Crossing Bridges

I don’t remember when the panic attacks began, but I remember where.

The first one hit as I ascended the deck of the Delaware Memorial Bridge, the twin span across the Delaware River connecting Delaware to southern New Jersey, a bridge I’d driven across hundreds of times over the past twenty years. My mouth began to fill with saliva and my throat felt swollen, on the verge of closing altogether.  My tongue seemed to swell and I felt my heart pound as both my hands sprang off the wheel and clasped tightly over my mouth.  Somehow, I managed to keep control of the car till it reached the summit of the bridge—and immediately, I felt normal again, not dying at all, just casually driving down the western side of a bridge that moments before had tried to kill me.

These attacks must have happened a dozen times since their onset, though I don’t know why. The Delaware Memorial Bridge. The Commodore Barry Bridge a few miles north.  The Walt Whitman and Ben Franklin, both entryways into Philadelphia. Every time I tried to cross them, my body rebelled and I nearly passed out—until, of course I reached the summit and slowly and comfortably descended the other side.

[img_assist|nid=20742|title=|desc=|link=node|align=left|width=260|height=186]I began using avoidance strategies, sometimes driving miles out of my way to cross lower bridges like the Tacony-Palmyra north of Philly, or even driving as far north as Trenton where I-95 crosses a much narrower stretch of the Delaware on a lower bridge under which no commercial freighters need pass.

Let me stress this: to be unable to cross a bridge is to be forever trapped in New Jersey. And that is a trap no one would wish to be caught in.

Then, years later, during a desperate chain of Google searches, I found an unlikely savior in the sky blue uniform of the Delaware River Bridge Authority. “Acrophobia Escort,” a service provided free of charge to those, like myself, constitutionally incapable of driving themselves over the Delaware Memorial Bridge.

Masculine ego, I assure you, takes a back seat the first time you dial a cell phone and ask someone to send you a hero to save you from driving your own car.

This is how it works.  You park in one of the secure areas off to the side just before driving onto the bridge.  On the Delaware Side, this is Memorial Park, a wide place on the shoulder with a row of flagpoles commemorating the war dead of Delaware; on the Jersey Side, it’s a place called the “Jersey X,” a central median where two lanes criss-cross, also presided over by flagpoles.  You dial a number, select from an automated menu, and finally you get a human voice.

“Dispatch.”

“Yes, um,” I muttered unintelligibly the first time I called, “I need an escort.”

“Excuse me, sir?”

“I need an escort,” I blurted out.  “An acrophobia escort.”

“Where are you located, sir?”

“I’m on the New Jersey side.”

“In the X?”

“Huh?”

“The X—the place with the flagpoles?”

“Uh, yes,” I said, blushing.  “I’m by the flagpoles.”

“Make and model of car?”

And then you wait.  Eventually, a police car pulls up behind you.  You wait for a moment and one of two officers inside leaves his vehicle, approaches yours with a liability release, you sign it, then he climbs into your car, adjusts the seats for his decidedly more masculine frame, and barrels  your very own vehicle over the bridge at police velocity.

“I, uh, don’t know what happened,” I told the officer sheepishly that first time.  “I’ve driven across this bridge all my life, and then about ten years ago, I just couldn’t do it anymore.”

“You wouldn’t believe how many times we hear that, sir,” the officer said.  “It’s a pretty common story.  And we drive five, six people across almost every day.”

I was so relieved to hear he didn’t think I was some sort of effete freak, that I began to use that line every time I used the service:  “I just don’t know what happened . . . “

One day in mid-summer, feeling rather confident if not proud, I pulled my Subaru into the Jersey X and made my call.

“Okay, sir, as soon as we get two men available we’ll have someone there to assist you.”

“Thank you!” I practically sang, then sat in air-conditioned comfort, jamming to the radio, drumming along on the steering wheel as I waited for my personal chauffeur to arrive.

Before long, I saw a cruiser pull up behind me with only one cop inside.  His partner must be driving up separately, I thought.[img_assist|nid=20727|title=|desc=|link=node|align=right|width=180|height=289]

And then I saw a figure in the back seat: a large man, little more than a shadow sitting behind the driver on the passenger side.

