Azaleas

The invitation came—
come to the museum, walk
in the garden with me,
drink in the azaleas
in their fresh lavenders,
their tulle pinks and bridal whites.  

How I remember them:
paper-thin and blushing
against the low green.

I didn’t go.
I didn’t see them.
Poems are full of such lies.

M. Frost lives in the Germantown section of Philadelphia and enjoys walking along Wissahickon creek. Her poetry has appeared in many journals, including the Schuylkill Valley Journal of the Arts and Philadelphia Poets (forthcoming).

Lantanas and Rain

[img_assist|nid=4282|title=Blue by Ashraf Osman|desc=|link=node|align=right|width=150|height=259]As the rain sopped cement becomes an ever darker hue, Jeanette calls to insist that she’ll be over to visit within the hour. Thirty-three years of watching the rain in blissful solitude isn’t a bad run. Besides, I already know that today’s rain isn’t going to be one of those eternal days. The air isn’t right. I’ll check outside anyway, even though the rain wasn’t violent enough. It wasn’t urgent. Rain needs to be urgent; my husband taught me that.

Parker loved the rain. We got married in the rain. We had our babies in the rain. I buried him in the rain.

It rained for two days solid when Parker went into the ground. As soon as it stopped I went outside. The eternal stillness swallowed me, which I like to think of as Parker’s last gift.

Parker shared the secrets of eternal stillness with me on our honeymoon. That was the first time I experienced it. Only in the fifteen minutes after a drastic rain storm is there even a chance of eternal stillness. When you walk outside and the lines of the trees are so clear, sharp, and vivid that they seem unreal—you’ve found it. The air is heavy yet clear. Nothing moves. The colors of the atmosphere are a mismatch, with every color visible in the grey light. There’s a smell in the air that you recognize reflexively, but that can’t be named. As you stand there nature takes predominance. You can’t ignore it because it’s so vivacious. From an acre away you can see the needles on the pine, the cracks in the bark. You feel yourself moving with the earth, the circular movement of time itself. You feel the lines of your own body sharpen and define. Momentary harmony. Even the grass individualizes itself, each blade separates as the excessive rain settles on its waxy coat. This is eternal stillness. In this moment you can breathe, you’ve joined the universe, and you don’t have to move. It’s not necessary.

That’s what I learned from Parker. Shared with him.

[img_assist|nid=4283|title=Untitled by Nicole Porter|desc=|link=node|align=right|width=150|height=113]Now any rainstorm seems like a message from him, even if it’s just one on the Weather Channel. Since he died there’s only been two moments of eternal stillness. Even while he was living we only had twelve together. I’ve put a window seat in so that I can watch the rain in comfort. It’s the best, most ridiculously ornate window seat that’s ever been furnished. It’s like a cotton candy explosion in silk.

In front of my window are my lantanas. The first time I ever saw a lantana was at the annual garden show. The next day Parker came home with twelve flats of those beautiful flowers. Their colorful petal cluster bouquets remind me of our wedding. They were the last thing that Parker planted before he died. When it doesn’t rain I stare at the lantana, and it makes me a little less lonely.

From my perch I watch Jeanette’s red Subaru sputter up the driveway. Today Jeanette’s got a pizza box huddled under her umbrella. Must be a turquoise day. She’ll let herself in, so I take a few moments to stare out at the rain. Shame it’s slowing down.

Jeanette slams everything when she enters—the door, her umbrella, the pizza box. Makes her happy to know that she can still cause a racket. “Lunch!” Jeanette has the voice of a windblown sailor. I can hear her in the kitchen; banging cabinet doors that she knows damn well don’t contain what she’s looking for.

“What kind?” I ask as I lug my bum foot into the kitchen.

“Pepperoni.”

“And?”

“What do you mean ‘And’, you crazy old broad. Pepperoni. You want a gourmet pizza call your goddamn kids.”

“How many times have I got to tell you, onions aren’t gourmet.” I flip open the pizza box, and of course there’s a mix of pepperoni and onion. Jeanette waddles over next to me to stare at the pizza as well. She puts one paper towel in front of me, and another in front of herself. Scrapping the chairs across the faded orange linoleum, we sit and listen to the wooden seats creak beneath us. What happened to the days when we’d glide in and out of these chairs?

Jeanette lifts a slice of pizza out of the box. A greasy umbilical cord of cheese complicates the process. “You seen those ungrateful kids lately?”

I rub my nose. Mention of my children always makes my nose itch. “They called. Wanted to know what my plans were for the holidays.”

“What your plans were? What the hell do they think; that you’re trying to decide between the goddamn Queen of England’s invitation or the goddamn yacht party?”

I blot my pizza with a napkin, and watch the grease soak through the paper into my hand. It’s possible that Jeanette always brings pizza in an attempt to kill me, even though she’s not in the will. “No, they’re trying to decide. Benny and his nit-twit wife want to go to France for a real Christmas at Notre Dame. Precious is afraid to leave her boyfriend for a week, so she thinks she’ll spend it with his family. And don’t you know, his family celebrates Christmas at the Ritz or something like that.”

“We like having you for the holidays anyway. Fuck ‘em.” Jeanette spits out her first bite. Steam billows out of her mouth, and off the slightly chewed piece of pizza. Slurping her water, Jeanette scrunches up her face so that it’s a maze of lines.

“You want me to bring the pie again?” I ask.

“Yeah, Little Jim was requesting it on Sunday. He’s a cute little bugger. Out of nowhere he asked me, ‘will Violet bring me another pumpkin pie all my own?’ That kid’s got a memory like an elephant. Must be hell for his mother, but that’s what they call karma coming back to bite you in the ass.”

Once the pizza cools we eat in silence. Or rather, we don’t speak. These days there’s always some sort of noise accompanying a meal. We’ve accepted it, even though our children haven’t. Today, Jeanette eats her crust. I wonder how long it’ll take her to tell me what’s wrong. That’s the thing about Jeanette; she’s never been good about just coming out with a problem. Even after all these years she has to work up to it. That’s why I call it a turquoise day, getting to the trouble takes as long as it does for one of those pretty blue stones to form.

Jeanette begins folding up her paper towel into a neat, greasy little square. “It’s raining.”

“Sure is.” I listen to the drops pinging off the roof. Out the kitchen window I can see the drops hanging off the laundry line. It’s a murky rain. A chill seeps into the house. Not my favorite kind of rainstorm. It’s more on the line of eternal monotony rather than something sublime. I can hear Parker lecturing me, ‘if it’s been raining for thousands of years, then consider this storm just as miraculous.’ He was always kind of sappy that way. Still, I’ve come to the conclusion that he’s right.

“Parker out there?” Jeanette nods her head, with its beehive of died black hair, at the window. She knows that I believe Parker’s spirit returns with the rain and she doesn’t think I’m crazy for it. That’s friendship.

“I think so. He’s not making himself known.”

“Just like him, the old bastard.”

I don’t know what to say, so I make sure the cardboard lid is tightly pressed closed. One thing about Parker, he was never a bastard. At least not to my knowledge.

The clock ticks away, as it always does when there’s a need for distraction. I take Jeanette’s napkin out of her veiny hands. “What’s eating you?”

“Usual shit.”

“Bull.”

Jeanette looks at me, with those droopy eyes that used to devour everything she came in contact with. She shakes her head. “Just been thinking lately.”

“About things you can’t control?”

“I know. What’s the goddamn point? Sunday Little Jim gave me a mug with World’s Greatest Grandma on it, and all I could think was what the hell am I going to do with this. How many other women got the same goddamn mug? Florence McAdams probably has one, and I’ll be damned if she’s the greatest anything.”

“I don’t have a mug that says that.”

“That’s not really a consolation.”

“No.” I look over at the wall by the stove. There used to be a picture of the kids there, but I took it down last year. Actually, I threw it at Precious when she got mouthy with me. Still haven’t figured out what she did with it. Now there’s a square of unfaded wallpaper in the middle of the wall. It makes the whole kitchen look tacky.

