction publication credits include The Philadelphia Inquirer, Main Line Today, The Writer, The Sun, pif magazine and Mused: The BellaOnline Literary Review. She has published interviews with notable authors including Mary Gordon and William Styron. Locally, Petrie is perhaps best known as the editor/publisher and founder (2002) of Local LIT, the online publication of literary events and resources taking place in the Philadelphia area. She is at present working on a non-fiction book
about women writers writing while being mothers. For more information about Kathye Fetsko Petrie including links to some of her published writing go to www.kathyefetskopetrie.com.

Miral Sattar is founder and CEO of BiblioCrunch, an author services marketplace that connects authors with quality, vetted book publishing professionals. She has worked in the media industry for 11 years, most recently at TIME. Her writing has been featured in PBS, TIME, CNN, NY Daily News, among other media publications. She has a MS in Publishing (Digital + Print Media) from NYU and a BS from Columbia University in Electrical Engineering and Computer Science. You can follow Miral on Twitter at @BiblioCrunch.

Debra Leigh Scott
is the author of a collection of short stories, Other Likely Stories, (Sowilo Press), a work of inter-related stories set in the tumultuous 1960s.  Her next work of fiction, Piety Street, (forthcoming, New Door Books) is the first novel of a trilogy. As Founding Director of Hidden River Arts, Debra has grown this inter-disciplinary arts organization for nearly ten years.  It now includes gallery events, an independent small press, yearly fiction and drama competitions, outreach events, music, performance, literary readings,  workshops and classes. 

*Lora Sickora is an Associate Editor at Rodale. She is looking to acquire prescriptive non-fiction titles and specializes in the genres of health & wellness, diet, and fitness. Lora began her publishing career at Elsevier, where she served as a Developmental Editor for the nation’s leading health professionals. For speed date: nonfiction

*Mitchell Sommers is the Fiction Editor and a member of the Board of Directors of Philadelphia Stories.  He has been published, in addition to Philadelphia Stories, in PHASE, The Big Toe Review, iPinion, The Philadelphia Inquirer, APIARY, Burlesque Press, and the F&M Alumni Arts Review.  He is a member of the Lancaster Dramatists’ Platform, a playwriting group. He is an attorney in Lancaster and Ephrata, PA, concentrating in the field of bankruptcy and debtor/creditor law.. He is a graduate of Franklin and Marshall College, received his law degree from Dickinson School of Law at Penn State, and his MFA from the University of New Orleans. For speed date: fiction

* Joe Samuel “Sam” Starnes is the author of the novel Fall Line, selected for the Atlanta Journal-Constitution’s 2012 list “A Year in Reading: Best of the South.” He has edited Widener University’s alumni magazine since 2009, winning eleven editorial awards. His first novel, Calling, was published in 2005. His articles, essays, and reviews have appeared in the New York Times, Washington Post, Philadelphia Inquirer, and Publishers Weekly, among other places, and his short stories and poems have appeared in various literary journals. He holds an MFA in Creative Nonfiction from Goucher College and an MA in English from Rutgers University in Newark. He is teaching this semester in the graduate writing program at Rowan University, and has taught numerous graduate writing courses at Saint Joseph’s University. For speed date: fiction, nonfiction

*Catherine Stine writes YA, New Adult and middle grade fiction. Her YA futuristic thriller, Fireseed One won finalist spots in both YA and Science Fiction in the 2013 USA Book News International Book Awards. It was also granted a 2013 Bronze Wishing Shelf Book Award and a 2013 Indie Reader Approved notable stamp. Her YA Refugees, earned a New York Public Library Best Book. Middle grade novels include A Girl’s Best Friend. Ruby’s Fire, newly released, is earning high praise from reviewers: “Ruby’s Fire, returns to the sun-scorched earth of Fireseed One. In this long-awaited sequel, Stine delivers a thrilling adventure led by a new and exciting cast of characters. Ruby, Armonk, Thorn and Blane are memorable, and the romance is really well handled.” –YA’s the Word. Stine has taught creative writing workshops at Push to Publish, The Philadelphia Writing Conference, Missouri University Summer Abroad and The New School. She is also a manuscript doctor. For speed date: Children’s/YA

Karen Pokras Toz writes middle grade and adult contemporary fiction. Her books have won several awards including the Readers’ Favorite Book Awards, First Place in the Children’s Chapter Books category and the Grand Prize overall in the 2012 Purple Dragonfly Book Awards, as well as placing first for a Global E-Book Award for Pre-Teen Literature. A native of Connecticut, Karen now lives outside of Philadelphia with her husband and three children. For more information, please visit www.karentoz.com.

