Your Lucky Life

Your Lucky Life

By Ken Fifer

 

In your sailor hat and peacoat, you cross

the asphalt and see what you thought

was your home is an old wooden boat.

You stand on the prow and what was

a black locust turns out to be your Jacob’s ladder.

When you climb down you think

you’re in Washington Crossing State Park,

but really you’re on your own porch in Raubsville,

thanking Pat for the tuna on rye.

So you lean back, sip your Schlitz, look at the river,

shift your chair among the nine white pillars

which apart from being ornamental

hold up the second floor and roof.

It’s as if whatever comes your way

leaves your footprints. When the locusts hunch over,

when the noisy green maples dig in to grow

bored and restless along the pointless Delaware,

when the paint of banisters peels from your palms,

when the birds leave no tracks at all

you think they all must be your countrymen.

And when moles tunnel under your home,

smacking their lips, wrinkling broad noses,

cleaning their glasses, with the river this close

they must all be your relatives. Each time

you bite into your sandwich you know

the pleasure and pain of harvested grain

in silos where the light goes down.

You can taste the gaff in your cheek,

the fishy vicissitudes, the last moments

of tuna roused from the deep

which fit so exactly into your mouth.

 

Ken Fifer’s poems have appeared in Barrow Street, Ploughshares, The Literary Review, and other journals. His most recent poetry book is After Fire (March Street Press). He has a Ph.D. in English from The University of Michigan and has taught at Penn State (Berks) and DeSales University. He lives in Center Valley, Pennsylvania, with his wife Elizabeth, four dogs, two cats, and assorted other creatures.

 

 

When I Look Like My Father It Makes My Mother Cry

When I Look Like My Father It Makes My Mother Cry

By Lorraine Rice

 

I give up on wrestling my hair

into a limp, submissive, dead-straight

existence, tell my mother—Just

cut it all off, trying to get back

to the beginning, in the straight-backed chair

waiting for my mother

who’d been the one to fix my hair, wanting

her to see it never was

broken. Feet bare, sweat-stuck

to newspaper spread under the chair—

how many times, how

many, have I watched her cut

my father’s hair? Him

in the same chair, a frayed

towel-cape over shoulders and chest,

his ankles an X on the spot where

Dagwood blows his top over

Blondie’s new hat. Her over him,

cheeks caved in, brow ridged, the concentration

of years on her face, sharp

metal shears in hand. My parents always uneasy

sharing space and seeing them

close is bewitching and bewildering—

their fragile intimacy severed

by the cold crisp chastisement of scissors

as my hair falls in black puffy clouds. Confused

coils, soft and intricate, beg to be caught

again and again and holding them

begs a reckoning—Me?

Not me? In the straight-backed chair

while my mother cuts my hair, in the full bloom

heat of summer she freezes

then puts a mirror in my hand—

You look just like your father,

and because her eyes are damp

for once, I do not argue.

 

Lorraine Rice holds an MFA from the The Writer’s Foundry at St. Joseph’s College, NY. Her work has appeared on Literary Mama and in the anthology Who’s Your Mama: The Unsung Voices of Women and Mothers (Soft Skull Press, 2009). She lives in Philadelphia with her family.

Hypnagogia

Hypnagogia

By Robyn Campbell

 

On her 63rd birthday, Annie Edson Taylor became the first person to survive a barrel ride over Niagara Falls. When asked, she later said, “I would sooner walk up to the mouth of a cannon, knowing it was going to blow me to pieces, than make another trip over the Fall.”

 

In darkness, the descent.

You hold tight, fists

clenched and pray

for a good swift end.

 

As a child you opened

your eyes at night and trained

yourself to see

God, gave

a face to the thing

you loved most.

 

Is he here now

in the water’s electric

hum, in the

prickling beneath your

skin?

 

And then you feel the change. Something

nameless is pulled

out slowly from the middle of

your chest; it’s like an exorcism.

The care is gone, and the

worry—that old need to make

the future manifest

turns to breath and is exhaled.

 

From far away, you

hear it: “the

woman is alive.”

 

Born and raised in Eastern Pennsylvania, Robyn Campbell has been writing since before she can remember. Her work has appeared or is forthcoming in Apiary, Stirring, and 1932 Quarterly, among others. Her time is split between writing, playing drums, fleeing to the mountains, and editing Semiperfect Press. She lives and works in Philadelphia.

In the Morning

In the Morning

By Robyn Campbell

 

two bodies resting

two bodies at rest, faces to the light,

all internal movement like plants

a floral type of narcissism

 

or, maybe they are not like plants

they could be like fish

faintly oiled, slick skin

shining

 

you say you think

death looks like life inverted

it is a turning

i say then that a poem inverted

looks something like truth

 

laid bare, as we are

 

picked nearly clean

marks left by the million

little teeth that time attracts

 

Born and raised in Eastern Pennsylvania, Robyn Campbell has been writing since before she can remember. Her work has appeared or is forthcoming in Apiary, Stirring, and 1932 Quarterly, among others. Her time is split between writing, playing drums, fleeing to the mountains, and editing Semiperfect Press. She lives and works in Philadelphia.

When the Music Ends

When the Music Ends

By Barbara Daniels

 

Years after your death a magazine

emailed: “We want you back, Viola.”

Today, a little morning rain. You told me

before you met Dad you walked sedately

past the bank where he worked, turned

the corner, took off your shoes, and ran.

Why he married you: that blazing hair.

When I looked like an egg, no eyebrows,

no lashes, some people laughed at me.

Just last night a waitress said, “Sorry, sir,”

mistaking my tousled hair and androgynous

shirt. My streaming service wrote me:

“When your music ends, we will continue

to play music you should like.” Hair

doesn’t grow in the grave, but it should,

shouldn’t it? As you were dying, your friend

said, “You have the best hair in the building.”

Still red in your ninety-ninth year. When I die,

my atoms could leap into fingers and feet.

I might be somebody’s shining hair. It’s raining,

but softly. Mahler’s third symphony plays.

 

Barbara Daniels’s Rose Fever was published by WordTech Press and her chapbooks Moon Kitchen, Black Sails and Quinn & Marie by Casa de Cinco Hermanas Press. She received three Individual Artist Fellowships from the New Jersey State Council on the Arts and earned an MFA in poetry at Vermont College.

Boris the Cockatoo

Boris the Cockatoo

By Barbara Daniels

 

I whistle when I drive my car—”Hava

Nagila,” “Battle Hymn of the Republic,”

songs my friend Jackie’s cockatoo calms to,

bobs his head as I bob mine and reaches

for me with his clawed foot. It’s 18 years

since I carried tampons. I keep a photo

of myself without eyebrows. Thin, I was very

thin. I lifted my soft red hat to show off

my baldness. My inner organs slumped

together where tumors large as grapefruits

crowded me. Of course Lazarus loved death.

It was dark there. Cool. He didn’t have to

buy clothes or plan what to eat. There was

no weather. No boat to mend. No sisters

who would never marry. He held a round

piece of felt he made into hats: a monkey’s

jingling cap, doctor’s homburg, black hat

of a rich man oiled and shining. Shake

the felt! Presto, a hat covers his closed

and dreaming eyes. So far I’ve hit and

killed a meadowlark and a pheasant, both

in refuges they might have thought safe.

I ran over a basketball while its owner stood

stricken at the side of the street. I’m a blaring

calliope strapped to the back of a gilded truck,

whistling till my mouth hurts. When I see Boris

at Jackie’s house, I look straight into him—

unblinking eye, curved beak, offered claw.

 

Barbara Daniels’s Rose Fever was published by WordTech Press and her chapbooks Moon Kitchen, Black Sails and Quinn & Marie by Casa de Cinco Hermanas Press. She received three Individual Artist Fellowships from the New Jersey State Council on the Arts and earned an MFA in poetry at Vermont College.