“You want a mug that says Worlds Greatest Grandma?”

“Not really. Even when they were babies, the kids always knew they rated a distant second to Parker.”

“You want to go look for him?” Jeanette scratches her chin where three sharp, thick, white hairs poke out. I kinda like that she got hairy in her old age; it serves her right for all her former pampering.

“Depends if you mean you want me to drop dead right now or just go outside.”

Jeanette stands. “Outside. It’s too goddamn stuffy in your house, and it smells like meatloaf.”

“I don’t even eat meatloaf.”

Jeanette pulls her coat onto her left shoulder before flinging it to the other side. “Then why does your house always smell that way? Get the damn umbrella.”

Outside the rain is slow enough that I don’t need to worry about the blue rinse washing out of my hair. Jeanette throws both of our umbrellas onto the stoop in front of the front door. A few of the surviving remnants from my garden perfume the air. Of course, the pines are particularly fragrant.

Parker would have pulled me into the muddy grass by now, to wait for that moment of eternal stillness. We would have waited until all possible hope was gone, then we would have laid our heads down, so that we could see life from the perspective of ants, with every blade of grass becoming a mountain.

Today smells like dirt.

Jeanette and I walk up the driveway, and circle around her car. There’s not much to look at other than an old beat up aluminum shed that I’ve always hated, and the little cracked stucco house that would shame the kids if they could see it in its current state of disrepair. Personally, I like the weather-beaten look. Although a new coat of paint on the shutters would liven the place up. Maybe I’ll finally go for the purple trim. That’d piss everyone off. Even Parker.

Jeanette heads over to the vegetable garden that’s already in hibernation. She crouches down. I didn’t even know she could still kneel, but that’s what you get for being Catholic your whole life. I join her, and feel the rain seep through my trousers. You’d think I’d feel closer to Parker at this moment, but it’s just the opposite. I want to be in my house, my smelly house.

Pulling at some of the weeds, Jeanette tears the limp green stems apart. Pull, tear. Pull, tear. I’d tell her to stop, but I hate weeding, and it needs to be done. She sneezes and wipes her nose with the back of her hand. “Vi, I’m loosing my mind.”

“So?”

“I’m really loosing it. They’re going to pack me off soon.”

“They won’t do that if you don’t tell anyone. Look at me. I’ve been seeing Parker outside this house since the day he died. I’ve obviously lost my mind. Thing is I know who to tell, and who not to. Besides, neither of us ever had much of a mind anyway, least not a great one. Now we get to be as dingy as we want.”

Jeanette’s voice cracks, and as it does so, her body looses its rigidity. She slumps sideways, so that her left leg is in full contact with the wet grass. “I don’t want to lose my mind.”

“Too late for you to start being a conformist.”

“The goddamn doctor said there’s no cure. He said all my fucking eccentricities aren’t eccentricities, and it’s going to get worse. It’s going to get to the point where I don’t know anyone. Might be a good thing, but Vi, I don’t want to forget. Too much has happened just to forget it all.”

“Maybe the doctor’s wrong.” I start pulling at the weeds as well. We put the green scraps in a pile that quickly becomes a mound.

“I told him he didn’t know what the fuck he was talking about, and he had the nerve to say that kind of language didn’t help anything. Condescending prick. He reminds me of Benny.”

“Sounds like it.” It’s true my son is a condescending prick, and a doctor.

Jeanette yanks up a large weed, that turns out to be a forgotten carrot. She tries to pull the stem off, but it’s stuck on tight. So she traces the carrot through the mud. “There are some things I was planning on telling you, on your deathbed. Now I can’t, because I probably won’t remember any of it.”

“You’ve been planning to have a scene at my deathbed? What if I died suddenly, fell down the stairs or something?”

Jeanette shrugs. “I don’t see that happening. You’re a stubborn ass; you’ll make us all suffer along with you.”

I nod. It’s true I was planning to have an elaborate deathbed scene, just like Parker. Not that his was enjoyable for any of us, but it was memorable. I wouldn’t give up that time with him for anything. The drizzle stops. I look around, there’s nothing extra vivid or alive. It’s a murky post-rain just as I predicted. “Tell me now.”

“Vi, I tried to seduce Parker. I tried for almost forty years. The most I got out of him was a sloppy kiss that had more to do with you than it did me. He was mad at you for something. I don’t remember what. Christ, I used to know. I knew yesterday. You have no idea how much I wanted Parker. I tried everything. Once, I thought about pushing you down the stairs while you were pregnant with Precious, but I decided that Parker would be a miserable widower, and I didn’t want to deal with that.”

A drop of rain, probably from the pine tree, drips onto my head. One large splat of water, nothing else. I wait for another drop. A bird calls out without receiving an answer. “Why’d you tell me that?”

“Thought you should know. It wasn’t fair of me, hiding it from you all these years. I’m a shit, and you need to know that. Because I consider you my best friend, that’s how I describe you to everyone. In my heart I’ve been a complete bitch to you. Vi, I tried everything.”

“You didn’t need to tell me that. I could have died happily never knowing.”

“Vi, you have no idea what I’ve done. I couldn’t help it, Parker was everything to me. Still is. If he had let me, I would’ve taken him from you and the kids, and moved far away. I never would have felt bad about it, not even a little.”

“Well, you’ve cleared your conscious. I guess I’ll have to forgive you. Nothing happened, and besides, I need somewhere to go for the holidays.”

“Thank you, Vi. It’s more than I deserve.”

“Goddamn right it is.” I swish my hand through the pile of weeds we had just created. The wet stems stick to my hand. It’s time to go back inside my smelly house. As I try to get up, I notice that Jeanette remains seated. She leans back with an arch.

Jeanette closes her eyes to sigh before she continues her confessional. “You know, Parker used to tell me about the moment of eternal stillness after a big rainstorm. I was kinda hoping that would happen today. That’s why I’ve been waiting to tell you until it rained. Sometimes he’d take me outside and we’d walk until it was quiet. Then we’d wait. I never saw it, but Parker said it’s the moment when everything is clear and distinctive. Only when the world is sharp, will you know that you belong to the eternal circle. That’s what he said.”

I grab the carrot right out of Jeanette’s hands. She rocks back slightly as I take it from her. Then I beat her over the head with it. That soggy carrot strikes her shoulders, her back, her head until she’s laying in the fetal position next to my dead vegetable garden. With each whack I feel the carrot loosen. I’m not sure if it’s the carrot or my fists hitting her anymore. Only when the carrot brakes off its stem do I stop.

I throw the carrot in her face and stretch my body up so that I’m standing fully above her. “I hope you forget everything except this goddamn carrot.” I try to run back into my house.

I slip as I get to my door and fall on my hands. The stinging travels through my entire body. Instant soreness. I look back; Jeanette hasn’t moved yet. I look up, and the clouds begin parting, revealing a lighter sky. As I pull myself back to standing, I see that my my potted lantana blossoms are filled with water. Each colorful delicate cup has a perfectly round bubble of rain in it. It’s like the rain is being held in a perpetual freeze. That’s when I know that Parker is present—watching me and Jeanette. He’s resting in the lantana, where the rain has frozen in a moment of eternal stillness.

With more strength than I know I have I pick up the planter and carry it to Jeanette’s car. She watches me as I get closer. I put the planter on the top of her trunk. “Now you’ve got him.” Jeanette doesn’t move. Part of me wants to hit her again.

Instead I return to my house. From the front door I watch her slowly stand up, stumble to her car, and place the planter in the passenger seat. After she and Parker drive away, I rummage through my junk drawer, looking for purple paint samples.

