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Review: Even the Dog Was Quiet by Margaret R. Sáraco

 

Review By: Nicole Conti

In Even the Dog Was Quiet, Margaret R. Sáraco crafts a haunting and emotional collection of poems that delve into the fragility of memory, the weight of loss, and the resilience of love. From the very first moments, the book establishes a poignant tone with jarring imagery of a burning house, a powerful metaphor for the slow, inevitable destruction that time and loss inflict on everything we hold dear. Yet, in the face of such loss, what remains is memory. Throughout the collection, Sáraco reflects on how love—whether for family, fleeting lovers, or friends—lingers in the fragments of memory we preserve, like echoes of a once-thriving home now reduced to ash. Her poems emphasize the importance of remembering, of holding onto the pieces of our past that define us, even when everything else is lost.

In reference to The Unlocked Door, Sáraco’s poetry serves as a “dose of fresh air cleansing a complex world.” Her work focuses on small, flickering moments, whether jagged with grief or buoyed by the sweet imagery of fruit, wine, and morning glory elixirs. These moments allow the reader to fully immerse themselves in her world, where each memory is carefully dissected and preserved. Sáraco grabs these small moments, milks every detail, and then delicately lays them out on the page, using beautiful poetic devices and vivid sensory elements. In many ways, her poems form a kaleidoscope of personal moments, frozen in time. She alludes to this in the poem Tall Ships, where she writes, “a moment in time caught with oils on canvas or a poet’s words.”

Sáraco skillfully orchestrates these themes of loss and love with mood. Take, for instance, the contrast of frigidness and warmth in Bobby and the Bonfire. The poem captures a heartbreak that shifts into a heartwarming end—the coldness of young heartbreak dissolving into warmth when the speaker gifts a ring to her future daughter. In ‘Between the Sheets’, the mood is heavy, cold, and sharp, underscoring the tragedy of loss with lines like:
“His words fall on our bed, gray shards
now next to my inexperienced and young body, mournful and
scared.”

Here, the sharpness of grief and regret is palpable. The poem’s coldness contrasts sharply with the warmth of memory in ‘Pink Hula Hoop’, where, despite the surrounding grayness, a glimmer of hope in the memory of her son’s childhood toy glistens, high up in the trees. It is a reminder that, even in the most somber of memories, brightness and hope can emerge.

Saraco’s writing is also glazed with poetic devices that further the beauty of these moments. The line “the day she dies in her sleep” demonstrates her skillful use of sibilance and alliteration, a technique she’s perfected throughout the book, as seen in phrases like “Slicing flesh… wrapping pounds of fillets in wax paper and plastic wrap while sweat drips down her face.” Some of her other notable uses of alliteration include “sun-starved skin,” “boots, battling bluefish,” and “disease disrupting our days.”

With the ‘End So Close, We Only See Beauty’ is another example of Sáraco’s brilliance, particularly in her metaphor of the bright green parakeet, stark against its sterile environment, “monochrome of confinement.” It echoes her mother’s vibrant spirit, which stands in sharp contrast to the cold, limiting space around her. In ‘Cookies’, Sáraco taps into sensory detail with lines like, “it’s filled with brown and black shoes that smell like grandma’s old leather bag left out in the rain.” This sensory detail pulls the reader into a world where memory and the senses are inextricably linked.

Beyond memory and love, Sáraco touches on other significant themes, including the struggles of an immigrant family and feminism, particularly in Dear So and So, where she explores the myths designed to keep women compliant. The collection traces the threads of girlhood and womanhood, showing how they intertwine throughout life.

In Recycle, 2017, she ponders, “Why do I despair amid such beauty?” The book itself answers this question: we despair from beauty. It’s the pain that spills from love—the beauty of it, but also the great despair in its loss. This is why remembering is so important: because, in remembering, we hold onto the beauty of love and the pain of its absence.

In the title poem, ‘Even the Dog Was Quiet’, Sáraco teaches us the value of memory, not just as a means of preserving the past. The speaker writes everything down so the heart can remember when the mind has forgotten. Through this collection, Sáraco shows that memory is all we have left when everything else is gone. Toward the book’s conclusion, she reflects with envy on her son’s precise memory and muses about how we will all be reduced to “reminders of life’s past.” In this reflection, there is an irony: Sáraco, herself, has created a lasting memorial—Even the Dog Was Quiet—a book of memories that will endure long after the moments they describe have passed. In Sáraco’s own words, “Really, we are here for a moment, and then we are gone.” But her work has left many of her memories- which deserve to be remembered.

Nicole Conti

 

Review: In the Museum of My Daughters’ Mind by Marjorie Maddox

 

Review By: John Sweeder

Majorie Maddox’s chapbook, The Museum of My Daughter’s Mind, is a collection of 34 ekphrastic poems that were originally inspired by the author’s 2018 visit with her studio-artist daughter, Anna Lee Hafter, to Baltimore’s American Visionary Art Museum’s (AVAM) exhibition entitled The Great Mystery Show.  Influenced by her daughter’s subsequent artwork, Maddox features 18 of Anna Lee’s surrealistic paintings as well as the mixed media, photographs, and paintings of six other contributing artists, several of whose works have also appeared in the AVAM.

Maddox’s poetry explores the themes of positive human relationships, both interpersonal and intrapersonal, as well as the significance of imagination and creativity, improvisation, memory, nostalgia, grief, isolation, and alienation. Incorporating many of the repeated images contained in eighteen of her daughter’s surrealist paintings, Maddox embeds visual symbols—often numbers and letters, words and brief phrases, as well as concrete images and symbols such as chairs, chessboards and sunlight into her poetry, thus melding visual art with poetic language in an emotive symbiotic dance to deepen illustration her relationship with her daughter’s creative process.

In her pantoum, “The Choice,” Maddox uses her daughter’s visual metaphor contained in Hafter’s painting entitled “The Library” to explore one’s intuitive imagination using bibliographic tools—books, bookcases, floors, and ceilings—to seek truth, “The ancient why of creation”—all the while purporting that there is no set path to take in the pursuit of knowledge since we, “hold the pen and paintbrush” to create our own “Open Sesames.” The poem’s narrator further proposes that we not fret about making poor decisions since “splatter[s are] choices, not… mistake[s].”

In “High Top” Maddox, responds to her daughter’s surrealistic painting of the same name. Both artist and poet engage in an imaginary conversation as if seated across from one another in empty chairs separated by a table and chessboard, all of which are precariously balanced upon a seesaw, a “compass-needle pole.” The narrator-poet-mother asks her daughter: “Are we still we in this unseen grief/that keeps trying/ to listen to soul/ and scream?” Anna responds with her metaphorical “King’s Pawn Opening.” The two opponents in this fantasy chess match are unsettled for the moment, suggesting an estranged relationship. Yet, because of their long family history (“knee-deep in nostalgia”), a reproachment has begun: Mother “can almost see [her] breath;/ daughter “can almost touch [her] words.” Their unspoken grief remains on the table unresolved; however, both are “waiting for [each other’s] next moves.”

