REVOLUTION

She was blonde. Blue eyes.  The kind of girl who I had only seen in Riga.  I could never get a girl from Riga.  I was a dark skinned Russian. A Kazak.  A Chornee.  With the American girl, I had a chance.  Americans do not want to be racist.  In Russia we do not care.   We are racist.

She was part of an American group who was going to learn Russian at Moscow State University.   We were assigned to pick them up.   There were two blonde girls.  One girl was a red head.  One girl had curly hair and glasses.  We were four Russian guys. We all had the same thing on our mind.  There was a chance that an American girl might think Russians were European.   There was a chance we would have sex with an American girl.  Having sex with an American girl was the ultimate sign of a successful revolution.

I dressed up in clothes that I had bought in America.  Before the promises of democratic revolution from Gorbachev, my father was friends with the Eisenhower family.  He was a Soviet official.  They invited us to their summer home.  I bought American jeans and an American coat.  I had outgrown the American shoes.  I could still wear the pants because I had bought them big.  I had my mother hem them. 

 We met them at the airport. One of the blonde American girls smiled at me.  Both of the blondes were attractive. But one had an eye that crossed when she smiled.  I chose the other one. 

I stuck out my hand. “Privet.”

She tried to speak to me in Russian.   The Americans can never speak Russian.   They come to the Russian Universities to learn, but all they do is drink Stolichnaya vodka and help the Russians practice English.  Americans are a generous people. “Privet.”

I started speaking to her in English.  I told her I had been to America before.  I told her I had been to the Eisenhower’s. I told her that Henry Kissinger had sat in our living room. I could tell that she thought I was lying. 

She smiled.  “Henry Kissinger? The Henry Kissinger?”

I said, “Yes, my father was an official in the Soviet government. Very high up.”

With a Russian girl, this would have been the charm, at least before the Soviet Union fell.  For an American girl, the Soviet government was Lenin and Stalin. Americans wanted to believe in Marx.   I was not sure there was a difference.

She asked, “He worked in the Soviet government? How does he feel about democracy?”

I told her the truth.  “He’s afraid of what’s going to happen.”

She was like all the other Americans.  “Won’t things be better with freedom?”

Americans did not understand how easily freedom could be destroyed.  “We have a different history.   Peter the Great tried to turn us toward the West.  It didn’t work for Russia. It’s how we got Lenin. I’m not sure we’re ready for democracy.”

She didn’t understand Russians.  I didn’t really understand Americans.  Especially when it comes to blow jobs.  American girls will give blow jobs before they will sleep with you.  I never slept with an American girl when I was in America.  I had several blow jobs.  But no American girl ever loved me.  This time it would be different.  A  democratic revolution.

We took the metro from the airport to the university.  The metro was a Soviet accomplishment.  Efficient transportation for the masses.  Beautiful art commissioned for each metro station.  Kaganovich took credit.  Krushchev expelled him from the Party.  There were prostitutes and graffiti in the metro stations now.  No one took credit for that.    

She had one big bag. I carried it for her.  Her bag was very heavy.  She would be here for three months.  She told me that she packed plenty of toilet paper.  She thought we didn’t have any toilet paper.  She was right, but I told her my father had worked for the government.  We still had toilet paper if she needed some. There were some things that the communists still had.

She was afraid in the metro.  My friend Peter carried a gun in case the gypsies attacked.   The gypsies spotted that she was American.  The Americans carry dollars.  A girl and a boy tried to surround her and beg.  It was always the children of the gypsies who begged until the revolution. Russians used to be too proud. I swore at them in Russian.  She smiled at me.  She had nice teeth. Russian girls don’t always have nice teeth. 

We took a car from the metro stop.  All the Russian guys had chosen the girls that we wanted. My friend Peter chose the wandering eyed blonde.  He had a twitch that made him blink one eye too fast.  She didn’t seem to care.  We each took separate cars.  My driver was a former engineer at the University.  He wasn’t being paid anymore by the government.  Sometimes Soviets made money by driving other people in their car.  It was still a way they made money in the new Russia.   He could see that the girl I was with was American.  He offered to drive us.  The power of an American girl.

“Kyda Bbl?” He asked.

“M.G.U.”

 I sat close to her in the back seat.  I pressed my leg against hers.  She noticed.  She liked it too.

We arrived to the university when it was dark.  Moscow State University was beautiful when it was pitch black. In the daylight it looked like shit.  Lev Vladimirovich Rudnev had been the architect.  He was a leader in Stalinist architecture.  Now the building was falling apart just like Stalinist Russia.  I escorted her inside.  I let her walk in first.  My mother told me that chivalry is not dead in communism or in democracy either. I took her inside.  The guards were sleeping. The babushka that was washing the dirty floor with a filthy rag waved me on when I addressed her in Russian.

We could not take the elevators.  The elevators couldn’t be trusted to go to the correct floor.  The elevators might stop in between floors and if you stepped out accidentally you would fall down the elevator shaft. Someone died that way.   I didn’t know him.  Some people said it was suicide, but most of the suicides were committed from the top of the building.

We took the stairs.  Dogs and cats lived in the staircase.  Pets had been abandoned in democracy.  No one could afford to feed them anymore.  There was shit and garbage there too that the cats and dogs ate.  Broken windows made the place stink less, but it was cold.  The drug dealers lived on the ninth floor.  She would be staying on the sixth.  She was rooming with the wandering eye blonde.  

I opened up the door and turned on the light. She screamed when she saw cockroaches scatter everywhere.  I told her to sleep with the lights on. 

The radio was blaring in the dorm room.  The radio was always blaring.  There had always been a communist message before the revolution.  The radio station didn’t know what to broadcast now that communism was dead. It kept playing the same messages.

I told her, “We’ll have different stations soon.  When communism ends.  We’ll have Rock and Roll.”

She shrugged, “I don’t mind.”

She looked in the bathroom.  “There’s no toilet paper.  It’s good that I brought some.”

She unpacked her toilet paper.  I told her to keep in hidden because the babushkas who cleaned around the University might steal it.

 “Why doesn’t anyone have toilet paper?”

I told her the truth.  “I don’t know.  Maybe we’ll have more toilet paper when we have democracy. “

She nodded her head yes like she understood, but I’m not sure there is any relationship between toilet paper and democracy.

“Do you want to go and see Moscow tomorrow?”  I asked. 

“Sure. “ She answered. 

This is the way the love affair started. 

I hired a driver in the morning.   I flagged him down outside my flat.  He knew I probably had enough rubles. We lived in the best apartments in the city.  He had some time because he had lost his job in the factory.  He said he could drive us around all day.   

We picked her up outside the gates.  She was hard to miss.  She was wearing a Columbia jacket and Jordache jeans. She had real Nike running shoes too. She told me she had taken a jog in the morning.   There had been a man jerking off outside the entrance.  He was wearing blue pajamas.  She reported him to the guards, but they didn’t care.  They told her that he did it every morning.  Jerking off was not against the law.   She said it still scared her. 

She asked why there was no hot water when she showered.  I told her that the government cleans the pipes in the summer.  My mother said such nonsense isn’t true. She said that the Soviet government was too cheap to pay for hot water.  After the democratic revolution it was still true. No hot water.  I told her she could wash her hair at my house.  She said she would.  She asked why they didn’t clean the pipes in the city near Red Square.  American girls are gullible.

We visited Red Square. At least Red Square was still beautiful.  Stalin hadn’t torn down the Kremlin and built a swimming pool like he had with the Cathedral of the Christ.    She wanted to see Lenin.  Some people want to see Lenin removed.  Some want him to stay. My mother said he was a terrible man.  My father would not say.

There was always a line to see Lenin.  There were visitors and babushkas there. The old babushkas missed Lenin.  They missed the Soviet Union too.  They had lost their pensions when Gorbachev came to power.  They were starving.  They wanted Lenin back.   She just wanted to see Lenin because she had studied the Bolshevik Revolution. 

I had seen Lenin in the mausoleum when I was a boy.  I begged my father to take me there. My friends told me that they thought Lenin had moved under the glass case. 

