Push to Publish Bios 2012

AGENTS, EDITORS, & PANELISTS
* = will participate in speed date.

*Courtney K. Bambrick
is the poetry editor at Philadelphia Stories. Her poetry has appeared or is forthcoming in such journals as Apiary, Certain Circuits, Dirty Napkin, Philadelphia Poets, and the Schuylkill Valley Journal. Courtney currently teaches writing and literature at Holy Family University, Philadelphia University, and Gwynedd-Mercy College. She recently coordinated the third annual Children’s Arts Program for kids at Old Academy Players in her neighborhood. She lives with poet Peter Baroth in East Falls. For speed date: poetry.

*Richard D. Bank, Esq. is the author of six books including The Everything Guide to Writing Nonfiction (Adams Media, 2010) and provides services as a writers’ coach for serious writers. He is a past president and current board member of the Philadelphia Writers’ Conference and has published over 100 articles, essays, short stories and book reviews in various journals and periodicals. Richard has taught writing courses at the University of Pennsylvania, Temple University and other venues. He currently is on faculty at Rosemont College in the Graduate Publishing and MFA programs where he teaches courses including creative nonfiction and publishing law. For speed date: nonfiction

*Janet Benton is a highly experienced editor and teacher of
writing who has worked closely with countless writers to improve their
manuscripts and their craft. Her writing has appeared in Kiwi, Working Woman, Women’s Health for Dummies, and many other publications, and her editing clients have published
hundreds of books. She serves as a mentor and teacher to writers
throughout the region through The Word Studio in Chestnut Hill, Philadelphia. For speed date: nonfiction, fiction

*Anne Bohner founded Pen & Ink, a boutique literary agency. She has ten years of experience as an editor with major trade publishers. Prior to founding Pen & Ink, Anne Bohner was a senior editor with New American Library and also worked at Bantam Dell for several years. While at NAL, Anne spearheaded the Young Adult line NAL Jam where she worked on many promising books including a current New York Times bestselling series. Anne has also worked with bestselling and award winning authors of both adult fiction and nonfiction and has an extensive background in the romance genre. * For speed date: upmarket but commercial women’s fiction, older YA, memoirs, and narrative nonfiction.

*Sheree Bykofsky, AAR, represents over 100 book authors in all
areas of adult non-fiction as well as literary and commercial fiction.
Her non-fiction specialties include popular reference, business, health,
psychology, poker, spirituality, self-help, humor, cookbooks, pop
culture, biography, women’s issues, decorating & crafts, music, and
much more. Among Sheree’s non-fiction clients are Taro Gold, Jane
Eldershaw, Bill Walsh, Margo Perin, Albert Ellis, John Carpenter (first
millionaire on "Who Wants To Be A Millionaire?"), Bill Baker (President
of Channel 13, PBS in NYC), Supermodel Roshumba, and Richard Roeper (of
Ebert and Roeper). In the area of fiction, Sheree’s clients include
Donna Anders and Leslie Rule. Sheree is an Adjunct Assistant Professor
of Publishing at New York University and teaches at SEAK’s conferences for doctors and lawyers.

*Rosemary Cappello edits and publishes Philadelphia Poets, which she founded in 1980, and in conjunction with that publication,
organizes and presents poetry readings throughout each year and bestows
two annual awards. Her poetry has appeared in a number of publications, including Anthology of Women Writing, Voices in Italian Americana, Poet Lore, Avanti Popolo, and Iconoclast. Her chapbooks include In the Gazebo, The Sid Poems, and San Paride. She is a published prose writer as well, mainly of
essays and film reviews.  For speed date: poetry.

Alison DeLuca is the author of several steampunk and urban fantasy books.  She was born in Arizona and has also lived in Pennsylvania, Illinois, Mexico, Ireland, and Spain. Currently she wrestles words and laundry in New Jersey.

*Adriana Dominguez has nearly 15 years of experience in publishing, most recently as Executive Editor at HarperCollins Children’s Books, where she managed the children’s division of the Latino imprint, Rayo. Prior to that, she was Children’s Reviews Editor at Criticas magazine, published by Library Journal. Adriana joined Full Circle in 2009. Please note Adriana is not accepting science fiction, fantasy, dystopian or paranormal submissions. For speed date: She is interested in children’s picture books, middle grade novels, and (literary) young adult novels. On the adult side, she is looking for
literary, women’s, and historical fiction, and in the area of
non-fiction, for multicultural, pop culture, how-to, and titles geared
toward women of all ages. She is NOT interested in romance, thrillers, or mysteries.