A lighter, more optimistic tone is struck in Maddox’s poem, “Sun on South Street.”  In this straightforward pantoum, the narrator enables us to imagine what life is like living in a “small quiet room” in a “Big busy city.” Exploring the contrasting themes of isolation versus “camaraderie” and light versus “dark,” we learn that days can be “brightened by the waves of strangers,” “the neighborly sun,” and “outside flowers” on balconies displayed for all to enjoy.

Hafer’s painting, “The Letter E” is an abstract tribute to the creative, right-brained random learner who does not “absorb new information” in a rigid sequential manner. Maddox adapts the theme of her daughter’s work to create an ironic poem of the same name whose narrator morphs into the didactic elementary school teacher we all recognize, the anachronistic school marm who proclaims, “Creativity’s the one transgression/ I won’t allow,” further arguing that curiosity and extraneous questions are no more than “time-wasting, silly digressions…[and] enemies of order.”

Maddox is inspired by the “tender but unsettling portrait” of a pig-tailed pre-pubescent girl holding a black cat, painted by Margaret Munz-Losch. In Maddox’s poem, “Black Cat,” a third-person omniscient narrator tells us that we, as unwanted voyeurs (perhaps the girl’s parents), enter her “stark room.” The anthropomorphized cat she cradles in her arms stares at us with its “bright feline eyes” thinking she doesn’t want us there. The girl’s dull skin squirms like a “pattern of maggots,” her eyebrows are perched like flies above her “dead-sea eyes,” and her tied-up hair is uncombed — all of which the narrator tells us we “cannot see.”  These imagined attributes are symbolic of the alienation that many young preteens experience—that is, they want (and maybe need) their own space to develop and mature. Thus, in the lives of young tweens we adults become as welcome as an “infested larvae of plague” hatching into them.

Maddox’s final poem, a sestina with the oxymoronic title, “Wild Rest,” was inspired by her daughter’s painting of the same name. In this work, the narrator begins by posing and answering the following question, “What does it mean to rest…in “a world so wild?” Maddox claims that through daily measured breathing, relaxed contemplation in a “well-worn chair,” and reliance upon our imagination, we should let our mind “wander out amidst the trees.” By exploring a “paradox of renewal,” we learn that “passive breezes [can] become wind” and that “rest [can become] a carnival tour of the spontaneous,” replete with roller coaster rides, fun houses, and Whack-a-Mole games. Maddox wants us to “Be still and know” and recognize “that breath and wind are cousins.”

As careful readers of literature, we are drawn to Maddox’s chapbook for a few reasons.  First, we readily identify with her motivation in creating this work. In her book’s introduction, “Entering the Gallery,” she tells us directly that she is “looking to escape [her] fears” of dying prematurely from heart disease and wants to spend the remaining time she has left with her daughter.  Many of us identify with this sense of urgency in reconnecting with loved ones while we still can. Time is both short and precious. Next, like Maddox and her daughter, we too enjoy visiting art museums, even small, intimate ones that may contain only a modest number of paintings like the ones in this chapbook. But when art and poetry challenge us to look and read more closely, when art and poetry become melded together, our aesthetic experience is enhanced. Through Maddox’s skill in creating the impressive array of interpretive poetry contained in this collection—poetry that ranges from free verse to sestina, poetry that utilizes the evocative tools of sensory imagery, metaphor, repetition, alliteration, internal and end rhyme—we want to seek out more of her work, and trust that she remains with us for years to come, continuing to engage creatively with her artful daughter, carrying on the centuries-old tradition of ekphrastic poetry.

John Sweeder

 

Review: Glassman by Steve Oskie

Review By: Margaret R. Sáraco

In this semi-autobiographical novel that takes place in Philadelphia and on the Jersey Shore, author Steve Oskie and his main character, Mark Glassman, have much in common: both dropped out of college, have the same taste in music, grew up in Philadelphia, and worked many jobs.

Mark’s journey to adulthood will keep a reader engaged while scratching their heads about his aimlessness. He works a series of odd jobs he is unqualified for, though sometimes he has a talent for something that surprises Mark and the reader. One of his prospective employers remarks in the novel saying, “Is it kosher for me to fire you before you start the job?”Clearly his resume turns into a document of failures.

During off hours, Mark imbibes enough recreational drugs and alcohol to keep himself numb. He fancies himself as a writer, something that simmers throughout the novel but comes across as a real chore to get him motivated. Mark seems to be a smart man with a lot of dumb ideas. Mark educates himself by reading and analyzing Philip Roth Portnoy’s Complaint, The Universal Baseball Association (a novel by Robert Coover), and The Sorrows of Young Werther by Johann Wolfgang von Goethe. During an amusing exchange, he gets caught by his foreman on a construction site reading Goethe’s novel during his lunch break.

Oskie lets the reader see the inner workings of his main character, who can shatter like glass. Mark pursues two women at the same time, although when dealing with women, words like terror and horror come to his mind. At first, his eye set upon Sarah Sloane. He then falls in love with Teresa Devlin, then ping-pongs his affections back to Sarah while more women enter and depart. At one point, Mark reflects: “I was still under the impression that I would never get anywhere with women simply by being myself, taking a genuine interest in them, and becoming a good person.” His fear of relationships harkens back to his parent’s divorce years before and the resulting trauma. He makes it his mission to disassociate himself from his parents and their expectations.

Mark can’t and won’t grow up, however, readers can’t help rooting for him. Because everyone in some aspects of life refuses to grow up too, readers patiently wait to see if Mark will figure out his life. While this coming-of-age story takes the character longer than most to mature (Mark’s mother would agree), Glassman is worth the wait.

A writer, spoken word artist, and activist, Margaret R. Sáraco taught middle school math for 27 years before publishing her poetry books, If There Is No Wind and Even the Dog Was Quiet with Human Error Publishing. She is a poetry editor for the Platform Review, an online literary journal.

 

Insomnia, Part XXII

Within the salon’s dark cough, beauticians

glue fingernails to their anchorage.

Enslavement to labor is nothing like sleep.

Awake they wait for papers whose likelihood

is quantum mechanical. They consume, pay

taxes on tobacco and tea, and move through

a city as though stickless in a kennel

of unfamiliar dogs. Where they were born

they welcomed eggs without salmonella.

Extractive industry propelled a century

of blackened air. At night they could feel

atmospheric mud and the breath of siblings.

And into the night they would evacuate

to flee the earth’s hand-wringing. Here, they

subsist on a translated diet. They must train

the tongue backward and learn to swim

through natives’ suspicion. Headlong, they plunge

into the mainstream with so much fervor, so little rest.

Alan Elyshevitz retired as an assistant professor of English from the Community College of Philadelphia. He is the author of a collection of stories, The Widows and Orphans Fund (SFA Press), a poetry collection, Generous Peril (Cyberwit), and five poetry chapbooks. Winner of the James Hearst Poetry Prize from North American Review, he is a two-time recipient of a fellowship in fiction writing from the Pennsylvania Council on the Arts.

