Memoir Excerpt: The White Deer

I can’t exactly say why I went to church on Saturday for the five o’clock mass, but that’s just what I did. I don’t know why that feels like I’m confessing to some dirty impulse–maybe it’s just that I’m still drawn to the liturgy–the music, the patterns of it–in spite of my exasperation with the Church. I hadn’t gone to church by myself since my teens, and as I walked into the sanctuary, I thought, okay, I’m home. When I’m with someone else–for Christmas Midnight Mass, or a funeral–I usually feel some tug of loss, a loss I can’t quite explain. But not this time. Maybe it helps that the church is a progressive church–many gay and lesbian parishioners, people of all ages and nationalities. Think of it as a Unitarian Church–but with communion. 

I’m usually not so big on homilies. I usually think of that as the time when the celebrant makes meaningless noises in order to fill up some space; time to look at the songbook, but this was different. He was talking about hospitality–what does it mean to welcome the people we love? I was thinking on that, my arms outstretched on the back of the pew, when a line of his jumped out at me: "The closer we get to someone, the more we must stand humbly before his freedom." Every molecule in me was turned to him. He said it once more, as if he wanted it to sink in. "The closer we get to someone, the more we must stand humbly before his freedom." What on earth could such a thing mean?

Later that night a friend told me about a white dog showing up at another friend’s house. The other friend looked at the dog’s tags–the address was three miles away, all the way on the other side of town. There were fireworks in town, extravagant fireworks, and it was likely the dog had run across woods, marshes, highways to get to the friend’s house. The friend looked out the door and saw what she thought was a white deer. But it wasn’t any white deer. It was a dog, a white fluffy dog, who walked right into her living room and dining room, muddy paws and all. The dog looked around a bit, submitted to the friend’s petting, then slumped, turned on his side and fell asleep.

The friend called the numbers on the dog’s tags. No one answered at the numbers. The friend left a message, and when she didn’t hear back after a while, she started to get suspicious. Maybe the dog was hers, the mystery beast coming up the street in the dark, out of the briars, the woods.

The next day the phone rang. A terse, gruff boy on the line, and the story comes darker, clearer. The dog’s human, his protector, his mother, drowned in the pool the night before. Did the dog see it happen? Did the dog jump in the water after her, try to rescue her? Was it a suicide, a heart attack, a slip off the side while she was heading back into the house with armful of dry clothes? The friend didn’t feel she had the right to such questions, but she did ask the boy–the woman’s daughter’s boyfriend–if he’d be willing to let the dog stay with her for a while. "He seems so comfortable here," she said. And the boy agreed to that, if reluctantly. And who could blame the friend if she started to make plans, if she thought about driving to the store for dog food. Life with the white dog, the white deer–and wasn’t she already relieved that she had a reason to keep herself from going so many places? A root in her midst. Finally, after so much running around.

I suppose I don’t need to say that the family wanted the dog back the next day. I suppose I don’t need to say that the friend was inconsolable, as the dog jumped in the back of the family’s car, so grateful to be back with his familiars. Of course his mother wouldn’t be there at the house when he jumped out of the car, but he didn’t know that yet. And all the losses of the friend rose up before her like ghosts turning to flesh, needing to be dealt with.

"The White Deer" is from a memoir-in-progress tentatively titled, I’D SURE LIKE TO SEE YOU, and first appeared in the online literary journal Sweet.

Paul Lisicky (www.paullisicky.com) is the author of Lawnboy, Famous Builder, and the forthcoming books The Burning House (2011) and Unbuilt Projects (2012). His work has appeared in Ploughshares, The Iowa Review, StoryQuarterly, The Seattle Review, Five Points, Subtropics, Gulf Coast, and many other anthologies and magazines.

Night Diving

             No wheels, no license, no ability to drive – I’m  a little hesitant, a little ashamed. I pause for a two-beat before I dial Ursula to [img_assist|nid=6462|title=Flight of the Spirit by Donald Stephens © 2010|desc=|link=node|align=right|width=200|height=303]arrange our weekend together. She’s a teacher and single mother in Pottstown, I’m a late-thirtyish man living at my Granny’s Drexel Hill Tudor-style house. During this pause, I’m sitting at my adapted computer, my finger poised over my phone’s Velcro-marked Five button. I feel like I’m the sighted adolescent again, standing at a mall payphone, arranging a pick up.

 

            The adult me pushes through, and dials. But I don’t get Ursula. It’s her daughter.

            "Hi, is your mom home?"

            "Stop making that funny voice," Ursula’s daughter says, right away without a "howdy-do."

            "Is your mom home?" I repeat in my higher-pitched "everything is okay kid" voice.

            "Stop that," the girl shouts. "Daddy, stop talking like that!" Then slam. Dial tone.

            My chair creaks under me as my heart becomes all inaudible bass beat. I fidget with the phone cord, then work at disentanglement. I fill the silence with a movie image.  Today it’s Big, and Tom Hanks is hoofing "Heart and Soul" on the oversized walking piano. How many takes were there? Did he break a sweat?

* * *

             It’s the weekend and Ursula gathers me from the Reading bus station. We drop off my bags at her place, then take a walk through her neighborhood. As we stroll, my ears tell me what my eyes would. Traffic is infrequent, sound is sponged up by lawns and bushes,  the stationary eloquence of a robin several stories above me hints at tree heights.

            We head uphill, past the pools, and to the pond, circle it at leisure with my hand resting on her right shoulder for guidance. I hold my white cane upright, dandy-style in my free palm. Ursula pulls me aside when we meet an oncoming couple who haven’t done the white cane and black glasses math.

            "We’re coming to a footbridge," she says. "No rails."

            I scrutinize her tone for weariness or resignation. I still can’t figure if I’m man or encumbrance to her. Her divorce is not final and I fear I am a cliche in tennis shoes — the Transitional Man.

            A brush of her long hair against my arm tells me she’s turned her head away. I Photoshop her locks day-glo apricot to contrast her picket-fence spirit. Only, I’m thinking about the steady quiet of her neighborhood, its pond, its pools, the nearby market. I could easily tap-tap-tap along the pickets, as well.

            There’s the faintest of paddling noises from the water. I’m sure there are duck feet, upended, as a Mallard goes under for a morsel.

            "Still going swimming tomorrow?" Ursula asks.

* * *

            While she’s in the kitchen drawing up a shopping list, I’m out of the way, in the bedroom, attending to medical concerns. Diabetic, I test my blood sugar, the meter counting down aloud and voicing a number I’m satisfied with. It’s time for my afternoon meds, so I take the four anti-rejection transplant pills, the pair of blood pressure, the anti-nausea pill.

            Ursula calls out, "Can you think of anything besides soda and chicken you want?"

            "Strawberry Pop Tarts. The glazed kind, please." They are my current form of emergency sugar. But still, I blush.

            Before she leaves, Ursula refreshes my memory about the stairway threshold and projecting TV shelf. She grabs her keys, says, "I have to stop at my husbands with my daughter’s schoolbag." The door closes behind her. It’s not long before the stillness conjures the creepy twin girls from The Shining.

* * *

            We wait for the senior citizen hour at the lap pool because the main pool is a mined bay of bobbing children in nosecoat and water wings ready to sink my ship.

            "Marco!"

            "Polo!"

            Ursula gives me a quick description of the layout, and then I’m swimming, first time in the dark. Splash splash, then a little bit of a crawl, and then I’m going freestyle. I bump into walls and tangle myself in lane dividers. But this isn’t good enough.

            Hand out, I trace my way to the ladder. Once I’m up, Ursula walks me around to the deep end and sets up her towel. I perch on the coping, work up nerve, then jump. I try to go coast-to-coast underwater, and put my hand up to meet wall. I fall short the first dozen tries. This game still isn’t good enough, though. I encounter my first flotation worm and get ideas.

            The Styrofoam worms are a little shorter than my white cane, but when I’m up and poolside I find I can hold them ski-pole style and make it to the diving board.

            Once up, I edge cautiously past the handrails. Tap with the left pool toy. Tap with the right, then another tap ahead to discern my placement on the board. I don’t want to pitch forward unprepared.