*Anne Dubuisson is
a former New York literary agent with over 20 years of experience as an
editor, writing coach and publishing and creative consultant. Her
clients have included bestselling fiction and nonfiction writers. Her
areas of expertise include book proposal development and story building
for business professionals. For speed date: memoir and
nonfiction.

*Anna Evansis an editor for the Schuylkill Valley Journal. Her poems have appeared in the Harvard Review, the Atlanta Review, American Arts Quarterly, Rattle and 32 Poems.
She has been nominated seven times for a Pushcart Prize and was a
finalist for both the 2005 and 2007 Howard Nemerov sonnet award, and for
the 2007 Willis Barnstone Translation Award. She gained her MFA from
Bennington College, and is the Editor of the Raintown Review. Her chapbooks Swimming and Selected Sonnets are available from Maverick Duck Press.  For speed date: poetry

Kathye Fetsko Petrie is a freelance writer and the author of the children’s picture book, Flying Jack. Her non-fiction publication credits include The Philadelphia Inquirer, Main Line Today, The Writer, The Sun, pif magazine and Mused: The BellaOnline Literary Review.
She has published interviews with notable authors including Mary Gordon
and William Styron. Locally, Petrie is perhaps best known as the
editor/publisher and founder (2002) of Local LIT,
the online publication of literary events and resources taking place in
the Philadelphia area. She is at present working on a non-fiction book
about women writers writing while being mothers. For more information
about Kathye Fetsko Petrie including links to some of her published
writing go to www.kathyefetskopetrie.com.


*Hattie Fletcher
is the managing editor of Creative Nonfiction. She has been a coordinating editor for the Best Creative Nonfiction series, published by W.W. Norton, and is co-editor, with Lee Gutkind, of Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction.

*Eve Gleichman is a youth editor for APIARY. Her fiction has appeared in Manhattan Magazine and plain china and has been recognized by Glimmer Train and Stonybrook Southampton, where she was recipient of the 2011 $1000 fiction prize. She studied short fiction at Bryn Mawr and Haverford Colleges, where she also coordinated a writing and tutoring program for inner-city middle schoolers. In 2010, Eve enjoyed editorial and fiction internships at Esquire Magazine. For speed date: fiction.

Best-selling author of novels and short stories of the fantastic: dark thrillers, historical fantasy and science fiction, Gregory Frost’s latest work is the YA-crossover Shadowbridge series (Del Rey/Random House), voted one of the best fantasy novels of the year by the ALA.   His novella, "Vulpes," rounds out the thriller anthology V-Wars, edited by Jonathan Maberry (IDW), and his short story "The Dingus" opens Supernatural Noir, edited by Ellen Datlow (Dark Horse Books).  He is also a contributor to The Cambridge Companion to Fantasy Literature,
edited by Edward James & Farah Mendlesohn (Cambridge University
Press).  He is the fiction workshop director at Swarthmore College and
teaches fiction writing for adults through Main Line School Night.

Lise Funderburg’s latest book, Pig Candy: Taking My Father South, Taking My Father Home, is a contemplation of life, death, and barbecue. Pig Candy
was chosen by Drexel University this year for its Freshman Writing
Program Summer Read. Lise’s articles, essays, and reviews have been
published in The New York Times, TIME, The Philadelphia Inquirer, The Nation, MORE, Chattahoochee Review, the Oprah Magazine, and Prevention. She teaches creative nonfiction at The University of Pennsylvania and the Paris American Academy.

* Katie Grimm joined Don Congdon Associates in 2007. In addition to maintaining her own client list, she acts as business manager.  For speed date: She focuses on vivid literary fiction, transportive historical fiction, up-market women’s fiction, cohesive short story collections, and lurid mysteries & thrillers with exotic or historical settings.  In young adult, she is actively seeking both contemporary and fantastical high-concepts with a touch of romance.  In middle grade, she looks for heart and humor with a strange or creepy twist.  Most importantly, she is hooked by fiction with emotional resonance and longevity, and in her opinion, this requires an authentic voice, relatable characters, and a twisting plot that keeps her intrigued.  For non-fiction, she is looking for narrative non-fiction about history, popular science, off-beat topics, and counter-culture.  She is a member of SCBWI and serves on the AAR Program Committee.