 

A Photo of my Grandfather (Sumter, SC circa 1928)

To read “A Photo of my Grandfather (Sumter, SC circa 1928),” click HERE.

Darryl Holmes received his MFA from Fairleigh Dickinson University where he also served as an editorial reader for “The Literary Review,” the university’s international journal of contemporary writing.  In the past few years his poems have appeared in Water-Stone Review, New York Quarterly, African American Review, Obsidian, River Heron Review, Kind Writers Magazine, Jelly Bucket, and Toho Journal. His first book “Wings Will Not Be Broken,” was published by Third World Press in Chicago.  He lives in NJ with his wife and youngest son who attends college in PA.  

 

Infinity curve, with cheesesteak

My brother looks me in the eye when we

talk – always. Even driving through Philly

at rush hour after the airport. He drives

with his left knee, both hands going up

with questions, out for emphasis, pointing

at landmarks – like the cheesesteak

place we passed at 70 miles an hour,

the c and the e in the neon sign dark

because, bullets. He plays drums at Temple

and works with street kids and stuffs himself

with all the life he can find. The sketchier,

the better, he says. He’s still going on about

cheesesteaks, wants me to know how good

food works. If you’re not running scared

to the counter and back to your car, you’re

eating average at best. I’ll take my chances.

I’m not here forever. Have you called mom?

He means he won’t live in Philly for long

but suddenly my stomach feels him gone,

sees my own hands white knuckling

the wheel, turning down the safest streets

with a broken heart and a hungry mouth

that wants another hundred miles of American

cheese and sautéed onions, driving so fast

you’d think God was tapping his foot, talking

about everything out loud as if our lives

depended on it, because they did.

Stacey Forbes is the author of Little Thistles, a poetry chapbook published by Finishing Line Press as the winner of their 2023 New Women’s Voices competition. Stacey’s work appears in some of the publications she loves, including Beloit Poetry Journal, New Ohio Review, Terrain.org, and Split Rock Review. Born in Pennsylvania, Stacey now lives and writes in Tucson, Arizona.

 

Divine Property: Tin Cup

I watched the blind beggar drag his body

into the shadow of Broad and Samson,
his hands like ash, his face half-covered

by an old hat he treats like an heirloom.

His cup was there, waiting like an open mouth,

the faint sound of coins bouncing against

its tin skin, each ping like a cracked bell

calling for something bigger.

He could tell a nickel from a dime by the way it settled,
its spinning stopped cold, and he must have felt
the difference between mercy and mockery—
the penny tossed by a man with rings on all his fingers,
the same man who spat once and crossed the street.
And the sign beside him, “Love Your Neighbor,”
written in some shaking hand, curling at the edges,
greasy with fingerprints by a friend in exile
bent away and ashamed of this kingdom.

I think about the weight of his bag, the bottle tucked
under his coat, warm against his ribs—his only comfort—
and I wonder about the composer of that sign, if he believed it,
if he too sat here once, holding out his hands.
He knows the sound of justice, the ache of an empty cup,
the slow, careful way hope folds itself into a corner
and waits for someone who knows its name.

And I want to ask him if he remembers
a song or a prayer, or if he only listens now
to the shuffle of shoes, the endless clicking
of heels on pavement, the city moving past him,
never stopping. Would he recognize my breath
if I knelt and dropped a quarter wrapped in a twenty
or would I become just another sound,
another dull thud in the cup’s wide-open mouth?

Tim Gavin is an Episcopal priest. In addition to his most recent publication, A Radical Beginning (Olympia Publishers, 2023), he is the author of Lyrics from the Central Plateau, a chapbook of poems released by Prolific Press in November 2018. His articles, essays, and poems have appeared in The Anglican Theological Review, Barrow Street Review, Blue Heron Review, Blue Mountain Review, Cape Rock, Chiron Review, The Cresset, Grow Christians, Digital Papercut, Evening Street Review, Library Journal, Magma, Poetry Quarterly, Poetry South, Poetry Super Highway, and Spectrum. He lives with his wife, Joyce, in Newtown Square.

 

For the Bride in my DNA

Village shuttered against night, clay stove fired up, the kettle steaming

in the damp. Her position set, the old Dutch-German requires it, a cook

to bank the fires to prepare the meals. His bed? She has her own, a right

to refuse the man; she made him sign his mark upon the deed she’s folded up,

squared in her belongings, a quilt she patched with her mother, a bronze knife,

a single coin to pay her funeral. The bride could be called young in polite nations,

here she is the cook, a lover if she permits it. There is no church, no dowry,

not even a dress beyond what she made on her last name day, stitched like her

comfort depended on it, the dress, a sturdy enough coat against cold, rain,

the haymaking weather she will cook in, every day, for the rest of her days,

with a man who agreed to pay her, shelter her, and fuck her with child, in her

own time, or his own time, should he drink or take to anger, as men do.

She is given flowers to cover her from evil, a bit of dirt from her father’s house,

a bit of ash from her mother’s hearth. She doesn’t believe evil is darkness,

she understands darkness divides evil into shadow, nothing can be trusted

with the eye. When the old man picks her up he whispers, I’ll keep demon’s fingers

from your ankles, and carries her into the house, and puts her down

like a basket of beets. He salts the stoop, strikes candles against the known.

They eat a stew with bread. He drinks to shatter her place. She hears the crack

of the whisky cask and tumbles into a well of worry. He visits her in those first hours

of darkness, the journey hardly off her, to keep you safe from it, from the evil 

that would take you right outside the door. She knows she has no choice

in the matter, she’s  heard her mother’s bed clatter;  the demon is in the gaps

between spirit and man, how often he lifts it to his lip, how often he puts it away.

Cassandra Whitaker (she/they) is trans writer living in rural Virginia. Whit’s work has been published in Michigan Quarterly Review, Conjunctions, The Mississippi Review, Lamba Literary Review and other places. They are a member of the National Book Critics Circle and an educator. Wolf Devouring A Wolf Devouring A Wolf is forthcoming from Jackleg Press in 2025. wolfs-den.page

 

Ruby: A Meditation on Friendship in the City of Brotherly Love

I disliked Ruby from the moment I met her.  It was my first day as the administrative assistant at a brand-new company, and she could not be bothered with the new girl.  To be fair, in the accounting department it was the busiest time of the month, and she was clearly frazzled with all of the billing that needed to go out the door.  I told myself to give her a chance, but as the weeks went by it became clear that she was brusque and abrasive, and she had this way of talking to me that made me feel like she was ordering me around.  And so, our feud began.