 

 Melissa Mowday is a Philadelphia area writer. Her fiction has appeared in the Avenue Literary Journal. She was also commissioned to write the 2005 Hibernia Park Murder Mystery, which is her second play to be performed. Currently, she is completing her

Gittel and the Golden Carp

[img_assist|nid=654|title=Creation by Ashraf Osman|desc=|link=node|align=right|width=150|height=104]Gittel Goldberg turned her back on her cramped kitchen and gazed out the window over Madison Street. How she longed for a space between the tenements, a glimpse of the ocean—the last thing that had touched the world she had left behind. But no, only an unyielding line of stone and metal stood before her, buildings and fire escapes huddled together beneath a gray sky heavy with rain. She wiped her hands on the dishtowel and untied her apron, all the while staring at the window directly across the way—Frieda Mandelbaum’s place, with its fringe of white curtain blowing to and fro. Looking at it, she remembered the dream of the night before.

There she had been, back on the ship in her narrow berth, Zev curled up beside her, his little head in the crook of her elbow, and the oldest three sleeping just a handbreadth away. The sea had moved beneath her like a wild thing, and the creaking of the ship had frightened her. She had woken up in a sweat to find her husband Gedalya sleeping beside her and had thrown off the feather quilt, still gripped by her terror that she was drowning, drowning in a sea of bodies! But then the moments had passed, and the pounding of her heart had slowed. Familiar shadows had eased her back into sleep. She had been grateful, so grateful, to be far away from the ocean. But other times—how crazy she was!—she longed for the ocean. Always it happened when she was alone in the apartment. Then she would yearn for those waves and all that she had left behind on the other side of their vast stretch, so far away that memory itself seemed to be a dream.

[img_assist|nid=653|title=Peace by Suzanne Comer|desc=|link=node|align=right|width=150|height=191]Ah, enough of this! Gittel told herself, folding the dishtowel and apron and placing them by the enamel stove with its sturdy iron burners that defied dreams. Better to think about gefilte fish. And throwing on a shawl, she grabbed a bucket and fled the tenement to breathe in the cold damp smell of March and the pungent presence of the East River. By the time she entered Kimmel’s Fish Shop, there was a bloom on her cheeks, and last night’s dream was forgotten. Ostrov, Poland, it wasn’t, but the smell of the shop—that much was the same.

Mr. Kimmel couldn’t help but notice that Mrs. Goldberg’s dark hair had come loose from her bun, and he stopped arranging the whitefish to admire her. She was a sturdy, compact woman, pleasingly zaftig, with high cheekbones and a proud way of holding her head. She picked out a whitefish. She picked out a carp. Kimmel nodded and reached for his knife. How much gefilte fish had he been responsible for? It was beyond counting. Still, he considered. If all the platters of gefilte fish that had begun in his shop were lined up from his door, they would go from Essex Street to who knows where. Definitely over the Brooklyn Bridge . But Mrs. Goldberg interrupted his thoughts.

"Not so fast! I want to do all the knife work myself. Just like I did back home.”

Kimmel lowered his knife and raised an eyebrow.

"You know how to kill a fish, Mrs. Goldberg?"

"You will excuse me, Mr. Kimmel, but such a question, I am not going to answer."

Hershel Kimmel smiled and shrugged as if to say, you want the guts and mess? Be my guest. And so the fish were unceremoniously dropped into Gittel Goldberg’s bucket—she insisted that he add some water from his sink—and he watched the three of them go out his door, shaking his head. But Gittel, she was happy. She walked home, the fish flipping and flapping in her bucket, splashing water all over. Back in the tenement, she filled her bathtub with water, and she dumped the fish in. So far, so good. She rolled up her sleeves, reached into the bathtub, and grabbed the whitefish. In no time at all, the head and the bones were salted and placed in the icebox. Now it was time for the carp.

"Okay my goldeneh fisheleh," Gittel said to the carp swimming around in the bathtub. Why did she talk to the fish? Who knows? Hours later when she couldn’t sleep, Gittel would wonder if that was the beginning of everything right there. But at the time, she talked to the fish because it looked so pretty, so golden in the bathtub. It darted, it dived, it dashed round and round.

"Maybe you should slow down, Mister Fisheleh. You should be tired already. Watching you, I’m getting dizzy."

But the fish wasn’t tired. It was having a grand time. It zipped around like it was born in a bathtub! All this fish needed was a tuxedo, and it could perform on Second Avenue. Gittel sat back on her heels and sighed. She looked at the knife, the fish skins, the guts and scales. Gefilte fish–it didn’t seem so good anymore. Gittel gave herself a shake and leaned over the bathtub.

"Sing and dance, why don’t you?" she said to the fish. "You do everything else."

And that’s when it happened. That’s when the fish did something Gittel would remember till the end of her days. The carp rose up on its golden tail and turned its silvery black eye upon her. Opening and closing its mouth, it waved its fins and uttered, "No!"

Gittel gripped the edge of the bathtub and sank down upon the floor. Her heart flopped so hard in her chest, she thought God had punished her by turning her heart into a fish. She pressed her forehead against the cool edge of the bathtub; she gasped and prayed. Then she raised her head. There was the carp in the same position, high on its tail, its fins fanning the air. Once more, it opened its mouth.

"Okay! Okay!" Gittel cried. "I won’t! I won’t!"

Now Gittel was a very wise woman. She read the Yiddish papers every day. She had been to the harbor at Le Havre, France. She had traveled across the ocean. She had seen more of the world than she had ever dreamed she would. Plus, she had talked to every woman in her tenement more times than she could count, and she had heard many a strange story. But she had never, never in her life heard anyone say anything about a carp talking. And in English, no less! So she knew this was a sign meant only for her. This was her wonder. Her mystery. Her very own miracle.

Gittel stood up slowly and wiped her hands. When she looked down, the carp was darting and diving around the bathtub. But it was keeping an eye on her, you better believe it. And Gittel looked right back into that silvery black eye, and she was not afraid anymore.

"My fisheleh, my fisheleh," she whispered. "Don’t worry."

So Gittel went back to Mr. Kimmel, who looked up with surprise when he found her once again at his counter.

“Don’t tell me it’s next Shabbes already.”

“I want to buy a basin.”

“This is some new ingredient for gefilte fish?”

“Mr. Kimmel, with four children, I can’t be using my bathtub for fish one day a week.”

"Mrs. Goldberg, let me tell you, I have been in this business a very long time, and I have, if I may say so, many customers who are as particular as yourself. And for them I do all the skinning, the boning, the everything—and I do it for free! So what, I ask you, is the point of throwing your money away on a basin?"

Gittel gave Hershel Kimmel a look. "You will excuse me, Mr. Kimmel, but such a question, I am not going to answer."

So don’t you know, come Shabbes, the golden carp darted and dived in the basin, right there in the corner of the kitchen. The children loved it. Gedalya had second helpings of the gefilte fish. That much was the same.

Shabbes came and went without any further commentary from the fisheleh, but Gittel kept stealing glances at the carp. Its flips and flops caused her heart to do the same, and such gymnastics, Gittel said to herself, she did not need. She went to bed Saturday night grateful that her husband had fallen asleep before her. She needed to think. With Gedalya snoring beside her, Gittel stared into the darkness. She did not like this weight upon her heart, this secret between herself and a fish. She found herself longing for Monday, Monday when her children would be in school and Gedalya would be working down the street at the Schulmanns’. Come Monday, she would do something. Perhaps—yes!—she would give the fish back to Kimmel. At the very thought, her heart stopped aching. Monday night, she would lie beside her sleeping husband, and this torment would be over. But no sooner did Monday night shimmer like a paradise before her than she knew that she could never bring the fish back to Kimmel’s. What would she say to him? She could just picture the look on his face, the eyebrow raised, the questions he would throw at her, and how many questions can a woman refuse to answer? And then, even if he took the fish—and this, she knew, he would never do, but suppose, just for a moment, that Kimmel took back the fish and said nothing—even so—then what? She would be sending Mister Fisheleh straight into the hands of another woman! And such a deed she could not do. She could not live with the thought that another woman, bending over her bathtub before Shabbes, would get the shock of her life. An older woman could die from fright. A pregnant woman—Gittel shuddered. It was out of the question.

But to keep the fish was also out of the question. Already her children were making up names for it. Already Zev was telling stories about it, bringing his friends into the kitchen to watch it. He hung over that basin so much, it made her nervous. One day that smart aleck fish would open its mouth to her youngest son, and then where would she be? No, on Monday when she was alone with the fish, she would explain to it the whole situation.

