Homecoming
Harry is home now. He slipped in on a perfect
spring afternoon while hundreds of thin yellow ribbons fluttered
like tinsel on the Japanese maple. He didn't want any fuss, so
he and his family spent the rest of the day quietly at home.
He is twenty years old and he has killed since I saw him last.
On Christmas morning, he returned Iraqi fire to save his own
life and continue with the job he was sent to do.
When I learned that Harry had shipped out to Iraq last year,
I set out an American flag and wrapped a yellow ribbon around
my poplar tree. I am not given to public acts of patriotism.
I’ve always considered the ribbon thing a little hokey.
Harry’s going changed that. Sure, I didn’t enlist
and I didn’t demonstrate about the war. I continued my
life and my work as a psychologist in personal safety and freedom
here. But I woke up. The spin and political posturing that obscure
the realities of war faded.
Thirty years ago, those distractions had shielded me from the
Vietnam War. I was able, then, to know and at the same time not
know about napalm and daily death tolls and my contemporaries
who came home broken or not at all. I voted on election days
and did nothing else but complain and resent the government.
I played the part of not playing a part.
War is horrible and magnificent in its ability to engage and
alter human consciousness. In psychology, we call such forces
of nature archetypes and they are impulses that emerge from the
deepest levels of our humanity. In the grip of an archetype,
we feel possessed. Rationality yields. We fall in love, explode
into rage, and descend into depression; we’re blinded by
lust, mesmerized by religious zeal, driven to preserve life or
destroy it.
War is like that; it sweeps us away. War triggers the most destructive
and the most tender moments in a country’s life. We’re
all drawn in, one way or the other.
When Harry shipped out, I experienced urgent feelings of empathy
and solidarity. I didn’t intend to tie a ribbon around
the tree. It was a blind reflexive gesture in the way that machine
gun fire at close range is reflexive. I found myself doing it.
I began thinking not about whether this war is right or wrong
but simply about war and my place in it. And I identified venues
for my involvement.
It doesn’t matter that I don't really know Harry. We keep
to ourselves in our neighborhood in a friendly sort of way. That
young man and I lead such different lives, we'd never had reason
to converse. He drives a Mustang, I drive a Volvo. He goes out
after ten at night when I am anticipating a good book and an
easing into sleep. He plays music on his car radio I know nothing
about. None of that mattered. I got in the habit of holding my
breath when morning radio reported the news from Iraq. I don’t
know how the family stood the steady news of casualties and deaths.
The Sunday afternoon of his homecoming was soft and breezy, warm and grateful,
the way an afternoon in early spring can be: triumphant, full of birdsong and
the motion of yellow ribbons.
I tried to keep at the project I’d been working on but I felt agitated
and distracted, not exactly excited but moved and drawn. I realized I had to
do something. I wanted to say, "Welcome home,” to offer a gift
that would help draw him back from the war.
I found myself stepping into the garden where the first wave of daffodils nodded.
I cut a fat bunch, tied the moist green stems in streaming yellow ribbon and
walked down the street to my neighbor's house. I rang the bell and waited.
When the door opened, there was Harry, still in uniform. He was finishing a
conversation with someone inside and was in the process of turning toward me
so I had a few seconds to take him in before our eyes met.
His drab green fatigues collided with the afternoon and gave the impression
that he was sealed off. His form looked almost hazy, indistinct. He began to
focus on me with a slow and deliberate gaze. I could see him in the process
of coming home, cautiously, layer by layer, shedding the dust and dryness and
danger.
I handed him the bouquet of yellow daffodils.
"I'll bet you haven't seen anything like these for a while," I said.
He looked down at them.
"No,” he said. “You're right. I haven't."
There was a beat of silence. I said something inane about how glad we all were
that he had gotten home in one piece.
"Me too," he said.
Another beat of silence.
He looked intently into the creamy yellow flowers and then back to me.
"Thank you for this."
“You’re more than welcome.”
I turned and started for home. War, as they say, is fought “on the ground,” in
the moment. Its violence and terror concentrate in war zones but its energy
and effects exist everywhere. In budding gardens and chilly subways, in precisely
appointed corporate offices and in the lives of returning soldiers. To pretend
it isn’t happening or that it is contained far away is a fool’s
game.
During periods when this archetypal force has been loosed in the world, I have
hidden behind ideology or simply tried to ignore it. Now, being on the ground
with it, in my own small ways, disturbs me but also enlivens me.
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