My father said that Lenin made the Soviet Union what it was.  I didn’t know what he meant.  He was not a man who liked to explain. 

Lenin was still in a glass box.  Some people say he is really plastic.  The guards don’t let you stay long enough to really take a good look.  I don’t care if he is plastic or not. He is still Lenin.

She held my hand in the mausoleum.  One of the guards smiled at me.  He could tell she was an American.  Russians can always spot an American.  When we came out of the mausoleum I told her that she needed to go to G.U.M. and buy some Soviet clothes so people wouldn’t notice her Columbia jacket. I wanted her to be my girlfriend.  Sometimes the Russian Mafia take the American girls and date them because they are rich. I didn’t want that to happen to her.

She was hungry.  She wanted to eat on the street from one of the stands. I told her that it might make her sick.  Rumor had it that the meat was from stray dogs.   I bribed one of the restaurants owners to give us a seat.  There was no one there. The sign on the door said they were closed for cleaning day.  Cleaning day is like no hot water in the pipes.  Bullshit. The restaurant liked to keep the seating open for people with dollars.  I only had rubles.  But I had an American girl.  He let us sit at a table in the front window.  I ordered champagne.    It was eleven o’clock in the morning.

“Where did you grow up?” I asked her, but I didn’t really care.  I wanted her to stay in Moscow.

“In Wisconsin. On a tobacco farm.” She answered. I tried not to stare.  Farmers are not the same as peasants.  Peasants were the reason for the Bolshevik revolution.  Lenin said he wanted to make the peasants free and equal. My mother said that Lenin and Stalin killed more people than they ever made free.   We never learned this sort of thing in school.  My father told her to be quiet.

I asked why she was here.  “I decided that I was going to get a graduate degree.  I liked Soviet history. I wanted to come and see it. Study it.”

She leaned in.  “What are you going to do? You know, now that there’s freedom and democracy?”

 I was going to get a graduate degree until there was no Soviet Union anymore.   “I’m going to sell ice cream.”

“Ice cream?”  She was disappointed.

 “Ice cream.  I can buy a cart and sell from it and then when I get more money I can buy more carts and then I can hire people to sell for me.”  Money was to be made, but I wasn’t sure how to do it.  Everyone liked ice cream.  I had heard of someone who had become a millionaire. 

She asked, “Why do you want to sell ice cream?  I thought you were getting your Ph.D.”

She did not understand how revolutions destroy lives.   “There’s no point in getting a Ph.D. now.  The universities are falling apart.  Little things like selling ice cream can turn into bigger things.  It’s like America in the 1920s.  I just need a start. A way to make money.  There isn’t any money in getting a degree. Not now.  I have to think about now.”

I could tell she didn’t understand.  She didn’t like capitalism.  Capitalism was what the revolution promised. We talked about the weather. I didn’t want her to be angry with me. 

I took her to see a show at the Bolshoi.  I bought tickets on the street.    Russians buy the tickets cheap. Tourists buy the tickets for dollars.  I don’t go to the Bolshoi very often anymore because it’s better to have dollars. My mother and father used to go every week end before Gorbachev came along. My father does not like Gorbachev.  My mother thinks there might be hope.  

We watched the opera and ate caviar and drank more champagne during the intermission.  Exactly as the Soviets imagined.  Everyone at the opera.  Everyone drinking champagne and eating caviar. Equality among the masses.   She liked the Bolshoi. She drank too much champagne.   She wanted to go home.  I wanted to take her to my apartment.

I hired a driver off the street.   I told him to drive very slowly and to take the long way home.  I kissed her in the back seat.  She kissed me back.  Then she gave me a blow job. The driver watched in the rear view mirror.  He winked at me.  I was glad that I wore the underwear that I had bought in the states.  They were leopard print.  We didn’t have these sorts of things in the Soviet Union.   I bought twenty pair because I didn’t know if I could ever go back to the United States.  We weren’t friends with the Eisenhower family anymore.

When we got out of the car I asked her, “Why do American girls give blow jobs before they will have sex? Russian girls won’t give blow jobs until after they’re married.”

She shrugged.  “American girls don’t give blow jobs after we’re married.  Only before.”

American girls have strange logic, but they give good blow jobs.

I brought her home to meet my mother.  She would not be able to meet my father.  He never came out of his back room anymore except to eat the food that my mother prepared for him. He ate the food after she went to bed. She didn’t know what he did in the back room.  She didn’t care.  She still had to live with him because there was no place else for her to live.  They went their own ways after my brother died.  He killed himself by jumping out of the window in my mother and father’s flat.    He was an artist.  A Kazak too.  Two things that the Soviets hated.   My father was part of what killed her son and my mother never forgave him for it.

My mother had no other family.  They had been killed in the collectivization movement in Kazakhstan.  She told me her people did not believe in owning the land.  They fought very hard against the Soviets who wanted to own everything.   My mother survived because she had a talent.  She met my father when she trained as a dancer in Moscow.  She could not dance at the Bolshoi because she was short and dark.  She became a teacher.   She told me not to drink too much red wine if I wanted my skin to be called white.  I never do.  My skin is lighter than hers.

I introduced the American girl to my mother.   My mother couldn’t speak English very well.  My mother said that I should have the American girl spend the night because it was too late to take the metro back.  There were too many beggars sleeping in the tunnels.   The drug dealers and the prostitutes would be out.  It was too dangerous.  “When it was olden days.  When it was before.  There no beggars. We all starving. Communism treat us all the same. Treat us all terrible.”

The American girl slept on the couch that night.  Right where Henry Kissinger had sat underneath the dangling lights.  She liked being so close to the place where Henry Kissinger had hit his head.  My mother told her the story was true about Kissinger hitting his head. She laughed.  She liked that I did not lie to her.

It wasn’t long before my mother made her a place to sleep in the study.  I snuck in and slept with her.  We had sex.  My mother knew.  She wanted me to marry the American too.  She knew it would mean a better chance for me.  She called her Liza.  Her name was Elizabeth.  Liza liked my mother too.  Her father was dead and her mother drank too much.  She told me that she identified with the Russian people.  I was not quite sure what she meant.

I took her shopping for old books by Marx.  There were many books by Marx because no one wanted to buy them anymore.  Marx was history.  I took her to the place where the Bolsheviks had been imprisoned.   She didn’t like Lenin and Stalin.  She said that they used Marxist ideals to bad ends. She didn’t understand that Lenin and Stalin said they were Marxists too. They killed people in the name of freedom.  Russia was fighting for a different kind of freedom now.   I was fighting too.  For her.

Every weekend we shopped for old Soviet posters. No one wanted them, either.  We went to the bazaars where people who were not being paid by the government anymore would sell their possessions.   One time there were some stolen relics from the churches that she wanted to buy.  I told her they might have come from Chernobyl and that we had to be careful because they might be radioactive. Some people had raided the churches in Chernobyl for Russian icons to sell.  They were beautiful.  People died because of them.   I bought her painted Russian eggs instead and matyroshka dolls too.  I told her that wood cannot be radioactive.  

I took her on train rides all over Russia.  We visited the principalities.  She saw that Russia once had been great.  Russia could be great again. Russia and I had a future.  

She had been in Moscow for nearly two and a half months when I asked her to marry me.   She would be leaving in a month.  I took her to McDonald’s because she wanted to see if the restaurant was the same as in the states.  The food was the same. There were fries and milkshakes too.  People from the country would save their money for months to come and eat there.  She said that the restaurant was exactly the same except that people stood on the toilets to piss because they didn’t know enough to sit on the seat.  They were used to outhouses.  There was never any toilet paper because people would steal it. 

She ordered a fish sandwich. She said she was a vegetarian.  There were no vegetarians in Russia.

I ordered a burger and fries.  I asked her, “Would you stay here with me? Marry me?”