"Gottenyu, what am I doing?" she groaned, as her husband sighed and flung his arm over her. "Here I am, planning a talk with a fish!"

But plan it she did. She wondered if the fish had any Yiddish. It had spoken in English, yes, but this little talk on Monday she would rather have in Yiddish. Okay, all right, she’d throw in a bit of both. Surely the fish would see that this was a kindness that must be repaid with kindness in return. And with this hope, she rolled towards her husband and gave herself up to sleep.

So everything was planned for Monday. As for Sunday, Gittel planned to lay low. Do some washing, do some cooking, and keep an eye on the fish. The weather was fine, and Gedalya took Avrum, Mendel, and Ruchel to Seward Park. But Zev, he wasn’t feeling right. His cheeks were flushed, and Gittel knew that the child had a fever. On any other day of her life, Gittel would have been thinking only of her youngest child and how she could nurse him back to health. But now she chafed at the thought that he must stay home with her. She wished he were out of the apartment, far away from the carp in its basin. Instead, he sat on one of the kitchen chairs, his feet propped up on another chair, his dark curly head leaning against the wall. Gittel noticed how the damp curls clung to his forehead. She wanted him in bed, but he refused to lie down. The child wanted to be with her. As she ironed Gedalya’s shirts, she bit her lip.

"What is it, Mama? Are you mad at me for being sick?"

"No, no, totteleh. I am distracted, that is all. Mrs. Greenbaum, she told me a foolish story, and I can’t get it out of my head."

"Tell it to me."

Oy oy oy! Why had she said anything about a story? She couldn’t make up a story now without that fish working his way into it!

"Mrs. Greenbaum’s mishegoss—it’s not for children, mein kind. You tell me a story, and I’ll finish the ironing. Then we’ll take a nap, okay?"

The boy studied his mother and nodded. His gaze traveled around the room and settled upon the fish. Gittel winced, but it was too late. He had begun.

"Once there was a fish. It had a golden tail and silver fins and black, black eyes. One day the fish was swimming in the East River, and a man caught it in a net."

"Zeiskayt, you don’t have to tell me a story. I’ll stop right now. Look, I’ve finished the shirt. Let me get you something to eat, and we’ll take a nap."

"No, I’m not hungry! Do your ironing, Mama. I want to tell you a story."

Gittel clenched her teeth as she reached for another shirt. She prayed that the child’s story would end soon. The sooner she could him get out of the kitchen and away from that fish, the better she’d feel.

"So the man put the fish in a bucket, and he brought the fish home. He was going to cook the fish for dinner, but he was so tired that he fell asleep.”

"That’s a very nice story," Gittel said, "and you and I should sleep too! I am tired of ironing, and here you are with a fever. We should lie down already."

"I’m not finished!" Zev flashed back at her. Gittel felt ashamed of herself for interrupting him. The child loved telling stories. How could she deny him this pleasure when he was sick? And yet, she was more and more anxious. It was all she could do to go on ironing. But—she was a mother first and foremost. She smoothed out the next shirt.

"While the man was sleeping, the fish jumped out of the bucket and landed on the man’s pillow," Zev said, his voice dreamy, his eyes fixed on the window overlooking Madison Street. "Then the bed turned into a river, and the man woke up and said to the fish, ‘What is happening?’ And the fish said, ‘I am taking you to my home for a visit, because you were kind to me and didn’t hurt me.’"

Gittel looked over at the basin in the corner. With a tightening of her heart, she saw that the fish was not swimming around in his customary way. He was still, his fins moving gently, the water billowing against the sides of the basin.

"That gonif is listening!" she thought furiously. Her boy was sick, he needed his rest, and that fish, that fish! Gittel unplugged her iron, marched over to her son, and picked him up.

"Put me down, Mama! I want to finish my story!"

"You can finish it in the bedroom!"

"Let me say goodbye to the fish. Then I’ll sleep."

A wave of tenderness swept over Gittel as her son’s head rested against her shoulder. How could she say no to him? Just for a moment they would look at the fish. Then she would carry him into the bedroom and close the door. As soon as her son was well enough to go to school, as soon as she had a morning to herself, she would get rid of that fish! She didn’t know how, but she would! Gittel breathed in the scent of her boy’s sweaty curls and kissed his forehead. Then she walked over to the basin, and mother and son looked down at the fish. Its fins moved so delicately that Gittel wondered if the fish was asleep. The kitchen was silent, and Gittel felt her son’s heart beating against her breast.

And then between one heartbeat and another, the fish rose up on its golden tail and turned its silvery black eye upon them. Beating its fins and opening its shimmering mouth, the fish uttered "Go!"

Gittel gasped, gripped her son in her arms, and ran into the bedroom, slamming the door behind her.

"Mama! The fish! The fish talked!" Zev struggled out of her arms and pushed against her, trying to open the door, but Gittel leaned against it with all her strength.

"No he didn’t!"

"He did! He did! You heard it too!"

And then both of them were flinging open the door and rushing into the kitchen.

There was the golden carp, swimming around in the basin, doing nothing.

It was all Gittel could do to stop herself from grabbing that fish and throwing it out the window. She staggered over to a kitchen chair and sank down into it. "Mama?"

Maybe the fish could talk, but Gittel could not say a word.

"Mama, I think we should let the fish go. I think he wants to be free. Let’s do it now."

Gittel tried to look like a mother in charge of the situation. She smoothed out her dress and adjusted her hairpins, tucking the wisps into her bun. Maybe if she had worn a shaytl like she was supposed to, none of this would have happened. At the thought, a flush rose to her face, half shame, half rebellion. She had always hated those wigs; she had always told herself that she would never wear one! And here she was in America, the land of the free! But still, there were other women, women right in her building, who wore them every day and passed her on the stairs, looking at her. She turned to her boy, her youngest child, who would be in December six years old. She felt so old and confused, and he—he was so young and sure.

"What should we do, totteleh?"

"We should put the fish in a bucket with some water and take him outside."

"Then what?"

"We should walk to the river and let him go. Come on, Mama."

"You feel well enough?"

"It’s not far. It’s warm out. When I come home, I’ll rest. I promise."

And so together, mother, son, and fish went down Madison Street and turned at Montgomery, headed for the river. It was a mild day, and many mothers and fathers were out with their children. No one gave any thought to the little pair and their bucket. When they got to a certain place along the wharf, Zev squeezed his mother’s hand.

"This looks like a nice place, Mama." They looked down. There was the water glinting beneath them. A moment later, there was the golden carp catching the sunlight, disappearing into the water with a soft splash.

Gittel stared at the spot where the fish had vanished, overcome by a longing that went through her like a knife. How she wished that she too could go back to where she came from, back to how things used to be! Beyond the East River, the Atlantic beckoned, but she knew there was no homeland waiting for her on the other side. She had crossed the ocean, and the landscape of her heart had changed forever. She belonged here now, on these streets by the East River, even if belonging only meant feeling accustomed to the feeling of not belonging.

"He’s going home now, Mama!" Zev said, his little hand pulling her away from her thoughts. "He’s going home to his family."

"Yes, zeiskayt. He’s going home," Gittel murmured. Holding tightly to her son’s hand, Gittel turned away from the river and headed up Montgomery. At least she hadn’t been the only one to hear the fish’s last word. If she had been, she would have worried for the rest of her life that she had taken leave of her senses. But here she was, her familiar self: a little round now, her hair touched with gray, the small square hands, the ring that Gedalya had given her so many years ago. And there was her boy beside her, chattering happily, going on with his story about the fish. By the time she got him back to the apartment, he was so tired that he fell asleep instantly. As she lay beside her child, Gittel felt herself floating between the "Go" and the "No," between the golden carp and the empty basin in the kitchen. Yes, the fish had spoken—and in a language she would never be able to call her own. But the rise and fall of her son’s breathing—that much was the same. Raima Evan grew up in Swarthmore. She attended Radcliffe College and the University of Pennsylvania, where she received an M.A. in English Literature and Creative Writing as well as her Ph.D. in English. She is an assistant dean at Bryn Mawr College and

Christmas Shopping

I don’t know what to buy my grandmother.
At eighty-three, she surrounds herself
with trinkets she can no longer see:

shelves of bells, glass angels, spoons,
porcelain boxes, tiny vases, thimbles,
carvings, candles, embroidered flowers.