*Joan Hanna works as Assistant Managing Editor for River Teeth, A Journal of Nonfiction Narrative, Assistant Editor, Nonfiction/Poetry for r.kv.r.y. Quarterly Literary Journal, and Managing Editor for Poets¹ Quarterly. She has published nonfiction, poetry, fiction and book reviews in various online and print journals. Joan is an Adjunct Professor, Creative Writing at Rowan University and her chapbook, Threads, is will be available for pre-order from Finishing Line Press in November 2012. Joan holds an MFA from Ashland University in Ohio. She was born and raised in Philadelphia and now lives in New Jersey with her husband Craig and rescued Beagle Odessa. * For speed date: nonfiction, poetry

*Alison Hicks is the founder of the Greater Philadelphia Wordshop Studio. She also leads
community-based writing workshops under the name , and is editor of Prompted (PS Books, 2010), an anthology of work from the first 13 years of the Wordshop Studio.
Her first full-length collection of poems, Kiss is out from PS Books. Her other books include a chapbook, Falling Dreams (Finishing Line, 2006), and a novella, Love:  A Story of Images
(AWA Press, 2004). She has twice received fellowships from the
Pennsylvania Council on the Arts; her work has appeared in Eclipse, Main
Street Rag, Gulf Stream, the GW Review, Pearl and Softblow, and is
forthcoming in Gargoyle, Grey Sparrow  and The Hollins Critic. * For speed date: fiction, nonfiction, poetry


Beth Kephart is the award-winning author of fourteen books, including, most recently the southern Spain-infused novel Small Damages (Philomel), which received three starred reviews and was featured in the New York Times, LA Times, BookPage, Family Circle,
and elsewhere. In March 2013, New City Community Press/Temple
University Press will release Kephart’s 1871 Philadelphia young adult
novel, Dr. Radway’s Sarsaparilla Resolvent, and in August 2013, Handling the Truth: On the Writing of Memoir will be released by Gotham.  In the winter of 2014, We Could Be Heroes, Just for One Day: A Berlin Novel,
will be released by Philomel.  Kephart teaches creative nonfiction at
the University of Pennsylvania and writes reviews and essays for The New York Times, Chicago Tribune, Philadelphia Inquirer, Shelf Awareness, and Publishing Perspectives.  She is the strategic writer at Fusion Communications and her literary blog, http://beth-kephart.blogspot.com/, was twice named a best author blog by the BBAW. Click here to read our interview with Beth.


* Peter Krok is the editor of the Schuylkill Valley Journal
and serves as the humanities/poetry director of the Manayunk Art Center
where he has coordinated a literary series since 1990. Because of his
identification with row house and red brick Philadelphia, he is often
referred to as “the red brick poet.” His poems have appeared in the Yearbook of American Poetry, America, Mid-America Poetry Review, Midwest Quarterly, Poet Lore, Potomac Review, Blue Unicorn and numerous other print and online journals. In 2005, his poem “10 PM At a Philadelphia Recreation Center” was included in Common Wealth: Contemporary Poets on Pennsylvania (published by Penn State University). His book, Looking For An Eye, was published by Foothills Press in 2008. For speed date: poetry

*Aimee LaBrie is a fiction editor Philadelphia Stories and teaches a fiction workshop for the magazine. She received her MFA in fiction Penn State in 2003. Her collection of short stories, Wonderful Girl,
won the Katherine Anne Porter Prize in Short Fiction in 2007. Other
stories of hers have been published in Minnesota Review, Pleiades,
Quarter After Eight and numerous other literary journals. She is also a director of marketing and communications at the University of Pennsylvania. You can read her blog at www.butcallmebetsy.blogspot.com. Most recently, she was awarded first prize in Zoetrope’s national short fiction contest. For speed date: fiction.

Don Lafferty’s short fiction has appeared in NEEDLE MAGAZINE, CRIME FACTORY MAGAZINE, SHOTGUN HONEY and a number of other markets and anthologies. He’s written corporate
communication, marketing and advertising copy, and feature magazine
articles. Don is a regular contributor to the global conversation about
marketing through the social media channel, and blogs at www.donaldlafferty.com.
Don is a regular speaker, teacher and the Chief Marketing Officer of
the digital marketing agency, Mingl Social. He’s a member of the Philly
Liars Club, the social media director of the Wild River Review, and serves on the board of directors of the Philadelphia Writers’ Conference. Cick here to read our interview with Don.

*Marie Lamba is an Associate Agent at the Jennifer DeChiara Literary Agency. She is the author of the young adult novels What I Meant… (Random House), Over My Head and Drawn. Her work appears in the short story anthology Liar Liar (Mendacity Press), the anthology Call Me Okaasan: Adventures in Multicultural Mothering (Wyatt-MacKenzie Publishing), and her articles appear in more than 100 publications including national magazines such as Writer’s Digest, Garden Design and RWR.  She has worked as an editor, an award-winning public relations writer, and a book publicist, has taught classes on novel writing and on author promotion, and belongs to the Romance Writers of America, and The Liars Club. For speed date: As an agent, Marie is currently looking for young adult and middle grade fiction, along with general and women’s fiction and some memoir.  Books that are moving and/or hilarious are especially welcome. She is NOT interested in picture books, science fiction or high fantasy (though she is open to paranormal elements), category romance (though romantic elements are welcomed), non-fiction, or in books that feature graphic violence. For submissions guidelines, click HERE. Click HERE to read our interview with Marie.