 

Benjamin Franklin Was Right

Benjamin Franklin Was Right

By Kasey Edison

 

Pure as stars swimming through wet winter sky,

swallowing the cold until indistinguishable

like fish of the deep swallowing their young.

 

Say something to me. But don’t say life is set

like marrow in bone, that the dead inside each of us

strain at our skins to get out.

 

Tell me, isn’t this also life:

clouds squeezing pearls of light on the cold ground

so they scatter like bits of glass?

 

Kasey Edison has been published in The Broadkill Review and The Mississippi Review. She is currently a manager at a large financial institution outside of Philadelphia, where she lives with her husband and dog.

 

 

Clarion Street

Farrell.Nancy.Photo

Clarion Street

By Nancy Farrell

It was mid-summer, 1972, when I was 12 years old, that my parents sold our small row home on Clarion Street in South Philadelphia. They bought a finer row home in a suburban development dubbed Briarcliff, which rested in the Delaware County town of Glenolden. My father, Charles, was excited to own his first garage, while my mother, Violet, looked forward to the neighbors being less close at hand, albeit only a tad less. With the South Philadelphia and Briarcliff agreements of sale both signed, the clock began to tick toward our last day as South Philadelphians. That day would arrive in October, 1972.

My father had been struggling to keep his home goods business afloat. Progress was not on his side. My father’s customers were the housewives of South Philadelphia, but their numbers were dwindling. It was the dawn of the shopping mall. The drapery that my father stored in his car and carried into houses could not compete with the variety at Sears, Roebuck and Company. In 1972, the remaining housewives continued to open their doors to my father, but it was because he was a sociable, homegrown fellow. They desired coffee and conversation with him, but his home goods, not so much.

Undeniably, it was my mother’s office job at the Bell Telephone Company that enabled our move to Briarcliff. The job was a 20-minute walk from Clarion Street, and something she accomplished in sensible heels and strictly on time. The residue of my mother’s stern upbringing gave rise to her handling stacks of Bell Telephone Company paperwork with speed and competency.

Once the news of our upcoming move spread, I was forced to fathom the unfathomable. I laid in bed at night as one realization after another turned my stomach. Clarion Street would never host another of our holidays. The aroma of my mother’s spaghetti and meatballs, cooked each Sunday after Mass at the Annunciation BVM Church, would fade from the kitchen. The days of the overhang outside our back door sheltering my bike were numbered.

Life began to shift, as my mother collected ideas for modern decorating from Good Housekeeping magazine. Briarcliff would be her chance to start fresh. Meanwhile, my father declared that Briarcliff would be cleaner and safer than South Philadelphia. I felt insulted on behalf of our home, as I watched one room after another turn to dust and echo. Briarcliff-worthy knick-knacks were boxed up, while unworthy ones were placed in the trash.

The most troubling part of the move was the inescapable loss of my Clarion Street friends. There was my closest pal, Bridget, with whom I shared a birth year and every juvenile notion, such as whether a song she made up, “Little Brown Jug,” might someday be recorded by The Monkees. With her perpetual pixie hairdo, Bridget had a pureness of heart epitomized by her habit of chalking “I’m sorry, let’s make up” on the sidewalk outside my house following our rare spats.

And then there was Brenda, who was the same age as Bridget and me. Brenda was pretty and being hip came as naturally to her as breathing. When the bullies from around the corner turned up, Brenda remained unfazed. Always with a bottle of Coca Cola in hand, Brenda liked to deliberately spill dribbles onto the street, simply for kicks. Bridget and I occasionally hitched ourselves to Brenda’s hijinks because it was exciting, but we typically favored the comfort and trust of our twosome.

There was Anthony, as well. He was one year older, and our informal leader on Clarion Street. He wore his hair long and he had a drum set in his basement, where he played Led Zeppelin songs. Bridget and I found Anthony charming, even though his rock star persona was undercut by his family’s laundry, which continually drooped on a clothesline above his drum space. We believed we had a love triangle parallel to Betty, Veronica, and Archie in the Archie comic books that we purchased at Bertolino’s Pharmacy.

My last summer on Clarion Street passed much like the prior ones. We roller skated, played tag, twirled hula hoops, and told spooky stories, all the while devouring cones of ice cream from the Mr. Softee Truck and Broadway Licorice Rolls from Jean’s Grocery Store. We fell into bed at night sticky with sweat and sugar, confident that all of those things would be within reach again when the sun came up.

The gang knew that my family’s house had been sold, but this turn of events was unfamiliar. All of us had only ever lived on Clarion Street. I longed to confess my heartbreak, but instead talked up the spacious MacDade Mall/Eric Movie Theater complex located near Briarcliff. What I should have announced was that nothing could top Clarion Street. There was the Mummer’s Parade that took place every January 1st just two blocks away, and it wasn’t just the lively music and magical costumes that made the parade extraordinary. It was the neighborhood families who opened their doors in welcome to all, offering escarole soup and crumb buns. Our parents lost track of us on New Year’s Day, but never worried about our being cold, hungry, or safe.

There was also the 37-foot statue of William Penn, the founder of Pennsylvania, that sat atop Philadelphia’s City Hall, which was visible, opportunely, from the flat rooftop outside my bedroom. And then there was the lunch counter at nearby Woolworth’s, where the price of an ice cream sundae was determined by whichever balloon a customer chose from the day’s balloon assortment. The balloons dangled colorfully above the lunch counter and contained within each was a slip of paper that was a price tag. When a balloon was chosen by an ice cream sundae customer and then popped, the treat’s price was revealed.

In October, 1972, when my family’s last day on Clarion Street landed, I felt a helplessness equal to the weight of the moving truck that rested in my line of sight. My friends watched curbside, while I leaned on our wrought-iron railing, as our forest green sofa and television were carried out sideways and stowed. I knew that my parents intended to comfort me, but were busy with last minute tasks. There were closets to be checked one final time, and keys to be collected.

With the last of our possessions amassed in the moving truck, the metal door was slammed down and the tarnished latch secured. This was my family’s cue to climb into our blue Rambler Ambassador and to begin following the moving truck to Briarcliff. I rolled down my back-seat window, and my friends peeked in to wave goodbye. I sat in the car, stricken, and closed my eyes, as our car proceeded to the corner of Clarion Street. To lessen the ache, I pretended that we were headed instead to our yearly vacation at the Lamp Post Motel in Wildwood, something I treasured. “It will be okay,” my mother said from the front seat.

And my mother’s prediction was true. Time passed, and I did gradually become accustomed to the suburbs, and to the new friends and happenings that filled my days in Briarcliff. There were stumbles, to be sure, like when I was stung on my forehead by a bumble bee as I walked to my first day at Our Lady of Fatima School. Or when my mother signed us up at the Glenolden Swim Club, where I sat glued to the pool’s ledge, filled with the terror of a non-swimmer. And then there was the ill-fated, week-long Girl Scouts camping trip I took to Sunset Hill, when I was commanded by the leader to wear a wash cloth bobby pinned to the top of my head because I had neglected to pack a hat.

Despite those missteps, I grew to accept that dipping my toes in creeks and fishing for minnows at Glenolden Park were reasonably worthwhile pastimes. And I developed a great affection for the group of Briarcliff girls who took me in. We moseyed to the MacDade Mall, where we shared pizza at Italian Delight and bought David Bowie albums at Wee Three Records.

But my memories of Clarion Street never fell away completely. One of my first visits to the block as a grownup was on a date to The Victor Cafe, an eatery that borders Clarion Street, where the servers are budding opera singers. The date was with the Briarcliff man that I would one day marry. He walked patiently alongside me down Clarion Street, past my old house, which then featured dark red awnings and a polished front entrance. Just as I had done back on moving day in 1972, I paused and closed my eyes, and I felt a tenderness borne of nostalgia, and a melancholy borne of a spell forever gone. Impulsively, I decided to ring the doorbell of my old house. Perhaps the current owner would be sympathetic to my story, I thought, and I could take a peek inside, but no one answered the door.