Jesus, I thought.  What the hell’s going on—he arrest somebody on the way to drive me across?  I strained to look in the rearview mirror, hoping to see another cruiser.  And where is his partner?

Then the back door opened, and a giant emerged.

6’4” if he was an inch, 280 pounds or more, the man from the back seat unfolded out of the police car and towered over it.  Wearing a white tank top—a wife-beater, my mind insisted—his bald head sweating profusely, he slammed the car’s door and stepped over to my car.  I unrolled my window just a crack.

“Well?” he said.

“Well what?” I said weakly.

“Get out the car, man.  It ain’t going to drive itself across that bridge.”

As I watched, he pulled on a midnight blue shirt with a patch sewed onto the shoulder—a patch with a picture of the Delaware Memorial Bridge.

Uneasily, I climbed out of the car and went around to the passenger’s side.  When I got there, I found the door was locked.

He clicked me in and said, “Why you got the doors locked?  You think somebody’s going to kidnap you?”

I could feel my face redden as I got in and fastened my seatbelt.

“Who’s going to kidnap you?” said this giant sweating man behind the wheel of my car.  “You got a face only a mother could love.”

I looked at him doubtfully as he pulled out into traffic.

“I got to baby you and drive in one of the center lanes or can I keep it here on the outside?”

“Uh, here’s fine.”

He drove for a moment in silence, then he sucked his teeth and said, “You know you could drive across this bridge if you really wanted to.  Couple shots of Jack and you be just fine.”

My eyes widened in shock.  “You’re not supposed to be telling me that!”

He squinted at me and showed his teeth.  “Fuck I look like, a cop?  I’m a working man, son.”

Then I guessed what had happened.  Dispatch must not have been able to round up two policemen to share the duty of driving me across the bridge.  The one they did locate must have grabbed this giant off a job painting or operating a crane—that explained the sweat still gleaming on his head. It might not have been regulation, but at least I was crossing the bridge.

“You look like you from the sixties,” he said.  “Why don’t you just fire one up and drive your own ass over this bridge?”

He looked at me.  I looked at him.  And suddenly we both exploded in laughter.

“You lived in Colorado right now, you’d be going out your way to drive over bridges just to see if you could get Rocky Mountain higher.”

We laughed the rest of the way over the bridge, I telling him how my dad had worked with Bob Marley for a year in the Chrysler assembly plant outside Wilmington, he saying how he was almost sixty and thinking about retiring from the bridge crew and starting his own business driving people back and forth over the Delaware.  When he got to the other side, he stopped the car and put it in park.  I pulled out a ten and handed it to him.

“The cops won’t take tips,” I said from experience,” but come on, let me give you this.”

“No can do,” he said, lifting his hands in surrender.  “Against regulations.”

“Well then let me give you this, then,” I said offering him my hand.

He took it, shook my hand and said, “All right man, you have a good one.”  Then he stepped out of my car and was gone.

I was still laughing as I pulled through the toll booth and drove on my bridge-free way.  I thought of the big man’s pipe dream of driving people like me across the bridge for a living.  People like me, I thought, smiling and shaking my head.  They’re in for a hell of a ride.

R.G. Evan’s Overtipping the Ferryman won the 2013 Aldrich Press Poetry Prize. His novella The Noise of Wings was published by Red Dashboard Press in 2015. His poems, fiction and reviews have appeared in Rattle, Margie, Paterson Literary Review, and Weird Tales, among other publications. His original music, including the song “The Crows of Paterson,” was featured in 2012 documentary All That Lies Between Us. Evans teaches English and creative writing at Cumberland Regional High School and Rowan University in Southern New Jersey.

How to Get Lost

The first step is to fall in love with the only boy that ever remembered your name. His charmed smile and kind eyes wage a coup against reason and you don’t even notice. Ryan snakes an arm around your waist and your heart flips. “I like that you have some meat on your bones,” he whispers to you, pinching your side. “The girls I date are usually bony.” You automatically hold your breath, sucking in the fat that cleaves to your hips and middle. Martina, the last girl he dated, boasted a 00 jean size, and his summer fling, Steph, had collar bones that could be registered as lethal weapons in all fifty states. The Rice Krispie Treats your mom snuck into the side pocket of your backpack churn in your stomach. You wish she put weights in there instead. Then, at least, studying would count as exercise. But you hate sweating. And celery. Your t-shirt feels like a second skin, clinging to the valleys of your stomach. His grip is too tight and you feel the fat pinch between his long fingers. You try to leave, “Math homework,” you say. He tells you to do it later and leaves a trail of kisses down your neck. One assignment won’t affect your grade that much. 