* Debra Leigh Scott is the Founding Director of Hidden
River Arts, which celebrates and supports creative and performing
artists, and is now Founding Editor-in-Chief of Hidden River Publishing,
a brand new independent small press here in Philadelphia. She is a writer, playwright, dramaturg, arts administrator and educator. Her collection, Other Likely Stories, was published by Sowilo Press. Her novel, PIETY STREET, is forthcoming with New Door Books. S Debra is
working on a book/documentary project called ‘Junct: The Trashing of
Higher Ed. in America and blogs as The Homeless Adjunct. For speed date: fiction, nonfiction

* Nathan Alling Long’ is a member of the fiction board for Philadelphia Stories. His work appears in over fifty journals and anthologies, including Tin House, Glimmer Train, Story Quarterly, The Sun, Crab Orchard Review, Salt Hill, and Indiana Review. He has received a Truman Capote Fellowship, a Mellon Foundation Fellowship, and a Pushcart nomination and is a seven-time finalist for the Glimmer Train Very Short Story Award. He lives in Philadelphia and teaches at Richard Stockton College of NJ. For speed date: fiction

Jon McGoran is the author of Drift, an ecological thriller coming out Summer 2013 from Tor/Forge. Writing as D. H. Dublin, he is the author of the forensic crime thrillers Freezer Burn, Blood Poison, and Body Trace. His short fiction, nonfiction and satire have appeared in a variety of publications and anthologies. He is a founding member of the Liars Club. As Communications Director at Weavers Way Co-op, he is editor of the monthly newspaper, The Shuttle.

*Fran Metzman is the fiction editor for Schuylkill Valley
Journal and The Wild River Review. She was nominated for the Dzanc Books Award for an online short story published in Wilderness House Literary Review.
In addition, she has published many short stories and she appears on
many writer panels. Her most recently published short story, REDEMPTION,
was in WildernessHouseLiteraryReview.
She has a Masters degree from University of Pennsylvania and is
currently teaching memoir/creative writing class at Temple University’s
Adult Education School.  Her Wild River blog is “The Age of Reasonable Doubt,” which deals with mature dating (sometimes tongue in cheek), women’s issues and how to have better relationship for all ages. February 2012, she published a short story collection entitled: THE HUNGRY HEART STORIES, Wilderness House Press. For speed date: nonfiction, fiction

*Tamara Oakman is cofounder and executive editor of APIARY magazine. Her work has appeared in many online and in print literary magazines. She has awards in poetry, fiction, non-fiction, and drama, and performs her work in Philadelphia and the tri-state areas. She has a BA in English and Writing Certificate from Temple University, and a MA in English from Arcadia University. She is currently studying for her MA in Humanities at AU. 
For speed date: any genre.

Suzanne Palmieri is the author of The Witch of Little Italy (Saint Martin’s Press March 26, 2013) and co-author of I’ll be Seeing You, (Mira Harlequin June, 2013 written under Suzanne Hayes). She is a History teacher in the New Haven public school system and an instructor of Sociology at area universities. She lives in Connecticut with her husband and three daughters.

Miral Sattar is founder and CEO of BiblioCrunch, a platform that connects authors with quality, vetted book publishing professionals. She has worked in the media industry for 11 years, most recently at TIME where she launched several digital initiatives including an iPad and mobile site, mobile apps, a video and podcast channel, blogs, and SEO. Her writing has been featured in TIME, CNN, NY Daily News, among other media publications. She has a MS in Publishing (Digital + Print Media) from NYU and a BS from Columbia University in Electrical Engineering and Computer
Science. You can follow Miral on Twitter at @BiblioCrunch.

Curtis Smith’s stories and essays have appeared in over eighty literary reviews and have been cited by The Best American Short Stories, The Best American Mystery Stories, and The Best American Spiritual Writing. He is the author of the story collections The Species Crown and Bad Monkey; the novels Sound and Noise and Truth or Something Like It; and the essay collection Witness. His next book will be Beasts and Men, a story collection from Press 53 due out this coming March. His next novel will be put out by Aqueous Books in 2015.