She said she wasn’t sure about staying in Moscow.  I knew she wasn’t sure about me.  My ice cream business hadn’t taken off.  I was too late for the capitalist revolution.  The Russian Mafia was making all the money.   My  mother told me to stay away from them.  She had already lost one son.   She could not lose another.  I sometimes drove a car for money but I did not know how to survive in the new economy.  My father was no longer part of the government.  The new democrats let him keep his apartment because he had earned it.  I did not know what to do to keep it.

“I don’t want to live here.”  She had been attacked on the streets by the gypsies.  When she jogged in the park, my mother made me guard her with a gun. 

I asked her, “Do you love me?”

She answered.  “I’m not sure what love is when I’m living here.  You keep me safe. You take me places I’ve never been.  But that’s not love.”  She was right.  That was what my mother and father had.

She took my hand, “What would it be like if we were to marry? Where would we live? I don’t know if I want to have children here.”

I pointed to the apartment around us. “We’d live here.  With my mother. With my father.  It’s one of the biggest apartments near Red Square. We’ll raise our children here.  My mother will help. I’ll earn a living somehow. ”

She looked sad.  “But what are you going to do? If you can’t sell ice cream? What kind of job will you have?  What kind of job would I have?”

American girls always want a job.  They called it equality in America. Russian women have to work too because of communism.  My mother said they did all the work at home and outside the home because Russian men are lazy.  She said that wasn’t equality but all the intelligentsia and hard workers had been killed by Stalin. 

I didn’t have any answers for her.  I didn’t know what kind of job I would have.  What kind of future I would have. I only knew I needed her.  “Stay. Please.”

She didn’t answer.  She gave me a blow job instead. I knew then we wouldn’t ever marry. 

She packed up to leave to go back to America. She gave my mother the left over toilet paper she had in her bag.  We were no longer receiving toilet paper from the special government store.

Liza insisted on taking all her Marxist books and Soviet posters even though I promised I’d send them to her.  I took her to the airport. She wore the Army coat that my friend Peter gave to her.   The guards made her give it back.

I never saw her again.   The democratic revolution never happened in Russia either.


H.L.S. Nelson holds a PhD and J.D. from the University of Wisconsin?Madison and specializes in the field of science, technology, and society. She has been a recipient of a National Science Foundation grant and has published a book, America Identified: Biometric Technology and Society (MIT, 2011). She is currently an associate professor at the University of Pittsburgh Graduate School of Public and International Affairs and a Fellow at the Philosophy of Science Center.  She serves as an appointee to the Department of Homeland Security’s Policy Advisory group on Data Integrity and Privacy (DPIAC).  She’d give up everything else to be a novelist and has several novels in the works to make that happen.

After The Deluge

We knew it was better just to ignore her, stay out of her way.

“These clothes are dirty,” she said from the laundry room. “You boys need new clothes.”

We could hear doors opening and closing. Water filling the washing machine. Mama hid a bottle of vodka in one of the cabinets. We found it over the summer and I took a mouthful like I saw cowboys do on TV. I remember it burned and made my stomach warm. My head was light. Billy only took a sip, holding the bottle in both hands. He cried and I made him macaroni and cheese in the microwave. I forgot to boil the noodles and it was crunchy, but we ate it anyway and fell asleep.

She came in the kitchen. Me and Billy were sitting at the table playing a card game I learned at school. There was a cake on the table. It was Billy’s birthday yesterday. He was eight now. She looked at the cake.

 

“Where’d that come from,” she said.

 

“Aunt Sarah brought it yesterday,” Billy said.

 

“Happy birthday,” she said. She went to the sink and poured a glass of water. “Make sure the firewood is stacked before your father gets home.”

 

We stood up. I turned Billy’s cards over. He had me beat.

 

“Damn,” I said. He smiled.

 

We went outside and loaded wood into the splitter. We learned a long time ago to do things the first time we were asked. Papa wasn’t a drunk like Mama, though he did drink once in awhile. At least she had a reason for the way she acted. He was mostly just a mean son of a bitch. Said his family had always been down. Ever since the flood that tore apart the land a century ago.

 

>Mama passed us on her way to the car. Said she was going to get us new clothes. She wasn’t supposed to be driving. They already took her license away. Papa hid the keys to the wagon, but she found them and made copies that she also hid. Whenever she’d come home he would yell at her. They were always yelling.

 

The old station wagon tore off down the driveway. We heard a pinched cry. A dull snap. Papa’s dog. She didn’t stop.

 

We walked over to the dog. It was dead. It lay in a small heap, like a dropped towel from the clothesline. Billy asked me if it was sleeping. “No, let’s go back inside,” I said, “Papa will be home soon.”

 

Neither of us liked the dog. Papa brought it home three months ago late at night. We were excited to see it in the morning. It bit Billy when he tried to pet it. Papa laughed.

 

“He can tell you’re scared,” he said.

 

Mama didn’t like the dog either. During that first week it got in to the refrigerator. There wasn’t much in there. What it didn’t eat it pulled across the floor and shredded. The floor was smeared and bits of tin foil and paper dotted the room like confetti.

 

>After that the dog was kept outside. It barked at us and growled. We kept our distance. Papa put it on a long chain so it could run around. Sometimes it would wrap itself around a tree and stay there, stuck for days, until Papa went out to untangle the leash. He was the only one the dog liked.

 

We sat down in the kitchen. Billy looked at his cake.

“Can I have some?” he asked me.

“It’s yours,” I said.

He always asked me permission when Mama or Papa weren’t around. He dug his fingers in the cake and scooped out a handful. He looked at me to see if it was ok. It was.

We heard an engine at the top of the driveway. The wheels crunched closer and slowed. Then stopped. The engine went quiet. The door whined open and then shut with a thunderclap. Footsteps. Heels of boots dragging.  

Then nothing.

I looked at Billy and his cheeks were covered in cake.

Then feet moving closer. Knocking on the wooden boards of the back porch. The screen door ripped open and slammed shut pulled by springs.

“What did she do?” he said.

His voice was gravel.

We looked at him.

“Where is she?” The veins in his neck were thick.

“She went shopping,” Billy said.

Papa’s eyes shot to him.

“Shopping?” His mouth pushed the word out, small and tight.

“And you didn’t stop her from killing my dog?”

His hand was quick and landed sharp across Billy’s face. I jumped out of my chair and stood in front of Billy, under Papa’s raised hand.

His hand came down.

And then again.

My face stung and I tried pushing back but he was too strong. He kept hitting. Billy ran upstairs and Papa’s hand balled into a fist and cracked on my head. I fell.

Papa stood over me, shaking and breathing heavy. I got up and ran. Billy was under the bed, his fingers covered in icing, his face red and messy. I grabbed the side of the dresser.

“Help me,” I said to Billy.

He crawled out from under the bed and helped me move the dresser in front of the door.

Downstairs we could hear yelling and cursing.

I was glad she killed his dog. I hoped she would come home and clip him on the side of the driveway too.

Then me and Billy could live with our Aunt Sarah in Altoona. Things would be better there. She wasn’t like her sister.

My lip was fat and my face felt big and tight. Billy hadn’t said a word to me and looked away whenever I caught him staring.

I sat there on the edge of the bed. Outside I heard a door slam and an engine start. Wheels gripping rocks. I imagined Mama coming home, making the turn into our driveway.

Mama hid liquor in the woods. Papa didn’t let her keep it in the house. He said it was too tempting. Made the devil in him come out. One day Mama came home from the woods, bits of leaves and dirt hanging on her clothes, and locked herself in the bathroom. When Papa broke the door down she was asleep, sitting on the toilet. He smacked her. She crawled to the tub and passed out again. I went outside to go to the bathroom. My piss made an arc off the back porch and the sun reflected gold in it. It was beautiful.

Billy used the bathroom upstairs and he had poison ivy on his ass and legs for a week.

We went back downstairs.

In the kitchen, dishes were piled in the sink and mail was stacked on the counters and on the table. A picture Billy drew of a stegosaurus was on the floor. It was ripped. He picked it up and looked at it. He moved the two pieces together. He put it against the refrigerator, making sure magnets held it at all four corners.

I wrapped Billy’s cake lightly in a dishtowel.

“Take it upstairs,” I said, “and then come back down.”