 

[img_assist|nid=20731|title=|desc=|link=node|align=left|width=180|height=270]You haven’t done homework in a month.  That’s fine because math can’t kiss you back. The tests on the fridge slump, curling from time and lack of achievements.  Your mom asks if you’ve gotten any of your tests back, cracking a mom-joke about the fridge looking bare.  Except that every grainy inch of it is crammed with magnets from each state your dad went to rehab.  “The Rehab Tour” your mom had joked.  Good one. You mumble that your teachers are swamped with work in the middle of the semester.  She puts another batch of cookies in the oven.  You tell her that you’re going to the library to study. Your mom puts chocolate chip cookies from the cooling rack in a tin for a studying snack, but you throw them in the garbage cans out front as soon as you’re out of sight. Her cookies are pillows of chocolate and your breath catches as they arc into the trash.  Pull your shirt down over your hips and take a detour to his house.  He kisses you the way they do in movies: his face crushed against yours.  His lips are slow and smooth against you, while yours are clunky and inexperienced. But in that moment, cradled in his arms in his unfinished basement, it feels like love.  The warmth of his chest envelops you like an old blanket protective and safe.  Did your dad ever kiss your mom like that, before he started drinking?

 

She brings him Tupperware containers exploding with Mexican Wedding cookies when she visits him.  They are gunked with too much powdered-sugar, messy and over-the-top, like him. Can kisses do that? Lock you into his gravitational pull until you’re too far gone to turn back?  More dust collects on your books and in Ryan’s arms you can’t recall what a prime number was even if you wanted to.  The midterm is tomorrow.  The library closes. You are still in his arms.

 

You won’t notice yourself changing, not at first. But it’s inevitable, like your dad’s tenth relapse.  Don’t fight it.  Ryan makes an off-handed comment that you never do anything he wants to do.  At the first hint of disappointment, your heart rate skyrockets and cold sweat beads down your back. So you agree to go to his boring car meets even though you tell him you hate going, they always reek of weed and none of his friends so much as acknowledge that you’re there.  But you need him.  You need him and he doesn’t need you. So you tag along, following him around like a baby duck and coo at the lowered, rusty GTIs and Jettas haphazardly parked in the vacant lot.  Bro enters your vocabulary more than you’d ever hope to hear, let alone say.  You even start dressing to fit in, which mainly consists of hiding greasy waves under a snapback and wearing Calvin Klein underwear with low rise jeans so the band winks overtop.  You ignore  the push up bra effect for your side fat.  You haven’t eaten cookies, but they hang around your hips like an over-protective brother.  You hope he notices how hard you’re trying. You hope it’s enough.

 

Next, wait for your best friend to leave.  You think this is impossible.  A ten year friendship can withstand anything.  You’ve endured Lizzie McGuire getting cancelled and Sarah Pratt taking Derek to the formal instead of Lisa.  You’ve huddled together in matching ugly Christmas sweaters and smeared mascara because your dad was rushed to the hospital. That trip—there would be many others, but this was the first–your mom baked every cookie in her Pillsbury recipe book arsenal, the flour seamlessly fused with her pale hands.  That time was the scariest.

 

By the fifth time you and Lisa had the drill down.  You ride your bikes to get pints of ice cream, paid for in quarters from your piggy bank. It was always Chocolate Therapy, two spoons, and two heads pressed together.  When Lisa got her wisdom teeth out, her face was bloated and drooling. Chocolate Therapy. Your mom’s face was flour white with red blotchy eyes.  She made another mom-joke that Chocolate Therapy was cheaper than real therapy.  She dug her spoon into the container and swiped a mountain full of ice cream, fitting it all in her mouth and choking on it. 