For the first few months, we largely ignored each other when we passed in the hallway or the lunchroom, but then the day came when my company promoted me to an accounting clerk position.  I was elated until I discovered that my trainer would be none other than Ruby, and my figurative balloon of excitement popped and fell in sad little pieces to the floor of my cubicle.  The friends I had made around the office told me to simply ignore her attitude, but that’s easier said than done when you are spending hours on end together.

“Accounting always has to work on weekends during month-end.  That’s just the way it is,” she told me one Friday afternoon as I prepared to leave.  “I’ll see you tomorrow at 9:00 a.m. and we’ll get all of the billing done.”

“How long will that take?  I have plans tomorrow night.”  I didn’t tell her that I had a date with a cute guy from the office, and that there was exactly 0% chance that I was staying past 4:00 p.m.

“I don’t know, Ashleigh.  We work until it’s done,” she huffed before shutting her office door in my face.

So, I showed up bright and early on Saturday morning, and worked… and worked… and worked.  The billing was definitely not finished when I knocked on Ruby’s door at 4:00 p.m. sharp to tell her I was leaving, but I didn’t care.  I was 23 years old and not ready to work my entire Saturday away, especially not to help someone who had sprung it on me the very afternoon before.  Of course, this didn’t sit well with Ruby and she told me as much.

“That’s really disappointing, Ashleigh.” (That condescending tone, ugh.)  “I thought I could count on you to get the work done.  I guess I’ll just stay all night finishing it, so show me where you left off.”

“Everything is on my desk, you’ll figure it out,” I said flippantly and walked out the front door.  Later that evening, though, I started to worry.  What if she told our boss that I had shirked my duties?  What if she claimed that I’m a liability to the accounting department, and that I should be fired?  My first real job, and this woman would ruin it all, or so I was convinced by the time I walked into the office on Monday morning.

Turns out that she did figure it out and got all of the billing done.  It also turns out that she did not, in fact, tattle on me to our boss.  I was shocked, and I felt this little piece of melted ice fall from the iceberg that was my dislike for Ruby.  Sure, around the office, we still called her “Rude-y” or “Moody Ruby” among ourselves when she was on a rampage about something, but I also begrudgingly began to respect her.  She had a strong work ethic that I could only hope to emulate.  She was very intelligent, and a great problem solver.  Most of all, on the few occasions that her stony façade cracked, she had an infectious laugh.  Maybe I didn’t dislike her quite as much as I had originally thought.

My work situation soon changed, however, because I was promoted again to a financial analyst position with the opportunity to work from our Center City office.  I couldn’t believe my luck!  It seemed like a dream to take the train into the big city every day and have my very own cubicle on the 22nd floor of 1650 Arch with expansive windows that looked out toward One and Two Liberty Place.  I began to take walks every day at lunch, exploring the neighborhoods around my office.  I wandered east on JFK Boulevard to City Hall, then back west to 30th Street Station.  Some days I walked northwest toward the Franklin Institute and the Benjamin Franklin Parkway, but other days I chose a southerly direction toward the leafy haven of Rittenhouse Square.  The city was mine to discover, and I soaked in my lunchtime explorations like sunshine.

As my love for Philadelphia bloomed, so did my obsession with photography.  I adored the city’s architecture and started taking pictures here and there of interesting buildings, trees, and streets I saw on my daily walks, posting my favorite shots to my Instagram.  Roaming one day around Fitler Square, I found myself face-to-face with a lime-green house and its cherry-red door.  It was so visually pleasing that I immediately raised my phone camera and snapped a picture.  The next street over revealed a lemon-yellow door within a pale gray brick façade, and the following street showcased the most cheerful and ornate Kelly-green door adorned with a shamrock wreath.  My mission on my afternoon walks became finding new and interesting doors.  They were the hidden treasures to be found past the hustle and bustle of Center City with its towering skyscrapers and streets teeming with people dodging steam rising from sewer grates.  My solitary photography walks were the best part of my work days.

The old saying goes that absence makes the heart grow fonder.  True to that phrase, the less I saw Ruby, the more we talked.  We remotely collaborated on work tasks more often, and we did so in an increasingly friendly manner.  My respect for Ruby continued to grow, and I could sense that her respect for me was also blooming as I matured in both my personal outlook and my accounting role.  Then, a year after my move to Philadelphia, our company announced that our offices were merging, and that we would all be working from the Center City office.  On the day of the move, I helped Ruby settle into her cubicle right down the hall from my own.  Ruby had been staunchly against working in the city, turning her nose up at the idea and voicing her displeasure at every opportunity, but as she marveled at our shared view, I had a hard-to-explain feeling.  I sensed that she was masking her fear of the city with haughtiness so as not to show her vulnerability. It was that realization that gave me an idea.

“Hey Ruby, why don’t we take a walk and go grab some lunch?” I asked her.  After a moment of hesitation, she agreed.  We set off into the bright sunshine and strolled over to the food court at One Liberty Place.  Sneaking a peek at Ruby through my sunglasses, I could tell by the way she tilted her head back to look at the skyscrapers that she was impressed by the architecture.  By the time we had eaten and worked our way back to the office, Ruby seemed happier about being out and about in Philly.  The next day, when I asked if she’d like to go for a walk at lunch, she almost jumped out of her chair and excitedly exclaimed, “Yes, count me in!”

This lunch walk, I decided, would be different – I wanted to show Ruby more of the city that I had fallen in love with over the past year and a half.  On this day, I guided her to Rittenhouse Square.  There was a bustling outdoor art market being held in the park, and we wandered from stall to stall, stopping here and there to admire the miniature watercolors depicting Boathouse Row and the canvas photography prints of the skyline looking across the Delaware River from the Camden Waterfront.  I bought an etching of a bluebird; Ruby bought some greeting cards to send to her family.  They lived in New England, and Ruby confessed that she missed them dearly and sometimes considered moving home to be near them.  Another crack in her tough façade had appeared, and I felt awful that she must be lonely without her family nearby.  My family had always been close – what would it be like to be far from them?  What kind of person might I be without the steadying presence of my loved ones?  Hearing Ruby’s situation gave me a deepened understanding of her outward behavior.

As the months went on, our lunchtime walks became daily happenings.  I still loved finding beautiful new doors and revisiting my favorite ones.  As the city prepared for Halloween and then Christmas, festive seasonal decor began to appear on many doors, much to my joy.  Ruby, on the other hand, favored windows.  She saw these as eyes to the people living in the houses behind them, and she especially delighted in seeing house cats perched on inner windowsills, basking in a sunbeam or playing with a curtain.  I showed Ruby my Instagram profile full of my door pictures; she promptly set up her own Instagram and began posting her lovely window shots.  Our walks were the highlight of my day, as it was so nice to share my thoughts, ideas, memories, and hopes with Ruby, and to hear hers.  Some days, we just wandered in silence.  The only sounds were the occasional “Oh look over there” or “Let’s walk down this little street,” the birds chirping in the trees, the far-off honk of car horns, and the crunch of our footsteps on concrete, leaves, or snow.