            I find the end and ready myself. Ursula, poolside,  and a senior couple treading in the water, wait in sparkly daylight. This is not nighttime, shades drawn, lights out. My body is exposed, on display with my shrunken eyes, my transplant scars, my insulin injection bruises. I am a Google map of doctor visits and hospitalizations, Hinting at many more unpaved miles ahead. Is Ursula up for that trip?

            I am eager to dive. But my mind conjures a dry excavation in front of me. Then, the crypt full of snakes from Raiders of the Lost Ark. Next, a chamber filled with a thousand armed Chinese terra cotta soldiers.

            "Are you watching?" I ask.

            "Go ahead," Ursula says, and the words hang in the air. I picture her floating as well, Chagall-like, five feet over cement pool deck. "Just go."

            Finally, I toss the worms into the pool.  I trust there will be water, soft and buoyant, to catch me as I leap.

Sean Toner’s essays have appeared at webdelsol.com, perigee-art.com, and in Opium Magazine (where he’s twice been a finalist in their 500-word memoir contest). His CNF also appears in the Book of Worst Meals from Serving House Books. Sean is a former vice president of the Philadelphia Writers Conference and was chair of its Free Forums at Drexel University. He earned his MFA from Fairleigh Dickinson University in 2006 and lives in Bryn Mawr, PA, with the writer Robin Parks. Sean has been sightless since 1995 and is a public speaker about disability.www.seantoner.com

The Baby

As I turn 38 and keep stocking drawers full of dreams and half-completed projects, I’m pushing forward with one big initiative: I’m having an imaginary baby. Why not? My friend Laura and I share imaginary cocktails via instant messenger at work. I talk to my guardian angel a lot (if shadows are angels). I sometimes comfort myself with the idea of alternate universes where I’m adored and published, or in prison, maybe all of these. 

Reasons why I want this baby: 1) I’m selfish. 2) My routine bores me. 3) Imaginary babies are less creepy than imaginary boyfriends. 4) I’m pretty sure I have really good advice to give. Unlike the dreamy-eyed hippies I got for parents, I will be candid. Here’s the set up: each family is a mini kingdom uniquely composed of demanding princesses with half-baked ideas about ruling. Every time you leave the house, you run into princesses who refuse to admit their titles, but like to pull rank. The important thing to remember when dealing with royalty is that there is protocol. Like any good tourist, you must observe the customs to the best of your ability and when committing a faux pas, remain polite. The other good bit of advice: It’s okay to go to bed drunk without brushing your teeth. I’m having this child because I’ve earned it—the search was long and arduous—because I’ve found the right child for me, and because it makes the commute to work that much more pleasant.  And finally, because my child is fun and has good ideas.

Before my plan was formulated, my baby was hard to find. I looked for the baby in the eyes of men, sometimes in the eyes of women, but I did not find my baby. I only knew its ghostly absence in my arms weighing on me. I clutched a gaping space, not in my body, but on my body. Full of the absence of the baby I didn’t have, I carried the emptiness around like an  invisible baby front pack—you’ve seen them.  They’re called Baby Björns, by the way.

I’m an accomplished singleton: I make and eat delicious food alone. I’m an expert at solo lovemaking. I’m not an imaginative daydreamer, but I am close to my heart’s desires.  My heart is full of invisible people — the friends and family I bring with me everywhere I go, inspiring authors and heroes whom I love, the half-baked crushes that add intrigue to my daily life. They are a rich society that is known only to me, part anchored in the world, and part whispering wishes.

The real world is, well, tangible, and quite demanding. Case in point, my friends’ lively offspring whose charms have matching drawbacks—like the bossiness and the tears, and the abundant curry-colored shit overflowing the diaper and dripping onto the carpet. These are drawbacks I would only dream of tackling in a team formation. Thus my baby, imaginary, and loaded with optional features tailored to my lifestyle. No curry-colored shit for me.  I won’t deny that I long for the body warmth of a real baby, but for now, I will be satisfied with this: My baby tells me stories to put me to sleep at night and holds my hand when I cross the street, but walks at my pace and I don’t pack a stroller. This is ironic because I lust for the big-wheeled strollers ambitiously fit parents run behind. Just cause they look so sporty and nurturing, simultaneously. 

My baby wasn’t born all at once. Or rather, she has been born often and dissipates back into star-stuff as needed. This process, like the singing of a song, is repetitive and allows for fine tuning or the universe’s baby-sitting, depending. She’s kind of a lease baby, but these are advantageous terms. She’s sleek and plush, and shape-shifty, like a dream car or a good pet rolled into one. But human. Making an alien would be too weird.

What’s nice about parenting is that there are no licenses and no tests, it’s your business until it becomes the state’s. You can fuck up just until the damage is so extraordinarily obvious that law obliges third parties to call in licensed professionals. Abuse notwithstanding, what scares me about parenting is that there are always plentiful bystander judgments. You’re being observed, and you are found wanting. More than usual, I mean.

Thus again, imaginary baby. Who never cries herself to sleep.

The baby doesn’t have a real name yet, but that’s her doing. She’s to pick out her name.  She likes to change them up. Today she’s Roujika, but I bet she’ll go back to something a little less interesting in a few days. Emma seemed to stick for a while. I sometimes wish I had a boy so I could call him Rafael. I’m a sucker for Italian boy names.  But I really wanted a girl. Girls are easier, and I can relate. I’m not sure what I would tell a boy. I’d cram his head full of feminist ideas, encourage him to read books– he’d be reviled by jocks.  It would be tough going.

Obviously, I haven’t fully imagined my baby yet. Most parents enjoy a minimum of nine months to accustom themselves to the notion of parenting. So I’m taking my time getting to know my baby. For example, I’m pretty sure that my baby is a good sleeper like me, not an early morning person, but a child that likes the smell of coffee. Specifically I start the day in a leisurely fashion. My child only wakes once I have drunk one full hot cup of java.  A friend suggested that I have a baby whose nostrils, when I squeezed the baby’s head, produce coffee. Now that’s monstrous. I’m not looking for a coffee maker. I have a coffee maker. 

Having my baby wasn’t so hard. There was no need to locate an inseminator, no need for a pre-baby diet, special baby vitamins, or post baby regimen. No need to think about the sad fate in store for my breasts, inflating and deflating, sucked dry. My baby is body friendly. No c-section about it.

Ponder the word delivery. Delivery is a strange, ominous word. It implies imprisonment or the arrival of packages that require a signature. Your body is to deliver the goods, the giant, multi-pound, independent mechanism that wants you to spend all your money on its education.  Luckily, I have no educational costs, I home school my baby while I work.

The day, as I said, starts with coffee. We take a shower, the baby scrubs my back, and I help her shampoo. We moisturize. I get dressed on my own. The baby draws the clothes she wants to wear that week, they materialize, she puts them on, and we have a fashion show. Sometimes I suggest alternate colors or fabrics, but, by and large, we agree.  This takes place on Sundays; I don’t have time the rest of the week.  On Mondays, the baby helps me with my commute; she holds my bags and we comment about the people on the trolley: their weird hats, their unfortunate lipsticks, their sleepy eyes. We wonder what their professions might be. My baby girl, she wants to be an archeologist or a dentist—precision instruments for cleaning either way. She doesn’t get that from me. I suck at cleaning.

Once I get to work, the baby plays with my feet while I check my email. She sings songs, and draws, and generally has a good time ripping paper all day. When I need a break, or when I feel overwhelmed, we take five minutes and she holds me close and pets my hair.  At lunch, I tell her stories, other jobs, other places I’ve been. She likes it when I talk about Hong Kong. We agree it’s a cool city. At 3 p.m., I riffle through my candy drawer and the baby gives me looks because she knows I’ll complain about my thighs eventually. Luckily the baby doesn’t have much of a sweet tooth which is convenient when I’m sneaking chocolate and don’t feel like sharing. I don’t like saying no to her, so that works out. 

I haven’t introduced her to my coworkers. They might be alarmed that she’ll distract me or lower my productivity. In fact, it’s just the opposite. I work harder when the baby’s around-it’s easier to do things for someone else. I am working hard and saving up for vacation. I can’t wait to show her the world.

After work, we walk home together and enjoy the changing seasons.  There’s no fighting at bath time, and she likes to go to sleep early in the evening. Before I make dinner. She’s easy going. If I go out for drinks after work, she’ll let herself into the apartment, eat a little something and go to sleep on her own. The universe turns out to be a generous neighbor– It’s always Saturday night, and the universe is always available, knows infant CPR, and doesn’t eat my food or make prank calls from my landline.