*Tara S. Smith is the Fiction Editor of Rathalla Review and serves on the editorial board of Philadelphia Stories, Jr. She has worked as a freelance editor for various publishers in the US, the UK, and Australia for 20 years. She is a first-year MFA student at Rosemont. Speed date: Fiction, Non-fiction

*Mitchell Sommers  is the Fiction Editor and a member of the Board of Directors of Philadelphia Stories.  He has been published, in addition to Philadelphia Stories, in PHASE, The Big Toe Review, iPinion, The Philadelphia Inquirer, and the F&M Alumni Arts Review.  He is a member of the Lancaster Dramatists’ Platform, a playwriting group. He is an attorney in Lancaster and Ephrata, PA, concentrating in the field of bankruptcy and debtor/creditor law.. He is a graduate of Franklin and Marshall College, received his law degree from Dickinson School of Law at Penn State, and his MFA from the University of New Orleans.


*Catherine Stine is a middle-grade and YA author who has also worked as a manuscript editor and book doctor. Books include A Girl’s Best Friend, in the new multimedia series Innerstar University from American Girl and Refugees, a "Best Book for Teens" that appears on the United Nations official study guide. It earned a featured review and "Story Behind the Story" interview in Booklist. She also writes fiction for Scholastic and teaches creative writing and literature at the School of Visual Arts. Learn more at catherinestine.blogspot.com and catherinestine.com For speed date: Children’s/YA. Click here to read our interview with Catherine.

Dennis Tafoya lives in Bucks County, Pennsylvania, and is the author of two critically acclaimed novels, Dope Thief and The Wolves of Fairmount Park, as well as numerous short stories appearing in collections such as Philadelphia Noir from Akashic Books. He has been nominated for two Spinetingler awards and his novels have been optioned for film.

Karen Pokras Toz is a writer, wife and mom. In June 2011, Karen published her first middle grade children’s novel for 7-12 year olds called Nate Rocks the World, which won First Place for Children’s Chapter Books and the Grand Prize Overall in the 2012 Purple Dragonfly Book Awards, as well as placing first for a Global E-Book Award for Pre-Teen Literature. In 2012, Karen published the second in the Nate Rocks series, Nate Rocks the Boat, followed by middle grade novel, Millicent Marie Is Not My Name. Karen is a member of the Society of Children’s Book Writers & Illustrators (SCBWI).

* Nancy Viau is the author of SAMANTHA HANSEN HAS ROCKS IN HER HEAD (Middle-Grade Novel/Amulet Books, 2008), LOOK WHAT I CAN DO! (Picture Book/Abrams Books for Young Readers, 2013), and STORM SONG (Picture Book/Amazon Children’s Publishing/formerly Marshall Cavendish, 2013). Her stories, poems, and activities appear in Highlights, Highlights High Five, Ladybug, Babybug, and many other magazines. She is a member of The Authors Guild, the Society of Children’s Book Writers and Illustrators, and The KidLit Authors Club—a regional marketing group she started that consists of published authors who bring interactive book parties to bookstores, libraries, festivals, and conferences. For speed date: Children’s/YA.

*Marshall Warfield serves as a senior editor for the Painted Bride Quarterly.
He teaches courses in composition and creative writing at Drexel
University, where he also serves as a faculty reader and creative
writing workshop facilitator for the Drexel Writing Center. His own
poetry involves other artists; recent projects include collaborating on a
writing-focused interactive art exhibit entitled Resonance: speaking
for the arts and writing for the film Pines: a cinematic exploration of
the New Jersey Pine Barrens. His work has most recently been published
in Press 1. For speed date: poetry, memoir, essay.

Jerry Waxler M.S. teaches nonfiction writing at Northampton Community College, and is the author of the blog, Memory Writers Network, http://www.memorywritersnetwork.com/blog, which contains hundreds of essays, book reviews, stories, and writing prompts about reading and writing memoirs. Mr. Waxler is the author of two self-help books, is a director of the Philadelphia Writers Conference, and has taught and spoken about memoir writing at many regional and online writing groups. He has a Master’s Degree in Counseling Psychology.

*Sean Webb is an editor with Schuylkill Valley Journal. He  received an MFA from the University of Iowa Writers Workshop and has been recipient of numerous honors and awards for his work. His poems have appeared in many publications, including The North American Review, Prairie Schooner, The Seattle Review and Schuylkill Valley Journal. In 2005 he served as Poet Laureate of Montgomery County. For speed date: poetry

*Laura E. White is the managing editor of Rathalla Review, the Rosemont College MFA program literary magazine.  She is a first year MFA student in fiction and is working on her first novel. She recently attended the Southampton Writers Conference and the Iowa Summer Writing Festival.  She has a BA in English from Mount Saint Mary’s University and a Master of Social Service from Bryn Mawr College. For speed date: fiction

Anne Converse Willkomm obtained her M.F.A. in Creative Writing from Rosemont College, where she is currently the Interim Director of the Graduate Publishing Programs. In addition to directing the M.A. in Publishing degree and the Graduate Certificate in ePublishing, she also teaches writing in the undergraduate college. Her work has been published in Fiction 365, The Midwest Coast Review, The Medulla Review, Post Card Shorts, Sibyl Magazine, Suburban News, and on FlashFiction.net. Two of her longer works of fiction were twice named semi-finalist in the William Faulkner Creative Writing Competition.