A decade later, I revisited Clarion Street, this time with my young daughters in tow. I held their hands, as I told them about pushing doll coaches with Bridget down the sidewalk. I told them about Brenda and her penchant for mischief. I pointed out the house where Anthony played his drums.

The friends I left on Clarion Street had never been far from my thoughts as the ensuing years rolled from one to the next. About a year after my family’s move, Bridget became a boarding school student at the Charles E. Ellis School in Newtown Square, an institution for fatherless daughters. My mother dropped me off at the school to visit Bridget one brisk, Sunday afternoon. Bridget and I strolled through fallen leaves to a nearby McDonalds, where we caught up, and where we realized that our bond had not waned. Afterward, as I sat in Bridget’s dormitory room, I worried that she might be lonely, but the opposite was true. She revealed that she was comfortable at the boarding school, and that the other girls were nice. Living at the Charles E. Ellis School was a continuous sleepover party, Bridget disclosed.

Thereafter, despite spans of time when we unintentionally overlooked one another, and when the tides swept Bridget in one direction and me in another, our relationship endured. When Bridget was married in 1981, I was by her side, and when it was my turn in 1984, she was by mine.

Brenda’s family also moved away from Clarion Street. They bought a home in Springfield just four miles from my family’s. At the time, my father and Brenda’s father, Ray, developed a companionship. They were Delaware County transplants who, in spending time together, found a way to hold on to a bit of South Philadelphia. As a result, Brenda and I saw one another from time to time, and she spoke of Springfield contentedly. A decade later, I would coincidentally acquire work at the same Center City law firm where Brenda’s sister worked, which circumstance renewed our families’ link.

With an expanding Internet at our disposal, Bridget and I, then in our 40s, decided it was high time that we discovered what had become of Anthony. Utilizing social media, we discovered that Anthony was a professional drummer in a band called Splashing Violet, and in another known as The Flip-N-Mickeys. We wasted no time in messaging Anthony, and he wasted no time in agreeing to meet us.

On a balmy, early spring evening, Bridget, Anthony and I had our reunion at the Triangle Tavern in South Philadelphia. Open since 1933, the Triangle Tavern, with its Italian grandmother-style cuisine, had prevailed despite several bouts of new ownership and an assortment of renovations. I parked my car outside the Triangle Tavern, and I kept an eye out for Bridget, as it dawned on me that Bridget and I had chosen the ideal place to meet. After all, what was our relationship, if not something that had prevailed despite many years and many changes?

Anthony was inside when Bridget and I entered. His back was to the door, but when he heard us, he leapt from his seat. He hugged Bridget and me in a warmhearted way that belied our lost decades. Anthony, who had remained boyish in appearance, wore a black t-shirt and jeans indicative of his career, and his hair still rested past his shoulders,

Over pizza and beer, we kicked around memories of the 1960s and early 1970s. Anthony recounted the innumerable times we had been scolded by our elderly Clarion Street neighbors for misdeeds as small as dripping ice cream onto the pavement, or as big as bumping a parked car on our bikes. And we nodded in agreement over the incomparable thrill of the Whip Truck Ride that passed through our neighborhood in summertime.

Afterward, as I walked to my car, I thought about what I would say if I could speak to that girl who had sat, stricken, in the blue Rambler Ambassador in 1972. I would tell her that hurdles and teary nights spent over her diary lie ahead, but that in time her self-confidence would grow, and like the South Philadelphia knick-knacks her parents once deemed worthy or unworthy, she would discover what to hold on to and what to let go.

Present day Clarion Street thrives in the revitalized Passyunk Square district. My small row home, purchased by my parents in the late 1950s for $5,500, would sell today for over $300,000 at current market prices. The former mom-and-pop grocery stores are now trendy businesses, and The Victor Cafe is a Philadelphia tourist destination. Still, when I visit, I recognize the kids outside. They do not notice me as they play with their Barbie dolls and their Nerf Super Soakers. I sigh, and then I smile, and I know it’s time to go.

 

Nancy Farrell is a lifelong writer with a focus on autobiographical works. She spends most of her free time with family, including a darling rescue mutt. The library is her favorite place. She works as a legal assistant in Media, PA.

Windmills, The Boys (third place winner of the Marguerite McGlinn Prize for Fiction)

farnsworth

 Windmills, the Boys

A Short Story

By Laura Farnsworth

The boys drown in the pond on Myrtle Dag’s property. Windmills, the two of them, arms and rocks and driftwood and pinecones painting the water with rings and diagrams and dusk, and then the postures of dare, pulleys for shoulders, rope for arms, run farther and throw farther, hoot and shout and leap, catch the rock, the pinecone, farther, and still farther. Dive to save the boy who takes the dare.

Windmills, the boys, arms and arms and arms. And then.

And then nothing.

Myrtle sets her binoculars on the drainboard.

Percolator, decaf, two lumps. She peels potatoes for supper, leaves them cold in the sink. Rain titters overhead, becomes heedless applause, and then fists. Denial, anger. Rifles of lightning.  Sobs.

And then nothing more.

Myrtle signals the dog to her bed. She stands there, at the kitchen window, until well after dark.

Sheriff’s car. Lights, a wet ribbon up the dirt road, toward the boys’ mother, her house, her wondering kitchen table. Good boys have fried chicken for dinner, milk at bedtime, oatmeal at sunrise, before the school bus. Good boys, smart boys. Once, a teacher drew a red line through a spelling word on her Jack’s paper. Boy. Buoy. Float, boy. Float.

Myrtle puts the binoculars in a casserole dish in the cabinet. She fills her mug, sits at the kitchen table, watches the dog sleep. She lets her head set itself down upon the Mount Rushmore placemat, turning what has been witnessed today sideways.

The pond stirs beneath its bed sheet.

Lou paws a dream in which she is a puppy again.

Then, all sides of the sky, an envelope full of pink.

Myrtle scrambles an egg for herself. For the dog, some leftover squash, the last of the cottage cheese. Lou goes out the side door and does what she needs to between the rosebush and Jack’s old swing set, her piss pooling neon atop the mud.

Binoculars, Myrtle holds them to the window. Down the dirt road come the searchers. Hounds, the kind with very long ears. Something flagging from an officer’s hand, a child’s pajamas, scents of sleep and toast and morning cartoons. Scooby-Doo, Where Are You; Myrtle always liked that one, the giddy sameness every Saturday, ghouls, pancakes, chores.

Doorbell. She puts the binoculars behind the cookie jar.

Ma’am. Mrs. Dag, is it?

A deputy. He sweeps his hat clockwise, sets it on the porch hook where Roy’s always hung. Shoulders poking at the fabric of his uniform, forehead smooth as piecrust. Fidgeting on her sofa, where to put his hips, his elbows. The dog sits her chin on top of his knee, lets out a long, patient breath. He wears the mirrored kind of sunglasses. She could reach for them and wipe away the smudges with her shirt, hand them back. He folds them into his pocket. He looks about twenty-five. Her Jack would be twenty-eight.

Mrs. Dag, ma’am. You were home yesterday. Afternoon and evening.

Well, she was, yes.

We’re looking for some missing children. Brothers. The deputy shows her a photograph. Birthday party, chocolate ice cream.

You must know them. The family. Questions without marks.

She has watched the boys with their mother. Walking, with tote bags, kites, sometimes a Frisbee. Down the dirt road towards town, and then back up again. The mother launching kites upward, handing over the spool, yelling run, run, the boys’ bodies leaving earth for moments at a time.

A proper asking: did you see the boys yesterday?

Will it help to answer this question, Myrtle. She tells herself this the way a person would address a child when the answer is a foregone negative, when there is no other acceptable response. No, it would not help a thing, the worst thing that can happen to boys has already happened, done and over, and eventually they will be found looking nothing like their mother’s memories of them and is that not better than telling a man with a notepad what she has seen in this life.

Would she tell him about windmills, and how she set her binoculars on the drainboard.