 

Lisa buys Chocolate Therapy tonight. A solo bike rides down a wet road.  A single pair of tires sloshes through puddles, kicking up mud on her faded jeans.  One spoon peeks over the top of the container. One spoon and four servings. She takes a deep breath, preparing herself for the density of the pint. Lisa hopes that each spoonful of melting therapy will evaporate the image of her long-term boyfriend underneath a freshman cheerleader. That freeze-dried brownies and congealed dairy could erase his smug face when she walked in. Or worse, her best friend walking away. You were at Ryan’s, watching a documentary and snuggling your face deeper into his chest. 

 

 

 

It ends with a walk to the car. You walk out to your car with Lisa and there are daisies tucked under the windshield wipers. Ryan steps out from behind your shitty Hyundai armed with your favorite candy.  You squeal and run to him. He sweeps you into his arms and you never imagined anyone could lift you off your feet. Ever. Lisa rolls her eyes, a habit incurred from years of sitcoms and two older sisters.  The eye roll was an imperative currency in her household growing up; for the bathroom, the last cookie, and the remote.  While you are flying above her in Ryan’s outstretched arms, she rolls her eyes so hard they nearly leap off of her face. “We get it,” she mutters. Ryan drops you to your feet, wrapping his arms around you.  You both laugh, his smile presses into your cheek.  Lisa slams the passenger door, visibly frustrated with her arms crossed.  Ryan brushes a stray tendril from your eyes. “Frozen yogurt tonight. Me and you. Documentary on Netflix. What do you say?” Lisa leans over and honks the horn repeatedly until you finally break free of his touch. “JESUS! Of course, but can it not be the Banksy one? We watched it like ten times!” You giggle and kiss him, running to the driver side with your hands over your ears. Lisa angrily slumps down in her seat, knowing that you won’t remember the plans you made a week ago for a movie and Chocolate Therapy.  Knowing that you’ll blow her off. Again and again. And she wonders if ten years can replace dignity and loyalty.

 

[img_assist|nid=20726|title=|desc=|link=node|align=right|width=180|height=243]Mom gets the call. Dad relapsed. Again. His sobriety is as fleeting as time. The hospital begins to feel like a family reunion.  Your mom sends the nurses Christmas cards, and all of them know you by name and are armed with an ample supply of awkward hugs.  Your mom paces outside of his hospital room.  You call Lisa from the payphone. No answer. No Chocolate Therapy.  You call Ryan.  You sputter into the phone all of the things you’ve been too afraid to say in person. The Rehab Tour, your mom’s cookies, Chocolate Therapy.  You wish you didn’t have to leave it in a voicemail where it can be quickly ignored and erased. But what choice did you have? You never go into your dad’s hospital room.  Seeing him from the hallway, slumped in a backless gown with tubes sprouting from him like particularly fragile weeds, makes it real.  He is always in and out of the house.  Mostly out.  You honestly cannot remember the title of his last job or the last time he even had a job.  Your mom is more ATM to him than wife. If you never go in, he is still the guy that rented It Takes Two and brought you Reese’s Cups.  He watched it with you three times because you kept falling asleep on his chest at the exact same part.  You sit in the waiting room and read bad magazines.  This one is fifteen years old.  You think you remember reading the horoscopes a few hospital trips ago.  There was an article about Mary-Kate and Ashley Olsen; you read that one before, too, but this time you could have cried right then and there, big, ugly tears that leave ruddy splotched-cheeks and turn your nose red.  Lisa is never going to call you back.  You chose Ryan over a ten year friendship.  You aren’t even sure if he is going to call you back. Or if he was worth it.  How do you deal with this by yourself? You never had to be alone with it. In the waiting room or at home. 

 

 