This leaves me with a lot of time for dating, which apparently I should put more energy into. So she tells me, the baby, not the universe. 

Sylvie Beauvais received her Master’s of Liberal Arts in Creative Writing from the University of Pennsylvania in 2004. Her novella, Fly, Rapunzel was a finalist in Low Fidelity Press’s 2006 Novella Award Contest. She has been a writer and editor for start-ups and non-profits, but is now focused on publishing her fiction, non-fiction, and poetry.

Whore Tie

My grandfather’s name was Efthimios Vasilios Patouhas, but I called him Papa.  As a toddler I could only manage to spurt out [img_assist|nid=6105|title=The Open Doors by Brian Griffiths © 2010|desc=|link=node|align=right|width=167|height=250]the first syllable of the Greek word for grandfather, pappou. The repeated pa, pa, pa eventually became Papa.  I’m nearly four years older than my next sibling and decades older than some of my cousins, so the name stuck long before any of them came along.

   Every summer, Papa went back to Greece to run his bar.  He spent the winters living with Angie, his youngest daughter, in a trailer park off of Route 70 in Pennsauken. As a kid I would sleep over there, falling asleep watching old movies with my aunt. In the morning, I’d wake up to Papa and Angie whispering, so as not to wake me, and the smell of scrambled eggs and English muffins.

   “You’re too skeeny,” Papa would say through his thick Greek accent.

   I ignored him, in order to act offended, but then got myself to the table for my breakfast.  When I was chowing down, Papa’s complaint would change.

   “They don’t cook for you at home? Eat, eat. Bravo, bravo.”

      When he died in November 2006, I couldn’t attend the funeral, because it was in Greece and I was 7000 miles away, in New Jersey, in the middle of the school year, teaching “The Odyssey” to ninth graders. Logistics, like time, money, and distance kept me from a farewell. It was all for the best though, because I wanted to remember Papa in my own way.

    A few weeks after his death, when I talked to my Aunt Angie on the phone from Greece, she said, “When you get here you can look through his jewelry box.”

   “I only want the tie,” I told her. I didn’t have to explain which one I meant.

   “Okay, it’s still hanging in his room.”

   For two more years, until I could get to it, the tie hung on a hook in his room with all the others At last, in 2008, I boarded the plane for six weeks in the Mediterranean sun with only a long narrow piece of fabric on my mind. The thirteen hour trip exhausted me. I wanted nothing more than to collapse on the lumpy bed in the house that Papa had built but my mother and her siblings now owned. But not before going into Papa’s room to retrieve the tie.

   From the cool of the dark long windowless hallway I knocked tentatively on his closed bedroom door as if he were still in there. I opened it and looked in. I wasn’t ready to study the pain of the room just yet. I only wanted my souvenir of his journey. I opened the door further and saw the hooks full of ties by the master suite bathroom door. There on top was the tie, my tie, the one I was after.  It hung so neatly and was still knotted as if Papa had loosened it from around his neck, pulled it over his head, and hung it there the night before.

   I grabbed it and pulled it over my own head and retired into the adjacent room. I slept carefully, so as not to undo his handiwork.

   Efthimios was born the fifth child of eight in a rustic mountain village in December 1938. He was an identical twin, but he was unlike any of his siblings. He had a wandering and wondering spirit that lead him at the age of fifteen, to traverse 20 miles of dirt road that wound down through evergreens and Cyprus trees to escape the andartes, the Communist rebels who were stealing children from their homes to fight civil warfare among the rocks of the motherland.  By foot, by bus, by boat, by the grace of God he made it to Wilmington, Delaware and became an American, Tom Patouhas.

   During the day, he loved everything about being an American, especially the work and the money. He worked his way up and down the country from Delaware to Tennessee to Florida to Ohio. It was while working at Libbey Owens Ford Glass Manufacturing in Toledo, Ohio that he met Simela Spirides. In the 1960’s and ‘70’s, he was a short version of Errol Flynn with a mustache, and he always wore a three-piece suit when he went out. That’s probably why Simela, on first seeing him, told her girlfriend that she was going to marry him. She did and they soon had three kids. The first was my mom.

   During the night he liked everything about being Greek. Smashing plates, dancing on tables, and drinking until he felt like smashing plates and dancing on tables. He loved his “Johnny Walker with a splash of Coke”, smoking a half pack of cigarettes in half an hour, and laughing his wheezing squeezed-lung laugh at dirty jokes. This may be why he and my grandmother divorced after five years.  She later joined a convent.

   In 1996, when I turned twenty-one, I hung out at the same bar Papa did. It was the only bar in South Jersey that played Greek music, so all the Greeks gathered there to smoke and drink and break things. I worked full time, studied at college full time, and partied full time. Weekends began on Thursday at 10 p.m., Greek Night, at the 70 West Bar and Lounge, and ended Sunday, at 4 a.m., in the adjacent diner, with pancakes and eggs for breakfast.

   Papa bought me my first legal drink.

   “What you have?” he leaned in and asked over the blaring belly dance music cut with a techno beat.

   “Ummm.” I looked at the waiting barmaid, completely lost.

   “Johnny Walker with a splash of Coke, hun,” he said to her. “You drink whisky, no bad shit,” he said to me.

   My drink was delivered right to my hand. He lifted his and we toasted Yiamas!, to health. I lifted the short stout glass to my lips and swigged a few gulps. The liquid ran through me,  marking a path like a brushfire from my tongue to my stomach. For a second, I felt faint.  I swayed enough to put the glass on the counter. in case I dropped to the floor, but I recovered almost instantly.

   “Yeah?” Papa caught my attention out of the blaze in my brain.

   I turned up a weak smile, “It’s good.” I said,  and promptly left the drink on the bar to go dance and sweat out the flames.

   The Christmas I bought him the tie, I was working as a cashier in an expensive women’s undergarment chain that used to be classy before it became campy. I worked, cascading small, medium, and large undies into panty table waterfalls and layered the sleeves of fuchsia ostrich feather robes as they hung from padded hangers. I kept myself motivated through the late winter work nights by saving every penny to buy my summer vacation in the Greek sun.

   Two weeks before Christmas, the company that owned my store gave us a 40% off discount throughout all its stores. Since the conglomerate owned three-fourths of the mall, I was set to get some decent gifts at reasonable prices.

   By then, in his sixties, Papa still wore a three-piece suit when he went out to the bar. Usually, it was a tan ensemble – jacket, pants, and vest. I figured a smart tie would be the perfect gift to go with his pressed shirts, but I struggled picking it out. The sales guy hovered over me as I touched the silk of each tie on display and scrutinized the individual designs. Finally, I chose a tan one with a design of inch-high rectangles that had binoculars, lanterns, or four tiny license plates with horizontal or vertical striped backgrounds. I chuckled about the binoculars. Papa used a pair to watch pretty girls on the beach,  from the balcony of that home he’d built in Greece, with all those American dollars he’d made. I picked out a tan pair of socks and was done for that season.

   Christmas at my parents’ house was always a big deal. We had to all get dressed and wait for my grandfather and aunts and uncles to show up before the gift exchange could begin. That year I was sure everyone would love what I’d gotten them. It was my first real job and the real  money I’d ever had to spend on gifts.  I’d gone all out, or as far out as my budget allowed. Papa strolled in with my Aunt Angie and us five kids and my parents settled around the living room close to the tree to hand out packages.

   Papa had a system to his unwrapping. He made two piles, one to keep and one to return. There was no polite pretending he would use the electric toothbrush or the back massager. He held them aside so he could give them back to you to exchange at the store yourself. I worried the tie would end up in his reject pile.

   He unwrapped the socks first.

   “Oh, these are good. These are nice,” he said showing them to everyone in the room.

“Look, they’re the kind that won’t cut off my circulation.” 

     I beamed. “I got them at the mall,” I said.  “Now open this one, too.”

   “Oh, more for me?” He tore the paper from the box and lifted its lid. He nodded more approval. “It matches the socks,” he said holding them up next to each other. Both were placed in the “keep” pile.

   I was proud that my hard work and hard earned money had garnered such a fine gift.

   Weeks later, deep into the new year, I came home from a class to find Papa drinking coffee with my mother in her kitchen.