Her sight blurs. She can’t read.
She knows what’s coming: She watched
the same darkness absorb her father.

This year, I examine suncatchers and frames
and paperweights. I can’t buy anything.
I imagine each item coming back to me

a few years later. As I shop, I wonder
the question I can never ask: How does it feel
to be so close to darkness?Tess Thompson’s poetry has been published in Calyx, Tempus, Literary Mama, ByLine, and the Oxford/Cambridge May Anthology for Poetry.  She has her master’s degree in Victorian Literature from Oxford University. , and I am currently at work on a novel.  She lives in northwest Philadelphia with her husband and son.

Renovation

I ripped the carpet off my stairs
so now I’m halfway up and halfway
down, extracting staples from scarred
slabs of pumpkin pine. Destruction
beats creation in a footrace every day:
heave most things out an upstairs window,
gravity will do the rest— but this work
has me on my knees and keeps me there
and what I bow before keeps changing.
Hail to staple guns and staples, hail
work of opposition and determination
of the soul who put this carpet down
that it should be eternal, hail to kneepads,
needle-nosed pliers-teeth, hail flathead
shaft that pries and lifts these staples up,
hail to the ding they sing into the pail,
to sanding and to grit, to elbow grease,
to oil, to polyurethane, to spreading it
across the treads like honey with a brush,
to watching as it sinks into the grain
four times before it lies atop the surface,
do not touch, until it’s formed
the recommended hard, bright shine.Hayden Saunier’s poems have most recently appeared in Madpoets Review and The Bucks County Writer. She was the winner of the 2005 Robert Fraser Open Poetry Competiton. She lives in Bucks County.

Along The Way

(for Abraham Smith) 

Like the way religion gets in the way
of the spiritual, and the habit
of honesty gets in the way of truth,
I have gotten in the way of myself.
I’ve slipped into solipsism when I
merely meant to speak about all of us;
I’ve risen up to the universal
when I simply meant to speak about
the Liberty Bell or a Philly cheesesteak.
I saw the cracked chime on a school trip in
’76 with my kindergarten class.
I scarfed down the sandwich at 2AM
on a bender after nights of vodka
and misgivings. Because the world seemed huge
and full of autumn, once, I almost prayed
again. I got to thinking about the self
and identity, how they’re shadowy
and rewriting themselves along the way.
How they’re their own alibi for being.
The snowy egret with its signature
pompadour and the hidden privileges
of a window with an open vista
are my seminals. Before it was
the language of blue jeans, the accoutrements
of smoke, embodying every word
I said, putting my body on the line.
Now I rarely ask for forgiveness.
Keep my sins for myself. I see no
undulations behind the sky. Trying to
get in touch with feelings, I seem to feel
indifferent most of the time. That’s why
I think I know there are gut-choices, bone-
choices, things the body know the mind has
to catch up to. If worse comes to worsen,
I don’t mind being a beautiful fake.
Oh, the solace and the suffering of
the imagination. I seem to have
this way of getting in the way of my self.David Floyd was born in Philadelphia and currently teaches at Rutgers University-Camden and Temple University. His book-length manuscript The Sudden Architecture of the Dark was recently a finalist for the 2005 TampaReview Prize for Poetry and the A. Poulin, Jr. Poetry Prize.  He lives in Lansdowne, PA, and can be found reading poems by Jack Gilbert; Plato’s Republic, and Lauren Grodstein’s collection of short stories, The Best of Animals.

Dipsomaniac

I worshipped them,
my new deities;
Mr. Jack Daniels,
Uncle Smirnoff,
made an altar
with empty shot glasses,
gave money
to the church of Wine and Spirits,
and picked up Chardonnay,
cradling it like a rosary for hours.

In group therapy,
they asked my religion.
I said,
“Alcoholism,” and smiled.

They didn’t find it amusing.

I should have said Christianity
but refused to betray my gods.Tamara Oakman won the Judith Stark Prize in poetry, fiction, creative non-fiction, and playwriting. She has been published in The Literary Garland, Limited Editions, Hyphen, and The Crucible. She won Judith Stark Prize in the categories of poetry, short creative non-fiction, short fiction, and playwriting.

Ceres’ Lament

I have mis-carried three babies in a field of wheat,
laboring hope from my hollowed self: coleoptiles,
those budding leaves and lives in protective sheathes.
What nodes and joints should have formed my stem?
What bone should have grown from such unsettled beat?
Like awns on florets, their tiny cries should have
sighed kernels, should have flowered from the middle
of spikelets. Anthers poked out of my emptiness,
heads emerging in a swollen harvest.

I might have held these seedlings in the palms
of my hands, removed their chaff-like sacs,
then gently blown them clean. Instead, waiting
for the wind, I’ve placed their formless halves
in a basket of earth and exposed them on the banks
of my life, giving back, again, all that was mine.A New Jersey native, Sandra DeRose received her training and MFA from Lesley University .  She is an English and creative writing teacher at Hopatcong High School .  Her work has appeared in The Journal of New Jersey Poets. She lives with her husband and three children in Flanders, New Jersey.

The Miracle of the Milk Cans

 [img_assist|nid=4293|title=”Paysage de la Drome” by Kathleen Babb © 2005|desc=|link=node|align=right|width=150|height=200]Luz blessed the day her neighbor, Don Chuy rolled-over his milk truck. Nobody would ask for an accident like that, but now, years later, she knew Don Chuy blessed the day too. It was the day he was miraculously spared from the jaws of death, the day the Virgin spoke to him.

The day of the accident that led to the miracle, Don Chuy was at the top of the hill, about to descend, his truck horn bleating, telling the housewives he’d arrived with fresh milk from his ranchito. Suddenly a young mother carrying a baby stepped in front of his old pick-up. He swerved and rolled over, down the hill.

The cans clattered, splashing thin cow’s milk over the discarded Sabritas bags and Cloralex bottles that littered the hillside. They came to rest just before the dirt road below, in a brilliant patch of sun, stacked like silver bullets. Later, Don Chuy remembered nothing about the pickup going roof-wheel-roof-wheel. Luz was outside with her soup pan, waiting to buy milk, when the truck crunched to a stop against the rock on which she sat when she bagged roasted squash seeds.

Luz, who had the only telephone on the hill, rushed inside. She remembered how her youngest son Oscar had talked about a fight at the basketball courts—a guy was cut and somebody’d called 9-1-1 for the emergency. Luz dialed and miraculously, minutes later, an ambulance screeched to a stop at the top of the hill. Two rescuers clambered down with a narrow stretcher and a bag of life-saving equipment, and when they peered into the truck, Don Chuy was not smashed to pieces in the driver’s side where he should have been, but curled up peacefully on the passenger’s side as if he were sleeping off an all-nighter.

Since the day he walked away unscratched from his truck, Don Chuy had been organizing tours to the Guadalupe Basilica in Mexico City . What better way to give thanks than to bring a busload of people to the feet of the Virgin? All the more to adore her.

Don Chuy charged an affordable fare, only 180 pesos round trip, including snacks. Everyone knew he wasn’t profiting. He ladled yogurt from big plastic tubs into cups and passed out bean and potato tacos and fruit.

Luz wanted the Virgin of Guadalupe to save her sons. Well, her daughter too. Jimena’s life was just as much a mess as her brothers, but she had more confidence in women to straighten out their own affairs. Hadn’t Jimena, fed up after years of arguing with her about what to make for dinner, crossed the river in the night and joined her brother in Florida ?