*Nancy Viau is the author of LOOK WHAT I CAN DO! (Picture Book/Abrams Books for Young Readers, 2013), STORM SONG (Picture Book/Two Lions, 2013), CITY STREET BEAT (Picture Book, Albert Whitman & Co., 2014), and SAMANTHA HANSEN HAS ROCKS IN HER HEAD (Middle-Grade/Abrams/Amulet Books, 2008). Her stories, poems, and activities appear in Highlights, Highlights High Five, Ladybug, Babybug, and many other magazines. She is a member of The Authors Guild, the Society of Children’s Book Writers and Illustrators, and The KidLit Authors Club—a regional marketing group she started that consists of authors who bring interactive book parties to bookstores, libraries, festivals, and conferences. www.NancyViau.com. For speed date: Children’s/Middle Grade/YA.

*Jesse Waters is the Director of the Bowers Writers House at Elizabethtown College, and runner-up for the Iowa Review Prize in Fiction and the Atlanta Review International Poetry Prize, Jesse Waters’ poems, short stories and essays have appeared in magazines such as Adirondack Review, Magma, Story Quarterly, Sycamore Review, Southeast Review and The Cortland Review. His first book of poems, Human Resources, was released by Inkbrush Press in March of 2011. For speed date: fiction, nonfiction, poetry.

Jerry Waxler teaches nonfiction writing at Northampton Community College, and is the author of the blog, Memory Writers Network, which contains hundreds of essays, book reviews, stories, and writing prompts about reading and writing memoirs. Mr. Waxler is the author of three nonfiction books, most recently Memoir Revolution, is a director of the Philadelphia Writers Conference, and has taught and spoken about memoir writing at many regional and online writing groups. He has a Master’s Degree in Counseling Psychology.

*Tracy Kauffman Wood is the Creative Nonfiction Editor of The Rathalla Review, the literary magazine of Rosemont College. She is currently enrolled in the MFA in Creative Writing Program at Rosemont and has been writing in the CNF genre for 20 years, published most recently by Womens’ Memoirs.com. She teaches writing workshops in the Philadelphia area as well as middle school and high school English. For speed date: Creative Nonfiction

*Marion Wrenn is the co-editor of the Painted Bride Quarterly, a media critic, and a cultural historian who loves poems, essays and creative non-fiction. She is completing her book Inventing Warriors, and is also working on Miss Recognition, a collection of essays about media, memory, and the way misrecognition can sometimes lead to deeper knowledge and insight. Her essays have appeared in Poetics, The American Poetry Review, and elsewhere. For speed date: Creative Nonfiction

Party Like a Poet Happy Hour Photos

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Contest sponsor Joe Sullivan with winners Emily Bludworth de Barrios, Deborah Fries, Debora Gossett Rivers, Nissa Lee and Kelly Andrews.


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Philadelphia Stories Jr. Director Stephanie Scordia with Philadelphia Youth Poet Laureate runner up Jaya Montague

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Contest runner up Hayden Saunier

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The audience parties at the Center for Architecture. Artwork: Forgotten Philadelphia, PS’s first art exhibit that combines art and words.

About Us

Philadelphia Stories is a 501c3 that has been serving the writing, reading, and art community of the Greater Delaware Valley since 2004. Co-founders Carla Spataro and Christine Weiser began Philadelphia Stories to build a Philadelphia-based community of writers, artists, and readers through the free magazine and affordable educational programs and events. Program highlights include: 

Free magazine (2004): The primary vehicle for this mission is the free print magazine, which publishes work by local writers and artists. Five thousand copies of the free print magazine are distributed each quarter to more than 200 locations throughout the Delaware Valley, including all 52 branches of the Free Library of Philadelphia.

[img_assist|nid=9813|title=|desc=|link=node|align=left|width=100|height=67]Philadelphia Stories, Jr.: This bi-annual print and online literary magazine by writers age 18 and under from the Philadelphia area is distributed for free throughout the region. Philadelphia Stories, Jr. has two release parties each year where young readers and musicians share their talents through performance. Since 2012, Philadelphia Stories, Jr. has also partnered with Mighty Writers, the  Greater Philadelphia Cultural Alliance, the Arden Theatre Company, Montgomery County Poet Laureate Program, the Musehouse Literary Arts Center, area public schools, the PoetryWITS (Writers in the Schools) Program, That’s So Philly, Philly Girls Read, and more.

[img_assist|nid=5874|title=Marguerite McGlinn|desc=|link=node|align=left|width=68|height=70]National Writing Contests: Inspired by the work of two local writers who served on the editorial board of Philadelphia Stories, the goal of these named national prizes is to introduce the great culture of Philadelphia to writers throughout the country. The Marguerite McGlinn Prize for Fiction is an annual national short fiction contest with a 2,000 prize. The Sandy Crimmins National Prize for Poetry offers a $1,000 cash award. Both prizes are sponsored by the families of these two women to celebrate their passion for the Philadelphia writing community. 