   “You know that tie you got me for Christmas?” he asked as I walked in and unloaded my book bag.

   “Yeah,” I half-listened as I rifled through the cabinets for a snack.

   “It’s my whore tie,” he said.

   “What is it?” I asked peeking out of the cabinet.

   “My whore tie.”

   “Why?”

   “Because, when I wore it to the bar, all the whores came around me.” He wheezed out that hysterical asthmatic laugh and exposed the gold that replaced his upper right canine tooth.

   That’s the Papa I remember when I see the tie, his whore tie, now hanging on an antique hook by my own bed, knotted still, exactly as it was when he last put it around his collar and headed out to the bar.

Elaine Paliatsas-Haughey is a writer of small important things and a teacher of small important people. She is grateful for a story-rich family, Michael, and the Rowan Writing Program. “Whore Tie” is dedicated in memory of Efthemia.

The Baby

As I turn 38 and keep stocking drawers full of dreams and half-completed projects, I’m pushing forward with one big initiative: I’m having an imaginary baby. Why not? My friend Laura and I share imaginary cocktails via instant messenger at work. I talk to my guardian angel a lot (if shadows are angels). I sometimes comfort myself with the idea of alternate universes where I’m adored and published, or in prison, maybe all of these. 

      Reasons why I want this baby: 1) I’m selfish. 2) My routine bores me. 3) Imaginary babies are less creepy than imaginary boyfriends. 4) I’m pretty sure I have really good advice to give. Unlike the dreamy-eyed hippies I got for parents, I will be candid. Here’s the set up: each family is a mini kingdom uniquely composed of demanding princesses with half-baked ideas about ruling. Every time you leave the house, you run into princesses who refuse to admit their titles, but like to pull rank. The important thing to remember when dealing with royalty is that there is protocol. Like any good tourist, you must observe the customs to the best of your ability and when committing a faux pas, remain polite. The other good bit of advice: It’s okay to go to bed drunk without brushing your teeth. I’m having this child because I’ve earned it—the search was long and arduous—because I’ve found the right child for me, and because it makes the commute to work that much more pleasant.  And finally, because my child is fun and has good ideas.

Before my plan was formulated, my baby was hard to find. I looked for the baby in the eyes of men, sometimes in the eyes of women, but I did not find my baby. I only knew its ghostly absence in my arms weighing on me. I clutched a gaping space, not in my body, but on my body. Full of the absence of the baby I didn’t have, I carried the emptiness around like an  invisible baby front pack—you’ve seen them.  They’re called Baby Björns, by the way.

I’m an accomplished singleton: I make and eat delicious food alone. I’m an expert at solo lovemaking. I’m not an imaginative daydreamer, but I am close to my heart’s desires.  My heart is full of invisible people — the friends and family I bring with me everywhere I go, inspiring authors and heroes whom I love, the half-baked crushes that add intrigue to my daily life. They are a rich society that is known only to me, part anchored in the world, and part whispering wishes.

The real world is, well, tangible, and quite demanding. Case in point, my friends’ lively offspring whose charms have matching drawbacks—like the bossiness and the tears, and the abundant curry-colored shit overflowing the diaper and dripping onto the carpet. These are drawbacks I would only dream of tackling in a team formation. Thus my baby, imaginary, and loaded with optional features tailored to my lifestyle. No curry-colored shit for me.  I won’t deny that I long for the body warmth of a real baby, but for now, I will be satisfied with this: My baby tells me stories to put me to sleep at night and holds my hand when I cross the street, but walks at my pace and I don’t pack a stroller. This is ironic because I lust for the big-wheeled strollers ambitiously fit parents run behind. Just cause they look so sporty and nurturing, simultaneously. 

My baby wasn’t born all at once. Or rather, she has been born often and dissipates back into star-stuff as needed. This process, like the singing of a song, is repetitive and allows for fine tuning or the universe’s baby-sitting, depending. She’s kind of a lease baby, but these are advantageous terms. She’s sleek and plush, and shape-shifty, like a dream car or a good pet rolled into one. But human. Making an alien would be too weird.

What’s nice about parenting is that there are no licenses and no tests, it’s your business until it becomes the state’s. You can fuck up just until the damage is so extraordinarily obvious that law obliges third parties to call in licensed professionals. Abuse notwithstanding, what scares me about parenting is that there are always plentiful bystander judgments. You’re being observed, and you are found wanting. More than usual, I mean.

Thus again, imaginary baby. Who never cries herself to sleep.

The baby doesn’t have a real name yet, but that’s her doing. She’s to pick out her name.  She likes to change them up. Today she’s Roujika, but I bet she’ll go back to something a little less interesting in a few days. Emma seemed to stick for a while. I sometimes wish I had a boy so I could call him Rafael. I’m a sucker for Italian boy names.  But I really wanted a girl. Girls are easier, and I can relate. I’m not sure what I would tell a boy. I’d cram his head full of feminist ideas, encourage him to read books– he’d be reviled by jocks.  It would be tough going.

Obviously, I haven’t fully imagined my baby yet. Most parents enjoy a minimum of nine months to accustom themselves to the notion of parenting. So I’m taking my time getting to know my baby. For example, I’m pretty sure that my baby is a good sleeper like me, not an early morning person, but a child that likes the smell of coffee. Specifically I start the day in a leisurely fashion. My child only wakes once I have drunk one full hot cup of java.  A friend suggested that I have a baby whose nostrils, when I squeezed the baby’s head, produce coffee. Now that’s monstrous. I’m not looking for a coffee maker. I have a coffee maker. 

Having my baby wasn’t so hard. There was no need to locate an inseminator, no need for a pre-baby diet, special baby vitamins, or post baby regimen. No need to think about the sad fate in store for my breasts, inflating and deflating, sucked dry. My baby is body friendly. No c-section about it.

Ponder the word delivery. Delivery is a strange, ominous word. It implies imprisonment or the arrival of packages that require a signature. Your body is to deliver the goods, the giant, multi-pound, independent mechanism that wants you to spend all your money on its education.  Luckily, I have no educational costs, I home school my baby while I work.

The day, as I said, starts with coffee. We take a shower, the baby scrubs my back, and I help her shampoo. We moisturize. I get dressed on my own. The baby draws the clothes she wants to wear that week, they materialize, she puts them on, and we have a fashion show. Sometimes I suggest alternate colors or fabrics, but, by and large, we agree.  This takes place on Sundays; I don’t have time the rest of the week.  On Mondays, the baby helps me with my commute; she holds my bags and we comment about the people on the trolley: their weird hats, their unfortunate lipsticks, their sleepy eyes. We wonder what their professions might be. My baby girl, she wants to be an archeologist or a dentist—precision instruments for cleaning either way. She doesn’t get that from me. I suck at cleaning.

Once I get to work, the baby plays with my feet while I check my email. She sings songs, and draws, and generally has a good time ripping paper all day. When I need a break, or when I feel overwhelmed, we take five minutes and she holds me close and pets my hair.  At lunch, I tell her stories, other jobs, other places I’ve been. She likes it when I talk about Hong Kong. We agree it’s a cool city. At 3 p.m., I riffle through my candy drawer and the baby gives me looks because she knows I’ll complain about my thighs eventually. Luckily the baby doesn’t have much of a sweet tooth which is convenient when I’m sneaking chocolate and don’t feel like sharing. I don’t like saying no to her, so that works out. 

I haven’t introduced her to my coworkers. They might be alarmed that she’ll distract me or lower my productivity. In fact, it’s just the opposite. I work harder when the baby’s around-it’s easier to do things for someone else. I am working hard and saving up for vacation. I can’t wait to show her the world.

After work, we walk home together and enjoy the changing seasons.  There’s no fighting at bath time, and she likes to go to sleep early in the evening. Before I make dinner. She’s easy going. If I go out for drinks after work, she’ll let herself into the apartment, eat a little something and go to sleep on her own. The universe turns out to be a generous neighbor– It’s always Saturday night, and the universe is always available, knows infant CPR, and doesn’t eat my food or make prank calls from my landline.

This leaves me with a lot of time for dating, which apparently I should put more energy into. So she tells me, the baby, not the universe.  