Ruby and I began to meet up in Philadelphia on weekends.  We took the ancient elevator up to the observation deck under William Penn’s statue at City Hall and reveled in the view.  We sneaked up to the conference area on the 33rd floor of the Loews Hotel and were equally entranced by that vantage point.  I watched Ruby fall in love with the city much as I had the year before, and by spending this time together I discovered that she wasn’t the brash, mean person I thought she was when I first met her.  She was a kind, thoughtful, smart, funny, wonderful human.  I just had to gain her trust to see the soul inside.

A few years after Ruby’s move to the city office, our company announced they were moving all accounting operations to Houston and offered to pay for each employee’s relocation.  Ruby took the offer; I found a new job in the area.  I couldn’t leave my family or the city I loved so much, but Ruby was ready for a new adventure.  On our last day in the office together, Ruby helped me pack up my things and then we embarked on one last walk.  We found ourselves in the sanctuary of the Cathedral Basilica of Saints Peter and Paul.  Neither Ruby nor I are particularly religious people, but we sat quietly together in a pew admiring the grandeur.  Ruby, of course, found the stained-glass windows fascinating, while I was in awe of the ornate front doors.  In that moment I realized that, despite our differences, being able to bond over the city we had both come to adore was what had created a lasting friendship.

It’s been eight years since I last saw Ruby.  She did indeed move to Texas and remains there to this day.  I, meanwhile, met my now-husband and moved to Wilmington, Delaware.  Ruby and I mostly keep in touch over social media.  I miss her and wish we spoke more often.  I hope in the future we can reconnect in person, but whenever I post a new door picture on Instagram, I think of my special friend and those golden days we shared in the City of Brotherly Love, and without fail, I smile.

Ashleigh McAneny is an emerging writer and photography enthusiast whose works have appeared in The Philadelphia Inquirer, Stonecrop Magazine, and Reader’s Digest.  She particularly enjoys writing creative nonfiction and fiction, and photographing colorful doors.  Born in Philadelphia and raised in Montgomery County, Pennsylvania, Ashleigh earned a Bachelor of Interdisciplinary Studies from Villanova University.  She now resides in Wilmington, Delaware with her husband and their dog.  You can find her @ashleigh_erin on Instagram.

 

Rattlesnake Trainer (Runner Up – PS Fiction Contest)

“Rattlesnake trainer?”

“No, dog trainer. I’ll train dogs to avoid rattlesnakes.”

“What? That can’t be a thing.”

“It is.”

“No way.”

“I’m not a liar.”

“I never called you a liar.”

“It beats selling crypto.”

“Hey, that keeps the roof over your head.”

I hang up before my brother can say anymore. And before I tell him to fuck off. And before I tear up. I turn up the car radio–it’s my brother’s car-and wish I could not think about how in the last year I’d been a waitress, call center representative, substitute church custodian, and apprentice chimney sweep. Now this. I didn’t lie when I said I wasn’t afraid of snakes. I didn’t have to lie when they didn’t ask me about my mental health.

The first dog, Elli, is small-medium gray mutt. I put the shock collar on then lead her to the ring. The ring is made from a one-foot-high plastic fence which I stake into the ground. It’s about twelve feet in diameter and one foot high. Enough to keep snakes in. The snake box is on the far side. Four baby rattlers all with muzzles. We use babies because they’re the most dangerous, they can’t control their venom. We feed them ground turkey with some sleeping powder stuff. When they crash, we put on the muzzles then drop them in the box. I imagine they wake up mad. I bring Elli into the ring and unleash her. She sniffs and pees on the dirt. I walk over to the box. I hear them moving. I open the door. Nothing happens. Then one comes out. Then two. Elli comes over, nuzzles my knee, not even looking at the four snakes just a few feet away. One sidewinds like crazy. Elli turns towards it. I grip the remote tight, ready to shock her if she moves in their direction. She doesn’t. That snake lunges at another. It rattles. Elli walks away. She could care less. I’m not sure what to do. My throat tightens. I also can’t remember how we get the muzzles off the snakes but that comes later.

My brother is dozing in his lounger when I get home. It’s dusk but I can see the dark circles under his eyes. I get a beer from the fridge and sit near him on the couch. I put the can in the crook of one arm and try to open it with my unbandaged hand. It spills and drops to the floor. “Shit.” My brother opens his eyes and spots the bandage right away.

“Oh god, did you get the serum?” he says.

“What?”

“Serum, anti-venom.”

I want to laugh. “It was the last dog,” I say. “I shocked him and he bit me. No big deal.”

I feel his warm hand on my forearm. “Really”

“I don’t lie,” I say.

I close my eyes and hear him exhale. “I know,” he says.  “Did you like it?”

I hear the sound of the snakes moving through the dirt, something between a broom and the tide. “Yes,” I say, eyes still shut.

“Good.”  He squeezes my arm. “Let’s celebrate. I’ll get you another beer.”

I open my eyes, watch him move slowly toward the kitchen, and think just maybe.

I work Tuesdays, Thursdays, and Saturdays for High Country Kennels. We board dogs, run various canine behavior clinics, and hold “Rattlesnake Aversion Training” most weekends. We’re a small outfit, three employees, and the owner, Robert. After my third rattlesnake session, Robert holds a longneck beer and watches as I remove the snake muzzles and put them back in their enclosures. “You know,” he says between pulls on the bottle, “you’re a natural. I’ve never had someone take to the snakes so quickly. You have a future here.” Compliments are hard for me so I look away, needlessly triple checking that I’ve secured the latch.

“Thank you,” I say without facing him. “I like animals. I almost got a job at the Humane Society a while back.”

He snorts. “Bunch of motherfuckers over there, they almost ruined me. Corrupt bastards, lucky you didn’t land with them.”

I turn to see him finish the last half of his beer in one swallow, eyes hard. He walks silently to his office. I grab a rake to smooth over the training area.

At home, I tell my brother about Robert’s reaction. He doesn’t look up from his laptop and I fix myself a bean and cheese burrito. “Did you finish the jalapenos?” I call out.

“Found it,” he says.

“What? I don’t see them.”

“2017. Lawsuit in county court. The Humane Society sued him and he countersued.”

“What are you talking about?” I give up on the jalapenos, roll the tortilla, and put it in the toaster oven. My brother makes his in the microwave.

“Your boss had a legal battle with the Humane Society. They sued him for cruelty to animals, both snakes and dogs. He countersued for defamation. It doesn’t look like anybody won but must cost him a pretty penny in legal fees. All public records if you know where to look.”

And my brother does. He dropped out of law school after one year. His reason for mostly not talking to our parents.

“The shocks aren’t so bad,” I say. “I got one – fuck!” I look at the singe on my fingertip where it touched the toaster oven coil.

“Yeah, but you knew what was coming, you got to prepare for it. The dogs have no idea. And as for the snakes …”

I turn off the cold water and look in his direction. He’s still immersed in his laptop. “How do you know all this?” I say.

“Google.”

“When?”