Well, then. Myrtle Dag, he writes in his notepad. No.

If you think of something.  You can call.

Well, then.

The boys’ mother will be sitting on a kitchen chair telling a notepad every truth. Good boys, walking to the churchyard to climb trees, letting them have a little freedom, be home by dark. No, they never get lost. Yes, they always come back. Weeping, skin of her nostrils crude, snagged hair in the prongs of her unwedding ring. Or maybe she is on the sofa, knitted afghan smelling of cheese and sweat and modeling clay, her eyes spread round like gravy. We’ll find them, someone will say, they will be just fine. The mother will try very hard not to scream at this.

There will be things said in town. Those boys running loose all the time. Late for school. Often absent from church. Probably, she tipped herself back onto the sofa, closed her eyes a spell, and then they were gone. Going it alone, you know, can’t be easy, but still. People examining cause and effect, wanting their own contentments guaranteed.

The boys’ father left awhile back, Myrtle heard, moved away. Boise, maybe. Spokane. Someone will have called him, he’ll be on an airplane, coming to help, to look, asking the flight attendant for orange juice because the boys always liked it and because he doesn’t know what else to ask for.

They all have names. Myrtle cannot recall a single one.

She fills the coffee pot with suds to soak away its brown tidemarks. She wipes a cobweb from the window.

The deputy’s hounds call out, and the searchers change slant.  Myrtle lifts her binoculars. Some cross the dirt road into a potato field, the backs of them dominos in a line. More of them now, townspeople in caps, work boots. Women, too, other mothers, blue jeans, windbreakers, setting up card tables along the road with water jugs and juice and muffins, on a Saturday, after a storm, because two boys are gone, just gone.

The deputy accepts a cup of water.

Then: a car in the gravel drive. Janet, from town. Myrtle sets the binoculars in the fridge.

Myrtle, hiya, sorry to just drop in and all, but the phones are all out, did you know? I suppose you’ve heard what they’re up to out there, I see those boys all the time when I head up to your place. Made me think of your Jack and your Roy and all, and I’m sorry for mentioning it, but Myrtle. Can’t help it, you know? And I wondered if you’ll be needing any groceries, I can swing back by later. Nothing? That’s fine, hon, hope you didn’t get too wet last night, our sump pump’s goin’ like runaway horses. Make it harder, I suspect, the scents washed away and all. For the hounds, I mean. Okay, Myrtle, take care of that hip, and bye now.

Her Jack.

Jack, who was a boy.

Myrtle who was a mother.

Stuck in Myrtle’s head at the age of nine, homemade buzz cut, like a kitten to pet him, stuck there because he was still hers then, stuck there because he was still happy, tree swings, quail’s nests. Hay bales, horseshoeing, helping her with canning, apples peeled in one curling serpent’s tongue. Chasing after sheep on his pony. A road trip once, just Myrtle and Jack, South Dakota. A sack of donuts powdering the air between them. Hank Williams, hamburgers. No worries at all about love, no wondering: is there any other kind except mother and son.

Boy Jack swung at baseballs from the apex of a dirt diamond, Myrtle tucking her hands between her thighs and the bleachers, pinching her knuckles numb in a sort of prayer: connect connect connect. Once, it worked: the violence of wood on leather, red stitches wincing as they went airborne, away from a mother tipsy with pride, a father who willed the ball into the second baseman’s glove.

Roy stood his son in the field to practice batting that night until he crumpled.

Myrtle plastered Jack’s shoulders with salve and Epsom salts.

You cannot make him into something resembling a man with that nonsense. That is what Roy said to her. Why does a boy need to resemble a man, and doesn’t that come along soon enough in this life.  That is how she answered him.

Who would Myrtle Dag be without a boy to fix?

A boy that does not become a man is a useless effort. Roy’s final word on the subject. Roy, who has never sat up all night in the rocking chair, loving away an earache. Roy, who put newborn lambs next to the skin of his own chest. Farmer, father. Rancher, reaper.

No more ballgames after that. No more Junior Mechanics meetings, 4-H competitions, marksmanship meets. She bought Jack a puppy, named her Lou, showed him how to rub the felt of her belly until she snored, demonstrated housebreaking and the rites of obedience until he shrugged. He learned to drive, and they never did ride together anywhere again.

Then Jack turned seventeen, sideburns on a sapling, stabbing at his meat until blood turned the potatoes pink, eyes plain and blank and chrome. Churning up the north hill, after dinner, down to the club of cottonwoods by the stream.

Where are you going, boy?  He never answered that.

Myrtle didn’t have to follow far, just up to the old smokehouse. The tiny, west-facing window. Binoculars. Her son. And that Ricky. A miner’s kid, trouble, shoplifting, smoking. Talk of him in town. Another kind of love, a starving, seething tussle, denim jackets and ball caps and birch-white legs, not the love of a man and his wife, but something else. She went to the smokehouse once, and understood. And then twice, and she no longer did.

She loved her son just the same as always, like a boy, her boy, but that was the wrong thing to do, reaching out to smooth his hair, put a biscuit on his plate. Jack hurled back at Myrtle hunks of her love, because he wasn’t a boy now.

That day, that night:

Roy gave Jack a hard time about not putting the hay in the barn before supper and Jack spun a kitchen chair across the room and through a window, Roy, in that chewed-up way of his, asked her: do we have a problem here, and Myrtle had shaken her head no. Because to say yes would be giving life and a name to a thing that was better off not living under the steepled roof of Roy’s mind.

Jack ran off after he threw the chair. The smokehouse, follow him, she wanted to, to be sure he was fine, just angry, just young. Jack, Ricky, bodies like books, bodies like blades. No, Myrtle, the man you’ve named Jack needs to run. She stayed back and dealt with all the broken things.

Roy drove away to count lambs in the back pasture. Evening watch.

***

Doorbell. The young deputy again, dark birds of sweat on his uniform.

Bloodhounds seem to have a scent, along the broken fence and toward the pond. We’ll need to go over your property. Before it storms, Mrs. Dag. Urgent, as you can see.

Yes, Myrtle can see. She beckons the dog, bends to breathe the cornbread smell of her ears.

What’s her name? The deputy smiles.

Lou. She was my son’s.

Mrs. Dag? Are you all right?

The pond. It is hollow. It is full.

***

The night her family broke:

Myrtle heard two shots, perhaps a third. Roy’s rifle. She knew the cough of its discharge, the following echo. Dusk. Coyotes. He’d be warning them off. Myrtle picked up the puppy and shut her in the bedroom, away from the shards of their evening.  She swept the shatters into piles, the piles into islands, the islands into continents. When Roy came back to get a thermos of coffee, before the overnight watch, she would try to describe for him the terrain that was their son.

Dark arrived. Roy had not.  Neither had Jack. Myrtle unclothed herself of expectation. The boy needed to come home of his own mind. She turned down the bedding, ordered the lock to a position of welcome. Well, come.

For Roy she filled a sack, swellings of meatloaf between bread, a taste of it dropped for Lou, red beet relish in a jar, to see him through overnight watch. She hung this on the porch hook for him to find. For Jack she left an oatmeal cookie on a napkin near his pillow. She made up the sofa with a sheet, a feather pillow, a cotton blanket, just in case. In case of lost boys.  She found Roy’s brandy, the bottle inside his old boot at the back of the closet, for the worst nights, the longest deliveries, and wet her coffee cup.

Over the busted window she taped great white incisors of poster board, Jack’s old science projects: kill cabbage worm larvae with lye soap and vinegar, one percent iodine solution on squash beetles, graphs and sketches and the teacher’s remarks in red, points subtracted for penmanship.

Then Myrtle and the puppy stirred, settled, slept to the sound of thunder closing doors, rain stewing up a fog for morning, and nothing else.

Myrtle sometimes allows this account of events to be truth.

***

The men are searching Myrtle’s property. The hounds wear stockings made of mud.