 

 

Sylvie Beauvais  received her Master’s  of  Liberal Arts in Creative  Writing from the University of Pennsylvania in 2004. Her novella, Fly, Rapunzel was a finalist in Low Fidelity Press’s  2006  Novella  Award Contest.  She has  been a writer and editor  for  start-ups and  non-profits, but  is now focused on publishing  her fiction, non-fiction, and poetry.Sylvie Beauvais  received her Master’s  of  Liberal Arts in Creative  Writing from the University of Pennsylvania in 2004. Her novella, Fly, Rapunzel was a finalist in Low Fidelity Press’s  2006  Novella  Award Contest.  She has  been a writer and editor  for  start-ups and  non-profits, but  is now focused on publishing  her fiction, non-fiction, and poetry.

Bunker

Everything still worked that morning, one week into the New Year.  The automated elevator sang, "Seventh floor, good [img_assist|nid=5684|title=Portrait of a Landscape by Marc Schuster © 2009|desc=|link=node|align=right|width=188|height=251]morning!"  The keycard opened the office door.  Halogen yet buzzed like a life-support system.

Beside the copy machine sat a dumpster, old and dented, scratched with graffiti.  It would have looked at home in a refuse-swept alley running behind a row of cheap storefronts, an emblem of decay normally exorcised from any modern workspace.  Someone must have carted it in earlier that morning.  It was, as yet – I could not help but note – empty.

People were huddled in their offices, whispering.  They glanced up with intense faces, returned to private conversation.

This is it, I knew.  It’s happening today

The fax machine was warm, filled with copyright forms to be scanned, processed, filed, forgotten.  My computer turned on.  The password worked.   The inbox filled up with panicked e-mails from production editors waiting for the next issue’s line-up, authors demanding to know what had happened to their manuscripts, notes about upcoming meetings, projects which needed completing.  But all I could think about was that dumpster.

How would it come?  An e-mail?  A phone call?  A trusted friend stopping by?

Beyond the walls of my cubicle, a voice said, "Grace, may I see you in my office, please?"

Grace was a stalwart of organized chaos, surrounded by stacks of journals, calendars, catalogues of office supplies.  If the question began with, "How should I…?"  or "Who do I ask about..?"  The answer was always, "Ask Grace."

I heard Grace answer, "Sure," followed by the slow creak of her chair.

A moment later, an office door shut.

Everything that happens beyond my cubicle is faceless, without form.  Every day, there are private conversations, conference calls, inner-machinations, corporate politics.  I hear without listening.  They don’t know my name.  They don’t know I’m there.  Usually, I drown it out.  On this day, however, I find that I am hyper-aware.

“Diane, may I see you in my office, please?"

Diane, my God.  She’s the one who hired me.  She’d been in the business nearly as long as I’d been alive.  I caught a glimpse of her as she passed my cubicle, on the way to the back office.  She looked afraid, but also professional.  Professionally afraid.

The office door shut.

All morning, that was how it went.  Each time they were led past my cubicle, dead-man-walking style.

The only one who stopped was Carl.  He’d always been my favorite publisher.  He had one kid and another on the way.  He stood at my cubicle and announced, “Well, I got the e-mail!" all giddy with fear.

He told me everything he knew.  It’s not just Philadelphia, he said, it’s Baltimore.  It’s New York.  He gave me names, and the list kept going.

That afternoon, I got a sandwich from the Wawa down Walnut Street, and the man who took my money was in his fifties, well-groomed, well-spoken.  I could easily imagine him wearing a suit and tie, sitting in on board meetings.  Perhaps a month ago, he did.

Outside the entrance, a woman sat on the steps – no way to get around her.  The layers of jacket and sweatshirt, coat and sweater, made her twice as large.  She demanded a dollar, real indignant.

And what will I do when it’s me who has to beg? I wondered.  There’s a million end-of-the-world scenarios to choose from.  Nuclear annihilation is the big one, of course, humanity forced into underground bunkers.  I’d read all those books, watched all those movies.  But maybe we’re all just meant to slowly go mad, slowly starve, slowly horde until everything is depleted.

On the other hand, why not imagine more utopian scenarios, wherein we turn our parks into massive gardens, feeding our families with all the food we’ll grow?  We’ll use those green slips of paper – what in an earlier era had been known as “money” – to wallpaper our eco-friendly cob homes.  We’ll live in socialist collectives, contributing equally and singing Hosannas to the God who in His tender mercy allowed those corporate towers of Babel to crumble, so that a new world would rise based on love!

Either that or cannibalism, hard to say.

“Seventh floor, good morning!”

The dumpster by the copy machine was half-full.  Mounds of textbooks, folders, medical journals, pens, pencils, staplers, all thrown together in a bubbling cauldron, a button-down Oxford witch’s brew.

People were no longer huddled, no longer whispering.  They talked openly, stood around the proverbial water cooler.  For two years, I’d passed some of them in the halls and never known their names, but a demonic presence had been lifted, we could all feel it.

"It’s over, that’s what I heard," said one.

"They’re done."

"We’re safe."

Later that afternoon, Judy and I went outside to smoke a cigarette.  I hadn’t smoked in six months.  I called my wife and told her I was fine.  It was over.  For now, we were safe.  The relief in her voice made me want to cry.  Many phone calls had been made that day which had not brought relief.

My friend Saul once gave me some advice.  "You should be fine, Jon, at your level,” he said.  “Just don’t get promoted."

Blessed are we, the underachievers.

 

CLICK HERE TO LISTEN TO THE AUTHOR READ THE STORY.  

This one time in Tennessee, Jonathan Kemmerer-Scovner sang songs with Pete Seeger. Then, years later, found himself brushing snow from Kerouac’s grave in Lowell, MA, and thought to himself, What is this? Why am I here? This was not long after he had strolled nonchalantly into City Lights in San Francisco and the sudden sight of an aged Ferlinghetti nearly led him to void his bowels. Jonathan has this theory that everything is a story, all human expression a form of storytelling, something like that. It’s not very clear. Currently, he and his son make up stories together and tell them at the Glenside Farmer’s Market.

That Breathless Charm

His  periwinkle  shoes  have  a  texture that  suggests  the  skin  of  a  reptile. His  feet  are  long,  and  it’s  a  lot  of periwinkle  to  take  in  all  at  once, even with the considerable distraction of the powder-blue suit that hangs from his lanky  frame.   Loose  is how he  looks—confident, and ready to begin.

Introductions  have  been  made,  the dancers are positioned more or less evenly on the stage, and Miss Victoria is just now quieting  the  standing-room-only  crowd. The  music  begins  and  she  waits  a  few beats. “Five, six, seven, eight,” she breathes into  the  microphone,  and  twenty-eight feet burst into a foxtrot.  The auditorium erupts with cheers, applause and  shrieks. Cameras flash from every corner .   

Up on  the  stage,  I have  the advantage  of  seeing  every  dancer  at  close range, watching footwork fancy and not-so,  and  feeling  the  full  range  of  emotions—joy  through  angst—written  on the  faces  of  fourteen  underage  foxtrotters.    I want  to know who  to  thank  for the  brilliant  musical  selection,  Frank Sinatra’s  rendition  of  The Way You  Look Tonight, which is literally and metaphorically soaring over the heads of the ten and eleven-year-old dancers, as I swipe at tears and try to give all seven couples my full attention.  

Some girls are a foot taller than their partners, requiring  the boys  to  tilt  their heads at awkward angles to maintain eye contact and avoid staring  into  the budding breasts of classmates.  While some dancers blush, others can’t stop grinning. While some glide, others shuffle.  Some audibly  count  steps,  while others hum along to the music.  The boy  in blue  is one smooth dancer; the periwinkle shoes saunter through the slow steps and sprint through the fast ones.

Chicken wings up,  toes  facing  toes, look  like  you’re  having  fun.    For  ten weeks,  twenty  sessions  in  all,  they’ve heard  this  mantra  again  and  again. They’ve practiced  their  socks off  learning meringue,  rumba,  tango,  swing and foxtrot.   Fifth-grade boys and girls who wouldn’t  have  touched  each  other  in March now comfortably coax each other around the stage, most in nearly perfect time with  the music, hands  firmly gripping shoulder blades or lightly touching bra straps.  

It’s a warm May afternoon at the J.W. Catherine  School  on  the  southwestern edge of Philadelphia.  Many students in this school—like their counterparts from the  six  other  schools  represented  here today—live  at  or  below  the  poverty level.   Still, their parents have managed to dress them neatly, modestly, proudly for  this  special  occasion—the  2009 Dancing  Classrooms  Philly  Semifinal Competition.  