NORA ZELEVANSKY’s writing has appeared in ELLE, SELF, InStyle, Town & Country, Style.com, the Los Angeles Times, the Washington Post, Salon.com, Vanity Fair online and Travel + Leisure, among others.  A born-and-bred Manhattanite, she now lives with her husband in Brooklyn, New York.  Semi-Charmed Life is her first novel.

Maybe my city is a jaguar

Inside the New Vegetarian restaurant there are New Vegetarians
congregating to sing the praises of five different kinds of pumpkin
or cherry pinot noir that tastes – mmmmm yes -while out by the alley

a banjo troupe from Baton Rouge makes the blues, one girl on a washboard
fingers like jaguars. Another squats, firm hands on the bowstring, plays
the water trough upturned like a lover. Her legs encircle that galvanized metal,

leaning hard against the brick of the New Vegetarian. She twangs and whoops
and mmmmm yes mixes with the winebreath from the crowd as The Jaguars play
faster now as spiced faces loiter, sway and sour under the platinum sky and

one woman, stringy grey hair, gathers up her fringed skirt, she skitters a jig,
with halter top slipping revealing gleaming that cascade of white, flesh
(and her hips like your mother’s). Some call her a cat. The band keeps playing.

You watch as the street, with its dingy look, gnaws on itself in the darkness.
And still, the woman, muttering "jaguar," and meaning the sensation
of a mouth cracking marrow or that near-suffocation.

Sierra Eckert is studying English literature and creative writing at Swarthmore College. Her poems have appeared in The Night Café and Small Craft Warnings. She has had three plays produced, and her original play, Dust of Babylon, was performed in the Washington DC Capital Fringe Festival July 2009.

Excerpt from Undeliverables: Prose poem postcards

Postcard unto a glint of lightspeed

Little pinprick, little leaklight: so much dissipates in the wake; so much accumulates in a delay. A wink become a nova become just another patch of darkness. The wind was up a little today and I was watching a flake of mica vibrate, a loose tooth-filling aching to free from igneous pebble, and its little dance was brighter than the sun – if reflected, if minuscule – and I was watching a single iridescent insect wing flashing rainbows, veined and brittle, a little plastic smudge of oil – the greedy vestiges of little black bulges that spin webs and crystals and leave them.

Jacob A. Bennett
lives and works in Philadelphia, where he teaches rhetoric, poetry, and
literature. Links to CV, other poems, and various well-intentioned screeds
published at: antigloss.wordpress.com

The Frost Line

This morning she was a meadow in frost.
I came from woods to find the field overwritten.
The small, faceless berries were fringed in white hair,
The honeysuckle spiked with cold pickers.
I walked across quickly, the sun balanced on my shoulder.
I slipped into the far woods.
On my return just thirty minutes later,
The frost line had receded,
The field restored to goldenrod and asters.
I wonder:
Were they true,
The words the field said to me
After the dawn,
But before the high sun
Rolled back the frost?
Scott Thomas has a B.A. in Literature from Bard College, a M.S. in
Library Science from Columbia University, and a M.A. in English from the
University of Scranton and is currently employed as a librarian;
specifically, Head of Information Technologies & Technical Services
at the Scranton Public Library in Scranton, PA. He lives in Dunmore, PA
with his wife Christina and his son Ethan. His poems have appeared in
Mankato Poetry Review, The Kentucky Poetry Review, Sulphur River
Literary Review, and other journals.

Oxford Circle Summer

The summer before you moved away
we played baseball til the lights came on
we sold ice water at the bus stop
and we made up our own language.

We played baseball til the lights came on
my knees were covered with scabs
and we made up our own language
it was too far to walk to the pool.

My knees were covered with scabs
and your mom hid her beer in a drawer
it was too far to walk to the pool
one day it was a hundred and one.

And your mom hid her beer in a drawer
one day it was a hundred and one
we sold ice water at the bus stop
the summer before you moved away.

Kathleen Shaw grew up in Northeast Philly during the 1960s. For twenty years, she has taught English at Montgomery County Community College in Pottstown.

Mother of Darkness

She is a wise old woman
with precise hands.
She is clever and slow.
She has all the time.

She is a wise old woman
who can hear perfectly.
She waits for me in a calmness
I can only imagine when I’m ill.
Then I hear her whispering.
She has a low whisper like branches.