Fracturing without regard, the skies. The sheriff’s deputy and the local men back away from lightning above the pond. One of the men wraps his arms around the boys’ mother, dragging her to the safety of Myrtle’s porch. She kicks, her heels blunting the man’s knees and shins.

The hounds are ordered to the patrol car. The searcher team and the boys’ father lean themselves against the house, beneath the overhang. Myrtle fills the percolator. Offer comfort, she could. She dumps it into the sink.

Water rises to the level of the kitchen door.

The deputy knocks. Mrs. Dag, please.

How simple it would be to save them all.

Mrs. Dag? Please, we need a blanket for the boys’ mother. Soaked to the bone, do you have some tea, set her here on the sofa, let’s get the fireplace going. Equipment on the way, drain the pond, footprints at the edge, only clues, almost erased, no sign of them elsewhere, fearing the worst. The boys.

Swallowed. In the pond, too many truths.

You are very kind, Mrs. Dag. To let us disrupt things this way.

The mother is a fallen tree. She has the smallest hands, Mandy, so much smaller than Myrtle’s.

Mandy. The name of a young mother whose boys are gone.

Myrtle could tell her things about that. About making ready, watching out windows.  About beds unslept, toast unmade. Sweatshirts unwarmed by the arms inside of them, the ribs, the sweat.  How a woman bags the shirts and the boots and the Superman sheets for the church charity. Then leaves the bag in her trunk. Then stops going to church. Then stops going anywhere.

The pond. What does a boy come to believe when the water’s surface is out of reach? Calling out to the algae. Drifting, into the innards of tractors, astonished rubber tires. Does it seem hopeless? Myrtle allows these questions, answers herself that dying must offer something gentler.

She sits down near Mandy on the sofa. Tucks the afghan tighter around her shaking limbs. Lou offers the comfort of her fur.

***

Myrtle knows the story of a man with a rifle coming upon his son in the woods. The son grappling with a boy the father has seen around town, their denim jackets and Wranglers and work boots and briefs discarded, their skin dirtied by the tumbling-away sun. The man, seeing a problem that cannot be reconciled otherwise, raises his rifle. The boy from town slants toward his jacket, his own weapon in its pocket.

Two shots, three.

The man, the boy, the son. Letting go their redness onto sand and rocks and the bones of trees. The mother hearing, seeing, knowing, from the smokehouse, kneeling down and retching.

This true story she knows becomes about the Dag family, a speckled old filmstrip, a war.

Roy’s truck at the side of the road, door aghast.

Myrtle running, shoeless, to the trees.

Help me, Myrtle, help. Get the boy in the truck. Get his legs.

Help me.

Ricky is not Ricky any longer, the bare whole of him small and wrong and limp in her hands. Roy is not Roy, his shoulder joint showing itself, a peeled spud. Jack is shaking. She wraps him in old towels, the lambing rags from the truck. He can’t see her, something wrong with his eyes, he can’t, is she there, mother, and shush, she tells him, these things can be fixed, we will get this fixed, and yes, I am here. I will fix you.

Ricky and Jack, in the back of the truck, spread out on the old mattress that is for lambs and calves. Roy at the wheel, Roy, the father of a ruined boy, a boy he ruined, speeding away, the door handle snapping at her wrist, before she can jump in the truck and tell him to take highway fourteen to Sheridan, paved all the way, hospital, Jack is allergic to aspirin, gives him hives, sleepwalks sometimes, likes to be sung to when there’s thunder, can’t abide cold feet.

Myrtle runs after them, down the dirt road. Blood in the spaces between her toes.  She was screaming. She must have been.

The truck slows. He’s remembered her, Roy has, that she is the one who mends things, the blisters, the frostbite, the barbed wire stuck through flesh. In reverse now, she can catch him, catch right up and jump in the back and watch over those boys all the way to Sheridan, but the truck swings wide, punching her off her feet, and onto the knothole of her hip.

Roy arrows his truck through the fence at the edge of the Dag’s property, sundering clover and early red sedge, staggering over dead timber. Myrtle sees one arm rise from the back and fall back down. Jack. The truck finds the pond, spitting mud behind, gagging on gravel and moss and the pale ooze of carp. The pond is a swallowing thing.

Myrtle crawls. The slowness of a baby. The urgency of its young mother.  She crawls to the pond until mud takes her wrists, her shins, her knees: stop, you see, there is nothing to be done. There is nothing to save. There is nothing to fix.

This is sometimes the case with stories that are true.

She could tell Mandy about the pond holding her in its teeth that day, until the rain began, and for a long time after.

 

Laura Farnsworth is a Denver-based writer, artist, and gardener. Her work appears in The Progenitor and Aquifer, and she was recently awarded the Meek Prize for short fiction by The Florida Review. She is currently at work on a story collection exploring the humanity hidden within seemingly incomprehensible behaviors. 

Sugar Mountain (second place winner of the Marguerite McGlinn Prize for Fiction)

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Sugar Mountain

By Stacy Austin Egan

When we first moved to Bellaire, my mom thought that my soon-to-be stepsister Brooke and I were eating “healthy” to get “bridesmaid ready.” Brooke crossed off the days until our parents’ wedding on a kitten calendar that hung in the kitchen. She did this because it endeared her to my mother.

My mom met Brooke’s dad on eHarmony. Compatibility matching didn’t fail them; they’ve been married for years, but no algorithm had matched Brooke and me. I knew I was supposed to feel sorry for Brooke because her mom died of breast cancer three years before, but she was so manipulative that, at fourteen, there was only so much sympathy I could muster.

“It’s not anorexia or bulimia,” Brooke said by way of introducing her idea to me. “It’s very effective.”

Even though I’d only lived with Brooke for a few weeks, I knew from weekend visits that she was a person whose suggestions were prophecies. My mom ended the lease on our townhouse in Austin early to move to Houston the second my school year was over because “Brooke needs some time to adjust,” and I had to share a room with Brooke, even though the house had bedrooms to spare, because Brooke thinks “sharing will bring us closer.”

Brooke was less than two years older but acted as if this necessitated that she make all our decisions, so I knew I was in trouble when she recited the diet like a menu: A cup of raisin bran with skim milk for breakfast, a low-fat turkey sandwich with a piece of fruit for lunch, a granola bar for a snack, and yogurt and oatmeal for dinner.

“That’s crazy,” I said. We were lying out on floats next to the edge of the pool. Brooke had snuck a beer from the cooler and was splashing herself with water occasionally to stay cool.

“No, it’s not,” Brooke said, “my mom did it all the time.”

Brooke mentioned her mother often: never around my mom though. She was waiting for me to say something about my father, but I was too embarrassed to tell her that we had no relationship, that he’d once told my mother he didn’t believe I was his.

“I’m only a four,” I said. I took a sip of beer only because I wanted her to see that I wasn’t afraid to.

Brooke swept her dark blonde hair into her hand, pulled it over the back of her float, and leaned her head back so the perfectly straight ends brushed the concrete. “I guess you think those uniforms are more forgiving than I do” she retorted. That was another thing Brooke was getting her way on: her dad had already pulled the strings to get me in at the Episcopal High School, and I was going to have to sit through church services on Wednesdays and wear an itchy polo daily. “Besides,” Brooke added, lowering her Lilly Pulitzer sunglasses, “Haven’t you ever heard of vanity sizes?”

Brooke has always been one of those girls who constantly dangles her approval so it’s closely in reach but never actually grasped, but back then, I thought her games were winnable.

“I guess we can do it,” I said, “If you really want to.”

Though I pretended that I didn’t need Brooke to like me, we both knew it wasn’t true. Brooke had already given me some of her clothes, negotiated an allowance for me with her father, and taken me to get my hair colored “the right kind of brunette.” She’d told me whom to avoid (our neighbors, the Davidson twins, seniors at the Episcopal school, were “creepy and awful”) and how to stay on her father’s good side (“make good grades, make your bed, and don’t wear make-up”). Her help came with conditions, but I’d make a show of weighing my options.