“Right after you got the job.”

“Why didn’t you tell me then?”

“You were excited about the job.”

I was. I am. I bite my burrito. It’s bland with no jalapenos. I think about throwing at my brother.

Tuesdays are slow at the kennel and mostly dog free. We get lots of weekend bookings which can extend to Monday so I clean stalls for most of the day with the other woman who works here, Araceli. She’s shy like me and I hear the sounds of her hosing down and scrubbing adjacent stalls with no conversation between us when we cross paths. Robert is very fastidious about the cleaning process so it takes more time than one might think. We have four dogs here today and they each need to be walked. On a light day like today, we can walk them a half mile down the county road to a small park where they can run off leash if the owners have signed the consent form. This service Robert sees as premium and involves a surcharge.

By our 10 am break, Robert is still not here which is a first for me. I only got in because Araceli has a key. She’s been here longer than me so has earned that trust, I guess. I want to ask her if she knows about the lawsuit but most people don’t search for six-year-old county court cases.

We take the four dogs to the park and watch them romp around. We’re alone except for a man who sits on a bench at the park’s far side. I can’t tell his age but he appears to be smoking. Without prompt, Araceli tells me she will be gone next week. Her brother is getting married and she will be traveling to Mexico, Oaxaca State, for the wedding and festivities. She doesn’t appear too excited and I don’t want to pry so I just say, “That’s nice. Will the weather be good?” She tells me nights are cold this time of year but the days should be okay. Suddenly, I want to ask her many things like how long she’s worked at the kennel, whether or not this trip is paid vacation, and what she thinks of Robert. Instead, I say, “Do you like your future sister-in-law?”

She squints as if she doesn’t understand the question before saying. “No, I hate her.” I turn my head and she explains that the woman was in her grade at school and never talked to her. She considered her family to be of a higher status than Araceli’s. Now that Araceli’s brother has made good money selling cell phone service, she’s okay with their family. “She a fucking snob and mean.” I’ve never heard Araceli swear or talk so much and I’ve completely forgotten about the dogs, but some barking then shouting brings me back. The man is now half the distance from us and is yelling at Logan, a small-medium, mostly white pit mix with a tan star-shaped mark on his forehead. He’s sweet but excitable and jumps around the man’s legs. Araceli and I run toward them.

“Get your damn dog away from me!” The man looks about forty, receding hairline, skinny, and red-faced. His accent is British.

“Sorry sir, he’s harmless, just high energy. Logan, come.” I yell.

“These dogs are not harmless; they should be eliminated like we did at home.”

I remember hearing something about Britain killing all pit bulls. I call Logan again and he looks at me but then turns and jumps toward the man’s leg. He’s not very well trained. The man kicks him squarely in the ribs, hard. Logan gives an awful squeal and rolls on his side just as I reach him. Araceli is a step ahead of me and before I crouch to tend to Logan, I see her rush the man and slap him across the face. “Aiieee” he yells. She must have hurt him. I freeze, having no idea what to do. Logan yelps. Araceli stands directly in front of the man, her face red, a rivulet of sweat across her cheek. The man raises his hand. My throat catches and he takes a step back. The slapped side of his face shows her handprint. “Fucking bitch,” he yells, spit flying with the expletive. Then he walks off.

I drop to the ground in front of Logan. My legs are twitching and my shirt is soaked. He’s still on his side but quiet and not breathing too hard. I offer him my hand and he licks it, which I hope is a good sign. I feel the heat radiate from Araceli’s body as she puts her hand on Logan’s side. She strokes him gently, her fingers probing his fur. He responds by sitting up and poking her hand with his nose. “I think he’s fine,” she says. “Nothing feels broken. Maybe you should get the other dogs.”

Shit. I’ve completely forgotten about them. There’s so much I want to ask her again, but I say nothing and get up to find our other charges.

We walk back to work without talking about the man as if our silence will erase the whole experience. Araceli tells me that she was studying to be a vet tech so she’s examined many injured dogs. She stopped the program when she got into some debt due to a car accident so now, she has three jobs instead but hopes to go back. I feel guilty thinking about how I only have one part time job thanks to my brother. Just before we get back to the kennel, her phone buzzes. “Robert,” she says.

“Were we out too long?” I ask. I can’t lose this job.

“No, he’s not coming in today, we’re on our own.”

The rest of the day passes normally, the incident at the park unmentioned. I don’t ask about Robert’s absence or how often he messages her or if she’s ever slapped someone before. At the end of the day, we make sure the dogs have adequate food, water, and outdoor access. They’ll be alone twelve hours which seems like a lot but what do I know about kennels. There are no rattlesnakes here, Roberts keeps them somewhere else and brings them to our workshops in the wooden box. We leave together and Araceli locks the door. “That was quite a day,” I say.

“Yes.” She has bags under her eyes.

“See you Thursday?”

She nods and walks to her car. My brother’s message comes in as I start the car.

Heading out for a drink with Raj. Thai on the counter. Check this out.

Raj is his best friend and Thai is my favorite food. He’s sent me a link: “The Proficient Pup”. It opens to a page which says “Stop Worrying About Snakes and Start Enjoying Nature Again”. I scroll down and see a note. “We do not use live snakes or shock training.” I curse my brother and X out of the site, knowing I’ll come back to it.

I mostly stopped talking to my parents after my father told me to “Suck It Up” when I told them college made me too sad toward the end of freshman year. I can’t say exactly why it made me sad. I liked some classes, disliked others, had a few friends, one relationship. Maybe it was all my parents’ friends who said “You must be having the time of your life.” Or the rows of students in the Psychology 101 lecture, everyone looking at their phones as if their devices, not Jung or Piaget, held the secret to life. Or the endless talk about sorority and fraternity rushing. Or the fetishization of football. My father said I should never have chosen the large state university with my fragile mental state and that I could still transfer to a small liberal arts college with no Greek life or football if my grades were good enough which they weren’t. I told him to fuck off in my head and stopped calling, then moved in with my brother after the year ended, a second college dropout in the family.

Now we don’t call and we see our parents, who live less than two hours away, but twice a year, Christmas and their Labor Day party, a tradition they love for reasons neither my brother nor I can understand.

My brother picked my favorite Thai dish, yellow curry with tofu and vegetables, and I eat half of it before I open up the site he sent me. They advertise a “progressive” training method with no shocks or live snakes. I find an attached infographic which detailed the reasons why this method was preferable to and more humane than the old one. The woman who runs the training has a graduate degree, used to work at the zoo, and also does canine massage therapy. I feel warm, shameful, dirty even. And I remember Robert’s anger at the mention of the Humane Society which now seems like defensiveness. I’d have to face him on Thursday. And what if Araceli was wrong, what if Logan wasn’t okay? Would we confess what happened? I put the last piece of curry-soaked zucchini down. My head is starting to hurt. I spot the phone number at the bottom of the Proficient Pup site.