This is the final step of getting lost.  Ryan says he found a new girl that’s different from anyone else he’s ever met.  He met her at the car meet when your dad was dying. When the nurses tried to resuscitate him. When the heart monitor bleeped over and over like gun shots and your mom collapsed from shock.  When you took the bus home because you couldn’t face it.  Apparently Ryan hardly checks his voice mail these days.  He says that you and he have too much in common.  It’s too boring, he says.  He talks about her bouncy blonde hair and how she paints.  She’s gorgeous, he says.  He talks about how cute she is with paint-stained fingers.  And she’s a vegan.  You bite back rage. He prattles on about her and you wonder if he lifts her off the ground or brushes hair from her face.  Maybe he kisses her in way that makes her hold on beyond a reasonable doubt.  You wonder if she likes documentaries.  He kisses you on the cheek and you pretend that your hair doesn’t smell stale and oily.  Does her hair smell like that? Do vegans use shampoo? He speeds out, his car scraping the lip at the end of the driveway. The snapback feels too tight and you spent a paycheck on underwear that he won’t get to see. You wonder if he’ll bring you up in conversation.  Will she be jealous? Probably not.  You slink into the house. Your lower lids act as a dam against the threatening tears, but it bursts when you walk into Disney re-runs of Lizzy McGuire. You want to call Lisa. Tell her about the hippie Ryan dumped you for. Tell her about your dad. Dead. Lifeless. Devoid of Life. You still can’t get your head around it.  Can ice cream fill a vortex swirling in the center of your chest? Blood thumps in your ears. Good. At least you’ll have a new pain to focus on. There are no cookies waiting for you when you walk inside. The air is cool, rather than its usually oven-related sticky heat. Your mother is sitting numbly on the couch. This time her arms are not pasted with flour up to her elbows. They are clean. Spotless.  You haven’t seen the freckle on her forearm in years. A new magnet is added to the collection.  This one from the funeral home on the corner.  New wrinkles crease her eyes and a new vein bulges from her forehead.  A black dress with tags is draped over the kitchen chair.  You sink to the ground, wishing you felt your dad’s flannel pressed against your dreaming cheek.  When you felt safe. For the last time.  

Jenna graduated summa cum laude from Ocean County College with an Associate’s in Liberal Arts. She transferred to Stockton University, where she is currently enrolled, majoring in Literature with a concentration in Creative Writing, and minoring in Writing. She has been published in a few small publications. She edited for the Sojourn, which is a school-affiliated magazine about South Jersey history. She aspires to be an editor, while continuing to write, and hopefully revealing a silent truth about the human condition.

The Thing About My Ears Is

I am afraid

of noises miles away.

It’s like presence in a room

filled with

   jazz

   claps

   bangs

all active at once—

fifty people talk in chorus.

Simultaneous listen

makes my tasks impossible

and activation of the switch

switches on the panic trigger.

The whisper approaches

from the room downstairs

   smells

             lights

             vibrations

 

pseudo- sounds mask the

noticeable sound—phone

rings but just an air

conditioner. The worst sound

I hold is the continuous beeps

behind cacophony.

 

It’s just noise domination

with more noise elevation

embodied in the rebel

that lives deep in—

side my head.

I guess I can’t

be a firefighter

anymore.

Aminah Abutayeb is a full-time MFA candidate at Fairleigh Dickinson University concentrating on poetry. She is an Assistant Editor at The Literary Review and currently works at the Writing Center in William Paterson University. Her poem is forthcoming in Common Ground Review.  She lives in Northern New Jersey.

At Your Tribute: A Black T-Shirt, White Letters: “Not Dead Yet”

We forgot to water, we forgot to open the flue, so the living room quickly filled

with clouds, smoky gray, a locomotive engine had taken a wrong turn,

ending up against your parents’ figurines, gold frame caught in mid-undulation, draping over

the fireplace mirror,  bubbling milky-blue paint and the bar wheeled in for special occasions.

Sliding open to be washed by winter, we had years of thirsty African Violets, not dead yet.

 

I found you prone with a tiny angel, your hands folded to hold it.

Blue angels climbed to the top of flagpoles posing in mid-flight

reigning over that spring day 19 years before when there were orange-robed singing monks,

and smoke-damage was covered in grape vines painted,  roaming the room.

Sliding open to be washed by winter, we had years of thirsty African Violets, not dead yet.

 

Violet-themed bedclothes, lavender bath rug, the flowered towels, thick enough

to grab fistfuls, digging my nails into my numb palms, your dead ones already cool to the

touch.  Wading into wailing, all the while, picturing you up in blue and purple and orange

sliding open to be washed by winter, we had years of thirsty African Violets, not dead yet.