Push to Publish: This annual one-day publishing conference, now in its 7th year, has become a popular networking opportunity for writers of all experience levels. Keynote speakers have included Steve Almond, Beth Kephart, Kevin McIlvoy, Paul Lisicky, and Karen Quinones Miller.

PS Books: This books division of Philadelphia Stories showcases local writers through book-length works.. Titles include collections by Randall Brown, Alison Hicks, P.C. Scheponik, and more.

[img_assist|nid=11466|title=|desc=|link=node|align=left|width=45|height=61]Art Exhibits: Philadelphia Stories further promotes the culture of Philadelphia through art exhibits, launching its first exhibit in partnership with the Fairmount Park Welcome Center called “Forgotten Philadelphia.” This exhibit combined art inspired by specific Philadelphia heritage sites with poems and short fiction that speculate on the stories behind these hidden treasures. Philadelphia Stories will launch its next exhibit “Daring Greatly: Extraordinary Women from the Delaware Valley” in September 2014.

Contact: 93 Old York Rd. * Jenkintown, PA 19046 * www.philadelphiastories.org

It Happened One Day

I just finished reading Ian McEwan’s book, Saturday. As the title implies, the entire 304 pages take place on a single day. McEwan is skillful at making this day realistic and, though it’s told in the third-person singular, the reader closely follows the thoughts and feelings of Henry Perowne, eminent and aging neurosurgeon whose life, overall, is fulfilling. He still loves and desires his wife. His two nearly grown children are well-adjusted-one a talented musician, and the other a successful poet married to a successful lawyer. However, we have the sense that underneath this façade, cracks and chasms exist.

The book begins in the early morning on Saturday with Perowne rising out of bed and ends with him falling headlong back into that same bed after a very trying day. (Please note: he does not awaken because his alarm clock goes off. He is aroused by a distressing noise outside; a sound that later turns out to be a plane crash.)

Most the events of the story are ordinary. He plays a grueling game of squash with his longtime friend. He visits his mother at her nursing home. He goes to the grocery store to buy fish for a dinner party planned for that evening. And yet…

Throughout the book, because we are close to the thoughts of this man, the story feels tense.

Perowne, we quickly learn, is a man who sees and anticipates disaster often. The reader, too, feels an impending sense that things are not quite right-a darkening sky seems to be gathering on the horizon. At the same time, it is clear that Perowne inhabits this state of mind each and every day. He feels as if the life he’s built is always on the verge of crumbling beneath his feet. And of course, since the writer is the ever-skillful Ian McEwan, on this particular day, he happens to be right. Things will have shifted significantly in the course of this single day.

As writers of short stories, what can we learn from this novel? A few things.

First, we are not tricked. McEwan carries us along with this uneasiness and then delivers on it; in other words, he sets up an expectation and fulfills it for the reader. How disappointing and even wrong it would feel if we reached the final pages and discovered that this unease was for aught; if nothing of note happened and it was simply an ordinary day. (Side note number two: beware the “slice of life” story. Unless your character’s everyday life is always compelling, complicated, and surprising, we do not care about what happens to him on the day that nothing in particular happened.)

Which brings me to the second lesson of the novel. This particular Saturday is lifechanging; you can sense that all of the characters are going to be altered slightly by what happens during this singular day. At the same time, no one dies, nothing explodes, aliens do not invade, the apocalypse doesn’t occur. Though what happens is dramatic, it is not melodramatic; and we believe the action of the story because, like the main character, we’ve sensed all along that this was no ordinary day. (Third side note: this does not mean you have to write about the worst day of someone’s life. That day can be just as boring or cliché as the day nothing happened. In a short story, while we want something of note to happen, it need not be a decapitation or nuclear explosion. It can be a gesture toward change; a noticeable shift in the balance of things illustrating that the character’s life trajectory has altered over the course of the story.)

Third, and perhaps most importantly, the dramatic action arises because of how the main character behaves. In other words, the character’s behavior toward a person and a situation early in the story causes that situation to be heightened and sets in motion the chain of events. How Perowne behaves is also reflective of his job, of his personality- it’s not the character trying on a new personality suddenly; it’s a character behaving as he would on any other day. It just so happens that, on this day, his behavior propels the action forward in a dramatic way. In this way, the book illustrates one of the common fiction mantras-character is fate.