I wiped the crumbs on to the floor. A chair was knocked over. I picked it up and moved all the chairs into the living room. When Billy came back I told him to sweep the floor.

I went to the laundry room. The washing machine was full of water. I loaded it with clothes. I opened up two packets of detergent and poured them in. Papa brought home a big box of samples two years ago. He said a guy came by his work selling them by the loading dock. Ten bucks a box. A guy was always coming by his work selling things like this. The detergent would last us years he said. He was right.

I went to wash my hands at the utility sink and caught my reflection in the glass of the back door.

My eyes were already blackening and my lip wasn’t as big as it felt, but my face was red and swollen. I touched my cheek and it felt like rubber.

I stood there looking at myself in the reflection on the glass. The washing machine rocked, the inside crashing against itself. I could hear Billy sweeping behind me in the kitchen. Beyond my reflection out in the yard just on the edge of the driveway was the dog. Its legs were under it except for one that shot out at an angle. It reminded me of the fall leaves on the ground. I waited for it to blow away. It didn’t.

I remembered a story my grandfather told me a few years before he died when I was five or six. My grandfather’s grandfather survived the flood. He said houses were on top of each other and families were torn apart. He lost both his parents. He said people stole after the flood while others helped to clean up and rebuild. One of the stories he told was about a dog that somehow got on the roof of a house. It stayed there for hours as the water receded. People could see it from their attics and roofs. Someone eventually climbed up and got it. I remember asking my dad later on what they did with the dog.

 

“How the hell do I know?” he said.

“Did someone take it home?”

He smacked me in the back of the head.

“Goddamnit. It got off the roof. That’s all.”

I went back to the kitchen. Billy had already started on the dishes. He was a good kid. I went to help him. I took over the washing and he dried.

“We’re leaving tonight.”

“Ok.”

We finished the dishes in silence and put them away. When the washer was done we put the clothes in the dryer and started another load. Our clothes were coming with us.

We got baths. It would be a long walk. We wouldn’t get there until tomorrow night if we left before morning. We stayed up watching TV in the living room. Our clothes were packed in our school bags upstairs and we filled the side pockets with cans of tuna fish and soup we found in the back of the cabinets. My face had already settled into a swirl of purple and black. Billy’s cheek was an apple turning rotten. Aunt Sarah would have to let us stay if we showed up like this.

It was almost midnight and a light rain kept starting and stopping. We had to wait for Papa to come home so he wouldn’t find us outside. Mama was probably asleep in a field somewhere. That’s how they always found her. On the side of the road, corn stalks crushed under the car.

Headlights shone through the back window. We could hear Papa stumble to the porch and through the house.

“Can we go upstairs,” said Billy.

“No. We’ll be fine.”

Papa came in the living room, his eyes bloodshot and his hair greasy. He sat down without looking at us.

>“You’re up late. School tomorrow?” His voice slurred. He must have went drinking.

“School starts next week,” I said.

“Oh.” His breathing was heavy. His head dropped.

He looked over at me from under his eyelids, his chin on his chest.

>And stared.

His eyes scanned my face.

He pushed his hair back and swallowed hard.

“Come here,” he said. His voice cracked. His body heaved and he started crying. We sat there watching him.

He got out of the chair. Wiped his sleeve across his face.

“Stand up,” he said, his voice low.

He was big. I wasn’t sure which way this would go.

“Come on, stand up,” he said.

I pushed myself off the couch and squared myself to him.

He half smiled.

“I’m not gonna hit you,” he said. He put his hands on my shoulders.

“I’m glad you stuck up for your brother. Had to teach you a lesson. A man gets beat so he can get stronger. Only way to survive.” His hands gripped my shoulders harder.

“Understand?”

I looked up at his face. It was weary and pocked. It reminded me of a scarecrow too many crows had gotten the best of.

“Good.” He pulled me in tight. My face pressed against his shirt and it hurt. He smelled like smoke and motor oil. The hair on his chin scratched my forehead. His breath was stale and hot and smelled like beer.

He let me go and we sat down.

“I loved that dog. Would have survived the flood.”

Always the flood when he got drunk. I think some part of him thinks he was there – that he deserved to be there, or that something that happened long ago was an excuse for the way things are now. The way he acts now.

“That woman would have got us all killed,” he said. “Not my dog.”

He hugged himself.

“Don’t know why she had to go and kill it.”

His head dropped to his chest again.

His mouth hung open.

Billy poked me.

I nodded.

He slipped quietly off the couch and went upstairs. He came back down with our bags.

Papa was almost asleep.

We pulled our bags over our shoulders. On the way to the back door, Billy stopped. He looked at Papa. He pulled at the blanket from the back of the chair and laid it across him.

“Come on,” I said.

The rain had stopped and we snuck out the back. We jogged off into the darkness – past the dog and up the driveway that led away from that place.

Up on the road it was dark. Our flashlights bounced along the asphalt and dirt shoulder. In the woods we heard crickets and small animals. Nothing dangerous. We would be on a main road soon. After that, we would take to the flood trail for the night.

When I was little Papa always told me stories his grandfather told him – that his grandfather probably told him. A long time ago, a bunch of men built a dam and canals for factories. A terrible storm hit. It rained for days. The dam broke and millions of gallons of water surged downstream destroying all the towns in its way. He told us a fire burned for three days. I never understood how a fire broke out during a flood. But it did. And it burned. Houses and animals were swept away. He told us barbed wire from farms was ripped along and people got caught in it.

I tried to imagine what it would look like getting caught in barbed wire. Billy had a dummy on strings. The strings always got tangled around the limbs. I imagined it would look like that.

We walked in silence. We were soon on the flood trail. No one should be out this late. It was used as a hiking trail now and people were often out here, but at night it was abandoned. We sometimes rode our bikes here, but we never went past the tunnel – it was supposed to be haunted by the people who got caught in it and drowned.

Billy complained his feet hurt. I shone my flashlight to his shoes. The bottoms had worn through. We used cardboard when that happened. It wore away and we didn’t have any with us. I told him to put on more socks and tore away some bark from a tree and stuck it in his shoe. We had to walk a few more hours before we could rest.

“How long do you think we’ll be away,” Billy asked.

“A long time I hope.”

“Where will we go to school?”

“Somewhere else.”

“Do you miss home?”

“No. Do you?”

“A little.”

I stopped walking.

“Do you miss getting hit? Or being hungry? Or being afraid?”

Billy didn’t answer.

“Sorry,” I said and put my arm around him.

The slope of the hill, going up on the right side of the trail, was cut by the Little Conemaugh River and deepened by the flood. The river overflowed with the force of the dam water, reshaping the land. I wondered how different the trail was before the flood. There were other times it overflowed, but none as bad as that first time. It was quiet here. We could hear the soft push of the water downstream to our left.

“Are there bears in the woods?” Billy asked.

“No. They’re asleep.”

I had no idea. Last year a kid at school told us how his uncle was attacked by a bobcat in the woods behind his house. His face was almost ripped off. I forgot if I told Billy that story and decided this wasn’t the time even if the story was made up. I wasn’t thinking about animals anyway. I knew the tunnel would be up ahead soon. It was an old railroad tunnel. I thought about bodies caught in barbed wire. I felt a raindrop through the branches. The trees were thick and a little rain wouldn’t matter much. We kept walking. It rained harder.

There it was. A dark hole in the black-green of the night. We were wet. We were hungry. We walked in just under the lip. The rain echoed. We were shaking. I wished we would have brought matches. I shone my flashlight through the tunnel. The light fell grey and dissolved on the curved arch of the walls. The ground was flat and dry.

“I’m cold,” said Billy.                                              

“Me too.”

I didn’t want to be in the tunnel. I thought about climbing up the hill. That would be harder and we would get muddy.

“Let’s run to the other end and then eat,” I said before I could change my mind.

“Okay.”

“Make sure to keep your flashlight in front of you.”