One morning as she was buying milk, Luz told Don Chuy to save her two spaces. If the Virgin of Guadalupe could spare Don Chuy, surely She could spend a little time working the kinks out of her kids’ lives. Luz and her husband Mariano would board at five a.m. , eat some yogurt, take a nap and walk past the scapula and rose-petal rosary-sellers by nine with enough time left in the day to pray for her troublesome sons.

Luz remembered when they were little, sitting on the edge of her bed, Oscar in Jimena’s arms, all five of them, even the baby rapturously watching an India Maria movie. Unlike some of the neighbors, Mariano always had work, building was booming in Mexico City and he joined up with the crews that built schools and hospitals. He came home to San Miguel once a month, pockets filled with cash. He’d bought the first television set in the neighborhood.

Luz liked to turn the dial to movies for the kids—when she was home. After dark, she’d make a pot of hot Café Legal with cinnamon and sugar and give the kids crusty rolls, warm from the night bakery. She remembered a clear moment when she’d looked at those five little faces, dirty from playing outside all day, blowing on their coffee, laughing at la India Maria. They’d been so innocent!

Late in April, Luz and Mariano rose in the dark and boarded Don Chuy’s bus in the pre-dawn gloom. The sun appeared as the bus rumbled past the outskirts of San Miguel. Luz watched the sparse, brown countryside, thinking of Raymundo, her oldest son. Happiest when he was talking the night away with his brothers, his hand wrapped around a liter bottle of beer, he had women all over the place, so that he never had to settle in one spot. If he had a fight with one, he went to stay with the next one. There was Angeles in San Miguel who followed him around like a sad cow and Luz was sure he had one over in Leon too. Couldn’t he just pick one of them, and make a home?

Lately when he’d come to San Miguel on weekends, he’d seemed jumpy, suddenly solicitous, then angry. Bueno, Raymundo had always been an angry kid. Maybe that’s why her husband had spoiled him. Raymundo always got the new shoes, the new pants, the new ball. And she’d allowed it. Maybe it was because she and Mariano knew Raymundo cared more about what others thought of him than the rest of the children. If obliged to wear patched clothing, he skipped school and picked fights with his siblings.

Maybe it was that, as the oldest son, Raymundo had suffered most from their early years of fighting. Luz had only noticed how angry he was when she stopped drinking. He’d been nineteen years old by then, a high school graduate with no direction. Had a baby by a woman he never wanted to see again. Drank all night and slept all day. What could she have said to him about making a future? She had no education and a busload of guilt. What right did she have to tell him how to live his life?

Gazing at a group of skinny rancho horses out the window, Luz remembered coming home late one night from drinking in El Gato Negro with jobless Don Ceferino. She’d walked into the children’s room (Mariano had built an extra room for the kids to sleep in by then) and snapped on the light. There was Raymundo, must have been about eight, sitting in the middle of the bed, his back rigid, his bravado gone.

"What are you doing?" she’d asked.

"Ma, I’m being good," he’d said.

She’d always thought Raymundo, the swaggerer and braggart, could take care of
himself , but she’d been wrong. He was just as needy as the rest.

Then one day he’d up and left, and when he came back, he showed her his law school diploma. Luz had sighed with relief. Now she wouldn’t have to worry. To make sure, she had him draw up the deed (now that he was a lawyer!) to the house in his name. A house, a career and now that he was working with that attorney in Leon , all the fancy clothes he could afford. Still.

Luz’s prayer for Raymundo was that he marry one of his women and have Mariano build a second floor apartment for them on the San Miguel house. Raymundo’s house. She would cook for him, well, for the couple, and her son would see she did care after all.

What Luz wanted next was for Oscar to leave his wife. Or for that big-assed piece of riff-raff who thought she was a princess to leave him. Then maybe her baby Oscar would grow into the fine man she knew he could become.

Oscar had a nice girlfriend before this one. The former girl’s father had a successful tin and iron business. He could have set Oscar up as shop manager, or in exports! She had been a sweet, quiet girl who brought Luz cheese pies. But just as they were talking marriage, Oscar saw Waggle Tail at the basketball courts and he dropped the pie-maker as if he’d been burned. The new one jiggled her ass at Oscar until he couldn’t speak.

Waggle Tail thought she had that kind of power over everyone, thought she could be served her food and get up from the table without even carrying her plate to the sink, not to mention wash it. Soon as he got her pregnant, Oscar brought Waggle Tail to Luz’s house to live. Luz didn’t protest; it was her duty to take the girl in. Now Luz just wanted a little cooperation, a little housecleaning help, a little respect! Leaving the house to board the bus that morning, Luz had to step over a stinky diaper on the step. The girl left her musty underwear in a wet pile on the shower floor!

Somebody told Oscar once his wife should be a model and that was all he could see. But green eyes and a pretty face didn’t make a girl useful and Waggle Tail was about the most useless twenty-year-old Luz had ever seen in her life. The worst part was she didn’t want to learn to wash her clothes or cook. God knows Luz had tried to teach her. Waggle Tail let her dirty clothes pile up higher every day, then, instead of washing them, bought new clothes for ten pesos a piece at the Tuesday Market. She thought a container of gelatin was a fitting lunch for a child almost a year old!

If Waggle Tail left her son, she would leave Luz’s house. And then maybe Oscar wouldn’t stay out all night long, getting into fights. Although who could blame him? With the crib squished next to Oscar’s bed now, one couldn’t take more than a step without hitting furniture or dirty clothes. And Waggle Tail couldn’t get the baby to sleep until midnight , so the room was nothing but a four hour high-decibel cry-fest. There was one way to keep your man at home, but with the baby awake half the night, Luz was sure Waggle Tail wasn’t tending to her man’s needs. And if she did give Oscar any, she made him work for it first, sending him out into the street to bring her back hamburgers from El Ranon’s stand.

Maybe she’d get fat.

By nine in the morning, the sun was higher and the bus was slowly stopping in the Basilica’s parking lot. Luz sighed as she picked up her purse. The destruction of a marriage. Was that something to pray for?

The new Basilica gleamed in the sunlight, its side construction soaring like beams of light from the Virgin’s fingertips, not Guadalupe, but another Maria, mother of God, which Luz saw once on a holy card. The old Basilica, built some four hundred years ago, was to the right, roped off in parts, tilting forward, sinking into the soft centuries-old soil.

Mariano, her husband of thirty-three years, pushed his thick hair under his cap and tucked his t-shirt further into his sweatpants as they approach the new cathedral. At his side, Luz walked with slow steps. She wanted to pray for new knees, but only after she’d ticked off everyone else on her list. Plus she thought bad knees were her penance, and maybe she was still supposed to be repenting.

Inside, there was a mix of reverence and festival. Children played in the aisles; mothers with shawls over their heads distractedly tried to hand them sandwiches. Whole families were camped in the pews in front of the tilma, Juan Diego’s cape that still bore the image of Our Lady of Guadalupe. Luz gazed at the tilma in awe. Four centuries after Juan Diego carried roses wrapped in the cape to the bishop, to prove he’d seen the beautiful lady who claimed to be the mother of God, it still looked vibrant, undiminished. Luz read in a church bulletin once how the tilma had been examined and tested and scientists still couldn’t explain how the colors of the Virgin’s face and her mantle hadn’t faded in four hundred years.

Luz and Mariano slipped into a rear pew. A lady shuffled past in the aisle on her knees, a small girl, about six years of age, holding her by the elbow. Luz watched the woman’s slow progress toward the tilma with some envy. She should have crawled to the Virgin herself years ago, then maybe she’d have been spared arthritic knees , but of course by the time she’d made her first pilgrimage and promised to stop drinking, smoking and leaving her kids, her knees had already started to go.

When she was young, it hadn’t been hard to be good! At sixteen, she’d been pregnant with Jimena, happy with her man. She didn’t drink at all. Mariano was a serious boy, a worker. He’d built them a room on the little parcel of land her father gave them, a room with rounded windows, a modern touch he’d picked up listening to the stories of laborers who’d begun to work in the big building boom in Mexico City . He built a sturdy washbasin for their clothes and an alcove for a stove. He was going to buy her a stove! But before he could, he told her there was no work in San Miguel; he had to go to the city. Luz was left behind.