She’s also a little crazy.
She takes off her shirt
in the lobby of the Time-Life building
and almost gets arrested.
She runs across rooftops on Forty-Fifth street,
spotting transvestites and pimps.
She hangs on the poles with them,
strutting in a short dress.

She takes showers and still smells
under the arms. She shaves
in the summer, wears flowered shifts,
and has her picture taken
with uptight young men who are skinny
and afraid of women.

And she gives out her number to people
she doesn’t know and makes them lose it,
and when they go to call her,
they feel secretly relieved.

She’s matchless on a pool table,
has every one of her teeth.
She’ll laugh at anyone’s jokes
even when they put their faces
up close to hers and smell of scotch.

She will accommodate.
Yes, she will accommodate.
She will slide around the kitchen
in slippers and not ever rattle
a pan, and you won’t hear the radio
station she plays, the morning talk shows,
because she plays them so low, they sound
like your own breath, in sleep.
Donna Wolf-Palacio’s recent book of poetry, What I Don’t Know, was published by Finishing Line Press. She received an MFA in Poetry from Columbia University’s School of the Arts. She has published and taught in Philadelphia and New York.

Toast On A Summer Afternoon

For Louis McKee

I ordered a Guinness and thought of you,
on the deck of The Inn at Jim Thorpe. It is August,
and the wind sighs a hint of fall. The scent of sage
drifts down the mountains and to the stone mansions,
to the Switch Back Railroad on the hill.

Here in Mahoning Valley at the bottom of a bowl of trees,
Sunday falls gently on my shoulders like late summer light,
here where the Mauch Chunk Creek secretly runs
below the streets, rushing all the way to the Lehigh River.

Somewhere in the woods I know the first curled leaf
is beginning to change. It has taken every ray of white sun it can,
and will take no more: it has held on for this very afternoon.
When autumn’s first chill steals down the valley, it will let go.

The afternoon light shifts on the wooden floor of the pub,
where men walked a hundred years ago, men with dark hair
and light eyes like yours, hearts burning hope
in a new land, hands full of black diamonds, lungs full of coal dust.

Maybe your ancestors and mine, these mining Molly Maguires,
their very lives owned by the Philadelphia & Reading Coal
& Iron Company. Innocents hanged for crimes invented by rich men,
lies spun to hold Irish mineworkers, to chain them to the land.

Their spirits haunt the old stone jail: Walk now, where their bodies
once swung before a crowd. Strange: the sound of bagpipes on the air.
Whispering voices rise from the dark earth, cry out from dungeon cells,
from collapsed tunnels far below. Their scattered bones
ache between coal veins and underground streams.

Today, I raise my glass to all of them. To you.
The Guinness is dark and strong. The froth soft upon my lips.
Sunlight warms my pale cheek, as the old clock tower,
in the center of town, tolls the hour.

Eileen M. D’Angelo, Editor of the Mad Poets Review,
has poetry and book reviews published, or forthcoming in, Rattle: Poetry for
the 21st Century, Manhattan Poetry Review, Wild River Review, Paterson Literary
Review, Drexel Online Journal, One Trick Pony, The Aurealean, HiNgE,
Philadelphia Poets, and others.

Bazooka Ways

One whiff of an open pack of baseball cards and I was hooked,
never to return to punks, pixie sticks and sen-sen. Mantle, Mays, God

they were good. A bubble was broken, the idea something was worth
saving had arrived, a sure sign the end had begun. I swallowed

my last wad of bazooka when I entered high school, tobacco burning
off the lingering scent of powder. I opened a bar in my mind, something

about the head of a beer first thing in the morning making everything
seem possible, repeating itself into promises only the night believes.

Fragrance has fathered more of my failures than I can count, other senses
somewhere in the stands. The complexity of sight and limits to touch were

no match. I learned to hear what I wanted to hear, if I could smell it
I could taste it. Now, almost sixty, what’s in the air comes and goes,

the breath of visitors to some famous landmark I erected myself—Home
of someone you never heard of
and who never heard of you.

George Bishop’s
latest work appears in NewPlains Review & Border Crossing. New work will be
included in Melusine and The Penwood Review. Bishop is the author of four
chapbooks, most recently "Old Machinery" from Aldrich Publishing. He attended
Rutgers University and now lives and writes in Kissimmee, Florida.

Jeanann Verlee, Sandy Crimmins Poetry Prize Winner

How will you be celebrating National Poetry Month this year?