We ran. I didn’t believe in ghosts but when the wind blew through and howled I couldn’t help myself from thinking again of people caught in here and drowning. I imagined people running from the wall of water. I thought about Billy’s shoe. Would have to fix it again when we got to the end of the tunnel.

We set down our bags.

“Let me see your shoe.”

He lifted his foot up. The bark held.

“Good,” I said. “Let’s change into dry clothes and then eat.”

I set our flashlights against our bags, crisscrossing. We changed and opened a can of soup. We peeled the lid off and drank it. It was slimy and cold and we were careful not to cut our mouths on the can. When we were done eating, Billy leaned against me and closed his eyes. I looked at my watch. It was almost four. I let him sleep. I sat there looking out into the night, the rain coming down harder. I could hear the river waking up. Billy’s breath was warm against my arm.

A hand was on my shoulder when I opened my eyes. I saw boots and the dim lights of our flashlights.

“Hey,” a voice said. I jumped. I saw a man’s face when my eyes adjusted.

“It’s okay,” he said. I recognized the patch on his shirt. He was a park ranger.

It was still raining. The morning was a blanket of grey. I was cold.

“You boys spend all night out here?”

I didn’t answer. He looked at my face and then at Billy’s.

“What happened to you?”

Billy stirred and looked up.

“Come to my truck. The river is rising. You can’t be out here.”

We got up and walked through the heavy rain. The river was high and white. We got to the truck. The ranger gave us his thermos of coffee. It was hot. We drank it. He drove and radioed headquarters. He put an earpiece in and spoke quietly. I told him we lived in Altoona and gave him our Aunt’s address.

“Okay,” he said.

“Can you take us there,” I asked.

“You hungry?” he replied.

“Are you going to take us to Altoona?”

He handed a brown bag over the backseat.

“There’s a sandwich in there and a granola bar.”

We ate the food and held the coffee in our hands. The truck was dry and warm. We drove on the road alongside the river. Outside it was raining hard. I didn’t know where we were going. Up ahead we saw lights from a fire truck and a police car. There was a form on a stretcher being lifted into an ambulance. The ranger slowed as we passed. Through the grey I saw a station wagon tied to the back of a tow truck. I looked away, up ahead through the front window. The wipers moved fast, pushing away endless water.


Daniel DiFranco lives in Philadelphia where he is currently working on an MFA from Arcadia University. He teaches high school music and English. His work has appeared in Crack The Spine. Wanderlust bit him at an early age and he learned the hard way there is no peanut butter in Europe. He can be reached at Daniel.DiFranco@gmail.com

A Coffee Can Buried in the Lawn

I was digging up our dead dog from the lawn. Winter was on us, so the ground was hard and cold. I really had to whack at the dirt to get anywhere.
Across the street in Pennypack Park, kids were running, fooling around. The Catholic school down the street had just let out, and the kids were in no rush to go home. Leaning against the shovel, I took a break from the digging and watched as they yelled and laughed and flew about in their plaid uniforms.

My wife told me to dig up the dog, which was funny, given that she and I were never dog people. We only got the dog because our daughter, God bless her, was the one who wanted a puppy, absolutely had to have one. She begged and begged until we finally gave in. She named her Diana, after Princess Diana. “She’s a real live princess,” our daughter would say, “just like in storybooks.”

Years passed, and despite all that happened, we could never bring ourselves to get rid of the dog. Even when she died, we still couldn’t part from her. So we cremated Diana, put what was left in an old coffee can, and buried her in the lawn.

Now we were moving, leaving our empty house for a new condo downtown. We needed a change of scenery.  It would do us good.

Like I said, it was my wife’s idea to dig up the dog. “I hate to leave her,” she said to me earlier in the day, when we were packing in the basement. Stacks of cardboard boxes, full of things forgotten but too precious to throw away, surrounded us.

“You want me to dig her up?” I asked. “We don’t have a lawn in the new place. Where will we bury her?”

“Maybe we’ll put her on the mantel,” she said.

“The mantel? Will we still keep her in the coffee can?”

A distracted look covered my wife’s face as she stared at me but didn’t say anything. I waited. She had a youthful appearance, my wife, and when you looked at her from a certain angle, you could almost make out the young woman she was when we first met, or even the little girl who liked horses, dolls and fairies so long ago.

Waiting, I leaned against some random boxes and fought the temptation to look inside them. Finally, my wife said, I just don’t want to leave her.”

“But after I dig her up, what should I do? Where should I put her?”

“I don’t know.”

“Maybe we should put the can in the fridge, maybe even the freezer.”

“I don’t know. Will the ashes smell?”

“I don’t know.”

“Maybe we should put the can in the fridge, maybe even the freezer, until we figure out what to do with her.”

The whole thing was crazy. I wanted to let the dog be, but if taking her with us meant my wife would feel better, so be it.

That was how I came to be on the lawn, whacking away at the ground. Across the street, in Pennypack Park, the kids were still fooling around. They were 8 or 9, which was a wonderful age. It was a time of imagination, of playing and pretending. They probably no longer believed in Santa Claus, but they were still young enough to believe in things magic and make believe.

Eventually, the kids went further into the park. At first, I could still see them because the leaves had fallen, but as they went deeper down the path, deeper into the trees and branches, the kids vanished, the park swallowing them up.

I used to take Diana for walks through the park. Our house was so empty sometimes. It was a relief to get away from that.

The park was like another world. It was big enough that, in some parts, you couldn’t hear any cars or noise. It was like you were in the middle of a gigantic forest, far from houses, far from everything. Old timers fished in its creek. Kids swung on a tire hung from a tree. You saw deer all the time, and in the early mornings, fog hugged the ground and the world was quiet.

Diana and I did our walks for years, until she got sick. Near the end, we snuck the dog into church, sprinkled her with holy water, hoping for a miracle, for some magic to make it better. I wanted to believe in that kind of thing. Just once, just fucking once, I’d like to see God or an angel or whatever work some magic.

There was no miracle. There never is. We gave the dog a last meal of hamburger and took her to the vet. Then we brought her home and buried her.
After a few more whacks at the ground, I finally found the can. I pulled it out of the dirt with my hands and wiped it off. I found my wife in the basement. “I got the dog,” I said.

My wife paused her packing, looking distracted again. “Just put her right in the fridge,” she said. “She’ll be fine in there.”
My wife went back to the old things scattered around her. I stood there, holding the can, watching. I wanted to meet her eyes, but she was lost in the boxes.

Upstairs, I looked at the fridge, where report cards and crayon drawings once hung from magnets. I put the coffee can down gently on the kitchen table and opened the door. Cold air drifting over me, I cleared a space. I moved bottles, jars and containers of leftovers to make a special spot for the can.
Then I stopped. The door was open, cold leaking out, but I stood there, not moving. I thought about my wife. I thought about the dog. I thought about lots of things, things that had been buried with Diana in the ground.

This wasn’t right. She wasn’t going in the fridge. She didn’t belong there. Leaving the house, I carried the can tight under my arm, like a football. I walked across the street into the park, finding the path, the same path where Diana and I once walked together. Rocks crunched under my feet. The path twisted around a bend, rising slowly, then falling, then rising again. The last of the winter sun cut through the trees.

I came to the creek and a small bridge that kids always played on. Boys would guard it like soldiers, shooting imagery guns at those who tried to cross. I once saw a bunch of girls sitting on the bridge holding candles, reading out of books, like they were witches casting a spell.

No kids were around now. They had disappeared into the trees and bushes, so I stood alone on the bridge. Opening the coffee can, I let the ashes drip out. Some were carried on the wind. Others floated into the creek’s muddy water. So long Diana, I said.

It was time to let go. It was time to let it all go.

We never had another dog. We were never dog people anyway. Our daughter, God bless her, had wanted one, not us.

We never had another kid either. It was too much. After our daughter passed, we boxed up her toys and clothes and shoved them in the basement. But we couldn’t get rid of the dog. She wasn’t ours. She belonged to our daughter.

 


John Crawford was born and raised in Northeast Philadelphia, where this story is set. John Crawford now lives in Waltham, Mass., with his wife and daughter. He is the senior editor of the Babson Magazine, the alumni publication of Babson College in Wellesley, Mass. He still visits Philly often and jogs around Pennypack Park whenever he can.