“That’s what I like about you,” Brooke said. She smiled her Crest-whitening strip grin. I’d have the same one by summer’s end.

My mom came out on the patio, and Brooke crunched the can of beer into the float’s cup-holder.

“You girls look so cute,” my mom said, holding her phone out to get a grainy picture.

My mom was adjusting well to life in Bellaire. She’d left her job as a nurse at St. David’s and wouldn’t be looking for a new position. Not working or worrying about bills anymore made her look even younger, and recently, we were asked if we were sisters. Brooke’s dad, Joel, was almost fifty.

My mom brought us a picture from Martha Stewart Weddings of champagne colored bridesmaid dresses in silk chiffon and told us she’d booked a fitting for the next day. If she smelled the beer on our breaths, she didn’t say anything, and she skipped her usual lecture on sunscreen too, though we were already pink, and it was clear we’d soon burn.

*

Brooke said we were eating 1,200 calories a day, but I was skeptical. I was reading for AP English and started with Madame Bovary, which I had to put down constantly; my mind was always on food. For two people that hardly ate, we talked about food a lot.

“What would you give for a Dairy Queen Blizzard?” I would ask.

Brooke would correct me: “The only milkshake I care about are the ones at Avalon Diner.”

It was in this way that I quickly learned that everything about my past life (walking with friends to the 7-Eleven for Slurpees, riding bikes to I Luv Video, and watching movies in garages) was irrelevant history. None of the kids here rode bikes: they were chauffeured from country club to club sports, and they didn’t rent movies: they watched The Sopranos or The Wire.

We’d list various indignities we’d willingly suffer (going to school without a bra, court ordered trash pick-up) for an Avalon milkshake before settling on the same 110-calorie granola bar from the day before.

Joel had Neil Young’s Live Rust on vinyl, and we’d play “Sugar Mountain” on his Audiofile turntable and dance around his pool table. It became a joke, and one of us would break into the chorus when we craved food: “Oh to live on sugar mountain, with the barkers and the colored balloons, you can’t be twenty on sugar mountain.” We’d sing twenty like it was an absurdly old age and argue about what a barker was.

The diet brought us closer, the way I’d imagined real hunger does: a joining born of desperation. Brooke would run her thin fingers over my ribs, counting the new definition. I sometimes wanted to quit, but I told myself as soon as our parents were married, it’d be over. Brooke’s attention fed me in ways food didn’t. She could be viciously demanding. Bathroom products had to be lined up by height; she’d once opened her window to throw my book outside because my reading light was “poisoning her.” But I’d forgive these trespasses to be treated like a favorite doll. I was lonely and homesick, and I’d imagined that Brooke was too: that we were each other’s consolation prize.

A few weeks into our diet, we were playing volleyball in the pool outside. I was horrible at volleyball and hated the bruises it left on my arms, but Brooke claimed playing on the intramural team would elevate my social status exceptionally. I served, and Brooke leapt from the water and hit the ball over the fence into the Davidson’s yard.

“Nice job” I said, climbing the pool ladder.

“What are you doing?” Brooke asked. She rested her arms on the ledge of the pool, her face suddenly angry.

I hesitated, trying to figure out what I had done. “Getting our ball,” I said, squeezing the water out of my hair. Brooke had taken to fixing it in a French braid daily.

“It’s gone,” Brooke said shaking her head. “Forget it.”

“I’ll be right back,” I said, slipping on my flip-flops.

Brooke inhaled like she’d stepped on glass. “Samantha,” she said, one of the only times she’d used my full name, “it’s gone.”

“Why?” I said. “We can’t abandon Wilson, right?” Brooke always acts as though everything is replaceable, a Bellaire mentality I’ve never adopted.

Brooke didn’t laugh. “Don’t worry about it,” she said, wrapping a towel around herself. When the ball showed up on the doorstep later, she looked sick, and she didn’t finish her oatmeal or yogurt.

*

In July, six weeks into our diet, I woke up feeling my hipbones jutting into the mattress. Brooke huddled on the end of her bed, her knees pulled to her chest. She was just sitting there, staring straight ahead.

“Are you okay?” I asked.

“I forgot that you live here,” she said.

I stretched my thinned arms and yawned. “Only for a month and a half.”

I climbed out of bed, cleaned my face with the Clarisonic Brooke swore by, and retreated to the kitchen to get our Raisin Bran.

“I’m late,” I said, handing Brooke her cereal.

“Hm?” Brooke said. She insisted we eat our cereal with baby spoons. It was comical to watch.

“My period,” I said.

“Oh, that’s good.”

“Amenorrhea is not good,” I said. “And I’m losing my boobs. Do you see this?” I lifted my shirt to show my gaping bra.

“I don’t even want boobs,” Brooke said. “Everyone thinks they’re so great.”

“This isn’t healthy,” I said.

“Just because your mom was a nurse, you think you know everything,” Brooke said. She took insanely long pauses between bites: she made eating a bowl of cereal a half-hour ordeal. I’d secretly poured myself a cup and a half of Raisin Bran.

My mom knocked on the door. “We all have a fitting in an hour,” she said.

“Only 32 days to go!” Brooke said cheerfully. I thought of her cloying kitten calendar.

Our parents picked the only Saturday at the country club that wasn’t booked for the summer. August in Houston is miserably muggy, but my mom acted like the school year was a necessary deadline: as if we all needed to be related before she could attend the teacher meet and greet or sign-up for volunteer committees.

After Brooke heard my mom on the stairs, she said, “Look, you aren’t pregnant, so don’t worry about it.”

“My mom is a nurse,” I said. “Technically.”

“Okay, whatever,” Brooke said. She pulled on her skirt without unzipping it.

*

I knew it was bad for us, but there was a secret joy I felt when Lenora, the seamstress at Winnie Couture, bitched about having to take in both of our dresses. It wasn’t being skinny that I cared about: it was that Brooke and I were allied. Every inch gone was a pledge of sorts: that this hungered suffering together was better than any pleasure we could feel alone.

“Girls, should I be worried?” my mom said in the car. She still had her old Jeep Cherokee with its Dairy Queen stains and Lake Travis smell. This was before Joel bought the Lexus as a wedding present. I watched the towing company take the Cherokee, the last remnant of our old lives, while they were on their honeymoon in Cinque Terre.

“About what?” Brooke asked sweetly. She always rode shotgun.

“Lenora thinks this diet is a bit out of control,” my mom said.

“We’re just so excited for the wedding,” Brooke said. “You want to go get ice cream, Sam?”

The deception felt too easy. I wanted my mom to see through our attempt, but she accepted Brooke’s easy explanation and seemed reassured when Brooke wrapped an arm around her in line.

I ordered a cone of my favorite flavor, mint chocolate chip, and kept Brooke in my peripheral vision as I ate.

My mom talked most of the time. Her stories used to be about what was happening at the hospital: avoidable tragedies, grieving families, the doctors that she preferred to work with and why. Our conversations that day were about her tennis and golf lessons and how the Davidsons bred their dog and were expecting a litter of Golden Retrievers.

“I wish we could have a puppy,” I said.

“What do you think your dad would say?” my mom asked Brooke.

Brooke laughed. “He’s not a dog person.”

The truth was Brooke wasn’t a dog person. I tried to imagine a puppy in her room chewing on one of her Tory Burch sandals.

My mom changed the subject to how Mrs. Davidson thought Brooke and I should join swim team next year with the twins.

“I don’t like races,” Brooke said. “They give me anxiety.”

“She doesn’t like the Davidson twins either,” I said. Then, unsure, I shot Brooke an apologetic look.

“I thought you were friends,” my mom said.

“Kind of,” Brooke said. She chewed the last piece of her chocolate chip cookie dough. “But I have Sam now anyway.”

I felt a twinge of pride in having been preferred.

Brooke continued, stealing a bite of my mom’s ice cream for show. “It’s not that we’re not friends, it’s just that we’re not friends, you know?”