Julia Blumenreich is a poet and finishing her 19th year of teaching 4th grade at Germantown Academy in Fort Washington, PA.. A recipient of a Pennsylvania Arts Council grant for her poetry, she has read her work in various venues including the University of Pennsylvania, Brown University, and Muse House in Philadelphia. In 2012, she collaborated with the visual artist, Wendy Osterweil, on ‘Reforesting: An Homage to Gil Ott’ a poetry/ sculptural installation/print show at The Painted Bride Art Center. Four of her poems have been set to music composed by Kyle Smith and were performed as part of “Lyric Fest” in 2014. She’s published two chapbooks: Meeting Tessie (Singing Horse Press) and Artificial Memory (Leave Books) and has completed a poetry manuscript called “So You Wonder.”

Those Late Afternoons

I’m sitting here ankle deep in the brown blues of this creek,

hoping the slim oak board bridge we made doesn’t break.

Yoda is completely absorbed by the colors in the water

near the gray rocks a few yards ahead of me. His chocolate fur

always seems clean even after his usual afternoon dirt bath.

My mom told us to stay up on my yard away from the evergreens

where our small bodies always get lost in this forest between

our houses. The green of the trees touching the grays in the sky

and I hope you snuck out the back window

climbing over trash cans and those scratchy bushes.

The afternoon settles into night and I finally see your flashlight

through thick branches and can almost spot your orange Converses. You rush

and dip your feet in, bringing bug spray and pizza pockets,

and we pop out the tape-deck with my homemade radio recordings.

Next year we’ll be able to drive and our late nights will extend

to Taco Bell runs and Evanescence on a car stereo

instead of these shared headphones. Yoda’s shaggy mane

is tough and gnarled with mud and I soak up the earth and sounds and you

my best friend Amber, not hearing the rumble of my mother’s voice

beneath the sudden hard dropping of rain

 

Dorina Pena graduated from the University of Pittsburgh with her B.A. in English Writing: Poetry in 2008. She got her M.F.A at Carlow University in Creative Writing Poetry in 2011. She has a chapbook published titled Family Tree by Monkeyman Press and she has individual poems published in Voices in the Attic anthologies and the Pittsburgh City Paper, as well as the journal Girls with Glasses. She is currently sending out her full length manuscript Masking White and her second chapbook Black History. She resides in Philadelphia, PA with her husband.

Three Blues on The Delaware

The soul of the world sings in blue, sapphire

Midnight cerulean stone periwinkle Aegean

Egyptian steel, shadow shimmer, silver glint,

Flow tide breeze and sun, musics of smooth

Chaos soft violence restlessness dissolution

Concord mystery beauty revelation change,

My blood singing back to the singing waters.

 

Furious machines burning anger, fume and

Rage to the choke point, ferocity of sound,

From here all silence and twinkle, sweeping

Slow rise and fall, rust blistered blue towers,

Harp-strung, Buddha serene, light and heavy,

A mountain of stone and steel engineered to

Rise like thought and dance in the delicate air.

 

Spring has uncorked all her bottles, pours her

Sparkling vintage into the coupe of May with

A liberal hand. Winter’s damp gloom is swept

From the vaulting sea and a convoy of cloud

Blusters at full sail. I will fill my pockets with

Rubies and expectations, book passage on a

Perfect merchantman and trade with heaven.

Peter McEllhenney’s work has appeared in the Seminary Ridge Review, Referential Magazine, Blast Furnace, the Apeiron Review, and previously in Philadelphia Stories. His poetry was part of the 2015 R.S. Thomas Literary Festival in Aberdaron, Wales. He blogs at PeterGalenMassey.com.

Once Each Year We’d See Them Dance

on their anniversary

to a song from the forties,

sisters singing harmonies,

horn pops, a muted-trumpet

or clarinet soloist,

the television turned off,

he in his bed shirt, laughing,

she in her nightgown, bare arm

softly draped around his back,

the other arm letting him

take the lead for once, hands clasped,

turning slowly in circles

lumbering to the downbeat,

tipping over as they turned,

usually by accident,

laughing as the circle grew

more wild and uncircle like,

bumping into TV trays,

inching closer to the bed

in the middle of the room,

laughing as if we weren’t

there to watch the performance,

their faces shining with glee,

enough happiness to last

them another whole, sad year

of insults and bickering. 