Don Bajema’s Hero

Great writing has heart. It really is that simple, although it’s not easy. Former world- class athlete, Don Bajema, presents a ‘Baby Boomers’ generation that is wide-eyed and innocent. His self-styled anti-hero, Eddie Burnett, is taken to the horrible edge of things — but Bajema stops there, allowing the reader to bear witness and Burnett to make up his own mind.

Winged Shoes and a Shield (City Lights Booksellers, Fall 2012) follows the track and field star-turned-dropout’s trajectory through diaphanous rites of adulthood, dysfunctional family life, drug and spousal abuse, and the terrible reality of American racism — all under the specter of the draft for the Vietnam War. Bajema’s take on the dire nature of our national character during “Sunrise in America” is crushing, but there is always a choice offered in his work. His hero strives to remain beautifully awake. Don Bajema’s hero has heart.


1.    I’m quite struck by the innocence of some of your characters and point-of-views.  Their attitudes and perceptions seem to be from a more innocent time –almost like the adolescent idealism that was somehow forgotten in the generations following baby boomers, after what I would call “Sunrise in America.”

I think I’ve done all I can to deliberately retain innocence and an adolescent idealism in my life and work. Trauma fixes personalities in time and place and from ages 13 to 20, I saw that generation I write about — a perspective I will forever view the world from.  As the Kennedys, King and X were murdered, I saw riots, burned cities, dogs set on kids, and National Guardsmen open up on peaceful if vociferous protesters. I watched our military annihilate hundreds of thousands in a country of farming peasants, commit massacres of villages and napalm children running naked in dirt roads.  Then I was told Vietnam was our tragedy, and I watched my generation buy that lie, while I refused to believe it and became ‘unpatriotic ‘– an epithet I cherish since I am not a patriot.  We saw cops billy-clubbing hundreds of kids, watched the FBI pull civil rights workers out of swampy dams, saw churches bombed. We had grown up in duck-and-cover drills but saw nothing and no means to alleviate this stupidity and arrogance, wastefulness and corruption in our society. My perspectives are at once innocent and outraged.

I’ve felt sorry for the existence and fate of every generation that followed mine, knowing full well that I, and my generation, have failed miserably to realize the glimpse of what it could have been. 

2.    What do you think is a fundamental difference between the once-hopeful ‘flower power’ movement of the 60’s and subsequent generations? Are things more or less dire now?  

I think these are the best of times and the worst of times. I think the 60’s are perceived in error as the ‘flower power’ era. Nobody bought that flower in your hair nonsense.  That’s Wall Street advertising and appropriation. The Beatles were laughing behind “All you need is love.” We fought in the streets. Our rebellion was an affront to the police and dangerous as hell in most of the country. These times are worse in that we are at the beginning of ecological collapse, deprivation and constant foreign and domestic war in battlefields from Sandy Hook to the Middle East and back again. 

3.    Your perspectives, “at once innocent and outraged”, are very similar to Eddie Burnett’s.

I’m better at busting a lie than telling the truth. I don’t think we can know the truth. The world and our existence is chaos. We do all we can to delude ourselves, personally and through agreed upon delusions like government and the economy, to go forward in an overcrowded and unmanageable zoo. A zoo that is our overpopulated planet and a circus in which we observe it. Is there hope? Yes, if we just face the fact we are highly- complex primates conscious of our own mortality and freaked out by it. We do not have a god, we are not created in Superman’s image. Science cannot save us and most of our beliefs are ridiculous, especially any ones that are even remotely religious. But we are a very, very young species and we grow exponentially in intelligence if not in emotional compassion. 

Eddie and I in respect to these qualities? Yes, I think they are inseparable. So, the short answer is yes.

4.    The choice to remain “innocent” despite the horror and atrocities of the world, to choose good or to champion the inherent good within our human nature is quite insane, considering what is going on in the world around us.  

It does run contrary to the ‘fight or flight’ concept to champion, that which generates, protects, or provides for love and life, to be kind, to be generous, to be willing to extend these qualities first, in any given situation, is to be regarded or open to suspicion that one is weak, or a sucker.

I used to tell athletes enjoying their newly discovered power, and this is also true ethically and spiritually, that ‘strength gives the option to be kind’ but nobody ever knew what I was talking about.

It’s our values — as much as one’s neurosis or another. People want it simplified, and it’s the singular ego that holds sway over their thoughts and actions, especially in a competitive context. Yes, nature appears to be competitive but it’s really a kind of dance. Self-interest is important but it shouldn’t be paramount in our psyche. Nice guys finish last and “the meek shall inherit the earth” but to be meek is to be despised. For me, it’s war or not war, and my choice is not war. Which doesn’t mean if you invade my home with bad intentions I won’t go for it, but, and I have been in various potentially disastrous circumstances, — given the chance, I’ll opt for kindness every time.

The whole question of any individual and the world is a tale of heroic struggle, and I think a lot about Faulkner’s comment, “the only story worth telling is the story of the human heart in conflict with itself.”

5.    The inside look into Eddie Burnett in Winged Shoes and a Shield reveals the troubles of a seemingly well-adjusted athlete, at least you would think he’s well adjusted, — a star on the track and field, an operator like his dad, — but then you find out his back story, and all is not as rosy as it appears. Burnett is a winner, celebrated for his athleticism. He is victorious and stoic on the outside but, within, he is both too sensitive and too scared to admit it.

Jim, you are 100 percent right. Eddie Burnett’s and my own challenges are derived and contorted by being at once too sensitive and too afraid to admit it. 

6.    In Too Skinny, Too Small, your latest work, we find an adult, if not grown up, Eddie Burnett as a mega football star in a bloated and self-important NFL.

Too Skinny Too Small was a disappointment as an experiment. I found myself too nauseated by the values of the corporate game and industry of the sport, and the ignorance and appalling lack of compassion and voyeuristic jack-off of the fans, commentators, and just about every disgusting value the game has to offer that I bummed out hard on the topic. But I’ll keep writing it to a conclusion. I overwrite when I am unclear of what I want to convey. Basically, I’m predicting the inevitable, on field, nationally televised death that will occur fairly soon on your blog.

Too Skinny Too Small is going to make a reappearance during the play-offs.

I enjoy writing on Going For The Throat and I like the idea of people being able to read it off of a blog.  I’m not sure where it’s going to go but I’m really looking forward to seeing what happens.

7.    What can you tell us about your writing process?  What does a day of writing look like for you?  You once said to me, “Never try to please your audience”.

Carmen and I both work and we have two young kids, so I write when I can. Frequently late at night or early in the morning. I used to write listening to music, but lately I haven’t been and find that I write better without it.

Music, for me, even if I’m only barely aware of it, takes some of what would be in the writing away.

Almost everything in Winged Shoes And a Shield was written to be read on stage and most of the stories in it were written on the day of a show. I found that it gave the work an immediacy. Almost everything in the collection is a ‘one- take’ kind of thing, with very little or no rewriting. Rewriting, for me, is a bad thing. I tend to overwrite, not so much in terms of flowery, self-indulgent stuff, but when I rewrite, I frequently find myself adding a lot of material so that the work is ‘new’ to me. But then it may not necessarily have the impact of the original words first set down on the page. So, for the time being I’ve been convinced, and most of my friends and collaborators almost insist, that I should never rewrite my work. I think my best material comes from writing that is done on the day of a show.

The idea of ‘pleasing your audience’ means that you are writing to an effect rather than just sort of channeling whatever it is that is coming out of you. That does not mean ‘do not be aware of your audience.’ A writer should be considerate as all hell of the audience — but not necessarily doing anything to please them. What that means is ‘don’t make them work too hard, don’t make them wade through a lot of stuff.’ So, my best writing addresses the audience as though they were in a club or wherever it is I’m reading. But I never try to please them. I don’t even try to please myself. I just write it and then read it and let the chips fall where they may.