My last job was as an apprentice chimney sweep for a one-woman business, owned by Margaret, a retired Navy captain. Now she spent her time on roofs. I told her I wasn’t afraid of heights or getting dirty. She offered me a position on the spot, said she’d like to find someone to take over when she decided she was too old. On the first day, I watched her complete two jobs. Day two she said I could help. The first house was owned by older couple, it had small rooms with pictures on every surface, grandkids, vacations, and the like. They had a woodstove in the living room and I cleaned from inside while Margaret worked from the roof. Since it was summertime, the house was warm and the woman offered me iced tea. I worked slowly but Margaret said I did a good job.

The second house that day, Margaret described as “crazy”. It was a large modern home which looked like it had been built with connecting Lego cubes, stacked without much rhyme or reason. There were three fireplaces; we were to clean two of them the family claimed to use, though Margaret suspected they hardly used them at all from how clean they were the year before. A teenager answered the door, shirtless, a scrawny muscular type with pale skin. He nodded at Margaret but gave me a long up and down look as if I were not covered by my dirty shirt and jeans. On the first chimney which was the highest, we followed the same procedure as before. While I cleaned the fireplace inside, I could hear loud rap music coming from one of the upstairs cubes. After inspecting and complimenting my work, Margaret asked if I’d like to reverse roles on the second one. This chimney was much lower, on top of one of the cubes next to a higher stacked part of the house. Near the chimney was a large sliding door covered by blinds which had to lead into the second floor of the house. With a flat roof, the work was easy. I liked the soreness in my arms as I worked the long brush. I could tell there was very little soot to remove, but kept at it, wanting to impress Margaret with my work ethic. The roof was hot and I stopped for a drink from my water bottle giving the neighborhood a look around. The lots were big with expansive lawns and pine trees separating the houses, a mix of older and more modern, though none as unusual as this one. I turned back toward the house. The blinds had been opened on the sliding door. The teenager stood at the window, fully naked, one hand furiously stroking his erect penis, a shit eating grin on his face. Bile rose in my throat and I made a sound between a scream and a retch. I grabbed the brush and scrambled down the ladder. Margaret met me at the bottom with a questioning look–she’d obviously heard my noise. I was shaking.

In her truck, my fingers gripping the armrest tight, I told her.

“Prick,” she said, keeping her eyes on the road. I waited for her to say more, but she didn’t.

I couldn’t leave it there. “Isn’t that like some form of sexual harassment, couldn’t we–” I stopped short at her snort.

“Little fucker,” she said, “probably going to join the Navy. You know how often I saw that kind of shit?”

“Yeah, but does that make it okay?” I felt my tone rise.

“You think you have a case here?” Now her tone rose and she glanced in my direction as she changed lanes. “He was in his own house. How many times a day do you think he jerks off?”

I didn’t have an answer for that. “Look,” she said, “what happened wasn’t good, and I hope never happens again, but you see some weird shit in people’s houses. I can tell you’re upset but I have to know that this is the right fit for you. I can’t have someone jittery on roofs.”

“I’m not jittery,” I said much too loud.

“You are.” The Navy captain’s voice. We rode in silence. When she dropped me off near the bus stop, she said she had no jobs for the next few days but she’d call me.

She didn’t.

The work day Thursday starts normal. Robert is at his desk when I get in at 9. He gives me a nod, no indication of his poor mood the last time I saw him. Araceli shows up at noon, also giving me a nod as if the events of Tuesday never happened. Jorge is in today. He’s quiet and does accounting or something else computer based for Robert. We’ve never said more than hello. Today I have four stalls to clean–I notice Logan went home–and then shorter walks with the five dogs that are here.

By two o’clock, I’ve finished my work along with two check-ins. On Thursdays I’m scheduled until 4, but Robert often tells me to go home early if there’s little to do. Araceli is out back in what I think of as the rattlesnake pit, giving a one-on-one dog training lesson. Today her client is a young man with a rambunctious boxer. Araceli patiently explains to him that he’s the master and gives him techniques on how to cue the dog for certain behaviors and reinforcements when the dog gets it right. I watch her, sitting on a shaded bench, the hot sun feeling good on my ankles. I think about how she should be a vet tech or even a vet. She’s leading the dog through heeling when Robert calls my name.

“Be ready for a clinic Saturday,” he says when I turn toward him.

“Oh. I didn’t see one on the schedule.”

“It’s not. This one is strictly for a few of my friends. They hike a lot in the backcountry with their dogs. I want to give them the experience without the crowds.”

Crowds? We cap our rattlesnake trainings at 10. “Okay,” I say. “You want me to lead it?”

“Of course,” he says. “Bring your A game. And feel free to go if you’ve completed your work today.” Then he goes back inside.

I feel dizziness as if I’d stood up too quickly. What does any of this news mean? I look back toward Araceli who’s watching the man trying to get his dog to heel. Even I can see he’s doing it all wrong. Her face belies no frustration as she again shows him proper form and posture. I want to grab her and ask more of my questions but I can’t interrupt so I go home instead.

My brother and I watch a movie that night. I try to get him to go out and see Barbie with me but he says he’s tired. He chooses a movie about two Syrian girls whose dad is training them to be competitive swimmers. When the political trouble starts, they’re forced to leave the country and become refugees. It’s beautiful, based on a true story, and so sad. I cry quietly through the last twenty minutes hoping my brother won’t see.

“You never cry at movies,” he says. The credits are running and he stands, popcorn bowl in hand.

“Work has been weird,” I say, not looking at him, not wanting to see his reaction at one more possible failure.

I hear him take a step toward me and I look up. He leans down and kisses the top of my head. I let out something between a cry a snort and a laugh and a plume of mucus-y snot lands on my jeans. He laughs. I laugh and this time spit flies from my mouth falling exactly on the mucus spot. “Gross,” he says, but I can see his wide smile, “and goodnight.”

Friday is a slow day. My brother decides to work from a coffee shop so I clean the apartment. As a scrub the bathroom, I remember that Araceli is traveling to Mexico today. She won’t be at work tomorrow when Robert’s friends show up. I turn the music up, hoping to push this thought from my mind. With the apartment done, I set out to walk the mile to the grocery store to buy the fixings for enchiladas, my brother’s favorite. Walking there, I decide to make the green sauce though I know the one I buy in the can is perfectly acceptable. I open a browser for a recipe and “The Proficient Pup” website stares back at me. I call.

“This is Katy.” The owner with the advanced degree and zoo experience.

“Hi. I was hoping I could ask you a few questions.”

“About your dog?”

I explain who I am, that I love dogs, and where I work though I don’t name our kennel or Robert. Before I say I want to learn more about her approach, she interrupts.

“Shock training is cruel. It’s unethical.”

“But I got shocked, it didn’t really –”

“Bullshit.” I don’t have an answer for that. “Look, I gotta go,” she says. “I suggest you read through my website. Bye.”

I had read over her website. And I need my job. And it could save a dog’s life. Or at least that what our website says. Enchiladas, I need to focus on enchiladas.