Ballroom  dance  instructors  have taught the children to behave like ladies and gentlemen, at least on stage; back in their seats, they’re far more exuberant as they  cheer  on  classmates  in  the  other dances.  Each team has a color, worn in wide sashes by the young ladies, spelled out on laminated sheets safety-pinned to the  backs  of  jackets  and  shirts  for  the young men.

I  wonder  where  that  boy  found  a dress  shirt  in  exactly  the  shade  (Flyers’ orange) of his partner’s sash.  I’m drawn to a skinny girl who looks like her grandmother  just  fixed her up  for church on Easter:  a simple dress with a hint of lace at the knees, tights and shiny shoes, all topped off with  a  thick,  knit  cape  that can’t quite  camouflage her bony  shoulders.  Every stitch of her clothing is snow white,  interrupted  only  by  a  red  sash. She’s not  the best dancer on  the  stage, but she’s clearly having fun.   

The students have been coached  to put  a  lot  of  hip motion  into  the  Latin dances, and they’ve taken this instruction to heart.  Parents all but swoon over the tango and gasp as their daughters mime sexy  moves  by  pulling  splayed  fingers back across their foreheads.  The rumba (or “roooooomba,” as Miss Victoria says) teams  really  sell  it.   Hips  in  every  size and shape sway, wiggle or jerk, displaying a vast array of abilities.  

The  auditorium  was  warm  even before  the  dancing  began,  and  now someone has flung open the doors at the back and  side of  the  room.   Neighbors poke  their heads  in  to  see what  all  the commotion is, then stay to watch as the swing teams kick up their heels to Hit the Road  Jack while  the  audience  belts  out the  lyrics.    One  dimpled,  dark-haired boy in a crisp tan shirt stands just a few inches  taller  than  my  four-year-old nephew.  He’s giving it all he’s got—and he’s  got  plenty—and  when  the  music stops  I’m  tempted  to  pick  him  up  and hug him.  

But then  I remember  I’m one of the judges, and aside from the need to comport myself as an impartial observer, I’ve only  got  a  few  seconds  to  finalize my scores for this round.

It’s  so  hard  to  assign  numbers  to what’s going on here.  Each couple gets a score  from  6  to  10.    The  6s  and  10s reveal themselves within the first several seconds  of  each  dance,  but my  pencil hovers nervously over every 7, 8 and 9 before I commit to a score.   Seven couples per dance, seven numbers  to circle before the music stops, two sets of each dance,  three  busy  judges.   We  dodge dancers,  circle  numbers,  turn  in  score sheets.  Then  a  new  group  takes  the stage, and we do it all over again.  There’s no time to compare notes or remember the scores we’ve given from one round to the next.  Like everyone else in the auditorium, we’ll learn which two teams will advance  to  the  finals  at  the  end of  the program, when all 210 team scores have been tallied.

My  dance-related  qualifications  for being here  are marginal: my  dad  and  I were finalists in the jitterbug contest at a high-school  father-daughter  dance  in 1976; come to think of it, my three sisters  all were  finalists  in  the  same  event with  the  same  partner  in  subsequent years,  so  Dad  probably  deserves  the credit  there.    Also,  I’m  related  to  the McNiff Twins of Irish step-dancing fame; OK,  they’re  not  really  famous  and “McNiff”  is  just how our  last name was mispronounced one St. Patrick’s Day.    I did, however, watch my youngest sisters and  their peers perform countless  times during  their  grade-school  years,  so  I appreciate  the  hard  work  involved  in making these dances look easy and I recognize  the  joy  streaming  toward  the stage from parents and teachers.  

I’m  lucky  enough  to  be  here  as  a judge because of my  role  at  the Arts & Business  Council  of  Greater Philadelphia.   Dancing  Classrooms Philly  (modeled on  the New York City program featured in the 2005 documentary Mad Hot Ballroom) is one of a hundred or so arts organizations I’ve had the privilege  to  work  with  since  joining  the Council staff a few years ago.  I believe in the  magic  this  program  offers  to Philadelphia  schools,  which  matters more than dancing skills when it comes to being a judge.

Anyway, even an untrained eye can assess the criteria we’ve been given.  I still want to give every couple a 10.  It helps only slightly to know that each student will go home with a ribbon and that the afternoon will end with one big rainbow of a line dance that includes them all.

“I  will  feel  a  glow  just  thinking  of you…”  The second round of foxtrotting ended  fifteen minutes  ago,  but  I’ve  got Old  Blue  Eyes  and  Young  Blue  Shoes under my skin.   To  the great delight of the home team supporters, the Catherine School has advanced to the finals, along with the Spring Garden School.   

“Lovely…never,  ever  change.”      I’ll never, ever hear that song again without recalling  the eager  faces,  the periwinkle shoes and the way that little girl’s face lit up when I told her I liked her cape on my way out the door.Eileen  Cunniffe  is  a  lifelong  resident  of  the Philadelphia area.   After  a  quarter  century  of  putting words  into  other  people’ s  mouths  and  manuscripts  as  a medical writer/editor and as a  corporate  communications manager, she has at long last begun to write her own, true stories.   Her  nonfiction  has  appeared  in  Wild  River Review, ShortMemoir.com and the Travelers’ Tales anthology A Woman’ s World Again.   Eileen manages two volunteer programs at the Arts & Business Council of Greater Philadelphia.

In Memoriam: Denise Gess

It is with great sadness that we report that our friend and long-time Philadelphia Stories board member, Denise Gess, passed away on August 22.

If you were writing Denise Gess as a character in a story, you would have to grapple with extremes, wrestle with contradictions. Such a marvelous alluring character! You might have trouble maintaining any kind of authorial distance. You might have trouble making her convincing.

First clue to her character, her looks:  Slender as a ballerina; strong as a python. Even past the half-century mark  (such a paltry amount of time, it now seems), Denise could slip into her Size 2 skinny jeans, pointy-toed high heels, her sunglasses, and demand attention by just walking into the room. ("Smokin’!" one Rowan grad student declared about her.) Dark brown hair, smart and fierce brown eyes, a generous mouth, a sodium vapor smile, a low rumbling laugh (a sleek train speeding from a well-lit tunnel) that came easily and often, promised to go on forever. Who couldn’t pay attention? 

Denise had silky olive skin, a gift from her Sicilian ancestors, and she had a gorgeous clavicle, a creamy, unlined neck and throat. She worried that the part of her body she liked best would be forever scarred when the docs had to surgically insert a titanium catheter right there at the breast bone for the chemo, but she ended up loving the port, which rescued her from the puncture wounds of multiple IVs, the purple stains on her wrists and forearms after her first treatments.

Denise Gess, novelist, essayist, literary critic, a skilled and passionate writer in many genres, an editor of this magazine, a tenured associate professor at Rowan University. A list of accomplishments too long to list in this small space. Denise considered herself a Philadelphia writer — a significant distinction since Philadelphia was not the city of her birth, but her chosen home, crucial, she once told me, to her wellbeing. She loved it. She could not live elsewhere. She’d have withered in the ‘burbs. She knew; she’d tried it, she’d gotten out and did not go back.

Passionate, wise, intelligent, optimistic, witty, vivacious – qualities throughout Denise’s life that fought to claim dominance, but only succeeded in a rare synergistic creation, a uniquely engaged and energetic  writer, teacher, woman. She was self-made, an anomaly in her close-knit family. She began her work life as a nurse, maintained until the end her lifelong fascination with and understanding of all things medical.

Denise was a voracious reader, a hungry learner, an astute identifier of talent, and a tireless promoter of others’ work when she loved it, believed in it – her students and her writer friends. She once told me, however, that she hands-down loved being a mother even more than being a writer, could not have endured the rejections and frustrations of the literary life without the joys and satisfactions of motherhood, without her daughter to come home to.
 