I also read what I’ve written out loud, this reveals the clunkers in the work and I can change them on the spot. So it might be a page and then read it out loud, then go on.

8.    What’s next for you and Eddie Burnett?

Eddie will stare me down as less than the man I was born to be and I’ll try to provide him the words. Since he is the universal observer, he’ll be around or in anything I ever write.

Too Skinny, Too Small by Don Bajema is appearing serially on Going For The Throat throughout the 2014 NFL Season.  To read more visit jimtrainer.wordpress.org.

An Interview with Professor James A. Freeman

As a student-writer, I was hesitant to approach a writing professor with over thirty years of teaching experience under his belt—what questions could I ask that he hadn’t heard time and time again from students like me? But my correspondence with James A. Freeman yielded nothing but intuitive, down-to-earth responses. With particular emphasis on his connections to his home and his students, Mr. Freeman articulates his constant passion for, and his belief in, the personal truth of the written word. Later this month Mr. Freeman’s book of poetry, “Temporary Roses Dipped in Liquid Gold,” will be released through Finishing Line Press. 

 

1. What inspired you to want to be a writer? When was the first time you felt like a writer?   

I started writing fables as a very young kid, because I loved animals, and liked thinking that I could tell a story with a point. I began to feel like a writer when I learned to write in cursive in first and second grade and had filled up a leather folder with stories in cursive, not printing…


2. You’ve written over eighteen books in your writing career, including “Ishi’s Journey from the Center to the Edge of the World,” “Liars’ Tales of True Love,” and “Never the Same River Twice.” Which story was your personal favorite and why?   

That’s almost like picking a favorite child, politically incorrect, lol, but people tell me that Ishi’s tale is the most haunting, touching story.  I’m quite partial to the newer short stories in “Irish Wake: In Loving Memory of Us All’ (2011), and I have a book of poems that I’m proud of, “Temporary Roses Dipped in Liquid Gold,” due out in November with Finishing Line Press, and with a great color cover painting by a young area artist named Anna Gaul, now in pre-order which determines the press run.   

 

3. Do you think the stories that are more difficult to write are also the most rewarding? Or is a story that is difficult to write a story better left untold?  

Stories that are tough to write are dying to be told, need to be told.  It’s often a struggle to find the right form, or point-of-view, or setting, the right tone and atmosphere… That said, sometimes the muse is with us (Voltaire supposedly wrote “Candide” in three days) and things go rapidly and well.  Either manner is rewarding, even though the process is as much of the reward, the struggle, as the supposed end point.  Writers love and hate to write, more so love, are driven to, I should say, would do it anyway, without acclaim or positive strokes.

 

4. From where do you draw your inspiration? 

It sounds simplistic, but it’s the natural environment and people in it, feelings, touching souls with others.  Ernest Gaines once told me that he had to have great jazz music playing, preferably with footage of Dr. J playing basketball broadcast too, when he wrote.  Dr. Joyce Brothers told us that she had to have music on, any music, at a volume just below proper hearing to help distract her just enough to counter-focus on the task at hand, composing.  Carolyn See draws pictures of her books, the whole enchilada graphically.  I have to walk first, or take a shower, as there is something about running water that helps me plan, maybe those negative ions, I don’t know: I do know I write better, get inspiration from being or having been near water, the ocean, lakes, rivers, and, failing that, being near large mountains with snow caps.  I’m serious about that.  Then I use artist-easel-sized story board paper on the floor or walls, visually both characters, plot, conflict and resolution, drawing with colored markers, to plan the thing.

 

5. With so many stories to tell, how do you manage to write without repeating yourself?

There are far more stories to tell than I have time for… I work from scrap notes, usually analog, often on napkins, sometimes digital notes, but not often… as that comes later.  If a series of scribbled notes coalesce after being deliberately lost for some time, if they leap off the napkins or placemats or post-it notes back into my heart and skull, I know I have to write “it.”

 

6. How do you know when a story is complete?

I know it’s a cliché’, but you are never really done, in the sense that it can’t be revisited or suggestions made by a good editor.  Tess Gallagher just won a battle to have Ray Carver’s older Gordon Lisch heavily-edited stories restored to his finished intent, and the stories are the better for it, but Carver was a mad genius, and most often the editing dialogue improves, if it’s a partnership.  Many of the poems in “Temporary Roses Dipped in Liquid Gold” are new, but a couple of old chestnuts were totally re-examined, cut in places a bit, but mostly layered with more loving particular detail that I think enhances, in one case 25 years after the first draft of a poem was written and then left alone for all those years.

 

7. You’ve taught Language and Literature at Bucks County Community College for over thirty years. How has your career as an educator influenced you as a writer? 

I don’t steal student’s ideas, intellectual property, of course, but I am inspired by their passion to learn, to get better at the discipline they study, and, in the case of teaching writing, we are learning how to compose ourselves, literally and metaphorically, how to think, to communicate clearly, how to do thesis, antithesis and synthesis, to build an argument, to love and live ideas.  I love learning so much, self-improvement to be better able to help others, that I’ve never really left schools and schooling, teachers and students in dynamic.  I am disturbed by some community members’ negative attitudes toward public servants like teachers, and to them I suggest Matt Damon’s 2011 speech supporting teachers, as his Mom was one and he grew up loving them.  Or listen to Taylor Mali’s dynamite performance poem “What Teachers Make.” I am seldom if ever disturbed by my students’ attitudes toward education, as they are almost always appreciative of the opportunity and usually meet that gift more than, for which they are often paying themselves via work, more than halfway.  My students inspire me as they often overcome obstacles with grace.  In particular, my Creative Writers have been known to particularly inspire me with their bravery to write their lives, but to tell them with an imaginative “slant,” learning to soar by working the controls of fiction, poetry, drama or creative non-fiction.

 

8. What do you think is the most important thing to teach your writing students? If you could give aspiring writers one piece of advice, what would it be? Alternatively, what is one thing you wish someone had told you when you first began writing? 

I tell students that while people can lie verbally or with gesture, that it is impossible to lie in writing in a journal, that your hand, eyes, brain and heart won’t let you do it, physically, won’t let you write it down; therefore writing can save us.  I tell my creative writers to “start in the middle,” at the mid-point of conflict and rising action, to draw us in without excessive background, without pretense.  The mystery novelist James Crumley, who was my fiction teacher at Reed College many moons ago, told us, “You are not a writer until you have a steamer trunk full of manuscripts.”  Nowadays, that would be a USB drive full of files, most of which are the absolute best you can do.

 

9. What is the most important lesson your writing students have taught you?  

I have learned from them humility, the value of persistence, that learning can and should be fun in public, backed-up by reflection, re-cursiveness and just plain hard work in solitude.  

10. Is there a sentence or passage you’ve read that has stuck with you? Or do you have a favorite writer you recommend?  

I’m not big on organized religion, but that biblical passage about love being “patient and kind” is pretty hard to beat.  And Aesop’s shortest fable is pretty cool.  “A vixen (female fox) sneered to a lioness the question, ‘why do you bear only one cub?’  ‘Only one’ answered the lion, ‘but a Lion.’”

Hmm, quality is more important than quality in two sentences: pretty cool!  And over two thousand years old.  Some things never change…   Oh, and my favorite American writer is John Steinbeck, who rocked my world as a high school reader and who still does.   Love “Tortilla Flat” and “Cannery Row” as well as the big ones.  Love his non-fiction too, like “To a God Unknown,” Travels with Charlie,” and “Sea of Cortez.”  Mark Twain is pretty hard to beat too; Hemingway might have been the best American ever if he would have written more women like his strong feminine protagonist in the jewel of a story “The End of Something.”  “For Whom the Bell Tolls” changed my life.  Carolyn See is an amazing writer; her daughter Lisa See is a NYT’s bestseller for a reason, too.  

 

11. In another interview in ‘Times Publishing Newspapers, Inc.,’ you explained that you grew up in California so your writing was usually set there, but over time your stories settings shifted to more local areas. How crucial is it to be familiar with your setting in writing? What role does the idea of “home” play in your stories?  