“Sometimes you grow away from people,” my mom said. It made me nervous to wonder what relationships she had replaced in her life and anxious that I’d done the same to my friends back home. I wondered about that kind of dissolving: whether it was fast like the first time you put on jeans after summer to find them too big or drawn out like your swimsuit bottoms slowly becoming too loose until you feared being exposed.

Brooke decided we should skip the bread on our turkey sandwiches at lunch. “That way,” she said, “we cut eighty calories.”

“Oh, to live on sugar mountain,” I sang.

Brooke joined in and reiterated that a barker had nothing to do with dogs.

*

When Brooke’s dad traveled, my mom had Tuesday dinners with Mrs. Davidson and the Junior League. The week before the wedding, Brooke and I were curled up on the couch. She was watching HBO, and I was reading Wuthering Heights, when she said, “You know they want a baby, right?”

“Cathy and Heathcliff?” I asked, thinking Brooke was spoiling the plot; she did that sometimes and then would pretend she “thought you’d already read that part.”

“Our parents,” Brooke said, “want a baaaaby together,” she drew out the word as if I’d never heard it.

“No, they don’t.” I said. “My mom doesn’t,” I added, less sure.

Brooke took my hand and led me to the master bathroom. “Come look,” she said. She opened the cabinet under one of the sinks and pointed to a box of pregnancy tests and something else. “See?” she said triumphantly.

“That doesn’t mean anything,” I said, examining a purple box that proudly claimed to identify twice the number of fertile days.

“You have to try when you’re thirty-seven,” Brooke said. “These tell you when to have sex.”

“Why would they want that?” I said, sitting on the edge of the tub. I felt suddenly hot: the idea of sharing my mom with a newborn was infuriating.

“This is what people do,” Brooke said, tracing her finger down my spine.

Looking around the bathroom, I realized how little of my mother I recognized in it. She used to own a couple of shades of Covergirl lipstick and some Maybelline foundation, but now the counter was littered with M.A.C. eye-shadows, highlighters, lip and brow pencils, and several jars of creams that claimed to fix wrinkles and dark spots, problems she didn’t even have.

“She didn’t say anything to me,” I said.

Brooke, already bored with my disbelief, flipped through one of the magazines my mom had left on the tub. She stopped on an article “19 Reasons He Won’t Tell You What He’s Thinking.”

I felt my stomach rumble for want of mac and cheese; the idea of eating oatmeal again was nauseating.

“I think the Davidson’s dog had puppies,” Brooke said. “I bet if you go over there, they’ll show you. That might cheer you up.”

“I thought you hated them.”

“Just because you go doesn’t mean I have to,” Brooke said, though this was the first time all summer she’d suggested we should do anything apart. She picked up my mother’s hairbrush and started to brush my hair, tangled from dried pool water.

“We can’t have one anyway.” I let her pull my entire head back as she combed.

“I bet if I asked my dad, he’d say yes,” Brooke said in a singsong voice; she moved a hair tie from her wrist and held it in her mouth, concentrating as she braided.

When she was done, we headed to the kitchen. “Can’t we eat something different?” I whined.

Brooke squeezed my waist. “I bet you can almost fit into Abercrombie Kids.”

I could hardly eat my yogurt. I kept thinking about my mom and wondering if she hadn’t found time to tell me or if she had just picked up tests on a whim while shopping for bananas and hearts of palm.

“Are you going next door?” Brooke pushed.

“Can’t you come with me?”

“I thought you loved puppies,” Brooke said. She stirred her strawberry yogurt into her banana-nut oatmeal. She had this absurd idea that food had fewer calories if it was cold.

*

I stood alone at the door, poised to knock but unsure of what to say; I’d spoken four words (“nice to meet you”) to the twins since moving in.

The twin that answered wore a green polo shirt and khaki shorts and seemed too ordinary for Brooke to despise.

“I was wondering if I could see your puppies,” I said.

He smirked, his dark eyes looking me over. “See what?” he said.

I felt myself turning red and took a step back.

He held out his hand. “I’m Caleb. You’re Sam, right?”

“Yeah,” I said. “Sorry. I just moved in a couple of months ago.”

“The puppies are in the pool house,” he said. I followed him past the formal dining room and various living areas. The Davidson’s home was much like Brooke’s, but with more televisions; flat screens blended into the walls. In the kitchen, a woman was washing dishes.

“That’s Lucy,” Caleb said. I waved awkwardly, not sure if I was supposed to keep with the spirit of formal introductions.

I doubted Mrs. Davidson ever set foot in the pool house: Maxim spreads of curvaceous women were taped to the walls, an unmade full-sized bed sat in the corner, sheets covered with crumbs and ashes, a two-foot bong stood in the middle of the floor next to the dog crate, and the whole room smelled like weed.

“Sorry for the mess,” Caleb said. From the bed, his brother, Mark, barely looked up from his laptop to acknowledge me.

“What are their names?” I asked, kneeling next to the crate.

“This one’s Roger,” Caleb said, handing me a warm ball of fluff with ears and paws too big for his body. “And that’s Timber, Asher, and—where’s Marshmallow?”

“I have him,” Mark said, holding up a puppy in his right hand.

“Those are…funny,” I said sitting cross-legged on the floor.

“People never keep the names anyway,” Caleb said, sitting next to me.

“Did you find a home for all of them?” I asked. I held Roger in my lap, stroking his head. Not bothering to open his eyes, he moved his chin so it sank over my knee.

“Only Timber and Asher,” Caleb said, pulling the wrestling puppies off one another.

“Aren’t you Brooke’s sister?” Mark asked from the bed.

“Yeah,” I said. “Well—in two weeks.” This was the start of it: my belonging to Brooke.

“Where’s Brooke?” Mark asked.

I told him she was at home. Roger sighed and shifted in my lap. “His ears are so soft,” I said.

“Does she know you’re here?” Mark asked. Caleb looked at him incredulously. I shifted to my side, pushing my knees tightly together.

“Yeah,” I said, more to the puppy than to Caleb or Mark. “She’s right next door.”

“You wanna smoke?” Caleb said, resting his hand on my shoulder. His fingers slipped under my tank top, rubbing the strap of my bra.

“I should go,” I said. I didn’t want to leave Roger, but I put him back gently.

Holding my breath, I found my own way back to the front door. On the way out, Lucy called to me: “Chica, cuidado! ¡El piso esta mojado!” At the time, I’d thought this was a reprimanding, but later, it occurred to me that she’d given me a warning: one that I hadn’t heeded.

*

That night, I waited until Brooke was asleep and went down to my mom’s room. Since she was alone, I didn’t bother knocking. I climbed into her king size bed; the feel of linen sheets was so different from her flannel ones we’d bought on sale at Target. The bed still smelled like Joel’s cologne. No matter how nice he was to me, it was still an imposition to share her.

“Mom,” I said, shaking her gently. “I need to talk you.” I took a deep breath and tried to keep my voice from breaking. “Why didn’t you tell me that you and Joel wanted to have a baby?”

My mom pursed her lips. “I don’t know why you think that, sweetie.”

I went into the bathroom to show her what I’d found, but the boxes of tests were gone. I was having a hunger headache, and on top of it felt equal parts rage and relief.

“I guess I misunderstood something Brooke said,” I told my mom. I wanted to march upstairs and scream at her that I knew she was a liar, but instead, I snuggled under the covers.

My mom rolled over to face me and tuck my hair behind my ear. “What did Brooke say?”

I yawned, forcing myself to act casually. “She was on the phone. I guess she was talking about some TV show.”

I thought about Brooke waking up alone and wondered if it would seem different than awakening to me, a slowly disappearing girl. It wasn’t enough for her to wither my body; Brooke wanted to chip away at every relationship I had until I was only hers. I curled into a ball and held my knees to my chest, and it was reassuring to find myself still there.