Robert Fillman is a Ph.D. candidate and Teaching Fellow at Lehigh University, where he also edits the university’s literary magazine, Amaranth, and runs the Drown Writers Series. He was named the judge of the George S. Diamond Poetry Prize by Moravian College for the 2015-2016 academic year, and has been featured as a “Showcase Poet” in the Aurorean. Recently, his poems have appeared or are forthcoming in Apeiron Review, The Chiron Review, The Common Ground Review, Glassworks, Kudzu House QuarterlySpillway, Third Wednesday, and others. He lives in eastern Pennsylvania with his wife, Melissa, and his two children, Emma and Robbie.

Aquaria

I had this idea I would

write about the

old aquarium in Camden,

not the new. The old one

had indigenous fish

that live in the slate grey

waters off New Jersey–

the kind few deigned

to see.

 

That is why they renovated

the place. Set aside or killed

the flounder and bass  and

bluefish you might just

as soon find on

a dinner plate as

in a tank and

replaced them

with tropicals:

floating mosaics from

a Byzantine ceiling.

 

These are the creatures

people pay to see.

Now the turnstiles

are humming and I

find myself viewing

delicate beauties,

as well as sharks

swimming

overhead, ram-

bunctious penguins,

and one lone

alligator lying in a

tiled tank, waiting, as

we all are, for something

 

good.

Ruth Rouff is an English instructor and educational writer living in Collingswood, NJ. In addition to being published in a number of literary journals, she has written two young adult nonfiction books.  Her poetry/creative nonfiction collection Pagan Heaven will appear this November.

Those Late Afternoons

I’m sitting here ankle deep in the brown blues of this creek,

hoping the slim oak board bridge we made doesn’t break.

Yoda is completely absorbed by the colors in the water

near the gray rocks a few yards ahead of me. His chocolate fur

always seems clean even after his usual afternoon dirt bath.

My mom told us to stay up on my yard away from the evergreens

where our small bodies always get lost in this forest between

our houses. The green of the trees touching the grays in the sky

and I hope you snuck out the back window

climbing over trash cans and those scratchy bushes.

The afternoon settles into night and I finally see your flashlight

through thick branches and can almost spot your orange Converses. You rush

and dip your feet in, bringing bug spray and pizza pockets,

and we pop out the tape-deck with my homemade radio recordings.

Next year we’ll be able to drive and our late nights will extend

to Taco Bell runs and Evanescence on a car stereo

instead of these shared headphones. Yoda’s shaggy mane

is tough and gnarled with mud and I soak up the earth and sounds and you

my best friend Amber, not hearing the rumble of my mother’s voice

beneath the sudden hard dropping of rain

 


Dorina Pena graduated from the University of Pittsburgh with her B.A. in English Writing: Poetry in 2008. She got her M.F.A at Carlow University in Creative Writing Poetry in 2011. She has a chapbook published titled Family Tree by Monkeyman Press and she has individual poems published in Voices in the Attic anthologies and the Pittsburgh City Paper, as well as the journal Girls with Glasses. She is currently sending out her full length manuscript Masking White and her second chapbook Black History. She resides in Philadelphia, PA with her husband.

Three Blues on The Delaware

The soul of the world sings in blue, sapphire

Midnight cerulean stone periwinkle Aegean

Egyptian steel, shadow shimmer, silver glint,

Flow tide breeze and sun, musics of smooth

Chaos soft violence restlessness dissolution

Concord mystery beauty revelation change,

My blood singing back to the singing waters.

 

Furious machines burning anger, fume and

Rage to the choke point, ferocity of sound,

From here all silence and twinkle, sweeping

Slow rise and fall, rust blistered blue towers,

Harp-strung, Buddha serene, light and heavy,

A mountain of stone and steel engineered to

Rise like thought and dance in the delicate air.

 

Spring has uncorked all her bottles, pours her

Sparkling vintage into the coupe of May with

A liberal hand. Winter’s damp gloom is swept

From the vaulting sea and a convoy of cloud

Blusters at full sail. I will fill my pockets with

Rubies and expectations, book passage on a

Perfect merchantman and trade with heaven.

 


Peter McEllhenney’s work has appeared in the Seminary Ridge Review, Referential Magazine, Blast Furnace, the Apeiron Review, and previously in Philadelphia Stories. His poetry was part of the 2015 R.S. Thomas Literary Festival in Aberdaron, Wales. He blogs at PeterGalenMassey.com.