When he came home for the first time, after a month, Luz’s belly was rounder and he had to beg her to make him a meal. For four whole hours she refused so he could see how unfair it was that she was pregnant and alone. Couldn’t he have found something to build in San Miguel?

"Go to your mother’s house until you have the baby," Mariano said.

"Never," Luz said. She hated her sister’s boyfriend, who had moved in with her mother. He didn’t work and he went through the pockets of everybody’s clothing.

Luz thought she had Mariano convinced to stay when he rubbed her feet that night, then she rubbed his back, but then, at five in the morning, she heard him shuffling around their new room. Luz pretended to stay asleep; her husband touched her shoulder and was out the door, headed for the bus station in the moonlight, his new transistor radio tucked under his arm.

With Mariano working in Mexico D.F., Luz couldn’t help but be distracted by Nacho when he delivered iron doors to the house in which she worked and Don Cipriano selling tomatoes from the back of his truck. In the cavernous Basilica, she shook her head. Old names to her now. That was something to be thankful for.

Luz had only visited the Basilica once before, twelve years earlier. That was when she’d made her first pledge to the Virgin, the day after Cheme, her second boy, only seventeen, disappeared in the night. Luz threw her bottle of Presidente brandy into the creek when the sun rose that day and watched it sink through tear-filled eyes. She asked the Virgin to keep Cheme safe. Then she took a bus to the Basilica to send her prayers for his safety straight to La Guadalupe’s ears. For five months she was too grieved to miss her smokes, drinks and male callers. Then Cheme phoned San Miguel’s public telephone station from the United States , asking they play his message on the radio. Miraculously, while Luz was washing dishes she heard it. Cheme had tried to cross six times before he made it. He’d already been in and out of trouble (Luz interpreted this to mean jail) but he had a job and a place to stay and she wasn’t to worry. In gratitude, she stopped going out for good, made a truce with Mariano. Now it was twelve years since she’d had a drink, smoked a cigarette or entertained a boyfriend. Twelve years since Mariano came home, taking smaller jobs in San Miguel and eating regular meals in Luz’s kitchen.

During that time, Luz thought several times about getting it all out on the table, saying to Mariano, "Look, I’ve had boyfriends. You’ve had girlfriends. It’s all in the past.” But what if Mariano, instead of agreeing, turned accusing? What if he refused to acknowledge his part, and then constantly reminded her of her failings? Would he feel he had to go out and beat up Nacho and Don Cipriano? What if he left her? She used to think it was what she wanted , but faced with it, she’d felt a little sick in her stomach. They’d had five kids together and Mariano was a good provider. She didn’t say anything. And as the tantrums of their earlier years diminished, the silence about the lives they led when they were apart from each other grew bigger, until now it felt impossible to talk about.

Luz was on her knees, even though it hurt, thinking of Cheme in Florida . Owned his own trailer home now, had lived with the same woman for eight years, installed sprinkler systems, had people working for him . He called sometimes, sent checks, seemed to have forgiven all those years when he didn’t come first, when none of her kids did.

Not that Cheme was suddenly a saint. Jimena, up in Florida with Cheme now, was the one who kept Luz informed that he still liked to get drunk, smashed up his trucks. Luz’s prayer for her son was that he’d give up the bottle and work on his sperm count. Twenty-nine years old and still no children. She couldn’t understand it.

With Jimena in Florida bossing Cheme around, Luz worried a little less. Jimena didn’t set by drinking, which was what had started the real trouble between mother and daughter. Her daughter blamed the bottle for the time Luz left the children in her care. Jimena had been twelve, Luz gone without a note, their father working a construction job in the city. Jimena in the kitchen cursing Don Cipriano, imagining how, while they were in school, Luz had gathered her dancing skirt, her make-up, her vinyl purse. Imagining the old man (he was thirty and not even good-looking!) waiting with his bottle of brandy in his vegetable truck at the top of the hill.

As the oldest, Jimena had taken over, passing out bowls of beans to her four little brothers sitting on the steps, silent and scared, yelling at them extra gruff to get into bed so her voice wouldn’t shake. By the fifth day, she was cutting nopales from the cactuses in the countryside to feed the boys. So relieved on the eighth day that her mother came home, she returned to school and studied extra hard. In class, she twisted her hair so tight it fell out of her head in clumps.

When Jimena finished high school, she stayed in the house, and with nothing else to do, argued with her mother over money and food. Luz left fifty pesos when she went to work, and told Jimena to make breaded beefsteaks. Jimena made a pot of beans, bought two kilos of tortillas instead of one and gave most of the food away to a half a dozen young gay men she’d befriended, who, rejected by their parents, lived in a cheap house together nearby.

"It is not my duty to feed the neighborhood," Luz yelled at Jimena, when she came home from work to only a scraping of beans and an almost emptied bowl of salsa.

"You don’t care about anyone but yourself!" Jimena shouted back.

Luz had pledged to change quietly. After Cheme left, she came home regularly, didn’t spend afternoons in the bars any more, and made chilaquiles on Sundays while they watched All-Star Wrestling. She did care. But Jimena seemed stuck on the old Luz, which annoyed Luz as much as the missing food. She’d point out in an icy tone that the chicken soup had not been prepared as she’d instructed, and that if tuna fish and mayonnaise on crackers was the only meal Jimena could manage to put together, why was Luz leaving her so much money and where was the change?

Jimena was twenty-six when she took the bus to meet the coyote Cheme sent for her. She’d been arguing over the slightest possible thing with her mother for months, walking around the house muttering, "I can’t wait. I just can’t wait."

Luz couldn’t wait for her to leave either, if that was how she was going to behave. Then the day came. Jimena stood by the door, backpack over her shoulder, bus ticket to the border in hand. Luz was looking for an opening to say the tender words she’d rehearsed, but before she could, Jimena turned to her.

"You—left—us!" Jimena said. "How could you have done that?"

Luz had only bowed her head, her body shaking with sobs.

That had been three years ago. Luz was afraid she’d never hear from Jimena again , but after two months, she’d received a letter. Luz’s body rippled with fear as she held it in her hand. Would it be filled with more accusations? Would Jimena, with thousands of kilometers between them, finally say everything she’d always wanted to tell her mother? And wasn’t it time?

Luz steeled herself. But the letter contained photos of Jimena with a skinny boy. " Florida Beach " was scrawled on the back of the first one. "Pick-up Truck" was written in English on the back of another: Jimena leaning against a truck with a Florida plate, a bandana around her head. In a photo received this year, she was in front of a trailer home with the same skinny boy. The beanpole looked nice enough. Will he build you a house, give you a baby, buy you a stove? Luz would like to ask. One of Cheme’s lawn care guys, was all Jimena would say about him.

Luz had a vague idea that other people were capable of things she was unable to do. She’d worked in gringo houses, rich ladies’ houses, washing their clothes, cooking their meals – she’d seen people embrace, say words she was fairly sure had to do with how they felt about one another. She just didn’t know how to do it herself. As a seven-year old child, Luz had announced to her own mother she wasn’t going to school any more. Her mother, without turning from the tortillas she was putting on the fire, shrugged. After that, her father had taken Luz to the river where he collected sand to sell to the homebuilders, who mixed it with cement. Sometimes he made four trips a day, first with their burro, and later with a rattlely second-hand truck he managed to buy. Luz played at the river until the trip home, singing to herself, speaking to nobody. Maybe if she’d had playmates, she’d have learned to say things like, "You make me mad," or, "Let’s be friends."

Gabriel, Luz’s second to youngest son was the love child, always touching people, making them squirm. "Pa," Gabriel greeted Mariano, squeezing his father’s broad shoulder. Sometimes his hand lingered on Luz’s back as they spoke. Luz used to show affection by barking, "Go wash your hands!" before she gave her kids their soup , but Gabriel had his daughters on his shoulders, crawling into his lap. They kissed each other right in front of everybody. He talked to his dogs like they were people! Gabriel wanted to tell people what to do with their lives. He wanted people to talk. That’s what his problem was. Must be from being married to the American.