More specifically, because Henry Perowne is a neurosurgeon who can recognize neurological disorders, and because he is a person who is used to behaving calmly in difficult situations (again, a reflection of his job), and because he is slightly egotistical, he is able to diffuse the situation by throwing out a diagnosis. However, because he is also someone who likes to be right, this tactic causes worse consequences
in the long run. If he had been someone else, he would have handled the situation differently, and it would have ended in a different way. But because character is fate, the final scenes of the book are set in motion by Perowne’s actions, by his personality, by his strengths and his weaknesses. Knowing your characters well (their jobs, how they feel about their partners, their level of insight, their blind spots) will help you light the way through the first
drafts of the story as you figure out how the dramatic action will unfold.

Let the character, not the plot, set in motion the action of the story. If you follow your character, your readers will be carried with you, over the course of one extraordinary day or decades of a life.

Aimee LaBrie is an award-winning author and teaches a fiction workshop for Philadelphia Stories.

The Stories The Flies Tell About Us

have behemoths in them roaring loud as a million buzzings,
colossal larvae in hard-shelled eggs with doors
that let us move in and out to feed, our teeth
great eyes of bone, the size of an adult squished flat
by the hand of God, which comes to the fly out of nowhere,
multi-colored, many fingered, webbed on a stick,
that petal of death that makes antennae quiver.
Once a rolling egg took an uncle out of the sky – just like that!
And if one of our young comes thundering
down off its unsteady tree stump legs,
they’re out proclaiming: Make ready, hover, make ready
for the abundance of sweet eruptions!
Days and days and days a-hum with pungent sustenance!
Huzzah, they say, to find an eye and go for a swim!
Our future is all desert and violent winds.
It is burning sun and thirst.
There will come a great dying off,
and a gradual returning to what once it was.
What an honor to be the clean up crew!
God will be so full of death by then,
he’ll close his hands forever,
they promise their maggoty kinder.
That’s when we enter the rotting time glory,
followed by the sugar always bliss.

Eileen Moeller lives in center city Philadelphia, PA. She has poems in Paterson Literary Review, SugarMule, Ars Medica, and forthcoming in Schuykill Valley Review. Access her blog: And So I Sing at http://eileenmoeller.blogspot.com/

Squirrel

Flash of grey, ignore the scratching
Deny, deny, deny: Until he shows himself
Cocked head as if wondering
Who wandered into his wood
Roofer-doctored skylight
That’s how the bastard arrived
“I’ll check traps each day at noon.”
Words city boys should never say
“Come on! Six-three! Two twenty-five!
You’re not scared, are you?”
Again, again, again
Mind corners thoughts
Or is it the other way?
Détente settles in shingled layers.
Close it off. Shut it down.
How many huddle in the cold?
Catch it. Kill it. Eat it.
Your ancestors’ soft smile.
It’s better not to know
What goes on in the attic

Frank Diamond has 30 years writing and editing experience for newspapers, magazines, and television, and is currently the managing editor of Managed Care Magazine. Diamond has released a novel, The Pilgrim Soul, and a short story collection, Damage Control. His short stories have appeared in Innisfree, and Kola: A Black Literary Magazine. Diamond lives in Langhorne, Pa., with his wife, Kate, and daughter, Emily.

A Fire During Fall Waits to Be Lit

In this season of fallen things
you move your play indoors
below, to our basement
like a cave that the first men
might have huddled in
as wind or night beat outside,
genetic mutation seeking them even there
starlight sneaking in through cracks,
the sun they held in awe begetting cellular change
that we would look back upon
and call evolution

and in our cave, you and your tribemates
fingerpaint on the concrete
— a skeleton, a spear, a flower, our dog —
your handprints frozen in an amber of acrylic paint,
a fly’s wingbeats held still for me,
the flint waiting to be struck within you
and with it the fire of life and time begun
as once, from its kernel, the stuff of the universe
exploded and was flung
forever outward

Joe Cilluffo is a practicing attorney who spends his free time writing, weeding his vegetable garden, and playing with his three children. Joe’s poems have appeared in journals such as Philadelphia Poets, The Schuylkill Valley Journal, Apiary, The New Purlieu Review and Adanna Literary Journal. He has been a featured reader at the Moveable Beats Reading Series, the Philadelphia Poets Ethnic Voices series, the Manayunk-Roxborough Arts Center inaugural ekphrastic poetry exhibit, and the Mad Poets Society “A Little Spring Madness” event.

Kerf

name the space
left by the groove
of the saw

wood to dust
line defined
by emptiness

name what
exists only
as absence

singed kindling
curled into fire
then air

words inhaled
understand
quiet

empty place
at the dinner table
bed

the name
that escapes me
late at night

still holds
the image
of a face

what exists
in the cut
of the blade

disappears
when the pieces
fall apart

Beth Feldman Brandt is the author of Sage in collaboration with visual artist Claire Owen and their new project will be part of the “Bartram Boxes Remix” exhibition at the Center for Art in Wood in 2014. Beth works in the arts in Philadelphia where she finds plenty of Philadelphia Stories.