*

The next day, at our final fitting, Lenora stuck her turning tool down the back of each of our zipped dresses and pulled to show my mother the extra inch.

“Everyone loses weight in the summer,” Brooke said. I could tell she expected me to agree, but I only stood in front of the mirror. Since I couldn’t explode with my mother around, I punished Brooke with silence.

“I’m sorry, Lenora,” my mom said, obviously flustered. “I promise it’s vitamins and family dinners from now on.”

At dinner that night, we picked at our organic Whole Foods chicken, even though it was the best chicken I’d ever tasted. Joel was home, and Brooke, as usual, dominated the conversation, talking to take the focus off eating.

I spent the evening in the living room, reading. I overheard my mom in the kitchen arguing with Joel. He got defensive, deflecting back to his line that “change was very stressful for Brooke.” I half wanted to never eat again, so my mom would worry about me, but I knew if I ate a few Oreos, it would piss Brooke off royally.

“Sam, sweetie,” Joel said as I pulled apart my Oreos. “You think Brooke’s okay, don’t you?”

“Sure,” I said, liking both my newfound ability to please him and the way my mother shook her head and left the room.

I planned to wait until Brooke was asleep to go upstairs, but at 11:30, she was still wide-awake and stretched out on her bed, feet hooked over the end.

“Hey,” Brooke said, casually.

“Unless you’re going to apologize for lying, don’t even bother talking to me” I said. Brooke looked at me bewildered. “I know that you made that baby stuff up.”

“I was just joking,” she tried.

“Really funny,” I said sarcastically. I went to brush my teeth, but Brooke followed me.

“Don’t be mad at me,” she said. She looked with horror at the remnants of Oreo that I’d spit out when brushing my teeth. “What did you do?”

In my mind, it’d been a perfect rebellion, but now, I couldn’t explain what I wanted it to mean.

Brooke grabbed my arm and dragged me to the toilet. “Get rid of it,” she demanded.

“Tell me the truth,” I countered. Relinquishing control of my body was the only thing I’d learned to trade for leverage with Brooke.

Brooke showed me how to use the end of my toothbrush to make myself gag. There was a stinging in my throat and nostrils. I wanted to push Brooke against the wall or to rush, crying, into the arms of my mom or even Joel.

Brooke watched until it was gone, flushed, and then said, “I bought that stuff, and I put it there.”

The admission of guilt wasn’t satisfying. “Why?” I pressed, hoping for remorse. I didn’t understand it then: that Brooke would spend her life trying to impose on others all the grief she couldn’t expel.

Brooke only shrugged.

“You know what,” I said, leaning against the counter. “You don’t get permission to be an asshole just because your mom died. I haven’t had a dad ever, and I’m not manipulating everyone all the time.”

Brooke retreated to the bedroom and turned off the lights. I re-brushed my teeth, put on my pajamas, and lay in bed, too angry to sleep but too tired to argue.

Brooke didn’t say anything, but then she whispered, “You know how sometimes on the weekend, you wake up, and you kind of want to get out of bed, but there’s not a reason you have to, and you just can’t make yourself?

I closed my eyes, imagining it, but I didn’t say anything. Asking for details felt too much like forgiveness.

“I felt heavy like that all the time,” Brooke said. “Even when I was walking around.”

When I couldn’t find a job after I finished college, and my first serious boyfriend and I failed to make a post-graduation relationship work, I remembered Brooke’s description of depression, and it was like finally understanding drug use innuendos in a song you’d spent your childhood thinking was about falling in love and going to a dance.

“I want to tell you something, Sam, but you have to swear: you can’t tell anyone.”

I debated ignoring her, but I was curious. “Whatever,” I said. I turned, facing her and hugged a pillow to my flat chest.

“When I was really bad, one of the Davidson twins had sex with me.”

“What do you mean?” I said. I turned on my reading light. Sex, as seen on HBO, was usually about an exchange of power, so the act seemed beneath Brooke who always automatically got her way.

Brooke pushed her hair behind her ear. “We were in the pool house. I thought I’d feel better if I smoked, so I took a hit.”

You smoked pot?”

“I felt like it would help.”

“Did it?”

“No, it really hurt,” she whispered.

“The smoke?”

“The sex.” She paused.

I didn’t know the right thing to say. “Who was it?” I asked, moving to the end of her bed.

“I don’t know.” Brooke flipped to her stomach and pressed her forehead into her elbow. “I didn’t stop him because I thought maybe it would change something. He kind of pulled my hair the whole time.”

I thought about the bed covered in ashes and crumbs, the pictures from Maxim on the walls. “Did you tell someone?” I asked. I thought of Lucy. “Was anyone home?”

“Their dad is, like, so mean to them, Sam.” She had her face in the pillow.

“Why did you let me go over there?” I said. The anger in my voice surprised both of us.

“Nothing would’ve happened,” she said.

I felt frozen on her bed thinking about how she’d braided my hair before I’d gone to the Davidsons.

She was crying; she grabbed for me and pulled me to her, our first hug outside of one-second side ones on end of weekend visits. I felt her shoulder blades as she shook and knew mine were identical the way that bone pushed hard against skin.

“When did this happen?” I asked.

“Two Octobers ago,” she said quietly.

She looked past me, but I forced eye contact. “You sent me over there by myself,” I said incredulously.

Brooke grabbed her hairbrush from the nightstand. For a moment, I thought she was going to hit me. She must’ve seen me flinch. “I made you safe,” she said. “Stand up, and I’ll show you.” She used the end of her brush to measure the gap between my thighs. “See? You aren’t want they want now.”

I thought about Caleb’s hand on my bra strap. “I don’t think it works that way.”

Brooke walked to her window, which overlooked her pool and the Davidsons’ and the pool house too. Both were eerie with emptiness, and the fence between seemed too short from above. “They’ll be at college in a year,” Brooke offered.

“I’m not going to keep starving myself until then.”

Brooke started humming “Sugar Mountain,” but this time it wasn’t funny.

I noticed she’d been gripping the hairbrush firmly, and I gently took it from her. “Whatever happened to you—” I wanted to name it, but I didn’t have the word. “It wasn’t because of how you looked.”

“I made us safe, Sam,” she said like she wanted to believe it but couldn’t.

I nodded, even though I knew it wasn’t true.

*

There’s a photo from the wedding that my mom loves. Our parents had it printed on a large Canvas. It’s Brooke and I in those strapless bridesmaid dresses, the color of Rosé. We are back to back, and, like mirror images of one another, our shoulders formed hard angles rather than rounded curves, and our collarbones were more noticeable than our pearls. We were on the golf course at the country club; the sun setting behind us was that August orange-red.

The photo that is Joel’s favorite is on his desk in a silver frame. The photographer had pulled us away after dinner. I’d eaten my first full meal in months while Brooke had picked at her dinner salad. In the photo, Brooke is leaning in to whisper, a hand cupped over her mouth, to tell me we were getting a puppy: a wedding gift from her father. My gaze is off to the side of the frame, but my smile is genuine and smudged with frosting from a piece of wedding cake I’d just eaten. “He’ll be a barker,” I’d joked, and that had set us both off giggling, bent and gasping for air. Though we were fourteen and sixteen, we look much younger in that one: carefree, weightless.

Sometimes I find one of those prints in a deserted drawer, and I stop to contemplate it. What’s missing from the image makes it better than memory. From Brooke’s open grin, she looks un-phased and forever fed. My eyes glisten with tears from laughter and reflect back only Brooke and that sunset, and there is nothing or no one to tell what we’ve already had to leave behind.

 

Stacy Austin Egan holds an MFA from McNeese State University. Her fiction chapbook, You Could Stop it Here, was released by PANK Books this spring. Her fiction appears in PANK Magazine, Driftwood Press, The New Plains Review, The MacGuffin, WomenArts Quarterly Journal, and Black Fox Literary Magazine. She lives in west Texas with her husband, Brendan, and their daughter. She teaches literature and writing at Midland College.