Robert’s truck is there when I get to work Saturday morning at eight. “Morning,” he says loud when I come in. “Donut?” I see a pink box on the table. This is a first. I say no thanks and start to set up, his friends are coming at nine. I take out the fencing and the stakes, trying not to think about yesterday’s phone conversation.

The friends are two men. Standing with Robert, the three of them could be triplets, each tall and lean with salt and pepper hair. Robert introduces them as Greg and Cork, not saying if the latter is a nickname. Greg’s dog is a yellow shepherd lab mix, a strong male dog with a beautiful flaxen coat. Cork’s dog is a female German short-haired pointer. Both dogs are young with plenty of energy which I knew could make for a challenging session.

The men stand on the patio under the shade umbrella. The dogs run along the outer back fence. Robert brings out a thermos and three red cups which he fills. “Bloody Mary?” he calls to me as I make sure the training circle is perfect. My hands shake a bit as I recheck the stakes. I mouth “No thanks” in his direction.

“So, what about those snakes,” someone, Greg I think, says too loud.

Robert laughs. “Okay, okay, let a man finish this drink.” The trio is into the second thermos. I stand sweating in the shade of the lone tree, a desiccated palm, the dogs sprawl near me, having quickly expended their energy. Robert takes a long gulp from his cup, then sets it too close to the table’s edge causing it to drop to the ground. I see the last of the red liquid ooze from the cup into the dirt. It looks like congealed blood.

Robert sways a bit as he carries the box of snakes into the ring. He puts it in the center of the ring, which is not normal, while I get the shock collar on the lab mix who we’ve decided will go first. Robert opens the door to the box and gives it a kick, also not normal. “Here we go,” he says, his voice a bit shrill, face red.

“Shit, we got some live ones,” Greg yells.

I walk the unnamed dog, they didn’t tell me and, after spending twenty minutes watching them, I’m too embarrassed to ask, toward the two snakes which have come out. The lab takes an immediate interest and tugs in their direction. He’s strong. I release the spring-loaded leash a bit and grip the shock remote tightly in the other hand. Yesterday’s phone call comes roaring back. He reaches the end of the leash and pulls again. My feet are well planted but it still takes much of my counterweight to hold him back. I let out another two feet of leash and he moves forward. There are now three snakes out and all rattle. “Fuck,” one of the men says and I shake just a bit. concentrating on the timing, trying to push Katy’s words from my head. Two more steps and I push the button. The dog yelps and jumps back. He recovers and takes a small step toward the snakes who are synchronously spinning and rattling. I shock him again. Again, he yelps but this time when he gets his bearings, he shirks away from them. I try to edge him in their direction but he pulls away. Success. Maybe this is fine. It could save his life one day. I look back at the men. Their glasses are raised. Robert is now drinking out of a blue cup. Cork holds his pointer who seems a bit agitated by what has gone on the ring.

The pointer is Olive. She’s much lighter than the lab mix but squirmier when I attach her collar. The snakes are now across the ring up against the plastic fencing which has holes but far too small for them to get through. Olive leads me in their direction. Despite her bounciness, I feel steadier. Approach, rattle, shock. A couple of times and we’ll be done. When she gets within two feet, I hit the remote. Her scream shreds the air and I feel the breakfast cereal in my gut seize. That isn’t a sound a dog should make. Shock training is cruel. She jumps backward and her toenail digs into the gap between my jeans and the tongue of my sneaker. She yelps – this time normal – as she gets her footing and I resist the urge to hug her and instead pull her back, sticking to protocol. The men are quiet. Cork looks concerned.

A bead of sweat drips toward my eye but I don’t have a free hand to do anything about it. I take a step back thinking this might be a one and done, for some dogs it is. But Olive perks up and pulls toward the snakes who are continuing to explore ways to escape the fencing. The sweat stings my eye. I let her lead and she keeps on. Again, at a two-foot distance, I shock her. The scream is less but still a scream. “Damn,” I hear Cork say after Olive straightens up.

“Some of them are stubborn,” Robert says. Once again, Olive pulls me toward the snakes. When I shock her the third time, she lets out a whimper as her whole body shudders and she collapses to the ground. I immediately drop to the ground and Robert yells my name. I don’t touch Olive and she gets up. It was a small shock, she has to be alright. I’ve gotten one. This time she stands still, eying the snakes but not moving in their direction. Then she takes a tentative step their way. I hold firm and do not let any more leash out. She pulls. “Let her go,” Robert yells. I look in the men’s direction. Robert’s face is red, Greg’s eating a donut, and Cork looks confused. “One more time,” Robert says, “that should do it.”

“No.” I say.

He takes a few steps forward, almost to the fence. “Do it. One more time. She’s stubborn.”

“No.” He steps over the fence into the ring.

“Robert-” Cork says.

“I got this.” Robert holds out his arm to dismiss Cork. Then he glares at me. “Give me the dog.”

I think about Araceli slapping the man. I think about Syrian girls swimming to sanctuary. And Katy’s words. I shake my head.

He takes another step forward. “I’m not asking you again, give me the fucking dog.”

I take a step forward and hand him Olive. Then I step around him and over the snake fence. I half jog to the big fence which encloses our yard and hurl the remote over. On the other side is an undeveloped scrubby lot, it’ll be hard to find. And it’s our only one. Robert always stresses to be careful with it as he hasn’t gotten around to getting another one. Then I run. Past the men and into our office. “Fucking bitch!” Robert screams. I tear through the front door without looking back.

I stop running about five minutes later. I’d looked behind me a few times. No one. I’m off the county road and bus line and in an unfamiliar neighborhood with small, well-kept houses. At a shaded intersection, someone has placed a bench near what looks to be a path leading into a small canyon. I sit. My face burns but there’s also an unusual calmness, the normal wave of anxiety isn’t there. I’ve lost another job to be sure. But it’s a job I should have lost. I sit letting my body cool. I left my water bottle at the kennel.

After a while I pull out my phone to call my brother. There’s a text message.

Hi. You called me yesterday to ask about shock training and I didn’t catch your name. I stand by what I said–it’s cruel and not ethical–but I’m sorry if I was harsh. It was a tough day, one of my employees just quit on me. Come by and I could show you our training methods. If you are as passionate about dogs as you say, maybe we could discuss some hours here it’s a good fit. Katy.

I read the message three times. It’s real. I call my brother.

I have job news.

And I need a ride.

François Bereaud is a husband, dad, full time math professor, mentor in the San Diego Congolese refugee community, and mediocre hockey player. He is the author of the collection San Diego Stories published by Cowboy Jamboree Press. In 2026, Stanchion Press will publish his collection, A Question of Family. He has been widely published online and in print. His work has earned Pushcart Best of the Net, and Best Small Fictions nominations. He serves as the fiction editor at The Twin Bill and reads for Porcupine Literary. Links to his writing at francoisbereaud.com.