I am taking part in National Poetry Writing Month (NaPoWriMo) 30 poems in 30 days challenge. This is my fifth year participating and I find it to be an excellent motivator. It pushes me to take ever-greater risks as the month progresses; I find myself trying new things, testing alternative entries into poems, discovering startling new voices. Additionally, on April 22nd at the Nuyorican Poets Café in New York City, photographer Jonathan Weiskopf and I (as editor) released the portrait and poem anthology, For Some Time Now: Performance Poets of New York City.

Your poem "Hereditary" just won the Sandy Crimmins National Prize for Poetry. Please explain the creative process you went through in writing it, why you chose to submit it, and what inspired you to write it?

Yes, I’m thrilled about the prize.

In writing the piece, I wanted to show variable manifestations of manic rage, and to blur the lines between the I, we, and she, so that landing on the mother-daughter relationship would be amplified. Titling came last, though its concept clearly drove the poem. Formatting this piece on the page took substantially more work than is typical for me. Most of my poems settle in to their form during initial drafts, but "Hereditary" underwent many shapes prior to landing at Philadelphia Stories.

Friend and colleague, Syreeta McFadden, notified me about the contest but my newer work (I had just finished compiling my second full-length manuscript) was locked up in submissions. While I make it a rule to never simultaneously submit poems, Syreeta convinced me to do so expressly for this competition. When "Hereditary" won, I had to scramble to pull the piece from another publication. I’m incredibly excited, and still in a fair amount of shock.

A longstanding theme in my work is the shame behind manic rage within manic depression – particularly its manifestation in women. Women are not allotted much forgiveness in violence; often expected to show quieter emotions. As such, shame is a pervasive function of the illness. I wanted to try to explore feminine rage without apology.

In an interview for HTML Giant by Roxanne Gay, you wrote that you enjoy the fact that your writing is never finished. What are the creative steps to feeling like one of your poems is ready to be shared with other people?

I try to come at each piece with the same careful attention. From conception to first draft, I work and rework: omissions and rewrites, rearranging lines and words, pushing toward risk, fine-tuning. I talk myself through each line, focus on how the reader’s eye is guided. Once I’ve worked a piece to the point I can no longer see the poem clearly/objectively, I ask for feedback from close friends and editors. Then I might dip the poem’s toes at an open mic, then more editors, then submissions, etc. I come back to the poem at each interval, working and tightening, looking for every loose cog, missed opportunity. Even still, after publication, I invariably find things I’d like to change or rework. Thus the concept, "never finished."

What ranges of political engagement and modes of resistance does writing/reading poetry offer you?

As both a liberal and a feminist, there is often a social/political undercurrent in my own work – regardless of each poem’s content. However, much of my newer work addresses a limited set of social issues, and as such, speaks to a rather finite audience (e.g., women facing the close of childbearing years, or individuals with manic depression). In that, I don’t know if my work can be perceived as "politically relevant" as it may have previously been.

Still, I’ve often asserted that to some extent all poems are both love poems and political poems. Poetry allows more (artistically) political freedom than, say, journalism. Meaning, poets can address a given politician without the rigmarole of trying to schedule a dialogue, or arguing fact-checkers, or navigating backlash counter-reports from the "other" guys (though response poems are fairly popular). Further, poets are not bound to journalistic rules of truth. If I want to stir Rush Limbaugh into a pot of vegetable stew, I can. I can relieve tortured baby Afreen Farooq’s suffering by turning her into a field of daffodils. I can imagine my way through anything and still keep my job. This (to me) means a wider scope of engagement and more fierce modes of resistance. Even if they are untrue in real-world terms, consumers of poetry recognize the intent.

In your experience, what are the pros and cons of getting published online versus in print?

Online publications are increasingly more popular as a matter of immediate gratification. Writers can post links to their poetry on websites/social media sites and get instant reaction from readers. I imagine there is also greater readership online-if for no other reason than the internet is vast and free. Print, however, still holds a certain esteem. Somewhere in all of us, we long for acceptance to that one special journal we’ve always coveted. There is no denying the excitement and pride of such an acceptance-and the later joy holding the issue in our own hands.

What drew you to live in New York City and how has it shaped you as a poet /person?

I wanted to live in New York City after my first visit at 5 years old. I was in awe of the vibrancy-a city so wholly alive. I finally arrived years later, primarily in pursuit of theatre, which I eventually abandoned. Coming out of the dark side of a divorce, among other things, I landed back in the lap of poetry. Only then did I realize it had been nearly a decade since working on my own writing. I immersed myself in various writing communities across the city, participating in workshops and open mics, and (though I originally resisted the game) poetry slams. I’ve been lucky in my involvement with the poetry community in this city; I have access to a broad network of artists and am continually challenged by incredibly talented writers and editors. New York makes me work harder.

What was your favorite band in seventh grade?

GBH. (http://gbhuk.com)