Last September – Denise lived exactly one year after her diagnosis of Stage 4 lung cancer – I was with Denise for her last radiation treatment at HUP. The radiation targeted lesions on her brain, and for it, she’d been fitted with a custom radiation mask, a horrifying things of plastic and webbing to protect her face and neck from the killer rays pointed on those lesions. Afterward, she asked if she could keep it, and of course she could. It wouldn’t do anyone else any good. That day, for lunch, she managed to down an egg and an English muffin. Then we went upstairs to the lady’s cancer boutique to buy wigs since she’d soon be bald. Tucked beneath her arm was the odd sculpture, her radiation mask. Wall art, she told anyone who asked, and one or two who didn’t. Everybody laughed, most of all Denise. The frightening mask was for her a talisman of what she could endure, what she would do for another shot at life.

Denise Gess, a woman of hemispheric contradictions —  a bone-thin foodie with the spirit of a shaman and the sharp, shiny, ever-working mind of an engineer, the exotic looks of an actress. A tireless toiler in the fields of literary writing, a well-published, though rarely applauded, writer. Yes, she loved applause, but understood that it didn’t really matter. Not to her, anyway. She loved the writing process, loved writing, and knew that in the end, it was the writing itself, not the fame or glory it might garner, that mattered. She revered written language, and lived to put words down on the page, the sentences stretching out, one after the other, in an endless unbroken chain. Those of us who love her must light candles now in hope that her copious, yet-to-be-published work will find its way to print or cyberspace, so that we, and others, will be enriched by it.

Denise, darling friend and colleague, oh, writerly writer, you, you will not be missed, because you are here and will abide here, the words you spoke, and those you’ve written, woven deeply into the fabric of my life and the lives of all countless others you have touched.

Julia MacDonnell Chang, essay editor of Philadelphia Stories, teaches in the Writing Arts Program at Rowan University. She is a novelist, short story writer, journalist, essayist and book reviewer with graduate degrees in journalism from Columbia University, and one in creative writing from Temple University. 

Denise’s essay on writing essays can be found here, and her terrific essay, Not Tony and Tina, can be found here.

                                             ____ 

In lieu of flowers, Denise’s family requests donations to the National Lung Cancer Partnership at www.nationallungpartnership.org or to the Wissahickon Hospice, 150 Monument Rd., Suite 300, Bala Cynwyd, PA.

The Origins of Sadness

[img_assist|nid=4793|title=bean pie: take the seed outside by Tamsen Wojtanowski © 2009|desc=|link=node|align=right|width=175|height=262]Seven a.m. on a Monday morning and my mother is the only one awake. She pads downstairs. In the kitchen, she raises the shades, letting in weak, gray daylight, then turns to find the coffee pot. It’s where it always is—on the counter, next to a bowl of clementines—but it is filled only with hot water. It sputters happily. (Mocks her, you know?)

    “Dammit!”

Her voice, though not a shout, rings sharply through the house. I hear it in my secluded room and wonder whether something is actually wrong.

    “Dammit, Jim, did you set the coffee maker last night?”

She knows he didn’t; if he had, there would be dark brew instead of clear water in the pot. But she calls upstairs to him anyway, just to make him admit his mistake aloud.

    And now my father enters this real-life play—thickset, goateed, brown-skinned, wavy-haired, kind. Unhappy. Lying on his back in bed upstairs, while his petite white wife berates him from a floor away.

    “Jim?” Tone curls up at the end—shrill and accusatory.

    “Oh, shit. I’m sorry.” He speaks without moving anything but his lips. Lies motionless on his back in bed. A turtle, a turtle. (God, but a loveable one. Can’t he see?)

    After another hour of lying still while his wife and son whirl around him, the turtle crawls out of bed. He languishes for an hour in a room adjacent to his bedroom before getting into the shower. The wife and son have left for work and school by the time the turtle emerges from the shower (fresh, but not refreshed; clean but never cleansed). He pulls on an expensive suit, plods downstairs, skips breakfast, clambers into an expensive car, and drives off to a job that is slowly killing him. His heart is a landfill.

My father’s childhood could be the source of his current problems. People are pottery, it seems to me—if there are mistakes made early on in the crafting, and the piece is put into a hot hot kiln and fired anyway, the flaws will be there forever. 

Depression is one such defect.

If you were to skim a written summary of my father’s life thus far, you might read, near the bottom, in the second to last paragraph or so, that he was diagnosed with clinical depression. But I would argue that the seed of an adult’s unhappiness is planted early on; it is a spore that lies dormant in the head. Whether in an instant or over a long period of time, the spore eventually blooms and a dark mold spreads over the soul, weighing it down, down, down. Rotting it through.

My grandmother – a mixed-race, fair-skinned, upper-middle class woman with coarse Indian hair, and hard black eyes – gave my father all the necessary tools for developing a healthy case of depression. She made little James Archibald Amar Pabarue feel as though he, in his natural state, was worth nothing. She anglicized him, sending him to Groton boarding school in Massachusetts where he was one of two black students in his class. (He wished he were one of the white kids; doesn’t identify with black Americans and never will.) She scolded him for his untidy hair. (He brushes it now obsessively.) She beat him with a worn leather belt because he was overweight. (Tough love, tough love.)

No one cried much on that sunny day when my grandmother was burned to cinders, sealed in a black box, and buried.

So little Jimmy went through his years with that devilish, black seed of depression festering in his mind. Self-conscious, self-doubting. (But his hair was always well-combed!)

    And I know when the turning point came.

    My father was a “freak” in high school—a cross between a “straight” and a “hippy”. His true passion was and still is rock and roll music. My mother first met him as the long-haired, blue-eyeshadowed, gown-wearing, pot-smoking lead singer of a band called Dingo. (What a ladies man, and so happy singing his tunes in a silky-smooth tenor).

    After college, he started playing with a new group, Duck Soup, and with them tried to break into the music industry. They wrote and wrote and practiced and practiced and played and played and toured and toured. They were poor—macaroni for most meals, you know—but they were happy and fiery and young.

    Two years of mild success and countless empty boxes of macaroni later, it became clear that the world was not ready for Duck Soup. My father had to write off his dream. (“Sorry, Dream, I can’t chase you anymore. Maybe we can meet up later?”). He traded his lyrics sheet for a law degree, his gown for a tailored suit, his eye shadow for aftershave, his band practice for board meetings. His pot for Prozac. His microphone for a fountain pen. The laughter and music for sighs.

    He sheared his long hair and brushed it down smooth, and deep in his head a little seed sprouted.

    My mother is too pragmatic to help.

“He should just fix it,” she says. She is sitting in an armchair in soft lamplight, knitting methodically. (Is she entangling herself in that web of yarn? Is it a cocoon? There are so many strings. How does she keep track of them all?). She takes a sip of tea.

    “I mean really. It’s not a disease. It’s all just a mental thing.”

She means well, she really does. She loves him for who he is, she really does. She just doesn’t know what to do, and she comes off as callous and insensitive.

    “Why can’t he just go get some friends instead of paying a shrink to talk with? I don’t have a shrink, and I’m perfectly fine.”

    I am too much of a teenager to help him.

    “Jay-Bo-Bay, Jay-Bo-Bay” he says in the morning, smiling wearily. He reaches out to tickle me. All I have to do is say Hey, Daddy, How are you this morning?, and sit down beside him. But I can’t.

    “Not right now,” I growl. “I’m not in the mood. Are you done with the bathroom?”

    (I wish I had been nicer as soon as the words leave my mouth)
    “Yeah, it’s yours,” he mumbles, and shuffles back to his dark room.

I don’t help, I don’t help, I don’t help. I could help. Could I help? Can I help?

    I’m pretty sure that I can’t help. It’s up to him. Or perhaps it’s up to some god to chip away the concrete blocks around his feet and the lead around his eyes—up to some hammer-wielding Thor or some squat Buddha scurrying around with a sharpened chisel in hand.

    But maybe it can’t be helped at all and he’ll forever walk in place in a muddy rut on the side of the road, gradually sinking deeper and deeper. Perhaps he’ll be sucked underground and only a patch of neatly-brushed hair will peek out. I think he wouldn’t even mind much. I think.

At two or three a.m., when most employed adults in their right minds are sleeping, my father sits sunken into the couch, letting the flickering blue lights of late-night television wash over him. His salt-and-pepper hair runs laterally in uniformed waves. He blinks from time to time.

He isn’t watching the screen; rather, he’s looking past the TV set, either silently grieving over his past, or inventing a bleak, bleak future for himself and staring coldly at it. There has never been a face so wholly empty.

Off goes the TV at some ridiculous hour. He rocks to his feet and trudges upstairs, the hardwood steps creaking as he goes.