But sometimes Luz thought Gabriel had the right idea. "If only I had been able to look at her. If only I’d said I was sorry," Luz now told the Virgin of Guadalupe.

When she felt Mariano patting her back, Luz lifted her bowed head and realized there were tears on her cheek. At the front of the church, the Virgin smiled kindly. There! Didn’t She lift her eyes for a second? Mariano said that he’d been watching the progress of the lady on her knees. He hadn’t noticed. But Luz was sure. The Virgin of Guadalupe had smiled. People around her were busy with their rosaries; nobody else seemed to have observed it either. It was a message just for her. La Morenita had smiled on her, the former sinner, Luz Martinez . What could it mean?

Perhaps it meant Raymundo would come home to live soon. Or that Waggle Tail would leave her son. Did La Guadalupe wink? Heh, heh, sister, your house will be in peace pretty soon. The American Wife couldn’t believe Oscar didn’t give his mother a single peso for phone, cable TV, food. Food!

"Two grown people still expecting Mommy to cook for them!" the American Wife fumed. "Kick them out of the house. That’s the only way they’ll grow up!"

If it was possible anyone was bossier than Jimena, it was the American Wife. El Bolillo, Mariano called her, “White Bread” not without affection. Luz wished she had her nerve. Married to her, Gabriel was the one she worried about least. Her American parents had sent money; they’d started a hair salon, built a house, put her two beautiful light-skinned granddaughters in good schools. But toss Oscar, Waggle Tail and the baby onto the street, three people who could barely take care of themselves? She just didn’t have the heart. And suddenly her thinking was clear.

Job or no job (sometimes he worked as a waiter, then always got into a fight and got fired) , Oscar and his family would go on living in her house, until they didn’t any more, if that time ever came.

Who else, after all, would see that Oscar’s son ate chicken soup and rice, and mashed frijoles and potatoes? Maybe the Virgin’s wink meant that Luz would help Raymundo give up some of his anger. Or that Waggle Tail’s selfishness and sloth were not going to affect her like before, that she, Luz would glide through her own house with an inner knowledge that she was doing the best she could.

Luz was blindsided by a new thought. Perhaps Jimena was at peace.

Luz was sure the Virgencita was putting these thoughts in her head and that they amounted to something like forgiveness. And that was it! That was what she had come to pray for after all.

Mariano’s hand was at her elbow, helping her rise. She lifted a finger, one more moment. Luz felt at one with the thousands of prayers being uttered at that moment all around her. The lady on her knees had almost reached the altar. Luz wondered what promise she was fulfilling, if Our Lady of Guadalupe had saved a sick daughter, or seen a son safely across the border. The senora stood, making the sign of the cross. Luz stood too; vaguely aware her knees were not vibrating with pain. She lifted her face in gratitude and a warm feeling flowed through her, as if the beams of light that surrounded La Guadalupe’s cape were lifting her.

With this warm feeling came the knowledge that her hostility toward Waggle Tail, whose name was Frida, was actually shame for her own selfish life. "For the past twelve years, you’ve been nothing but giving," was the thought La Guadalupe was giving her now. And Luz knew that the forgiveness she sought was inside her and the deal she had to make was with herself.

Don Chuy’s eyes were rimmed in red as he cheerfully waved Luz, Mariano and their neighbors back onto his bus. Today’s driving would add up to eight or nine hours for him. She patted Don Chuy’s arm as she shuffled past, eyeing the empty yogurt buckets, but there were two plastic bags filled with what smelled deliciously like tacos behind the driver’s seat.

Sweet, absolving Don Chuy! Luz wondered for how many years he would go on living out his promise to the Virgin. She remembered standing stunned the morning his truck crashed into the rock in front of her house, soup pan hanging uselessly from her hand, watching the sun bounce off the milk cans, not knowing the miracle of his survival was also unfolding for her. Susan McKinney de Ortega, born in Philadelphia, is a former television news reporter and daughter of a St. Joseph’s University coach. Her stories have been published in Salonmagazine, The San Miguel Writer, Literary Bulls and and in Mexico : A Love Story by Seal Press (Spring, 2006) . She lives in San Miguel de Allende in the Mexican central highlands with her husband and their two bilingual daughters.

Petals Mark Our Paths

It’s a chilly day, but despite the cold, a guy stands at the intersection where drivers wait for the light. He’s selling bouquets of long-stemmed red roses, the kind men who forget may seriously need. The kind my aunt sent for my father’s funeral because, as she wrote, “red roses are for someone you love.”

We’re high-tech: industrial robots, space travel to the moon, mobile phones with multiple ring tones. But toddlers— drawn to deep yellow fuzz— still pick dandelions to give to their moms. Teen-aged girls still want corsages. So do golden-anniversary grandmas. Adults go to parties and visit sick friends, their hands filled with gifts of blossoms. From bassinette to coffin, flowers mark our keenest moments.

I’m five years old. Mom sends me outdoors to play on a sunny spring day. I look up at a flowering quince, taller than I am, covered with blossoms and bees. Sweet scent, sound of humming, salmon-pink cups dotted with yellow inside. I’m transfixed, filled with wonder. The moment is the first of many.

We move to a different house. I take myself out to play. Again it is spring, and in the back yard, an apple tree. Climbing up, I’m surrounded by white and pink petals, sweet aroma, the sound of humming. I sit on a branch, lean on another.

Winter. I arrive home frazzled by high school final exams. Outside the dining room window, icicles lie shattered on the hard frozen crust. Inside, on a glass shelf, an African violet has burst into color. Velvet plush – really purple. I go to find cookies.

A spring, many springs; a summer, many summers. Lavender lilacs in a round blue glass bowl. Phlox perfume at dusk. Mock orange blowing into my parents’ bedroom windows. Sweet peas twining up chicken wire. Pinned to a prom dress, gardenias. A bright tangle of cheeky petunias in a white rowboat, a shore-town name painted on the stern.

I’m a waitress one summer. On the Vermont lake, white water lilies with long rubbery stems. I’ve been studying Taoism, the human spirit a lotus, rooted in muck but rising through water to open pure ivory petals. From a rowboat, I pick a bouquet for a widow, vacationing solo. Placed on her table, the lilies close quickly.

In a fourth-floor walkup in New York, I don’t like being so far removed from the ground. My boyfriend builds me window boxes for my tarred terrace. I manage to grow enough mint for one julep, after I’ve washed off the fly ash. I understand the cartoon of the New York couple eating supper on their balcony. The husband is inside on the phone. His wife calls, “Hurry up, Harry. Your soup’s getting dirty.”

The boyfriend transforms to husband. I make wedding corsages with roses from my father’s garden, red for my mother, white for my husband’s mother. From a field by a river where my family took Sunday afternoon walks, my sister and I pick masses of Joe Pye weed and Queen Anne’s lace to decorate my parents’ front porch.

We rent and garden. Dig sod and change a corner of a field into a garden. Move on, leaving gardens behind. My husband wants to buy a handyman’s special. I’m not so sure but finally agree because the backyard has a trellis of red, pink, white, and yellow climbing roses.

Children stand transfixed in the garden as I stood transfixed in my father’s garden where rain formed diamonds in the cruxes of lupine leaves. The children suck sweet drops from the honeysuckle, hide in the tall leafy rhubarb, bite into tomatoes.

Fall changes to winter. Lush rhubarb turns to slime. Raspberry canes go brittle and brown. Where day lilies tilted in orange profusion, dead oak leaves rot. Under snow, the raised vegetable beds look like graves.

The mailman plops seed catalogues on the front hallway carpet. I order a crepe myrtle.

The season’s wheel turns, the life cycle spirals.

A grandparent’s ashes to scatter on thyme, iris, roses. A grandchild looking up at a sunlit crepe myrtle.