A writer has to know his or her settings intimately (unless it’s Mars in the 26th century and even then) or he/she risks wasting the setting as backdrop when it should be integral to everything that matters to the characters and this time and place with them in it, acting.  Home place, or the Latin ‘patria’, is everything.  I am lucky enough to have at least two of them.  

 

12. In the same interview with ‘Times Publishing Newspapers, Inc.,’ you said that the common theme of your short story collection, “Irish Wake, In Loving Memory of Us All,” was that, “we are all caring individuals who have more in common than differences,” and “that as humans we will touch other’s lives and souls throughout life.” Are any of the protagonists or characters in these stories reflections of the people you’ve met in your newer home in Pennsylvania?  

All of “my” characters are amalgams of characteristics, physical, intellectual or emotional, of people I’ve known, many of them from right here and now and then.  But it’s a mistake to assume real person A is character C, because it’s all spun in a centrifuge of  whole cloth invention, real pieces and parts becoming invented folks, who, hopefully, are as real or real as your next door neighbor.  That’s why they call it fiction or poetry, not memoir or auto-biography.

 

13. If you had to describe the entirety of your writing career in only a handful of words, what would they be?  

I came, I saw, I’ll never conquer nor earn a statue, but I’m having fun, making a soft, small chalk mark, and rubbing up against other humans and creatures as we all sing and dance and play in this pageant parade called life.  

 

For Meet the Author:  

DATE: Dec. 11, 2013

TIME: 7:15pm to 8:30 pm

LOCATION: Bucks County Community College, in the Orangery Building, 275 Swamp Rd., Newtown, PA 18940

Finishing Line Press author James Andrew Freeman will be part of a Wordsmiths Book Launch for his new “Temporary Roses Dipped in Liquid Gold,” published in Nov. by Finishing Line Press.  Free to all and with refreshments served.  Contact Dr. Chris Bursk at 215-968-8167 or the English Department at 215-968-8150 for more information or via burskc@bucks.edu.   Jim and his new FLP chapbook are featured in the Winter Issue 2013-14 of “Bucks County Magazine” on news-stands now. 

 

DATE: January 21, 2014

TIME: 7:00pm to 8:15pm

LOCATION: Beth El, 375 Stony Hill Rd.  Yardley, PA 19067

James Andrew Freeman will also be the featured guest with the Yardley women’s chapter of the AAUP for a free writing process discussion/ book launch on January 21, 2014, at Beth El, 375 Stony Hill Rd.  Yardley, PA 19067 (215) 493-1707 from to 7:00 to 8:15 pm.  Refreshments served.  Please contact AAUP coordinator Carol Curland at 215-949-2489 or curland38F@aol.com for more information.  

Poem: Dark Moon

Let’s nail the night back to where it should have been,
above the streets that blacken the eye
of the moon we’ve punched shut so many times;
Where we hammered out the classic rhythm
of an un-repairable heart:

I love you, do you love me?

It’s love that confounds things, collapses
like a bird into a pane of glass,
the body sheer rise and fall,
throb and beat.  A rhythm
to steady our hands against
as night slips out of its wheelchair.
The moon cut in half by tremulous branches
elaborately working its blackout.

Amy Thatcher is a Philadelphia native, currently living in Port Richmond.

Poem: GOTT

fell from his sky
and landed
in the palm of my left hand.
Now, whenever I see a friend,
I only wave ‘hello’ with the right.

A Philadelphia native, Althea Azeff holds a B.A. in Philosophy and a Juris Doctorate, both from the University of Pittsburgh. She has worked as a writer for more than 20 years, and her most recent publication is a collaborative effort, Transfer Pricing in Action, published by Kluwer Law International. Outside of her day job making complex tax topics approachable, she is currently working on a manuscript about Jewish mysticism and soul travel.

Poem: Fugitives

I thought the Canyon swallowed my father
when he climbed, camera-backed, down
the jagged slope, sloping toward its guts.
 
Emerging minutes later, a sunbleached rock
in each hand, he panned the crest for anyone
who might see. “You can’t take these,”
 
he said. “They belong to the government.”
At ten years old, I assumed everything did.
And I was careful when I handled anything:
 
a grocery cart, a pencil at school,
the chipped paint on the monkey bars.
Everything belonged to them.
 
Now, when I see those canyon rocks,
the bookends in the den, Bukowski tilting
toward the Earth, I pretend we’re fugitives,
 
all of us, waiting for the blue lights, the sirens
to scream for their rocks, to lure us back
to the steeping cliffs, where we plummet.

Wes Ward holds a Master’s of Arts in Writing from Johns Hopkins University. His work has appeared in various magazines and journals, including North American Review, Sewanee Theological Review, and Birmingham Poetry Review. Wes teaches high school English in York, PA and lives with his wife, Karen, and his children, Ethan and Isley, in Newville, PA.

Poem: Dream of the Unambitious Mermaid

My hopeless crush once asked me
“What do you dream of becoming?”
I had to pause to think it over.
I do a lot of dreaming; which,
I pondered, was my favorite?
“A mermaid in a deserted lake,”
I answered and was taken aback
when he burst out laughing.
“You can’t become a mermaid!”
he said, as if I didn’t know that.
But what is the point of dreaming
about the possible? That’s more like
planning, isn’t it? “Oh, you mean
what do I plan on becoming,”
I said. I had no idea. I reckoned
I’d tend bar till I saved up enough
to travel, then travel till I ran
out of money, then tend bar…
and my plan might have worked, too,
had I not fallen in love. Anyway,
after that, my crush did not believe
I wanted him or anyone.
He spun my mermaid wish
into a siren’s tale, where I’d lure
unwary boys into my waters
and drown them, fashion their bones
into furnishings for my underwater
lair. But I do not crave a bone
settee or taboret or chandelier,
however elegant. I just want to swim
in the moonlight filtering down
through lily pads and duck weed—
swim and sing and comb my long,
long and ever-tangled hair.

Cleveland is a poet and mail artist from Bethlehem, Pennsylvania. She is a contributing editor for Poetry Writers in the Schools and hosts the poetry series for the New Bridge Group artists’ collective. Her work has appeared in Schuylkill Valley Journal, Möbius Magazine, and online in New Purlieu Review.

Poem: Moss is Little Noticed

Their limber, nimble
bodies and wooly hair
climb, clasp settling
on the surface of everything,
a velvety rootless succulence.
 
I imagine the prehistoric ancestor of many life forms,
a primitive holdout from an earlier time.
I figured it feeds on the life within the stones and rocks it colonizes.
 
The people who study moss remind us it is the last bastion
drinking the tragedy of a storm,
inhaling the toxic junk that belches from the waste that keeps us moving ahead.
Without it we would be trampled to death by our carbon footprints.
 
In photographs in Katrina’s wake
I saw it growing around Mardi Gras beads
outside a party store in Chalmette Louisiana,
digesting silk flowers on a living room floor in the Ninth Ward.
 
As I sink deeper into my own history
I can feel its slimy danger
on the rocks overlooking the Wissahickon Creek
letting go of the grip of a neighbor boy thirteen years old,
slipped,
plunging into Devils Pool, drowned.
 
I wandered into the sounds of the keening,
walked to the casket lined in white silk,
a halo of flowers blazing
I was eight and I went to my first wake in his home.
 
I stood on the kneeler,
stared at him resting there in his first communion suit,
I prayed the Our Father aloud.
 
A woman patting my head ushered me through a makeshift curtain
between the rooms
to a table piled high with cold sandwiches and potato salad,
surrounded by red faced grown-ups grasping their glasses of spirits,
chattering away
cigar, cigarette smoke escaping through the open windows.

Charles is a native Philadelphian. In 2007 Charles was The Mad Poets Review First Prize Winner for his poem “Waiting To Come North”.  In 2009 Cradle Press of St. Louis published Charles’s first book of poetry: paradise, pennsylvania. Charles hosts readings for the Moonstone Arts Center Poetry Series in Philadelphia.  Charles next book, Haitian Mudpies and other Poems, is slated for publication in 2014.