He forgets to set the coffee.James Pabarue is a resident of Philadelphia. He dabbles in both creative non-fiction and in poetry.

BJ Schaffer is Dead

[img_assist|nid=4773|title=Cornfield Indiana by Vincent Natale © 2009|desc=|link=node|align=right|width=175|height=132]Twenty years ago I was famous.  Not so famous that my torrid affairs with young starlets were covered by national magazines, and being thirteen at the time, that wasn’t really much of a problem.  I was famous enough that strangers followed me around the Montgomery Mall when I went shopping.  Famous enough that even now, a lifetime away, I can still Google “BJ Schaffer” and find web pages ranging from IMDB to Wikipedia that relate to acting jobs I did before I was old enough to drive.  It is a surreal thought that, a hundred years from now, all of this information will exist in some massive computerized database, and there will be no mention of anything I’ve accomplished since.  I could cure cancer, win a Pulitzer, run for President, and someone, somewhere, would shrug and say, "Yeah, but didn’t he used to be on TV?"

I have no one to blame but myself.  When I was nine, I suddenly decided that I wanted to be an actor, and my parents were crazy enough to listen to me.  We were directed for advice to the only person in my hometown with any professional acting experience.  Bill Hickey had appeared in “Star Trek: The Motion Picture” as an extra for about half a second, and was therefore qualified in our eyes.  He told me to learn to sing, dance and act.  If I got good enough at any of those three, the rest would fall into place.  
Strangely enough, Bill was right. 

I haven’t thought much about this stuff  for  nearly twenty years, but by my recollection I won two major dance competitions, which secured me a meeting with Cathy Parker Management.  She began getting me auditions, and in short order, I’d appeared in over twenty national television commercials, performed in two major productions at the Walnut Street Theater, done a skit on Saturday Night Live, and worked as a regular cast member on the Nickelodeon series “Don’t Just Sit There.”   

My mom recently visited the Walnut Street Theater, and was shocked to see my photograph is still hanging in the lobby.  I guess the cleaning person never got the memo advising them to take it down. 

By the time I was twelve, my name appeared in the Horsham Township “Who’s Who” Directory.  It was a red booklet with the names of all of the important people in that small Pennsylvania town where I grew up.  It was the same town where my dad had been born and raised, and where he served as a police officer.  My grandfather and uncle lived there, too.  Small towns have a strange way of reacting to celebrity.  It’s slightly infectious.  At ten years old, I was given carte blanche to cease attending school with any kind of regularity.  The superintendant and I were on a first name basis.  It didn’t matter what tests I missed, what school programs I did not get involved in, what educational foundation I lacked.  They wanted me to perform at the talent show, which I did, dancing in a green and silver “space man” outfit designed by my mother.  They wanted me to be in the school play.  To this day, I can recite the lines of Prince Chulalongkorn, from “The King and I.”  When you are an ascending star, just beginning to acquire the smell of that alluring narcotic "fame," it’s impossible for people to not want to attach themselves to you.

It was routine for me to go to school for a few short hours, then leave to be driven to New York City.  I’d spend an hour in Manhattan auditioning, then return home.  I did this several times a week, for about three years, until I finally began living in Manhattan.  I remember my father looking at my first paycheck for “Don’t Just Sit There” in wonder.  My weekly pay was roughly $1,800.  My old man looked at me and said, “Jesus, B., you make more money than I do as a cop.” 

I spent every night learning lines, or practicing scenes for auditions.  We constantly plotted which career move needed to be made next.  The beat did not slow down on weekends.  These were devoted to dance, voice and acting classes.  To this day, I sometimes dream of riding in an empty car for endless stretches of the New Jersey Turnpike.  The road goes on and on and I never arrive where I am going.

By 1988, at fourteen, I was burned out.  You can only spend so many hours on the Turnpike, eating rest-stop cuisine.  You can only spend so many nights in motel rooms.  You can only go for so long before the reality of adolescence sets in.  When your laurels rest on being the Boy Next Door, it’s all downhill once your skin starts breaking out, your voice squeaks when you talk, and your body begins to change.  Plus, there’s always another, cuter wannabe waiting in the wings.  After four years of semi-celebrity, I just wanted to be a normal kid.  That’s the sign they hang on you when you are a child-actor.  “He’s such a normal kid,” they say.  Bullshit.  Normal kids play baseball.  Normal kids get used to turning in homework assignments.  Normal kids have friends.  Real friends.  Not phony show business friends.  

[img_assist|nid=4776|title=Springtime Swirls by Allison Levin © 2009|desc=|link=node|align=right|width=175|height=198]Of course, when you remove someone from their natural habitat during the most fundamental years of their life, you can imagine it’s not the easiest thing for them to simply get back into the swing of things.  When I returned to my hometown in the middle of 9th Grade, I found myself a complete outcast.  People had developed deep friendships, forming groups based on shared interests, which I could not hope to penetrate.  Students took tests that they’d had years to prepare for, even if it was by simply learning the discipline of doing their homework.  I had none of those things.  At that point, I could not even join a sports team, because, at the age I should have been trying out for varsity, I’d hadn’t kicked a ball or swung a bat since Little League.

By the time my peers began to consider which college to attend, I’d become so used to answering the question, "When are you going to go back to acting?" that I really expected to make a big return to show business.  But the harsh reality is that contacts dry up fast in that world.  Also, it costs a lot of money to go back and forth to New York City, especially when you have no income and have to begin worrying about paying rent, buying food, gas, etc.  Unfortunately, at that point in my life, I had nothing else.  By the age of eighteen, I had to seriously consider the fact that I was a Has-Been.

Nothing fills me with dread as much as the shows on VH-1 about former Child Stars who became drug addicts, or are still plugging away, desperately seeking to recapture that glimmer of fame.  Eddie Munster is an old man.  He still goes to conventions dressed up in his old costume, hawking autographed photos.  Scott Schwartz, the kid who stuck his tongue to the flag pole in A Christmas Story and starred with Richard Pryor in The Toy, started doing porno.  Even the more legitimate, mainstream performers like Britney Spears, or Lindsay Lohan.  I look at what these poor kids have become, and I have to think that maybe, just maybe, if the people around them had waited to thrust them into the very adult world of the performing arts, they’d have a better foundation on which to build a decent life.  Maybe not such a famous life, but a good, decent, normal existence.   

These days I cringe when I hear friends talk about signing their kids up with a modeling agency.  You know, the one where you pay thousands of dollars to have a "portfolio" made, and the agency promises to start sending your kids on "auditions."  I always react badly when people suggest my kids have what it takes to "get involved with show business."  Don’t I know that my son has the personality and looks to be on a sitcom and become America’s Boy Next Door?  Of course he does.  Don’t I see that my daughter is beautiful enough to sell oodles of Pampers or Gerber’s baby food?  Of course she is.  But that will never happen. 

[img_assist|nid=4775|title=Blossom by Vincent Natale © 2009|desc=|link=node|align=right|width=130|height=221]Children should be children.  They should play, learn, get scraped up and brushed off, lose big games, win bigger ones, dance with a sweetheart, lose him or her to someone else, get a better one later, have big sleepover parties, and grow up without the pressures of having a career, or the expectations of an entire small town to be successful.

         BJ Schaffer is dead. 

         He was just a commodity.  A face in a photograph, a television personality, a small blip on the bright, vast universe of Entertainment.  You can know everything there is to know about him on the handful of web pages that still mention him, or bear his likeness. 

Me?  I’m a guy who worked at a gas station to make ends meet while I went to the Police Academy.  I scrubbed toilets, worked landscaping and mopped laboratories late at night.  At 34 years old, I’m a police detective who makes his living putting bad people in dark places.  I’m a father to two children, and I can tell you that their love and admiration means more than the vacant adulation of the masses on any level.  It’s been a long, curving road toward the man that I am now, and to be honest, I sometimes struggle with how to tell people that I used to be on television.  It’s an embarrassing subject.  My life is not a famous one, and unless you’ve been where I’ve been, you might not understand why I’m glad for that.    Bernard J. Schaffer is a police detective in the Philadelphia Suburban Region. He is a lifelong resident of Montgomery County. His previous work has appeared in "American Police Beat Magazine," "Comic Zone," and "The Enemy Blog."